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Journal articles on the topic 'Social aspects of Photography'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Bordeniuk, Serhii, and Viktoriia Byshovets. "Psychological Aspects of Social Photography." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 4, no. 1 (2021): 78–83. http://dx.doi.org/10.31866/2617-2674.4.1.2021.235089.

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The purpose of the research is to analyze the main features of social photography in the psychological aspect of the photographer. The research methodology is based on the application of a system-integrated approach to the review of this problem, within the framework of which a whole range of cultural, philosophical, psychological and professional qualities that affect viewers when viewing photographs is considered. The scientific novelty lies in the analysis of modern typological features and characteristics of social photography. The opinions of scientists from different times on issues of t

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Bordeniuk, Serhii, and Viktoriia Byshovets. "Psychological Aspects of Social Photography." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 4, no. 1 (2021): 78–83. https://doi.org/10.31866/2617-2674.4.1.2021.235089.

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<em>The purpose of the research </em>is to analyze the main features of social photography in the psychological aspect of the photographer. <em>The research methodology </em>is based on the application of a system-integrated approach to the review of this problem, within the framework of which a whole range of cultural, philosophical, psychological and professional qualities that affect viewers when viewing photographs is considered. <em>The scientific novelty </em>lies in the analysis of modern typological features and characteristics of social photography. The opinio

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Szlezák, Klara-Stephanie. "The Ellis Island Experience: Through the Eyes of Lewis Hine." aspeers: emerging voices in american studies 2 (2009): 71–89. http://dx.doi.org/10.54465/aspeers.02-08.

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In a historical approach, this article examines the way immigration was captured by means of a medium that was just as new and astonishing as the social upheavals brought about by modernity of which immigration itself was a key factor: photography. To this purpose, photographs taken on Ellis Island by Lewis W. Hine, one of the major photographers of his time, are described, analyzed, and interpreted. After a short introduction to the photographer’s method and approach to the subject, an in-depth analysis of four examples from his Ellis Island series shall help to elucidate in how far his visua

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Moore, David. "The Lisa and John Slideshow (2017): A Play about Photography." Arts 12, no. 3 (2023): 109. http://dx.doi.org/10.3390/arts12030109.

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The Lisa and John Slideshow is a theatrical response to my own earlier photographic project, Pictures from the Real World. Colour Photographs, 1987–88, interrogating recurring theoretical questions that challenge the discourse of social documentary photography through an expanded practice. As a significant piece of research, devised through participation with those depicted within the image, the forty-five-minute play questions representational methods through an alternate medium. The project evokes what else was knowable from the terrain of possibilities when the sovereign images of the forme

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Yogascitra Naufal, Neni Yulianita, and Anne Maryani. "Makna Diri dan Branding Fotografer." KOMVERSAL 5, no. 2 (2023): 187–202. http://dx.doi.org/10.38204/komversal.v5i2.1077.

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The development of photography in the city of Bandung is closely related to the development of photography in Indonesia. Bandung is one of the big cities in Indonesia with a very rapid development of photography, especially with the emergence of various photographers with specialization in their fields. With the presence of many photographers who have started to appear in the city of Bandung, many photographers are still looking for the meaning of their photography activities and the branding that must be done so that the public becomes aware and uses their services. From this phenomenon, the

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Setiadi, Criscentia Jessica. "The Significance of Photography as Archives and Cultural Memory." Humaniora 8, no. 2 (2017): 175. http://dx.doi.org/10.21512/humaniora.v8i2.3894.

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This research was conducted by using textual, qualitative approach while looking closer at the significant of the information that was produced in the form of photography. The aim of this research was to take a stance of the importance of photography as archives and cultural memory in its ability in promoting truths. Photography was observed as three forms; they were singular, plural, and archival. Singular forms suggested the selective association between the photographers and the photographs were taken. Plural formed resonance ideas and overall aspects in what sets of photography could bring

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Ferreira, Carlos Miguel, and Sandro Serpa. "Photography in Social Science Research." Journal of Educational and Social Research 10, no. 4 (2020): 62. http://dx.doi.org/10.36941/jesr-2020-0065.

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Visual communication is critical in contemporary societies. Research in social sciences increasingly tends to mobilize the image, for example, in the form of photography, in its processes (in the collection and interpretation of information) and products (in the communication of research results), which leads to the need to reflect critically on its specificities. This paper aims to add to the analysis of the potentialities, limitations and challenges of the use of photography in social sciences research. For this purpose, the paper presents and discusses empirically collected documentary expr

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Cokorda Istri Puspawati Nindhia and I. Nyoman Anom Fajaraditya Setiawan. "ESTETIKA lDEATIONAL FOTO PREWEDDING STYLE BALI." Jurnal Bahasa Rupa 3, no. 1 (2019): 42–47. http://dx.doi.org/10.31598/bahasarupa.v3i1.423.

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The combination of technology and art makes photography a complex work of art and a media of images that also gives meaning and message. The work of photography comes from certain creative concepts rooted in basic ideas, which then appear in a photoshoot. Bali prewedding style photo as a form of photographer's creativity, because in the process requires high creativity. The process of photography combining ideas and objects of photographs and photographers can be intertwined perfectly to produce the best photos. This study uses qualitative methods, supported by several theories to dissect the

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Teodorescu, Bogdan. "8. Post-Production Aspects in Performative Photography." Review of Artistic Education 26, no. 1 (2023): 198–205. http://dx.doi.org/10.2478/rae-2023-0028.

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Abstract Appropriation is one of the determining concepts of the post-productive theory, denoting the choice of an object and its use or modification according to a specific intention. Operating in an index of famous images from universal art, the photographer artist calls upon the performative strategies of the environment to structure behavioral positionings observed in social space. The series of examples accesses a segment of these artistic practices in which the biblical icon plays the role of the symbolic reference, but especially of the pretextual condition within the author's conceptua

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Nnanna, Ndubuisi Nnanna, and Maja Tabea Jerrentrup. "Symbolic Representations: Social Media and Photography in Nigeria." Journal of Communication 3, no. 1 (2022): 20–31. http://dx.doi.org/10.47941/jcomm.1015.

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The medium of “photography” has encompassed the world, but depending on the cultural context, it is characterized by different aesthetics that come with different associations and implications. Drawing on cultural anthropology and semiotic image analysis, this article contributes to research on cross-cultural aesthetics with a focus on Nigeria. Based on a sample of 100 Instagram posts with the hashtag #nigerianphotography, it explores how social conventions of art influence popular Nigerian photography and create a unique style: there is a strong focus on the staging of people, who are usually

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TAJUDDIN, LAILI MARDZIAH, ANDRIALIS ABD RAHMAN, NOR AZIYANA ABD RAHMAN, and ROSLIZA AHMAD. "OVERVIEW OF STREET PHOTOGRAPHER OBJECTIVES FOR THE PHOTOJOURNALISM GENRE." Quantum Journal of Social Sciences and Humanities 5, no. 6 (2024): 212–20. https://doi.org/10.55197/qjssh.v5i6.495.

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This study is a review of borderless street photography, aiming to explore the objectives behind each captured subject and the storytelling conveyed through the recorded and displayed images. The methodology used combines both contemporary studies and literature references. Several images from current street photographers were selected for analysis, linking the purpose behind the captures with insights from previous literature. Interviews with photographers were also conducted to further strengthen the data obtained. The analysis revealed that the purpose of street photography, whether direct

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Machado e Moura, Carlos. "Photographic narratives of urban transformations." Sophia Journal 6, no. 1 (2022): 10–11. http://dx.doi.org/10.24840/2183-8976_2021-0006_0001_3.

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Time, space, scale and movement are essential aspects of visual data production. Significant changes in cities’ flows can transpire in just a few minutes, hours or days, span several years or even decades. A diachronic study of an urban environment could therefore concentrate on the repetitive patterns of many activities and phenomena that occur during a day or focus on transformations over much more extended periods of time. There are several photographic methods that specifically focus on documenting this specific change — it is the case of “interval photography”, “time-lapse photography” an

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Wibowo, Arif Ardy, Ana Nadhya Abrar, and Ardian Indro Yuwono. "Food and Photography: Phenomenological Study of Women Photographer Community in Indonesia." International Journal of Art and Design 9, no. 1 (2025): 114–31. https://doi.org/10.24191/ijad.v9i1.4259.

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This study explores the intersection of food and photography within the community of women photographers in Indonesia through a phenomenological approach. By delving into the lived experiences of these women, the research aims to understand how they capture and portray food, not just as a subject but as a cultural and artistic expression. The integration of food and photography has seen a significant rise, particularly among women in Indonesia. This study investigates the phenomenological experiences of women photographers within the KJ community, a group known for its vibrant food photography

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Kong, Camillia. "Ethical dangers of facial phenotyping through photography in psychiatric genomics studies." Journal of Medical Ethics 45, no. 11 (2019): 730–35. http://dx.doi.org/10.1136/medethics-2019-105478.

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Psychiatric genomics research protocols are increasingly incorporating tools of deep phenotyping to observe and examine phenotypic abnormalities among individuals with neurodevelopmental disorders. In particular, photography and the use of two-dimensional and three-dimensional facial analysis is thought to shed further light on the phenotypic expression of the genes underlying neurodevelopmental disorders, as well as provide potential diagnostic tools for clinicians. In this paper, I argue that the research use of photography to aid facial phenotyping raises deeply fraught issues from an ethic

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Jirásek, Ivo, and Bohuslav Stránský. "Revealing invisibility: Interpreting social and behavioral aspects of the Coronavirus pandemic through student documentary photography." Tuning Journal for Higher Education 9, no. 2 (2022): 217–44. http://dx.doi.org/10.18543/tjhe.2185.

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Life for the population in the Czech Republic came to a standstill in spring 2020 due to measures enacted in relation to the Coronavirus epidemic: a travel ban and closed borders, the cancellation of physical lessons at all types of school, the closure of stores except those securing basic necessities, radical restrictions to free movement of people. This unprecedented situation became the inspiration for creative work by students at the Studio of Advertising Photography at Tomas Bata University in Zlin. Since joint work in the studio was not possible, the students were given their assignments

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Assymova, D. B. "VISUAL HISTORY OF FAMILY PHOTOS OF KAZAKHSTAN IN THE SECOND HALF OF THE XX CENTURY." History of the Homeland 99, no. 3 (2022): 19–27. http://dx.doi.org/10.51943/1814-6961_2022_3_19.

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This article analyzes the influence of historical aspects on the concept of family, social and emotional relations of the institution of the family, based on the consideration of family photo albums of Kazakhstan in the second half of the XXth century. The article deals with the main issues of family history, focusing on identifying their main goals and interests in family photography. Photography focuses on three areas in which most historical research is carried out today: the structure of the family and household, the group of relatives, the course of life, and the relationship between the

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Männig, Maria. "The Tableau Vivant and Social Media Culture." Acta Universitatis Sapientiae, Film and Media Studies 19, no. 1 (2021): 132–55. http://dx.doi.org/10.2478/ausfm-2021-0009.

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Abstract The article aims to analyse the tableau vivant in social media culture by emphasizing its intermedial relation to technical visual media, particularly digital photography and film. By focusing on the living picture’s specific mimetic qualities, the study traces back the tableau vivant’s history in a media archaeological perspective primarily regarding photography. It explores the current revival of the tableau vivant within social media. The article examines living pictures and the aspect of self-staging, relevant to contemporary digital culture. The tableau vivant develops between tw

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Soshnikova, Irina Anatol'evna. "St. Petersburg’s ballet in fashion photography." Культура и искусство, no. 5 (May 2021): 25–36. http://dx.doi.org/10.7256/2454-0625.2021.5.35687.

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The subject of this research is the St. Petersburg&rsquo;s ballet in interpretation of the masters of fashion photography. The goal of this article consists in the analysis of specificity of modern fashion photography, and examination of the phenomenon of reference to the theme of ballet on the example of works of the prominent fashion photographers, such as Richard Avedon, Patrick Demarchelier, Deborah Turbeville, as well as certain Russian photographers. Special attention is given to examination of fashion photography not so much as the genre of photographic art, but as an important adve

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Horoshilov, A. "THE NORMATIVITY OF PHOTOGRAPHY: MODELING VISIBILITY AND EDUCATION OF THE EYE." Scientific Notes of V.I. Vernadsky Crimean Federal University. Philosophy. Political science. Culturology 10, no. 1 (2024): 18–29. https://doi.org/10.29039/2413-1695-2024-10-1-18-29.

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The article analyzes the phenomenon of the normativity of photography as a way of regulating the process of creating and distributing images. Using the example of cultural practice and social use of photography, it is shown that normativity is manifested in aspects of the discourse of power, social normativity and aesthetic principle. Based on this, a conclusion is made about the constructed nature of images and the closeness of the world to them, the need to limit the idea of photography as a transparent way of representing things and verifying their existence, as well as the expression in ph

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Favaretto, Maddalena, Danya F. Vears, and Pascal Borry. "On the Epistemic Status of Prenatal Ultrasound: Are Ultrasound Scans Photographic Pictures?" Journal of Medicine and Philosophy: A Forum for Bioethics and Philosophy of Medicine 45, no. 2 (2020): 231–50. http://dx.doi.org/10.1093/jmp/jhz039.

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Abstract Medical imaging is predominantly a visual field. In this context, prenatal ultrasound images assume intense social, ethical, and psychological significance by virtue of the subject they represent: the fetus. This feature, along with the sophistication introduced by three-dimensional (3D) ultrasound imaging that allows improved visualization of the fetus, has contributed to the common impression that prenatal ultrasound scans are like photographs of the fetus. In this article we discuss the consistency of such a comparison. First, we investigate the epistemic role of both analogic and

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Laine, Anna. "Complementarity between Art and Anthropology: Experiences among kolam makers in South India." Suomen Antropologi: Journal of the Finnish Anthropological Society 34, no. 2 (2009): 58–60. http://dx.doi.org/10.30676/jfas.116522.

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As their first daily task, women in South India draw geometrical images, kolams, in front of their homes to greet the deities. These images engender and reinforce moods in the community, they construct feminine gender and they define the landscape as social. The paper describes how the employment of an artistic practice—photography—can affect the understanding of the kolam, an artistic practice in itself. Photography has a key role in that it has been used as a tool during field work, as well as in the presentation of research in the form of photographic essays. The expressive aspects in parti

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Lange, Łucja. "An Attempt to Restore the Ordinary Death to the Visual Realm—Artistic, Therapeutic, and Ethical Aspects of the Post-Mortem Photography of Children in the 21st Century. Short Introduction." Qualitative Sociology Review 16, no. 3 (2020): 106–16. http://dx.doi.org/10.18778/1733-8077.16.3.07.

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Post-mortem photography was a transcendental element in the 19th century, which not only democratized portraiture, but also helped in the bereavement process. The comeback of post-mortem photography as a psychological tool helping parents of deceased children to cope with death was only a matter of time. The role and importance of memento-moris has to be taken into account in order to make significant changes in the grieving process, but all of the aspects of this kind of photography need to be considered. The artistic, therapeutic, and ethical dimensions of post-mortem photography in the 21st

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Misiak, O. "Humanistic photography as an anthropological tool: new forms of social interaction and reality." Culture of Ukraine, no. 89 (June 20, 2025): 164–72. https://doi.org/10.31516/2410-5325.089.16.

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Abstract. In the modern world, where visual information dominates, photography not only captures moments of life but also becomes an active participant in social processes, serving as a tool for community building, idea dissemination, and identity creation. The purpose of the article. This article aims to provide a comprehensive characteristic of humanistic photography as an anthropological tool in the digital era, focusing on new forms of social interaction and reality. The results. The study identifies that visualization has become an integral part of contemporary culture, with photography p

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Mikhailova, M., G. Lduganova, and R. Vakhitova. "Person as an object of nomination in the institutional discourse of photographers: semantic and pragmatic aspects." Philology and Culture, no. 3 (October 16, 2024): 77–83. http://dx.doi.org/10.26907/2782-4756-2024-77-3-77-83.

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The article analyzes the semantics of photo-participants’ nominations, the principles and reasons for their distribution in Russian and English versions of the photographers’ institutional discourse. We assume that the analysis of photo-participants’ nominations is relevant, because it reveals the socioprofessional and status-role relations of the communication participants by means of creating units using the associative ability of words. Moreover, it indicates emotional-evaluative relations within the institution of the photo activity participants and a linguo-creative potential of the commu

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Coșniceru, Nicolae. "PHOTOGRAPHY OF TIME." Design/Arts/Culture 3, no. 1 (2023): 73–79. http://dx.doi.org/10.12681/dac.31585.

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Seeing the configuration of a place firsthand, we can believe that it has always been like that and we don’t ask ourselves questions about how it looked five years ago or 20 years ago and what processes and changes have taken place. It is possible that it was an unhealthy place and became a point of attraction where the community could spend time and carry out cultural or recreational activities, or it was a protected natural site and interventions beyond the limit of the law would have transformed it into an industrial, residential or commercial area, which led to overcrowding and pollution.

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Ilma and Yudhi Andoni. "Representasi Dan Identitas Perempuan Minangkabau Dalam Fotografi Masa Kolonial Tahun 1900-1942." Musãwa Jurnal Studi Gender dan Islam 23, no. 1 (2024): 1–21. http://dx.doi.org/10.14421/musawa.2024.223.1-21.

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Artikel ini menjelaskan bagaimana representasi dan identitas perempuan Minangkabau dalam periode kolonial tahun 1900-1942 melalui analisis fotografi. Tulisan ini mengkaji bagaimana fotografi sebagai medium visual tidak hanya merekam tetapi juga membentuk persepsi dan representasi tentang perempuan Minangkabau oleh masyarakat kolonial dan bumiputera. Melalui tinjauan terhadap koleksi foto-foto yang diambil oleh fotografer kolonial, artikel ini akan menyoroti berbagai aspek kehidupan perempuan, termasuk modernitas, gaya hidup, peran sosial, adat istiadat, dan dinamika keseharian mereka dalam kon

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Caicedo Barreto, Sandra Liliana. "Photography as a Visual Literacy Tool." Colombian Applied Linguistics Journal, no. 8 (June 2, 2016): 228. http://dx.doi.org/10.14483/22487085.10514.

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This article is an attempt to show some theoretical issues founded on how visual literacy processescome about through a photography project. The framework explained is based on Wendy Ewald’s literacythrough photography study (LTP), and on Freire’s reading conception which stare at literacy as a processfor social inclusion. Further a literature review, I provide some practical aspects based on a visual literacyexperience carried out in a private school in Bogotá. Likewise, I describe some key moments of the visualliteracy process that can be developed by an image’s viewer. All this process is b

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Voss, Kaija, and Jean Molitor. "Die internationalen erben des bauhauses im fokus / Bauhaus Project: Focus on International Style Heirs." Demiurge: Ideas, Technologies, Perspectives of Design 3, no. 1 (2020): 29–42. https://doi.org/10.31866/2617-7951.3.1.2020.207533.

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Research aim is to find out the features of the project bau1haus, which explores the architectural heritage of the Bauhaus in a global context through the art of photography; systematize approaches to the interaction of the photographer with the aesthetics of the building; to record the results of the study in terms of identifying the values of the interaction of the Bauhaus architectural style with the basic principles of architecture of different countries, and its metamorphosis in the present. Research methodology is based on the method of de construction, which involves the study of visual

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Frey, Aline, and Marcos Mortensen Steagall. "Through Immigrant Lens: A Reflection on Pierre Boudier’s Concept of Habitus Clivé through Photography." LINK PRAXIS 2, no. 1 (2024): 76–95. http://dx.doi.org/10.24135/link-praxis.v2i1.28.

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This article explores the creative practice of immigrant photography, specifically examining the artistic work of immigrants who have chosen Australia as their place of settlement. Analysing their photographic works, the article reflects on Pierre Bourdieu’s concept of habitus clivé, which develops the notion of a fractured or divided self. This division arises when individuals confront conflicting social contexts, resulting in internal tension or dissonance within their sense of identity. In the context of migration, habitus clivé can manifest in various ways, such as tensions or conflicts be

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Ptiček, Petra, Ivana Žganjar, Miroslav Mikota, and Mile Matijević. "Technical Aspects of Web Photography as a Medium of Tourism Development." Tehnički glasnik 15, no. 4 (2021): 467–74. http://dx.doi.org/10.31803/tg-20210506103212.

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Information and communication technology is an important factor for national, regional and local sustainable tourism development according to the long-term Croatian national strategic plan. New forms of information, such as web sites; new media, materials, political and social change, all influence tourists’ decisions when choosing specific destinations. The aim of this research is to determine, based on the analysis of the tourism media campaign, the relationship between new communication trends and the application of photography as a medium that influences the experience when choosing a dest

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Mauad, Ana Maria. "Genevieve Naylor, a Good Neighbor Photographer in Brazil (1941-42)." Revista Crítica Cultural 12, no. 2 (2017): 181. http://dx.doi.org/10.19177/rcc.v12e22017181-208.

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This article analyses historically the photographs taken by Genevieve Naylor, an American photographer commissioned by US State Department during the Second World War, when she travelled throughout Brazil, as a good neighbour photographer. In this sense, it is considered the elements of the form of expression and the content of the photographic message, emphasizing the three aspects of visual cultural strategies: firstly, the way in whichthe human subjects are depicted, understanding the representations of the body as support for social relationships. The body represented in Naylor’s photograp

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Gaita, Amalia, and Luca Mixich. "Photography and Sociality. Between Banfi and the Selfie." Klironomy 2, no. 5 (2022): 62–68. https://doi.org/10.47451/art2022-05-07.

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The main purpose of this article is to analyse the relationship between photography and sociality. Since its beginnings, the photographical language was in close proximity to society and therefore was able to depict significant aspects of the everyday life through images. In contemporary times, the photographical image developed new variables and nuances that will be analysed in this article. The relationship with social issues changed in the last decades, especially considering the advent of the social media. Because of it, the photographical image went through differ

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Tok, Selay Yurtkuran, Ian Kaplan, and Yavuz Taneli. "Photography in architectural education: A tool for assessing social aspects of the built environment." Procedia - Social and Behavioral Sciences 2, no. 2 (2010): 2583–88. http://dx.doi.org/10.1016/j.sbspro.2010.03.377.

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Khavar, Yulia, Yurii Hubar, Vira Sai, Oleksandra Hulko, and Liliya Vynarchyk. "GEODESY, CARTOGRAPHY AND AERIAL PHOTOGRAPHY." GEODESY, CARTOGRAPHY AND AERIAL PHOTOGRAPHY 96,2022, no. 96 (2022): 32–43. http://dx.doi.org/10.23939/istcgcap2022.96.032.

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The aims of our paper are to study the territory organization of the forest fund lands of the Skhidnytsya village council (Lviv region), performing their forest management with the development of a system of activities aimed at ensuring scientifically based multifunctional forestry management, protection and rational sustainable use. The possibility of performing cadastral works for the territorial organization of forestry lands using unmanned aerial vehicles (UAVs) is important for science and practice. The paper considers the main direction of sustainable development of forest areas with a r

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Ermawati, Pitri. "ORIENTASI FOTOGRAFI PENGUNJUNG ANJUNGAN WISATA DI KAWASAN MANGUNAN: KAJIAN FUNGSI FOTO POTRET DI MEDIA SOSIAL INSTAGRAM." spectā: Journal of Photography, Arts, and Media 2, no. 2 (2019): 105–22. http://dx.doi.org/10.24821/specta.v2i2.2551.

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Abstrak Penelitian ini bermaksud menjelaskan orientasi fotografi pengunjung yang berfoto di anjungan wisata kawasan Mangunan dengan objek penelitian berupa foto potret di media sosial Instagram. Menerapkan metode penelitian deskriptif-kualitatif, analisis kritis dilakukan dalam pembacaan foto-foto potret menggunakan telaah fungsi foto potret Soeprapto Soedjono, serta telaah aspek teknis-fisik fotografi potret yang dikemukakan oleh Famous Photographers School. Mengambil sampel berupa lima foto dari lima akun Instagram yang berlatar di lima anjungan wisata di kawasan Mangunan, hasil penelitian m

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Srivastava, Shuchi. "Visual anthropology: Changing roles in fieldwork." International Journal of Modern Anthropology 2, no. 17 (2022): 843–71. http://dx.doi.org/10.4314/ijma.v2i17.7.

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Visual Anthropology, the study of visual systems, is a specialized study of culture involving photographs and films. The main objective of the study is to present the chronological development and changing trends in visual anthropology. Visual anthropology has a long history started with the photography of various cultural aspects by some professional photographers, and then there was an addition of supplementary use of photographs and films in ethnographic description. Later, reflexive, participatory and dialogic movements were introduced to more depth and objective studies, which finally led

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Zuhdah, Daumi Rahmatika, and Aprillia Firmonasari. "English Language Variation on Indonesian Register of Photography to Characterize the Community Identity." Lire Journal (Journal of Linguistics and Literature) 8, no. 1 (2024): 103–15. http://dx.doi.org/10.33019/lire.v8i1.272.

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This research aims to describe the linguistics form, meaning, and functions under the phenomenon of English language variation used by Indonesian photography enthusiasts. The influence of the English register in lexical categories mostly has undergone a shift in meaning. So, the analysis of English register in the photography context is fascinating to be examined. The method of this research is qualitative descriptive with a sociolinguistics approach. The data are restricted to words and phrases taken from the daily posting of the Facebook community group. The procedure of data collection was

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Nascimento, Rodolfo Gomes, Ronald Oliveira Cardoso, Denise Siva Pinto, and Celina Colino Magalhães. "Por entre pontes e rios: a imersão nos papeis ocupacionais de idosos ribeirinhos amazônicos/Between bridges and rivers: immersion in the occupational roles of elderly amazonian rivers." Revista Interinstitucional Brasileira de Terapia Ocupacional - REVISBRATO 3, no. 1 (2019): 9–20. http://dx.doi.org/10.47222/2526-3544.rbto19292.

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Esta criação foi inspirada nos registros fotográficos obtidos no processo de pesquisa de doutorado sobre interações ecológicas entre as condições de saúde e fragilidade, o modo de vida e o contexto ribeirinho amazônico. A abordagem transcultural adotada neste percurso de pesquisa permitiu a utilização de técnicas diferenciadas como a de fotografia. Assim, o acervo de imagens construído e posteriormente analisado de forma crítica e contextualizada pelos pesquisadores auxiliou na compreensão de diversos aspectos subjetivos envolvendo, especialmente, o modo de vida e os papeis ocupacionais desses

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Jana Radošinská. "Social Meanings and Images of Photojournalism in the Biographical Drama Lee." Journal of Information Systems Engineering and Management 10, no. 44s (2025): 544–52. https://doi.org/10.52783/jisem.v10i44s.8634.

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Photojournalism is an extremely demanding and complex professional specialization in the field of media production, which is associated with certain prejudices and contradictory evaluations. Regarding war photography, we often critically discuss whether it is more important to create authentic, albeit shocking testimonies visualizing the cruelty and meaninglessness of war, or whether we should prioritize the deeply personal, even intimate feelings of the people being portrayed while suffering and dying. The views of the general public on photojournalism are also largely influenced by the ways

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Ross, Reuben Connolly. "The Photographer Photographed: A Conversation with Jean Mohr." Imaginations Journal of Cross-Cultural Image Studies/revue d études interculturelle de l image 13, no. 2 (2022): 23–45. http://dx.doi.org/10.17742/image.tp.13.2.2.

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The Swiss photographer Jean Mohr, who died in November 2018 at the age of 93, is well known for his long career documenting the plight of the displaced and dispossessed. Especially noteworthy are his collaborations with major intellectual figures, through which he experimented with the construction of visual narratives. His celebrated books with John Berger include *A Fortunate Man*, an intimate portrait of an English country doctor, and *A Seventh Man*, a meditation on migrant labour in 1970s Europe; with Edward Said, he published *After the Last Sky*, a reflection on Palestinian life through

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Suminto, Mahendradewa. "The Influence of Photography, Tourism, and Media on Self-Actualization." Art, Science, Culture, and Technology of Indonesian Journal 1, no. 1 (2023): 13–23. http://dx.doi.org/10.24821/asctij.v1i1.10165.

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Humans are fundamentally social creatures who are inherently interconnected with their surrounding communities. This interconnection profoundly influences an individual's way of life. Lifestyle is intimately intertwined with societal progress and encompasses various aspects such as social hierarchy, self-image, and self-actualization, all of which contribute to the quest for personal identity. In the present era, travel has become a necessity for many individuals. Sightseeing expeditions serve not only as a means of fulfilling personal desires but have become imperative and significant, as the

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Weilenmann, Alexandra, and Thomas Hillman. "Selfies in the wild: Studying selfie photography as a local practice." Mobile Media & Communication 8, no. 1 (2019): 42–61. http://dx.doi.org/10.1177/2050157918822131.

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Previous research on selfies has primarily focused on selfies as media products rather than as an activity. In this paper, we examine selfies as a situated practice, connecting the social media phenomenon to the local spaces where it is performed. Based on ethnographic studies of selfie photography, we present and discuss three aspects of selfies in the wild. First, we consider selfies as part of a larger photographic context and show how they are often taken in series with other genres of images. Second, we expand upon the notion of selfies as conversation and show how selfie photographers ex

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Pinhal, Rúben Filipe da Silva, Ana Cristina Furão Teles Estima, and Paulo Alexandre Oliveira Duarte. "Get Ready to Click: A Comprehensive Review of User-Generated Photography on Instagram." Revista de Gestão Social e Ambiental 18, no. 10 (2024): e9202. http://dx.doi.org/10.24857/rgsa.v18n10-174.

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Objective: This study seeks to perform a systematic literature review to explore the concepts of user-generated photography and the use of Instagram in the tourism industry. Theoretical Framework: Systematic review of user-generated content and Instagram's impact on tourism Method: A comprehensive search was performed in SCOPUS to gather relevant papers. The search resulted in an analysis of 25 papers published between 2014 and 2023. Results and Discussion: The results revealed that the growth of social networks, particularly Instagram, impacts tourists' decision-making when planning their tri

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Alfara, Rangga, and Dasrun Hidayat. "SISTEM KERJA VIRTUAL PHOTOSHOOT DITENGAH PANDEMI COVID-19." Jurnal Ranah Komunikasi (JRK) 5, no. 1 (2021): 59. http://dx.doi.org/10.25077/rk.5.1.59-69.2021.

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Virtual photoshoot is a photography trend nowadays. Where virtual photoshoots are an alternative business activity for photographers in the midst of a social distancing policy due to the Covid-19 pandemic outbreak. The method in this study used a qualitative descriptive method, and then a phenomenological study approach was carried out. The research sampling was carried out through purposive sampling method, namely the virtual photoshoot actors in the city of Bandung. The results in this study indicate the creative aspects of the virtual photoshoot which consist of methods, creative processes

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Gąsior, Mariusz. "Transforming Photographs into a Digital Catalogue." Culture Unbound 14, no. 2 (2022): 11–37. http://dx.doi.org/10.3384/cu.3971.

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In this article I focus on three aspects of the digitisation of photographic collections which I have had the opportunity to deal with professionally in two museums, in the UK and Poland. In 2014, the Imperial War Museum in London (IMW) implemented an online project of the portal/monument, Lives of the First World War, commemorating all citizens of the British Commonwealth who took part in the First World War (WWI), both in uniform and in civil services. Users registered on the portal could attach documents, photographs, reports to each commemorated soldier-keyword, thus expanding the database

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Yuniar, Anang Ma'ruf Bagus, and Andry Prasetyo. "THE AESTHETICS OF AGUS LEONARDUS’ POSTCARD PHOTOGRAPHY ON YOGYAKARTA SOCIO-CULTURAL ACTIVITIES." Capture : Jurnal Seni Media Rekam 14, no. 2 (2023): 183–92. http://dx.doi.org/10.33153/capture.v14i2.4386.

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This text aims to assess the aesthetic value of Agus Leonardus' Yogyakarta social and cultural activities-themed postcard photography works from both ideational and technical perspectives. This research adopts a qualitative interpretative approach, describing the postcard photo works as data. The analysis utilizes Soedjono's aesthetic theory, which encompasses both technical and ideational aspects. The results of this study indicate that Agus Leonardus' photos ideationally highlight ideas and themes related to social and cultural activities in Yogyakarta. On a technical level, they demonstrate

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KUSUMAWATI, Yudhistya AYU, Hindam BASITH RAFIQI, Lutfi TRI ATMAJI, and Anindya WIDITA. "ENHANCING TUGU JAWA SOY SAUCE BRAND VISIBILITY THROUGH PRODUCT PHOTOGRAPHY." ICCD 6, no. 1 (2024): 289–94. http://dx.doi.org/10.33068/iccd.v6i1.774.

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The MSME sector is able to contribute to economic growth in Indonesia. Jawa Sehati Mulia is an MSME which operates in the field of producing soy sauce made from local black soybeans with several product variants including sweet soy sauce, spicy soy sauce, barbeque soy sauce, etc. Based on the situation analysis, several problems were found, including those related to marketing management aspects related to marketing using digital platforms. There are still limited marketing media that support digital marketing, including product photography, e-catalogs and social media content. Community servi

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Macagno, Lorenzo. "Modern Intimacies and Modernist Landscapes: Chinese Photographs in Late-Colonial Mozambique." Lusotopie 19, no. 2 (2021): 181–212. http://dx.doi.org/10.1163/17683084-12341763.

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Abstract This paper addresses a specific aspect of the social and cultural life of the Luso-Chinese in Mozambique, whose first contingents came from the Chinese province of Guangdong in the second half of the 19th century. Most settled in the city of Beira. By the 1950s, the Chinese community was already well integrated into modern life in colonial Beira. The city was going through an unprecedented urban and architectural boom. At that time, the Luso-Chinese, who were essentially merchants, also began to stand out in the field of photography. Based on a multi-sited ethnography among the Portug

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McIsaac, Jacqueline. "Cameras in the Countryside: Recreational Photography in Rural Ontario, 1851-1920." Scientia Canadensis 36, no. 1 (2014): 5–31. http://dx.doi.org/10.7202/1025787ar.

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The introduction and subsequent refinement of glass plate negative technology facilitated photography’s appropriation within rural Ontario. As a recreational consumer technology, the camera became easier to use, financially accessible, and portable, thus better suiting the needs of rural consumers. While technological advancements allowed the camera to be adopted as a leisure pursuit, its use was directed by the countryside’s cultural values and social norms. These interests influenced who used cameras, how photo-supplies were purchased, the camera’s place within household income diversificati

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Lin, Chi-I., and Yuh-Yuh Li. "An auto-photographic study of undergraduate students’ conceptions of ocean sustainability." International Journal of Sustainability in Higher Education 18, no. 4 (2017): 554–75. http://dx.doi.org/10.1108/ijshe-11-2015-0182.

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Purpose The purpose of this paper is to investigate students’ understandings of ocean sustainability and the pedagogical influence of higher education on those conceptions. Design/methodology/approach The conceptions of ocean sustainability of 54 university students of various academic disciplines enrolled in the 2014/2015 semester course “Sustainable Oceans” were assessed through use of auto-photography. Data were collected at the beginning and end of the course. Inter-rater reliability was measured by percentage of identical coding outcomes by two coders. Findings Auto-photography is effecti

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