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Relevant bibliographies by topics / Social aspects of Photography / Dissertations / Theses

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Dissertations / Theses on the topic 'Social aspects of Photography'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Blomgren, Constance, and University of Lethbridge Faculty of Education. "Family photos : an exploration of significant exposures." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Education, 1999, 1999. http://hdl.handle.net/10133/93.

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This hermeneutic inquiry into the significance of family photographs in our personal and public lives explores the relationship between the subject, the photographer and the viewer. The discussion uses the photgraphic oeuvres of the author's paternal grandfather and maternal grandmother as the basis of the exploration. Themes which appear include the following: the represented and projected images of a family within family photos; the significance of gender in the making of snapshots; and, the influence of history and religion upon families. The discussion also includes the relationship betwe

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2

Agbo, George Emeka. "Photography, facebook and virtualisation of resistance in Nigeria." University of the Western Cape, 2016. http://hdl.handle.net/11394/5465.

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Philosophiae Doctor - PhD<br>Nigerian post-independence history (1960 to the present date) is steeped in socio-political upheavals. The majority of the citizens are frustrated with the injustice, inequality and fraudulent politics that pervade the country. The central argument of this thesis is that these conditions are critiqued through the photographic practices produced on Facebook. Through the circulation of photographs and the conversations around them on the social media platform, Nigerians demand social change. The sociality that underpins the visuality of social networking is explained

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3

Barberini, Marta. "The Impact of Humanitarian Photography on the Generation of Sympathy and on Donation Behavior." PDXScholar, 2010. https://pdxscholar.library.pdx.edu/open_access_etds/18.

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This paper presents findings of an exploratory study to evaluate the impact of humanitarian photography on the generation of sympathy and donation behavior. Considering the large amount of money spent each year by charity organizations on marketing strategies, it seems crucial to shed light on the persuasive impact of images in this context. The overarching purpose of this study was to discern what impact, if any, a number of features in a photograph have on sympathetic reactions. Specifically the author examined facial expressions (sad vs. happy), eye contact vs. no eye contact and total numb

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4

Walton, Shireen Marion. "Camera Iranica : popular digital photography in/of Iran." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:7f6516bf-64c6-4551-b58c-08e42915183f.

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This thesis explores the contemporary genre of popular digital photography, with a specific look at photographs taken in/of Iran. It focuses on the contemporary practice of 'photoblogging' or photography-based weblogging. Photoblogs are the result of the daily posting of digital photographs concerning everyday life in Iran on personal blogs specifically dedicated to photography. The title of the thesis, Camera Iranica, refers to the subject and scope of the study, as well as to its digital-ethnographic field site. I demarcate this as a conceptual and transnational cultural field, encompassing

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5

Scheffknecht, Sandra Art College of Fine Arts UNSW. "Doubledeath--the very presence of the absent." Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43304.

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The notion of doubledeath, as an idea to generate work, can be seen as both an ironic reflection on the medium of photography and a critical attempt to comment on contemporary culture. In short, the inherent characteristics of the photographic medium and its function within society are combined. Photography embodies both death and the beginning of something autonomous and new in the very moment of the picture-taking process. A photograph is a mere simulation of what was once there, in front of the lens, transformed onto photographic paper. It then opens up a whole range of new possibilities t

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Ractliffe, Jo. "Nadir : a graphic interpretation of dispossession and aspects of conflict." Master's thesis, University of Cape Town, 1988. http://hdl.handle.net/11427/17181.

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Bibliography: pages 109-111.<br>Dispossession, aspects of conflict and the breakdown of the relationship between people and their environment is the subject of this thesis. The body of work presented consists of twenty-four photographs and sixteen screen-printed off-set lithographs (referred to as the prints). The photographs are largely intended to introduce and contextualize the prints which act as the main body and conclusion of the thesis. In the series of prints I have manipulated certain photographic imagery in order to explore the ways in which meaning can shift with changes in context,

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7

Supartono, Alexander. "Re-imag(in)ing history : photography and the sugar industry in colonial Java." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/11909.

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This thesis seeks to examine the ways that the success of the Dutch Empire at the turn of the twentieth century was represented and celebrated in the photographic albums of Dutch sugar industrialists in Java. It aims to show how the photographic practices that developed in the colony in parallel with its industrialisation informed the ways that the colony was imagined in the metropolis and the colony. Whether social portraiture, topographic studies or depictions of industrial machinery and infrastructure, the photographs of the sugar industry were part and parcel of a topical vernacular tradit

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8

Kwiatkowski, Maksymilian. "Backwards, forwards and in-between : nostalgic landscapes, photography, identity and the return journey 'home'." Phd thesis, School of Geosciences, 2007. http://hdl.handle.net/2123/10237.

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9

Gavard, Sandra. "Photo-graft : a critical analysis of image manipulation." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0015/MQ54990.pdf.

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10

Wong, Wilson Heitung. "The cultural politics of foodie criticism in Hong Kong : a case study of foodies on Instagram." HKBU Institutional Repository, 2019. https://repository.hkbu.edu.hk/etd_oa/704.

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This thesis investigates the cultural politics of taste in contemporary food media of Hong Kong through the lens of foodie stylistics on Instagram. By bearing on the semiotic theory and analysis by Roland Barthes, this research seeks to closely examine the mythmaking of taste in foodie criticism--the food and restaurant review written by foodies on social media platform. The theory will be used to spell out the layered meaning of foodie criticism: a linguistic depiction of food, visual stylistic of writing about taste, tactics of gaining voice of authority by foodie critics and their intention

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11

Mountain, Michelle Fiona. ""The secret rapport between photography and philosophy" considering the South African photographic apparatus through Veleko, Rose, Goldblatt, Ractliffe and Mofokeng." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002211.

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This thesis is an attempt at understanding South African photography through the lens of Nontsikelelo “Lolo” Veleko, Tracy Rose, David Goldblatt, Jo Ractliffe and Santu Mofokeng. Through the works discussed this thesis intends to unpack photography as a complex medium similar to that of language and text, as well as attempt to understand how exploring South African experiences and spaces through the lens of photography shapes and mediates them. Furthermore it also attempts to understand how these experiences and spaces conversely affect the discourse of photography or at the very least our per

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12

Johnson, Stacey. "Taking pictures, making movies and telling time : charting the domestication of a producing and consuming visual culture in North America." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35900.

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The dissertation examines how image-making, a common pastime, was made common. It investigates the ways in which the production and consumption of images in the context of the North American family contributed to the development of a distinctly domestic and privatized visual culture, and the transformation of the home into a site for privatized spectatorship.<br>Four cultural forms (No. 1 Kodak, Box Brownie, Cine Kodak and Cine Kodak 8) are specified in this development, all pioneered by the Eastman Kodak Company. The dissertation traces Eastman Kodak's direct involvement in the popularization

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13

Geyer, Xanthe Amanda. "Correction, addition and deletion : memory and its function in creating "visual narratives" (and identity) in photographic art." Thesis, Rhodes University, 2009. http://hdl.handle.net/10962/d1002198.

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With this dissertation I propose to investigate critical theories dealing with memory and its role in photography. The function of memory is a well discussed and analysed topic within the ambit of historical research. Drawing from theoretical texts by critical theorists, namely, Roland Barthes, Annette Kuhn and Marianne Hirsch, I will critically address the function of memory in the understanding of photography; particularly how photographs have the ability to construct our identity in terms of history and narrative. I will study the content of memory in relation to visual images, focusing on

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14

Davidson, Kathleen Margaret. "Exchanging views : empire, photography and the visualisation of natural history in the Victorian era." Phd thesis, Dept. of Art History and Theory, Faculty of Arts and Social Sciences, 2011. http://hdl.handle.net/2123/13157.

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15

Josephy, Svea Valeska. "The development of a critical practice in post-apartheid South African photography." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52508.

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Thesis (MA)--Stellenbosch University, 2001.<br>ENGLISH ABSTRACT: South African photography in the 20th century was dominated by the documentary genre. This genre has its roots in 19th century Modernist and colonialist belief in the accuracy of the camera as a tool of representation, and faith in the camera's objectivity and ability to present empirical evidence and 'truth'. These positivist notions were carried into South African documentary practice during the apartheid era. Apartheid-era South African documentary photography was particularly focused on exposing the socio-political ills

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Godeau, Vincent. "La photographie africaine contemporaine : vers une photographie panafricaine." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040097.

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La photographie africaine contemporaine est ici celle que pratique les Africains vivant en Afrique. Durant notre période (1989-2009), le constat de l’absence de spécificité de la photographie africaine fait place au constat du regard photographique erroné que porte les Occidentaux sur l’Afrique. « Quelle est la vraie photographie africaine ? » est une des questions les plus souvent posées. En parallèle, le genre du portrait s’impose, en lutte contre un afropessimisme ambiant, tandis que les photographies documentaire et du réel montrent l’Afrique vécue par les Africains. Plus militante, la pho

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Alves, Bruno Oliveira. "Olhares em construção: modos de vida representados nas fotorreportagens de o cruzeiro." Universidade Tecnológica Federal do Paraná, 2015. http://repositorio.utfpr.edu.br/jspui/handle/1/1321.

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CAPES<br>Esta pesquisa investiga como a fotografia, a partir das fotorreportagens de Jean Manzon e José Medeiros presentes na revista O Cruzeiro, contribuiu para a representação de modos de vida urbanos no Brasil na passagem dos anos 1940 para os 1950. Busco compreender quais conceitos são destacados através da produção desses fotógrafos no período de 1947 a 1951. Assim, foram analisadas 11 reportagens publicadas dentro do período escolhido. A partir dos Estudos Sociais da Ciência e da Tecnologia propõe-se que os modos de ver são componentes essenciais do sistema tecnológico fotográfico, porqu

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Fitzpatrick, Andrea D. "Approaching the dying and the dead : an analysis of contemporary, lens-based artworks and the potential for ethical intersubjectivity." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85906.

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Photographic, film and video representations of dying and dead subjects bring to light delicate balancing acts of agency involving representational perspective. In this thesis, I examine contemporary, lens-based artworks by Sarah Charlesworth, Eric Fischl (whose sculptural medium is an exception), Alejandro Gonzalez Innaritu, Gillian Wearing, Andres Serrano, Nan Goldin, AA Bronson and Jorge Zontal, as well as works by photojournalists Richard Drew and Theresa Frare, to show how they effectively convey facets of identity to dying and dead subjects. The voice, visuality, touch and embodim

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Laurence-Allen, Antonia. "Class, consumption and currency : commercial photography in mid-Victorian Scotland." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3469.

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This thesis examines a thirty year span in the history of Scottish photography, focusing on the rise of the commercial studio from 1851 to assess how images were produced and consumed by the middle class in the mid-Victorian period. Using extensive archival material and a range of theoretical approaches, the research explores how photography was displayed, circulated, exploited and discussed in Scotland during its nascent years as a commodity. In doing so, it is unlike previous studies on Scottish photography that have not attended to the history of the medium as it is seen through exhibitions

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20

Vigliotti, Jeanette C. "The Double Sighted: Visibility, Identity, and Photographs on Facebook." UNF Digital Commons, 2014. http://digitalcommons.unf.edu/etd/506.

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The primary objective of this analysis is to uncover the tools of Facebook identity construction. Because Facebook users have the ability to control the images and information associated with their profiles, reactionary scholars typically classify Facebook identity as a symptom of cultural narcissism. However, I seek to displace the fixation on the newness of the medium in order to interrogate the possibility of a society that has internalized surveillance. Using Michel Foucault’s theories on panopticism and heterotopia, I examine the role photographs play in the construction of an individual

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21

Orton, Dianne J. "The use of visual imagery and reflective writing as a measure of social work students' capstone experience." Thesis, Link to the online version, 2007. http://hdl.handle.net/10019/2049.

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Herrerias, Cuevas Vesta Mónica. "Le masque social ou la representation de la bourgeoisie mexicaine dans le portait photographique (1854-2008)." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030058.

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Loin de la dénonciation sociale ou d’un exercice strictement historique, le présent travail cherche à comprendre comment se construit l’image du personnage bourgeois à travers l’étude de portraits de la bourgeoisie mexicaine entre 1854 et 2008. Le concept de masque permet de rendre compte du portrait en tant que construction d’un modèle de représentation sociale. La première partie propose un aperçu général des origines et de l’évolution du portrait pictural, de son influence sur le portrait photographique, des conséquences des idées humanistes sur l’art, enfin de l’histoire de la bourgeoisie

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Souza, Fernando Artur de. "A construção cultural da fotografia como discurso na arte contemporânea." Universidade Tecnológica Federal do Paraná, 2013. http://repositorio.utfpr.edu.br/jspui/handle/1/680.

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Este trabalho apresenta uma discussão acerca de relações estabelecidas entre a fotografia e a arte contemporânea, a partir de um viés em que a produção artística dialoga com a produção fotográfica de âmbito familiar. A fotografia é assumida como um processo mediador culturalmente construído, levando em conta aspectos de sua conformação tecnológica, bem como de seus usos sociais, ambas dimensões consideradas preponderantes para a produção de significado para estas imagens. Para estabelecer estas relações através de uma perspectiva interdisciplinar, o texto busca integrar pontos de vista de área

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Fouche, Pierre. "The distance between us : strategizing a queer, artistic, personal and social politic." Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/2137.

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Thesis (MA (VA)(Visual Arts))--University of Stellenbosch, 2006.<br>This thesis considers radical and reactionary political strategies for questioning systems of gender/sexuality categorisation and finds both wanting in terms of the cultural insularity and mainstream assimilation each respectively engenders. An alternative is posited in the form of radical assimilation, a theory borrowing the best elements from both approaches. The remainder of the study is focussed on the search for personal and iconographic strategies to pursue a politic of radical assimilation in my creative production. The

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Corção, Carolina. "Seus olhares sobre os meus: o olhar das crianças no entendimento técnico-estético e social da fotografia." Universidade Tecnológica Federal do Paraná, 2012. http://repositorio.utfpr.edu.br/jspui/handle/1/358.

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Capes<br>Essa pesquisa pretende refletir sobre as interações socioculturais no uso técnico-estético da fotografia. Para tanto, seguiu-se uma metodologia de análises de imagens, e observações de práticas de oficinas de fotografia com jovens e crianças de Curitiba e Região Metropolitana, realizadas pela autora anteriormente a esse estudo. As análises basearam-se em estudos da imagem e semiótica visual. Contudo, tornou-se essencial estimular a compreensão dos sistemas de representações como construção social e possibilidades de expressão através da fotografia, tema desafiador em um tempo em que a

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Williams, Emily Louise. "An investigation into the effectiveness of social stories with photograph or symbol illustrations for addressing the specific target behaviours of children with a diagnosis of autism spectrum disorder." Thesis, University of Nottingham, 2011. http://eprints.nottingham.ac.uk/13297/.

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This study aimed to investigate the effectiveness of Social Stories utilising either photograph or symbol illustrations to address the target behaviours of children with a diagnosis of Autism Spectrum Disorder (ASD). Multiple single-case experiments were conducted utilising an ABA design with 10 participants, all of whom were boys attending mainstream primary schools within a West Midlands Local Authority. The children ranged in age from 5-11 and all of them had a diagnosis and a primary need in relation to ASD. Personalised Social Stories were composed for each of the participants to address

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Lemay, Yvon. "Peter Henry Emerson : essai sur l'histoire sociale de la photographie." Doctoral thesis, Université Laval, 1990. http://hdl.handle.net/20.500.11794/33506.

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En étudiant le cas du photographe Peter Henry Emerson (1856-1936) à partir du discours tenu par les historiens de la photographie sur son principal traité (Naturalistic Photography) et sur son oeuvre, cette thèse vise non seulement à montrer la pertinence d'une approche sociale de 1'histoire de la photographie, mais à faire état de 1'importance des travaux du sociologue Pierre Bourdieu pour les fondements théoriques d'un tel type d'approche. En effet, des théories comme la division du domaine artistique à partir du dix-neuvième siècle en deux secteurs d'activités (champ de production restreint

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Zambello, Marco Henrique 1975. "O declínio ferroviário paulista : despojo do trabalho social e abandono racional." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281272.

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Orientador: Silvana Barbosa Rubino<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-26T20:59:09Z (GMT). No. of bitstreams: 1 Zambello_MarcoHenrique_D.pdf: 4127486 bytes, checksum: ce33dd23d7e745aba23ab1f9a661a411 (MD5) Previous issue date: 2015<br>Resumo: A pesquisa estudou o declínio ferroviário paulista, cujo progresso se baseou na relação econômica da monocultura cafeeira. As ferrovias paulistas do interior dependeram da ferrovia inglesa SPR, que se desenvolveu tecnologicamente pela pressão dos cafeic

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Le, Febvre Emilie. "Tracing visual knowledge : the presence and value of images for Bedouin history and society in the Negev." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:d588d57f-2137-47b2-9ff2-3ac46799f6ad.

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Based on eighteen months fieldwork with Bedouin of the Negev, this thesis explores the varied presence of images as photographs and digital copies for local historicity in order to achieve a greater understanding of representational politics in southern Israel. It emphasizes pictures' ability to transmute, circulate, and acquire value in various social settings in contrast to popular academic treatments, which primarily focus on photographs' iconography and visual history in the Middle East. To do so, the thesis details the biographies of a series of 'significant images' (c. 1906-2010) circula

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Coltelloni, Anne. "Le documentaire comme forme symbolique." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2009. http://tel.archives-ouvertes.fr/tel-00812350.

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L'étude sur le documentaire a suscité ces dernières années de nombreuses approches : historique, rhétorique, pragmatique, stylistique. Celles-ci posent la question de la réalité dans le film ou dans la photographie, problématique récurrente du documentaire. C'est à nouveau cette interrogation qui sera abordée dans cette recherche. La perspective envisagée a l'ambition de synthétiser toutes ces approches en remontant à l'origine de la photographie, au dix-neuvième siècle, et en faisant valoir sa spécificité d'image. Un parcours photographique est proposé montrant en quoi l'image photographique

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譚美兒 and Mei-yee Eve Tam. "Orientalism and photography." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B4413938X.

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Zare, Khalili Fathollah. "La photographie dans une société en transition : le cas de l'Iran." Paris 1, 2009. http://www.theses.fr/2009PA010633.

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Chaque moment de I'histoire voit naître des modes particuliers d'expression artistique qui sont en correspondance avec Ies manières de penser, les goûts et Ie caractère politique. Dans Ie monde d'aujourd'hui, la société iranienne, héritière d'une civilisation ancienne, est en qu&te de son identité. Ce pays, dans Ie domaine des arts visuels, avait ses propres particularités aujourd'hui remises en question. La photographie est un moyen d'expression typique d'une société établie sur la civilisation technicienne, consciente des buts qu'elle s'assigne, d'esprit rationaliste et fondée sur une hiérar

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Major, Mary Elizabeth. "War's Visual Discourse| A Content Analysis of Iraq War Imagery." Thesis, Portland State University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1535957.

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<p> This study reports the findings of a systematic visual content analysis of 356 randomly sampled images published about the Iraq War in <i>Time, Newsweek,</i> and <i>U.S. News and World Report</i> from 2003-2009. In comparison to a 1995 Gulf War study, published images in all three newsmagazines continued to be U.S.-centric, with the highest content frequencies reflected in the categories U.S. troops on combat patrol, Iraqi civilians, and U.S. political leaders respectively. These content categories do not resemble the results of the Gulf War study in which armaments garnered the largest sh

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Machado, Katia Regina. "Un regard à double égard sur la misère du monde. Analyse des effets de la forme esthétique des images photographiques de Sebastiao Salgado." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030098.

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L’œuvre photographique de Sebastião Salgado, qui focalise la condition de vie des personnes affectées par la souffrance sociale causée soit par la guerre, soit par l’exploitation et la misère, prime par la qualité de la composition esthétique, mais ses images ne sont pas produites dans le contexte de la photographie d’art. Elles s’inscrivent dans la catégorie de la photographie documentaire et leur finalité discursive est la dénonciation sociale. Une part des spécialistes de l’image et des sciences humaines et sociales estiment que ses images ne peuvent pas servir à un tel propos, car leur car

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Solinas, Stéphanie. "Photographie et identité : images du corps surveillé." Paris 1, 2008. http://www.theses.fr/2008PA010709.

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Et si la photographie avait inventé l'identité ? Le corps, au moment de sa transformation en image, devient le lieu d'un affrontement entre le général et le particulier afin de définir l'identité. Il est interrogé, interprété, et remis en question, dans la perspective de ses rapports à l'Homme moyen. Mais l'individu, en cela même qu'il est un et irréductiblement différent de tous les autres, n'est jamais l'identité modèle que la société voudrait lui attribuer ou dont il se désirerait porteur. Ces « individus », dont l'identité est dissoute et irréductible dans le même temps, ces « singularités

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Zuccante, Luigi. "Du négatif au positif ou de la remédiation pédagogique par la photographie." Toulouse 2, 1999. http://www.theses.fr/1999TOU20012.

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L'acte photographique peut être utilisé comme remédiation pédagogique avec des élèves en butte au système scolaire. En effet, l'acte photographique augmente la confiance en soi (il y a toujours un résultat), tout en développant des compétences non négligeables : maîtrise de la distance, du temps (choix du moment, attente du résultat), maîtrise de l'émotion, obligation d'effectuer en permanence des choix. De plus, pour un élève, photographier son environnement lui permet de visiter les lieux, de les découvrir. L'élève redonne ainsi une signification positive à un lieu qui lui apparaissait hosti

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Cariello, Gabriel Carestiato. "Um tempo mais que presente: narrativas e imagens da metrópole contemporânea." Niterói, 2017. https://app.uff.br/riuff/handle/1/3992.

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Submitted by secretaria pós-letras repositorio (secretaria.repositorio@gmail.com) on 2017-07-07T17:42:24Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertação - Gabriel Cariello - Um tempo mais que presente.pdf: 5444849 bytes, checksum: a3f64700f94353cc8ba29a98680d6651 (MD5)<br>Approved for entry into archive by Jussara Moore (jussaramoore@id.uff.br) on 2017-07-12T14:21:09Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertação - Gabriel Cariello - Um tempo mais que presente.pdf: 5444849 b

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Delage, Chollet Colette. "Pratique de photographie et de videoscopie familiales dans la France contemporaine." Toulouse 2, 2001. http://www.theses.fr/2001TOU20026.

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L'essor de la photographie, lié à l'expansion économique, a favorisé son approximation par les particuliers (démocratisation du portrait, pratique amateur). L'ethnologie a aussi utilisé la photographie puis le film (illustration, observation participante) avant de s'y intéresser en tant qu'objet d'étude. Cette recherche propose l'analyse de pratiques photo/vidéo familiales en France (1990-2000). L'état des travaux sur l'évolution récente de la famille et ceux relatifs aux pratiques de photographie familiale en situent les contextes. Outre les sujets des prises de vues, que représentent en elle

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Schnarr, Christopher E. "Moments between the surface : photography and fiction." Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/935913.

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Architecture exists as shelter, separating space into the inside and the outside. This separation is a crucial point in our experience of architecture. This separation is the first moment of physical interaction with the construct in our penetration of the construct. However, architecture is not only a physical language. It is nonphysical, in that architecture is defined as the art and science of building, etc. This separation, internally, both produces the architecture as well as the ideas that are produced from the architecture. Architecture is held in-between, the movement or passage from o

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Aubert, Didier. "Photographie et progressisme : the Pittsburg survey, 1907-1914." Lyon 2, 2000. http://theses.univ-lyon2.fr/documents/lyon2/2000/aubert_d.

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Les six volumes du Pittsburgh Survey constituent l'un des documents-clés du mouvement progressiste américain. Sous la dir. De Paul U. Kellogg, une équipe d'enseignants, de journalistes, d'ingénieurs et de travailleurs sociaux s'attachèrent à décrire les conditions de vie dans les milieux ouvriers de la célèbre "Ville de l'acier", symbole du triomphe industriel américain. Comme le suggèrent les métaphores du "diagnostic" et du "cyanotype" (bluesprint), utilisées par Kellogg pour définir l'entreprise, cette oeuvre collective, contenant plus de 400 photographies, fut conçue dès l'origine comme un

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Zekri, Walid. "La photographie d'architecture mise en espace." Paris 1, 2013. http://www.theses.fr/2013PA010501.

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Comment voir et exposer, autrement, l'architecture par la photographie ? Entre la conception d'une forme architecturale, sa perception et son mode d'apparition ou d'exposition, s'établit un dialogue aléatoire que la photographie d'architecture essaye souvent de traduire. L'objectif est de poser des réflexions personnelles sur les liens unissant l'architecture et sa représentation photographique. Il s'agit d'aborder l'architecture comme un outil propice à réve��ler de nouvelles perceptions. Un procédé technique fait oublier que le regard constitue l'essentiel de l'acte photographique, et à trav

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Wendt, Gunvor von. "Screening for diabetic retinopathy : aspects of photographic methods /." Stockholm, 2005. http://diss.kib.ki.se/2005/91-7140-398-1/.

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Fisher, Andrew Thomas. "Existential spatiality and photography as social form." Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/1445479/.

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This thesis is an attempt to write a phenomenology of photography. It is undertaken in response to significant tendencies in contemporary photographic culture that make central a range of phenomenological themes and issues. Though critical discourse on photography has recently adopted phenomenological categories and, despite the fact that recent photographic practices have come to stress issues of a phenomenological nature, there exists no attempt to think photography explicitly in phenomenological terms. What follows is an attempt to respond to this situation theoretically and critically. Rec

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Constantine, George Simon. "Social and aesthetic totality within contemporary photography." Thesis, University of Leeds, 2015. http://etheses.whiterose.ac.uk/11342/.

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This thesis examines how the concepts of social and aesthetic totality are addressed within contemporary photographic practice. More specifically, it uses a historical materialist methodology to consider the types of social totality and aesthetic 'totalization' which underpin four photographic projects: Zoe Leonard's Analogue, Edward Burtynsky's Container Ports, Allan Sekula's Fish Story and David Goldblatt's South African Intersections. I argue that, in different ways, each of these works critically reinvestigate certain aesthetic debates and intellectual problems which surround the (once-der

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Leiva, Quijada Gonzalo. "Modernité et histoire de la photographie au Chili (1879-1920)." Paris, EHESS, 1997. http://www.theses.fr/1997EHESA033.

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Cette etude propose une reflexion sur l'image photographique et son role a l'interieur d'une societe traditionelle. Au meme temps, cette recherche s'insere dans une reflexion sur les indices tres visibles de la quete de modernite au chili. Nous observons a travers les documents photographiques comment la vision culturelle se modifie en fonction des diverses reponses apportees a la question cruciale de la capacite du pays face a la modernite. Pour son prestige dans le marche national reduit, la photographie sera consideree comme un patrimoine de l'elite urbaine a santiago et a valparaiso. La ph

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Ackerman, Catherine. ""Because social issues should be addressed" /." Online version of thesis, 1991. http://hdl.handle.net/1850/10916.

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Delpeux, Sophie. "Les formes de la disparition : art corporel et photographie : 1963-1983." Paris 1, 2004. http://www.theses.fr/2004PA010610.

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De l'art corporel, il ne reste que des traces disséminées dans des fonds d'archives. Au sein de ces ensembles constitués par les artistes, la photographie est omniprésente. À la fois preuve palpable de ce qui a été et signe d'une continuité brisée, l'image d'action - dont cette étude analyse l'usage par Carolee Schneemann, les actionnistes viennois, Gina Pane, Michel Journiac, Valie Export et Chris Burden - matérialise une histoire en creux de ces pratiques et de leur temps.

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Demers, Sylvie. "LES RÉCURRENCES DANS LA REPRÉSENTATION PHOTOGRAPHIQUE D'ENJEUX INTERNATIONAUX ET INTERCULTURELS : LOGIQUES, NORMES ET CONTINGENCES." Thesis, Université Laval, 2011. http://www.theses.ulaval.ca/2011/28310/28310.pdf.

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Charpentier-Boude, Christine. "La photographie de groupe en classe comme palimpseste de l'institution scolaire : essai d'une approche sémiologique de ce document." Paris 10, 2006. http://www.theses.fr/2006PA100097.

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La photographie de groupe en classe constitue à force d'être répétée, et cela depuis le milieu du XIXe siècle, une partie de la mémoire de l'école et de la société qu'elle représente. Elle semble accompagner le deuil d'une multitude d'histoires scolaires et en même temps conjurer ces disparitions. Cette image particulière, mise en scène d'une réalité institutionnelle capturée par l'appareil photographique, répétée au cours d'un rituel codifié, conservée ou non par les usagers, loin d'être monolithique et univoque, paraît être porteuse d'un ensemble de significations institutionnelles et intime

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Tiberi, Dominique. "La photographie et l'image de la Corse : 1839 1962." Caen, 1992. http://www.theses.fr/1992CAEN1117.

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Cette etude retrace l'apparition de la photographie et son developpement dans la societe corse dont la specificite a determine l'orientation de l'objectif photographique. La tentative d'analyse du role du dispositif photographique dans l'image de la corse utilise des elements plus specifiques a l'ile comme la notion de corps primitif ou d'une portee plus generale comme ceux de l'ombre et du double tels qu'ils apparaissent dans les mythes. Par la mise en lumiere qu'elle opere la photographie se presente comme l'alliee objective du pouvoir domin ant et l'ennui de la loi de l'ile. Obeissant ainsi

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