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Books on the topic 'Social sciences -> philosophy -> aesthetics'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

W, Wartofsky Marx, Gould Carol C, and Cohen R. S, eds. Artifacts, representations, and social practice: Essays for Marx Wartofsky. Kluwer Academic Publishers, 1994.

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2

Thyssen, Ole. Iagttagelse og blindhed: Om organisation, fornuft og utopi. Handelshøjskolens Forlag, 2000.

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3

Boudinet, Gilles. Des arts et des idées au XXe siècle: Musique, peinture, philosophie et sciences humaines : fragments croisés. L'Harmattan, 1998.

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4

Boudinet, Gilles. Des arts et des idées au XXe siècle: Musique, peinture, philosophie, sciences humaines et intermezzos poétiques, fragments croisés. 2nd ed. Harmattan, 2000.

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5

Matjus, Ülo. Kõrb kasvab. Ilmamaa, 2003.

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6

Sysoli͡atin, V. V. Filosofii͡a, naukovedenie, sot͡siologii͡a, chelovekoznanie, ėtika, ėstetika. [s.n.], 1993.

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7

Daniel, Suber, Gerber Gerold, Junge Kay, Suber Daniel, and Gerber Gerold, eds. Erleben, Erleiden, Erfahren: Die Konstitution sozialen Sinns jenseits instrumenteller Vernunft. transcript Verlag, 2008.

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8

Hughes, Jon. Facing modernity: Fragmentation, culture and identity in Joseph Roth's writing in the 1920's. Maney Pub. for the Modern Humanities Research Association and the Institute of Germanic and Romance Studies, University of London, 2006.

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9

Hughes, Jon. Facing modernity: Fragmentation, culture and identity in Joseph Roth's writing in the 1920's. Maney Pub. for the Modern Humanities Research Association and the Institute of Germanic and Romance Studies, University of London, 2006.

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10

Leppert, Richard D. The sight of sound: Music, representation, and the history of the body. University of California Press, 1993.

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11

Leppert, Richard D. The sight of sound: Music, representation, and the history of the body. University of California Press, 1993.

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12

Shaun, Nichols, ed. The architecture of the imagination: New essays on pretence, possibility, and fiction. Clarendon Press, 2006.

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13

Barasch, Moshe. Theories of art: From Plato to Winckelmann. New York University Press, 1985.

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14

Barasch, Moshe. Theories of art. Routledge, 2000.

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15

Moshe, Barasch, ed. Theories of art. Routledge, 2000.

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16

I͡Arskai͡a, V. N. Vremi͡a v ėvoli͡ut͡sii kulʹtury: Filosofskie ocherki. Izd-vo Saratovskogo universiteta, 1989.

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17

Durst, David C. Zur politischen Ökonomie der Sittlichkeit bei Hegel und der ästhetischen Kultur bei Schiller: Eine Studie zur politischen Vernunft. Passagen, 1994.

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18

1972-, Porter Robert, ed. Dramatizing the political: Deleuze and Guattari. Palgrave Macmillan, 2011.

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19

"Aleteĭi︠a︡", Izdatelʹstvo, ред. Idealy i palliativy v russkoĭ tradit︠s︡ii i kulʹture. Aleteĭi︠a︡, 2018.

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20

Derek, Robbins, ed. Jean-François Lyotard. SAGE, 2004.

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21

Cohen, R. S., and C. Gould. Artifacts, Representations and Social Practice. Springer, 2012.

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22

The Aesthetic Reconstruction of Social Philosophy (St Andrews). Imprint Academic, 2008.

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23

Cohen, Robert S., and C. Gould. Artifacts, Representations and Social Practice: Essays for Marx Wartofsky. Springer London, Limited, 2012.

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24

Castoriadis, Cornelius. Figures of the Thinkable (Meridian: Crossing Aesthetics). Stanford University Press, 2007.

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25

Castoriadis, Cornelius. Figures of the Thinkable (Meridian: Crossing Aesthetics). Stanford University Press, 2007.

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26

(Editor), C. Gould, and R. S. Cohen (Editor), eds. Artifacts, Representations and Social Practice: Essays for Marx Wartofsky (Boston Studies in the Philosophy of Science). Springer, 1993.

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27

Aesthetics of Science. Taylor & Francis Group, 2020.

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28

Lopes, Dominic McIver. Aesthetics and Philosophy of Art. Edited by Herman Cappelen, Tamar Szabó Gendler, and John Hawthorne. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199668779.013.11.

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This article focuses on aesthetics and the philosophy of art as branches of so-called analytic philosophy. It begins with a historical overview of aesthetics and the philosophy of art before turning to a discussion of how the philosophy of art bears upon human culture. It then considers the methods used in attacking problems in aesthetics and the philosophy of art by highlighting the distinctions between pure and applied philosophy, between internal and external perspectives on aesthetic and artistic phenomena, and between first-order and second-order methods. It also examines how aesthetics a

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29

Ästhetische Aufklärung: Kunst und Kritik in der Theorie Theodor W. Adornos. Juventa Verlag GmbH, 2016.

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30

Curado, Manuel, Dena Shottenkirk, and Steven S. Gouveia. Perception, Cognition and Aesthetics. Taylor & Francis Group, 2019.

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31

Perception Cognition and Aesthetics. Taylor & Francis Group, 2019.

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32

Curado, Manuel, Dena Shottenkirk, and Steven S. Gouveia. Perception Cognition and Aesthetics. Taylor & Francis Group, 2021.

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33

Curado, Manuel, Dena Shottenkirk, and Steven S. Gouveia. Perception, Cognition and Aesthetics. Taylor & Francis Group, 2019.

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34

Curado, Manuel, Dena Shottenkirk, and Steven S. Gouveia. Perception, Cognition and Aesthetics. Taylor & Francis Group, 2019.

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35

Curado, Manuel, Dena Shottenkirk, and Steven S. Gouveia. Perception, Cognition and Aesthetics. Taylor & Francis Group, 2019.

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36

Sviták, Ivan. The Windmills of Humanity: On Culture and Surrealism in the Manipulated World. Charles H. Kerr, 2015.

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37

Nietzsche, Friedrich. The Gay Science: With a Prelude in Rhymes and an Appendix of Songs. Vintage, 2010.

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38

French, Steven, and Milena Ivanova. Aesthetics of Science: Beauty, Imagination and Understanding. Taylor & Francis Group, 2022.

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39

FRENCH, STEVEN, and Milena Ivanova. Aesthetics of Science: Beauty, Imagination and Understanding. Taylor & Francis Group, 2020.

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40

FRENCH, STEVEN, and Milena Ivanova. Aesthetics of Science: Beauty, Imagination and Understanding. Taylor & Francis Group, 2020.

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41

FRENCH, STEVEN, and Milena Ivanova. Aesthetics of Science: Beauty, Imagination and Understanding. Taylor & Francis Group, 2020.

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42

FRENCH, STEVEN, and Milena Ivanova. Aesthetics of Science: Beauty, Imagination and Understanding. Taylor & Francis Group, 2020.

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43

Violence and the Mimetic Unconscious, Volume 2: The Affective Hypothesis. Michigan State University Press, 2023.

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44

Reitz, Charles. Art, Alienation, and the Humanities: A Critical Engagement With Herbert Marcuse (Suny Series in the Philosophy of the Social Sciences). State University of New York Press, 2000.

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45

Thinking about Science, Reflecting on Art: Bringing Aesthetics and Philosophy of Science Together. Taylor & Francis Group, 2017.

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46

Thinking about Science, Reflecting on Art: Bringing Aesthetics and Philosophy of Science Together. Taylor & Francis Group, 2023.

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47

Lopes, Dominic McIver. Aesthetics on the Edge. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198796657.001.0001.

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Recent years have seen an explosion of research on the biological, neural, and psychological foundations of artistic and aesthetic phenomena, which had previously been the province of the social sciences and the humanities. Meanwhile, it is a boom time for meta-philosophy, many new methods have been adopted in aesthetics, and philosophers are tackling the relationship between empirical and theoretical approaches to aesthetics. These eleven essays propose a methodology especially suited to aesthetics, where problems in philosophy are addressed principally by examining how aesthetic phenomena ar

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48

Power of Distraction: Diversion and Reverie from Montaigne to Proust. Bloomsbury Publishing Plc, 2023.

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49

Power of Distraction: Diversion and Reverie from Montaigne to Proust. Bloomsbury Publishing Plc, 2023.

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50

Lopes, Dominic McIver. Aesthetics in Three Dimensions. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198796657.003.0002.

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This chapter begins with a historical overview of aesthetics and the philosophy of art before turning to a discussion of how the philosophy of art bears upon human culture. It then considers the methods used in attacking problems in aesthetics and the philosophy of art by highlighting the distinctions between pure and applied philosophy, between internal and external perspectives on aesthetic and artistic phenomena, and between first-order and second-order methods. It also examines how aesthetics and the philosophy of art are affected as the arts evolve and as empirical studies of aesthetic an

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