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Relevant bibliographies by topics / Site-specific art / Dissertations / Theses

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Dissertations / Theses on the topic 'Site-specific art'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Lu, Shih-Yun. "Site specific interventions in contemporary art." Thesis, University of Leeds, 2008. http://etheses.whiterose.ac.uk/691/.

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Site-specific interventions in contemporary art are still a relatively new area of study. The relevant disciplines include site-specific art, cyberspace, new media art and interdisciplinary art, and installation art. In addition to practical experimentation the work draws upon literature and practice from these disciplines in order to create a theoretical framework. In response to the emerging practical and theoretical framework, site-specific installation works were created in contrasting locations that presented both internal and outdoor spaces. The frameworks created through theoretical inv

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Lyons, Shannon Jade. "Challenging Placelessness: Site-Specific Art within the Gallery." Thesis, Curtin University, 2015. http://hdl.handle.net/20.500.11937/2172.

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This practice-led research project investigates ways of challenging contemporary notions of placelessness through the production and installation of site-specific artworks within art gallery spaces. By focusing on the material, architectural, atmospheric and institutional conditions specific to art gallery spaces, and producing artworks that may reveal, expose and illuminate these conditions, the project aims to explore alternatives to the production of artwork in one place and its exhibition in another, and to the use of the art gallery as a ‘non-place’.

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3

Morais, Fabio dos Santos. "Site specific : um romance." Universidade do Estado de Santa Catarina, 2013. http://tede.udesc.br/handle/handle/688.

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Made available in DSpace on 2016-12-08T16:18:51Z (GMT). No. of bitstreams: 1 113558.pdf: 574737 bytes, checksum: 515c2b0f66a9c377b61049e4fa8331d2 (MD5) Previous issue date: 2013-07-30<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The goal of this research has been to encircle the term literarture with a number of possible definitions. The idea was less to coin a new term than to apply in writing what I perceived to surface already in various texts cited in this research in order to produce the literartistic piece Site Specific, a Romance. Its production consisted of del

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4

Spinks, Tansy. "Associating places : strategies for live, site specific, sound art performance." Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/8752/.

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Claims for originality in this thesis lie in bringing together many different disciplines in art, music, sound studies and performance. The methodology, contextually indebted to the dialogues of site specific art, performance, and sound improvisation, has emerged as a multi-disciplinary one, informed in part by the study of those artists from the 1960s onwards who actively sought to resist the gallery system. The practice has driven the thesis in developing and continuously testing the requirement to respond uniquely to chosen sites. By using relevant references, instruments, and sonified mate

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Christouli, Vasiliki. "Site-specific art as an exploration of spatial and temporal limitations." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/12037/.

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This practice-based thesis examines the relationship between space, time and the human presence. It is concerned with the dialectic exchanges between my work and the places in which its meaning is defined. Oppositions between space/place, place/non-place, and immobility/movement, articulate the spatial and temporal limitations that delineate my site-specific practice and its experience. The exploration of the relationship between the notion of time and my practice has profoundly affected my research, which has itself endured for an extended period of time. This is described in chronological se

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6

Cohen, Oreen. "Between Myself and the Context: Navigating a Site-Specific Art Practice." Research Showcase @ CMU, 2018. http://repository.cmu.edu/theses/139.

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The culminating work of my thesis, “Between a Stone and a Shrine,” presented in April 2014 at the Miller Gallery at Carnegie Mellon University, is contextualized with two of my prior works, “Between You Me and the Wall,” and “Between Icarus and a Phoenix.” These works are further contextualized with relevant autobiographical information. Inspiration is drawn from Walter De Maria’s ideas of meaningless work, and its contrast with Francis Alÿs and his meaningful gestures in public space. My works are then analyzed and compared to Janine Antoni’s bodily relationship to media through physical labo

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7

Di, Lecce Claudia. "Art et imaginaire des lieux : valorisation symbolique 'site-specific' à Berlin." Thesis, Paris Est, 2014. http://www.theses.fr/2014PEST1181.

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S'il est désormais acquis que les communautés d'artistes et plus généralement le système de l'art contemporain jouent un rôle majeur dans le changement urbain, il reste encore plusieurs aspects à éclaircir en ce qui concerne la spécificité de cette contribution. Dans le contexte des quartiers en voie de régénération en particulier, les artistes ont un impact sur le capital symbolique qui se transmet des communautés qui y habitent ou y travaillent, à l'espace ; un processus que l'on pourrait qualifier de « spatialisation du capital symbolique ». Ces hypothèses ont été développées à travers l'ex

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8

Rapp, Karen M. ""Not the romantic west" : site-specific art, globalization, and contemporary landscapes /." May be available electronically:, 2009. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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9

Mello, Paulo Cezar Barbosa. "Site Specificity na arte contemporânea: Inhotim." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27160/tde-29062015-151300/.

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O estudo a seguir desdobra as questões de site specificity na arte contemporânea e suas modificações nas três últimas décadas. A compreensão do espaço em arte tomou novas formas não só em função dos espaços e dos discursos artísticos, mas também em função dos novos meios e linguagens. Essas mudanças demandaram alguns acompanhamentos por parte dos espaços expositivos, bem como um novo olhar sobre o que se entende por site specific art. Com base, principalmente nas propostas de Miwon Kwon, o presente material compara as obras de arte contemporânea, tecendo diálogos com as mudanças vistas. Espaço

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10

Goldman, Sasha Bianca. "This Is Not A Joke: Maurizio Cattelan's Site Specific Practice." Master's thesis, Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/261339.

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Art History<br>M.A.<br>Little attention has been given to studying the important nuances and contributions of individual works by the artist Maurizio Cattelan. Since beginning his career as an "art world outsider," the artist has consistently resisted categorization of his work, be it stylistic, nationalistic or ideological. This has made an approach based on examining his social and political context in relation to individual works rather difficult. Instead, the scholarship surrounding his art has most frequently been in the form of a survey, using his earlier conceptual pieces to contextuali

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Li, Yan-yan Linda. "Media Art for the Mid-Levels Escalator, Central." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B2595460x.

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Fratzeskou, Eugenia. "Visualising Boolean set operations : real and virtual boundaries in contemporary site-specific art." Thesis, University of Surrey, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.425040.

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Reveler, John Alfred. "The role of the artist and the influences of patronage in site-specific art." Thesis, University of Brighton, 2009. https://research.brighton.ac.uk/en/studentTheses/71917e58-2b88-4eda-b8aa-12bb110327a9.

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This practice-based research examines the developments in site-specific art since 1960's. Its purpose is to critically explore the influence of patronage and the role of the artist on practices within this field and it has been achieved by adopting a binary strategy, which combines "research into art" with "research through art." (Frayling 1993:5). This has involved the construction of an individually tailored methodological framework consisting of a textual examination of historical case-studies conducted in conjunction with the organisation and running of practical projects (the BT/Cellnet F

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McCaw, Caroline. "Identifying the Value of the Local Through Site-Specific Contemporary Art Projects in New Zealand." Thesis, Griffith University, 2016. http://hdl.handle.net/10072/367514.

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This research identifies a number of tensions arising from historic and contemporary experiences of living in New Zealand. It engages with creative methodologies that fall within contemporary site-specific and socially engaged fields of artistic practice to investigate these tensions. Through writing and participating in three art projects set in Dunedin, New Zealand as case studies, this thesis reflects on ways in which these projects contribute to understandings of a particular experience of the local. Each case has involved specific sites, narratives and mediated experiences. Through under

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Freitas, Marcos Paulo Martins de. "Colhendo com o corpo: ou o sujeito como \'corpo-crítico\' nas práticas artísticas de intervenções urbanas." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-19112010-091843/.

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A partir de um olhar e de uma escuta direcionadas à cidade, objetivou-se a experiência do corpo no espaço urbano por meio do caminhar como ação poética capaz de suscitar um corpo-crítico que percebesse na paisagem e na arquitetura dos mobiliários urbanos instalados os ideais de cerceamento que fomentam os desequilíbrios sociais e a segregação urbana. A metodologia utilizada inspirou-se na flanerie na cidade, com um mapeamento do uso de espaços públicos, seguido de levantamento das arquiteturas dos mobiliários urbanos, para que as mesmas fossem Re-projetadas, além da coleta feita da paisagem so

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Abdelrahman, Akmal H. H. "Compositional structures in mural design : towards a site-specific deconstructive mural methodology." Thesis, University of Bedfordshire, 2009. http://hdl.handle.net/10547/133549.

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Murals have been the formal visual interpretation of the cultural, social and political life of all ages. Throughout they have been consistently combined with their architectural setting, for example, in ancient Egyptian tombs, in Renaissance churches and on the external walls of buildings in Mexico in the twentieth century. This is a central feature of mural painting. However many contemporary murals do not integrate with their architectural settings, in other words, do not fulfil the site-specificity of the architectural spaces for which they were made. This means that the most important asp

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Sonzogni, Annalisa. "Reconfigurations of interior spaces : an investigation through photography, architecture and site-specific installation." Thesis, Kingston University, 2015. http://eprints.kingston.ac.uk/37869/.

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This thesis examines the mechanisms of site-specific installation in photography, drawing on contemporary architectural debates around relationships between image and space, as well as debates in fine art around participatory practices involving installation. The project has involved a synthesis of practical research, through the production of artwork, throughout the research period. I consider the outcomes of writing, photographing and photographic installation to be at parity with one another, in the spirit of what Jane Rendell calls 'critical spatial practice'. The focus and physical contex

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Lucas, Renata de Almeida. "Visto de dentro, visto de fora." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-20052009-161950/.

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O núcleo desta tese é o conjunto da minha produção artística entre os anos de 2004 e 2008, período em que se deu este doutorado. O texto que acompanha as imagens dos trabalhos descreve cronologicamente cada experiência, desde sua elaboração até a execução, como um evento concatenado a experiências anteriores e posteriores, desdobradas no tempo. Esses trabalhos não apenas partem de indagações a respeito do lugar em que estão inseridos, o que poderia identificá-los com a prática do site-specific, mas têm uma vontade de confundir-se com o próprio lugar, têm a intenção de sê-lo. Nesse sentido, tal

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Sanchez-Camus, Roberto. "Applied live art : co-authorship in socially engaged and site-responsive performance practice." Thesis, Brunel University, 2011. http://bura.brunel.ac.uk/handle/2438/6027.

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This thesis looks at the ways in which performance can integrate participants and local context into the development of new devised work. This practice-led research is based on a methodology that grew out of three performance case studies completed in diverse international settings with a varied range of participants. The case studies are: Napoli Scorticata completed in 2007 in Naples, Italy; Youth Visions, completed in 2008 in Northeastern Ghana, West Africa; Triangulated City, completed in 2009 in Beirut, Lebanon. Within these diverse contexts the research questions the role of authorship wh

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Loureiro, João Eduardo. "Projeto para a ocupação de uma casa: revisão crítica." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/27/27131/tde-22072009-181727/.

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Esta dissertação tem por objetivo analisar o trabalho artís tico Projeto para a Ocupação de uma Casa, realizado dentro do programa de mestrado em Poéticas Visuais entre 2004 e 2005. Através desse trabalho pretendeu-se compreender e aprofundar o interesse no ambiente doméstico presente na produção que o antecedeu. Para isso, foi feita uma revisão crítica dessa produção, onde foram identificados os principais assuntos, recursos e problemas que formaram o interesse no ambiente doméstico. Essa revisão constitui a primeira parte desta dissertação. Na segunda parte, é analisado o Projeto. Partindo d

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Barber, James. "Installation art and memory : a practice-as-research exploration." Thesis, University of Plymouth, 2012. http://hdl.handle.net/10026.1/900.

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This practice-as-research project investigates how a piece of site-responsive Installation Art, titled Triple Point Dunnage (exhibited in Royal William Yard, June 2009), can be used to generate knowledge about memory work through experience of site. Working in dialogue with the ideas of Daniel C. Dennett, Lucy Lippard and Gaston Bachelard, I attempted to create a permeable and fluctuating creative setting for the memory work of participants. An approach that used site as a stimulant within a process which also incorporated theoretical themes. During the period of design and construction, I int

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Janečková, Zuzana. "ID-IDENTITA (NE) ZNÁMA (time specific in-cognito in-stantná id-entita)." Doctoral thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2012. http://www.nusl.cz/ntk/nusl-234280.

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This dissertation focuses on va-rious strategies of presenting identity in contemporary art and the current trend of forming its mutations and mystifications. It deals with approaches such as when the name of an artist is absent from his performance, various forms of concealment, and the subsequent detection of an artist. The term “anonymity” is not examined as its mere literal definition, but it subsequently forks into other related meanings. The introduction points at our daily meetings with anonymity, the condensation of information stemming from all spheres including the sphere of visual a

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Vlček, Martin. "Člověk, místo, paměť." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-390115.

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Since its origin scenography has been situated among two arts (the visual art and the performing art). Also the visual art itself has been since the 60's of the 20th century in a similar position: experiences of living through as a part of installation (environment since 50's) or focusing more on the action itself (happening, event, performance). In my thesis I mention such examples, when both of these creative worlds cross each other on borders. The themes memory and place included in their works may consist at least of one of these two main levels: 1.) art work with place and its specifics 2

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Afonso, Chissangue Rebelo de Sant' Ana. "Ninhos, um sítio específico de criação e diálogo entre arte, teatro e ecologia." Master's thesis, Universidade de Évora, 2021. http://hdl.handle.net/10174/29130.

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Este relatório analisa e discute o projeto em epígrafe, desenvolvido em duas fases distintas: um exercício exploratório e a apresentação de uma performance sumário de residências artísticas, que suscitaram a pesquisa sobre a relação do site-specific, no processo de criação artística, performática, integrando as opções e ferramentas aplicáveis à interpretação e direção. Estabelece diálogos simultâneos entre pressupostos da arte na paisagem, que permitiram construir materialidades, um corpo plástico, numa ótica sustentável, abordando novas manifestações de ecologia e processo antrópico, numa poé

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Pizzi, Valentina <1993&gt. "Arte, ambiente e pubblico in dialogo: installazioni site-specific progettate per collezioni, festival, ed esposizioni sul territorio italiano." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/12661.

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Questa tesi ha l’obiettivo di delineare il panorama contemporaneo dell’arte site specific in Italia. Col supporto di testi critici, si ricerca la nascita e lo sviluppo di questa forma d’arte, partendo dal Minimalismo e proseguendo attraverso altri movimenti artistici quali Arte ambientata, Arte pubblica e Arte urbana. Si definiscono poi i caratteri fondamentali delle installazioni site specific: il legame dell’opera con lo spazio, la relazione con il tempo e l’interazione con il pubblico. Questi aspetti sono studiati e sviluppati dall’artista secondo il contesto in cui l’opera è inserita; si

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Šišková, Daniela. "LETNÍ PROJEKT DIVADLA CONTINUO Ve sklepě." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202772.

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The diploma thesis The summer project In the cellar of the Theater Continuo is about my experience at the summer workshop organized by the Continuo Theatre concretely on site-specific project In the cellar. At first I write in a style of diary and later on I describe particular approaches of work, exercises and creating of the performance itself. The final section is devoted to the author's own project Coco.on, which was created as part of a school project Left on my own. This creation was based on the experience gained from the summer workshop.

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Mark-Ng, Elsa. "Public Art in Outdoor Space: How Environmental Art Can Influence Notions of Place." Oberlin College Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1559347543553644.

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McGrath, Wendy J. "Digging deep: Material investigations into the intangible aspects of landscape sites towards a holistic representation of place within creative practice." Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/116349/2/Wendy_McGrath_Thesis.pdf.

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This body of creative practice research extends investigation into the tangible and intangible aspects of landscape sites, where the artist navigates contemporary theories and hypotheses around energy, matter, embedded memory and vital materialism of landscapes and associated artefacts as process. The research addresses the ways in which artists investigate attributes of the theories through practical research in the context of making site-specific art.

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Bradley, Simon. "Archaeology of the voice : exploring oral history, locative media, audio walks, and sound art as site-specific displacement activities." Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/28316/.

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This thesis develops a notion of an archaeology of the voice that is situated between three principal areas of research and practice: oral history, locative media, and sound art. The research takes place in the context of contested urban space in Holbeck, Leeds one of the most deprived neighbourhoods in the U.K. Through a reiterative and reflexive process of extensive interviewing, soundwalking and field recording the area is deep mapped and material gathered in order to produce a percipient led sitespecific presentation of oral history I term 'phonoscape'. Although the technology exists to co

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Dutil, Daniel. "L'in situ trans-site, selon une perspective de l'interactionnisme symbolique." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1994. http://theses.uqac.ca.

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Mémoire (M.A.)-- Université du Québec à Chicoutimi, 1994.<br>Cette communication a été réalisée à l'Université du Québec à Chicoutimi dans le cadre du programme de maîtrise en arts plastiques de l'Université du Québec à Montréal extensionné à l'Université du Québec à Chicoutimi. CaQCU Document électronique également accessible en format PDF. CaQCU

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Leitch, Fran. "10 Bowen St." Click here to access this resource online, 2008. http://hdl.handle.net/10292/475.

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This project is a site specific based exploration into the boundaries between the domestic home and the navigation of the anxious corporeal body which dwells in the space. These connections open up ways of mapping anxiety brought on through intrusive thoughts surrounding contamination (in relation to Obsessive Compulsive Disorder). The corporal navigation of the domestic is fuelled by the thoughts and their control over the notions of fear and anxiety surrounding the transferring of contaminated material from the external temporal world (dust and organic matter) into the internal sterile envi

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Boudreault, Nathalie. "Quatre dispositifs in situ pour une meilleure compréhension de l'oeuvre du peintre Arthur Villeneuve /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2001. http://theses.uqac.ca.

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Crum, Susanna Garts. "The heart of the park." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/2847.

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The Heart of the Park works to expose, preserve, and interpret the many layers of social history, fact, and fiction within Iowa City's City Park. This exhibition is a result of archival research, interviews, and on-site investigation. As a guide, I followed the path of Enoch Emery, a park-haunting voyeur featured in Flannery O'Connor's first novel, Wise Blood, which she wrote after graduating from the Iowa Writers' Workshop. Details of O'Connor's fictional version of City Park, in Chapter 5 of Wise Blood, as well as Enoch'

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Weaver, Suzanne M. (Suzanne Markette). "Hans Haacke: an investigation of four site-specific works that incorporate painting as a means of revealing interrelated cultural, economic, and political systems in society, 1982-1984." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc798463/.

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Four site-specific works produced between 1982 and 1984 in which Hans Haacke utilized the traditional medium of oil on canvas were examined in conjunction with an overview of the underlying and interrelated principles and concepts that have guided his approach to art from 1958-1988.

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Wheeler, Eleanor Teresa. "The role of architectural ceramics in contemporary site-specific art : an analysis from the perspective of the art practitioner through four case studies of commissioned artworks." Thesis, Northumbria University, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266180.

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Barreto, Jorge Mascarenhas Menna. "Lugares moles." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/27/27131/tde-05072009-204120/.

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O objeto de pesquisa desta dissertação compreende as especificidades do termo site-specific, palavra da língua inglesa usada internacionalmente em arte para caracterizar obras para as quais o contexto tem um papel determinante. A meta da pesquisa é dobrar o conceito implicado pelo termo sobre a própria palavra, ou seja, defender a idéia de que a expressão site-specific é em si site-specific e que, portanto, a sua utilização em outros contextos e línguas, que não o seu de origem, deve sofrer algum tipo de elaboração, ou tradução. O site-specific não é entendido somente como um assunto, mas como

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Rylands, Frances Elisabeth. "The Creative Conundrum : a site-specific approach to the policy and practice of heritage and change on the Jurassic Coast." Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/28004.

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Since being designated in 2001 as a natural World Heritage Site the Jurassic Coast managers have worked for it to be recognised as the Creative Coast. This thesis explores and challenges the entanglements of policy and practice in the process of the site becoming creative. Through archival research, interviewing and ethnographic methodologies this project has sought to develop a site-specific approach to creative arts policy. Research has integrated investigation of the embodied and quotidian geographies of decision-making with policy discourse analysis. Following formal and informal, public a

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Thouvenin, Sandra Rose. "To Stop and Look: Richard Serra's Icelandic Sculpture Afangar and Related Notebook Drawings." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1437651095.

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White, Eve. "This Must Be the Place." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5873.

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This publication is the companion piece to “This Must Be the Place,” a 3D realization of my conceptual photography work exhibited in the Anderson Courtyard at VCU's 2019 School of the Arts MFA Show. I photograph scenes from nature and reproduce these images onto flattened plexiglass planes, arranging them in new, natural environments and photographing them again. The outcome is a scenic collage in which two unfamiliar locations become superimposed. It is my hope that as people experience the work they become a part of the texture of it.

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李欣欣 and Yan-yan Linda Li. "Media Art for the Mid-Levels Escalator, Central." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31986651.

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Skálová, Alena. "Tady všude žijeme." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-251438.

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Community theatre, site-specific theatre, and their plausible contribution to drama in education and children's or youth theatre are in the main focus of the thesis. It summarizes the roots and background of both of these fringe theatre paths, introduces their main objectives and representatives. A more detailed description of several community theatre groups and site-specific projects is also included. Apart from the theoretical introduction, the paper follows the individual principles and complex ideas within these two alternative theatre approaches from a practical perspective; it includes

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Fessé, Susanne. "Att skriva om känslor: en studie av hur teori om affekt kan tillämpas i skärningspunkten mellan plats och verk." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-403489.

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This study analyzes The Influence Machine by Tony Oursler, Delay by Santiago Mostyn and An Imagined City by Jonas Dahlberg as public site-specific temporary artworks in Sweden. In particular, the intersection of the artworks and the site is analyzed, to see how emotions can be written about in an analysis. The questions are: How can these artworks be described? How can sites be described? What is the relationship between the sites and the artworks? How can emotions that exist in the space between the artworks and the sites be written about in an analys? My methodological framework is based on

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Trouton, Lycia Danielle. "An intimate monument (re)-narrating 'the troubles' in Northern Ireland the Irish Linen Memorial 2001-2005 /." Access electronically, 2005. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060517.113223/index.html.

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Sopoušková, Petra. "Naše ulice Křížová." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2016. http://www.nusl.cz/ntk/nusl-240598.

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The topic of my diploma thesis is connected to my previous studies at faculty of architecture. My intention is to explore very undesignable organic development of urban spaces, but for an architect it is difficult and unusual to work with because of standardized planning process of public spaces. Using art based research I am trying to find, define, and prove existence of mental space that complements material shape of urbanized areas. As a locality for experiment I chose a street I live in for five years, and simultaneously had a wretched destiny – the Křížová Street of Old Brno district. As

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Carvalho, Ana Maria Albani de. "Instalação como problemática artística contemporânea : os modos de espacialização e a especificidade do sítio." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2005. http://hdl.handle.net/10183/10864.

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O objetivo deste trabalho consiste em identificar e compreender a problemática artística constituída pela instalação procurando enfatizar as contribuições deste segmento da produção para o debate crítico contemporâneo. A pesquisa foi desenvolvida através da análise crítica de um conjunto de obras recentes produzidas por artistas brasileiros e estrangeiros – entre os quais citamos Artur Barrio, Cildo Meireles, Christian Boltanski, Jenny Holzer, Jochen Gerz, Regina Silveira, Tunga, Vera Chaves Barcellos – e vinculadas às noções de “instalação”, “site specific”, “in situ” e “intervenção”, procura

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Buzz, Lu La. "The states and status of clay : material, metamorphic and metaphorical values." Thesis, University of Plymouth, 2018. http://hdl.handle.net/10026.1/11639.

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This doctoral project combines a performance-led practice with contextual research in order to demonstrate how arts practice can challenge historical perceptions of clay and enhance its material status. The core knowledge deduced from this research is that embodied performance transforms connectivity between artist and clay and produces a unified incarnation of both elements. Through the use of immersive research methods I gained insights which could not have been predicted - particularly that my experiential performances were a process of ‘clay becoming’ in which I ultimately became the clay.

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Genioli, Ana Amélia Corazza. "Identidade como Territorialidade em trabalhos de Arte Contemporânea." Pontifícia Universidade Católica de São Paulo, 2005. https://tede2.pucsp.br/handle/handle/4245.

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Made available in DSpace on 2016-04-26T18:10:29Z (GMT). No. of bitstreams: 1 Dissertacao Ana Amelia Corazza Genioli.pdf: 7329161 bytes, checksum: a2cf5caeb757cf7a4ee164b547abe878 (MD5) Previous issue date: 2005-09-01<br>Through the reading of theoretical texts and contemporary works of art this research examines three aspects of the concept of frontiers or borders: frontiers between individuals and territory between individuals and communities and frontiers inside the art system itself The methodology used did not focus on one specific area of knowledge instead it covered several areas under

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Spaziani, Luis Fernando. "O artista contemporâneo e o site specific numa instituição cultural: Tunga e Regina Silveira no Centro Cultural Banco do Brasil de São Paulo." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-13052012-180834/.

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Esta dissertação tem por objetivo analisar artística e historicamente as exposições dos artistas Tunga e Regina Silveira concebidas especialmente para o Centro Cultural Banco do Brasil (CCBB) de São Paulo. Buscamos confrontar/comparar duas obras de Tunga e de Regina Silveira analisando-as criticamente a partir de documentos e projetos pertencentes aos arquivos do CCBB, que permitiram uma avaliação dos resultados pretendidos e alcançados pelos artistas. De maneira mais ampla, buscamos contribuir para o debate e a reflexão acerca da produção artística atual nas artes visuais brasileiras, especia

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Phillips, Perdita. "Fieldwork/fieldwalking: Art, sauntering and science in the "walking country"." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2007. https://ro.ecu.edu.au/theses/257.

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fieldwork/fieldwalking is a contemporary art project exploring practices of walking and science in the field. 11 explores the themes of walking and-fieldwork in art, and as art. Whilst the. sociology of science in the laboratory has been well theorised, less has been said about the field in the natural sciences. And, equally, the most recent and provocative walking art is found in urban areas, in a fabric dominated by the patterns of human settlement. How could new walking art be made in non-urban places? The project set out to investigate how these two, fieldwork and walking, could be combine

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Hooper, Colleen. "Public Movement: Dancers and the Comprehensive Employment Training Act (CETA) 1974-1982." Diss., Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/372703.

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Dance<br>Ph.D.<br>For eight years, dancers in the United States performed and taught as employees of the federal government. They were eligible for the Comprehensive Employment and Training Act (CETA), a Department of Labor program that assisted the unemployed during the recession of the late 1970s. Dance primarily occurred in artistic or leisure contexts, and employing dancers as federal government workers shifted dance to a labor context. CETA dancers performed “public service” in senior centers, hospitals, prisons, public parks, and community centers. Through a combination of archival resea

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