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Journal articles on the topic 'Social sciences -> philosophy -> aesthetics'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Portera, Mariagrazia. "Aesthetics as a Habit: Between Constraints and Freedom, Nudges and Creativity." Philosophies 7, no. 2 (2022): 24. http://dx.doi.org/10.3390/philosophies7020024.

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This paper is a preliminary attempt to bring to the fore some questions and issues regarding the role of habits in aesthetics. Indeed, much attention has recently been given to habits across a wide range of fields of inquiry: philosophers turn to the concept to investigate its significance to the historical development of Western thought; neuroscientists look into the role that habits play in the functioning of the human mind and identify the neural and psychological underpinnings of habitual behavior; anthropologists, political scientists and sociologists tap into habits as a key notion to ex

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2

Raunig, Gerald. "Singers, Cynics, Molecular Mice: The Political Aesthetics of Contemporary Activism." Theory, Culture & Society 31, no. 7-8 (2014): 67–80. http://dx.doi.org/10.1177/0263276413497406.

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On the basis of certain tensions between Jacques Rancière’s aesthetics and his political philosophy, the article tries to trace new modes of subjectivation in contemporary activism and art. It explores how the actors of the overlapping terrains of aesthetic and political practices organize ‘different forms, different spaces of expression and distribution of ideas’ in Rancière’s sense. Yet, analysing the practices of the Occupy movement, the Spanish M15 movement, and the dOCUMENTA (13) ‘agents’ AND AND AND as radically inclusive, polyvocal and transversal, it proposes a position that differs fr

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3

Nutas, Andrei. "Review of Sorgner's Philosophy of Posthuman Art." International Journal of Technoethics 13, no. 1 (2022): 1–7. http://dx.doi.org/10.4018/ijt.313197.

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The paper deals with a review of Sorgner's new book, Philosophy of Posthuman Art. The review highlights Sorgner's positioning of postmodern art as emerging from a way of dealing with the realities of ontological naturalism and epistemic perspectivism. It is also highlighted why the author believes that the avant-garde and modernist aesthetic is lacking in dealing with a world of technology embedded post-modernity. In this sense, Sorgner's arguments for the totalitarian aspects of the avant-garde are presented. The paper also offers a critique regarding Sorgner's continental focus, and an argum

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Richmond, Sheldon. "Is “Aesthetics” Art Studies?" Philosophy of the Social Sciences 44, no. 2 (2014): 223–32. http://dx.doi.org/10.1177/0048393112442630.

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5

Berleant, Arnold. "Aesthetics and community." Journal of Value Inquiry 28, no. 2 (1994): 257–72. http://dx.doi.org/10.1007/bf01079570.

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Шмагало, Р. Т. "ДЕКОРАТИВНЕ МИСТЕЦТВО І ЕКО-ДИЗАЙН: ФІЛОСОФСЬКО-ОСВІТНІ ОСНОВИ РОЗВИТКУ І СУЧАСНІ ВИКЛИКИ". Art and Design, № 4 (15 лютого 2021): 185–94. http://dx.doi.org/10.30857/2617-0272.2020.4.15.

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Purpose. Identification and analysis of philosophical, educational and aesthetic foundations of the development of decorative and applied arts and design in the context of new socio-cultural challenges. Methodology. It is based on a systematic approach that synthesizes the methodological principles of related sciences: art history, philosophy, aesthetics, pedagogy with universal for these sciences methods of historical, typological and comparative analysis. Results. Basic philosophical and aesthetic origins of the phenomenon of decorative and applied art in the context of art and related desig

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Trafí-Prats, Laura. "Aesthetic Post-Phenomenological Inquiry: A Compositional Approach to the Invention of Worlds." Qualitative Inquiry 26, no. 5 (2019): 432–39. http://dx.doi.org/10.1177/1077800419857454.

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In this article, I think retrospectively with art and passages of writing produced in connection to a study on aesthetic activity and urban nature with two classes of fifth graders attending school in a city of the American Midwest. For this, I take on the art philosophy of Deleuze, Deleuze and Guattari and Deleuzian scholars to discuss how aesthetics and processes of art-making can inform empirical gestures based on distance from and invention of worlds. Art extracts sensations from chaotic forces that function in excess, variation, and proliferation, offering valuable practices to attune tow

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Clammer, John. "Can Art Embody Truth? Ethics, Aesthetics and Gandhi." Social Change 51, no. 1 (2021): 92–103. http://dx.doi.org/10.1177/0049085721996859.

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The philosophical question of whether moral standards apply in art and the practical one of whether the arts can be vehicles of positive social transformation run through a great deal of social theory. In this article, these issues are discussed through an examination of Mahatma Gandhi’s approach to art and in particular his views on music and visual arts as they formed part of his personal world view and his socio-political programme. The article contextualises this in relation to Gandhi’s over-arching concern with the pursuit of truth and its theistic basis, his relationship to certain aspec

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Sidorov, Aleksei Mikhailovich. "The politics of aesthetics in German Idealism." Философия и культура, no. 11 (November 2022): 107–18. http://dx.doi.org/10.7256/2454-0757.2022.11.14385.

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The subject of the study is the aesthetic aspects of the German philosophy of the late XVIII - early XIX centuries. Modern culture, with its anti-traditionalist impulse for autonomy, freedom from external authority, the use of critical reason, universal principles, in terms of which is questioned religion, history, customs, by this time found its internal contradictions. Post-religious and postconventional Enlightenment values - secularism, humanism, the primacy of reason and science - poorly suited to maintaining the moral and social relations, in the course of everyday life, and led to their

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10

Koutras, Konstantinos. "The Politics of Film Aesthetics: Filmososphy, Post-Theory, and Rancière." Philosophies 9, no. 2 (2024): 50. http://dx.doi.org/10.3390/philosophies9020050.

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The question of aesthetics in film-theoretical discourse today is split between, on the one hand, a film-phenomenological or “filmosophical” approach that values the putatively immanent relation between film and the mind and, on the other, the naturalizing epistemology of post-theory, which reduces the question of film aesthetics to one of poetics. What unites these otherwise disparate projects is the consideration of aesthetics divorced from the question of politics; in both cases, the social or political significance of the film–spectator relationship has been summarily purged. In this artic

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11

Vujović, Aleksandra. "The Bauhaus Viewed from the Perspective of Jacques Rancière’s Theoretical Concept of the Aesthetic Revolution." AM Journal of Art and Media Studies, no. 24 (April 15, 2021): 135–47. http://dx.doi.org/10.25038/am.v0i24.427.

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The philosophical platform of the contemporary French theorist Jacques Rancière is one of the crucial interpretations of the way art is identified and acts in various social and historical conditions. Encompassing the domains of political philosophy, social history, education, and aesthetics, Rancière’s oeuvre is vitally important for recognizing the import of aesthetic experience as vital for anticipating the community of the future as well as for understanding the relationship between art and politics. The initial basis of this text comprises Rancière’s aesthetic conceptions, a constitutive

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Latuny, Marsiano Rocky, and Handry Rochmad Dwi Happy. "Synesthesia and the Experience of the Art of Photography." Jurnal Desain Komunikasi Visual Asia 7, no. 01 (2023): 45. http://dx.doi.org/10.32815/jeskovsia.v7i01.913.

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Photography is one branch of a large grouping in the arts, apart from design and painting. As a field of art, photography certainly has its own aesthetic concept, even the aesthetic concept is closely related to "feeling", an abstract concept regarding the process of absorbing something in human beings that cannot even be fully described. Understanding the concept of aesthetics is a dialectical process related to other issues such as philosophy, social, politics, culture, and economics so that the values of goodness and truth often appear in a variety of aesthetic discussions. The developmen

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Misyurov, N. N. "Principle of individuality in the philosophy of the “unconscious”(Russian responses to the novelties of German thought of the 1880s)." Herald of Omsk University 27, no. 2 (2022): 75–81. http://dx.doi.org/10.24147/1812-3996.2022.27(2).75-81.

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The article deals with the problem of the “individual spirit” (in the context of the“improvement” of mankind) as a counterpoint to Russian-German cultural ties. It is argued that in the historical circumstances of that time (the emergence of social revolutions and national liberation movements, the successes of natural science, critical realism in art and literature), the anthropological paradigm became the logical conclusion of the era of German classical philosophy. It is proved that the principle of individuality in the philosophy of the “unconscious” should be considered an application for

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14

Bishop, P. "Social critique and aesthetics in Schopenhauer." History of European Ideas 29, no. 4 (2003): 411–35. http://dx.doi.org/10.1016/s0191-6599(03)00019-6.

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15

Bojsen, Heidi. "Taking Glissant’s Philosophy into Social Sciences?: A Discussion of the Place of Aesthetics in Critical Development Discourse." Callaloo 36, no. 4 (2013): 995–1013. http://dx.doi.org/10.1353/cal.2013.0200.

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16

Danilova, V. S. "Philosophy of music in the context of mathematics." Vestnik of North-Eastern Federal University. Pedagogics. Psychology. Philosophy, no. 3 (October 17, 2024): 86–95. http://dx.doi.org/10.25587/2587-5604-2024-3-85-94.

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In the philosophy of mathematics, two opposing trends have historically developed: apriorism (Pythagoras) and empiricism (Aristotle) and both of them have had their impact on the development of music. Philosophers of Ancient Greece and the East noted the important role of music; it was used in religious rites, which served as the basis for social and state relations. The article presents a joint panorama of the development (by historical eras) of the philosophy of mathematics and music and notes their close relationship. But if the Philosophy of Mathematics has long been included in the sectio

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17

Gilmore, Jonathan. "Ethics, Aesthetics, and Artistic Ends." Journal of Value Inquiry 45, no. 2 (2011): 203–14. http://dx.doi.org/10.1007/s10790-011-9270-4.

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18

Moon, Joonil. "Aesthetic Debates in “The World of Art” in the Early 20th Century: Focusing on the Debate between Diaghilev and Repin." East European and Balkan Institute 47, no. 4 (2023): 49–75. http://dx.doi.org/10.19170/eebs.2023.47.4.49.

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From the end of the 19th century to the 20th century, Russia experienced a period of caution. Russian culture of the 1890s and 1900s reflects the complexity and contradictions of an era filled with acute social conflict and political struggle. These conflicts and struggles gave new character and characteristics to the perception of society and art. However, the social and cultural life of the late 19th century contrasted markedly with previous periods in the spiritual sphere. During this period, there was a psychological tension quite different from that of the 1880s, and an expectation of a “

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19

H. Freeman, Margaret. "AESTHETICS AND THE POWER OF STEAM." MESSENGER of Kyiv National Linguistic University. Series Philology 20, no. 2 (2022): 43–53. http://dx.doi.org/10.32589/2311-0821.2.2017.120843.

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Introduction. In linguocognitive perspective the paper highlights the ways of integrating the methods of studying the linguistic phenomena from philosophy of science and the philosophy of arts points of view. The author tries to rethink the relation between aesthetics and the sciences, to explore the underlying nature of aesthetics arising from sensate cognition to discover whether or not it—and how, if it does—coincides, correlates, or complements the underlying nature of scientific theories and methodologies. Purpose. The paper focuses not on aesthetic experience only, in its modern, reducti

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20

Scanlan, James P. "Nikolaj Chernyshevsky and the philosophy of realism in nineteenth-century Russian aesthetics." Studies in Soviet Thought 30, no. 1 (1985): 1–14. http://dx.doi.org/10.1007/bf01045127.

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21

Pouivet, Roger. "From Virtue Epistemology to Virtue Aesthetics." Journal of Value Inquiry 52, no. 3 (2018): 365–78. http://dx.doi.org/10.1007/s10790-018-9655-8.

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22

Steinby, Liisa. "Hermann Cohen and Bakhtin’s early aesthetics." Studies in East European Thought 63, no. 3 (2011): 227–49. http://dx.doi.org/10.1007/s11212-011-9144-0.

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23

Brickhouse-Bryson, Devon. "New frontiers in the aesthetics of science." Metascience 30, no. 1 (2021): 103–5. http://dx.doi.org/10.1007/s11016-021-00616-5.

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24

Midtgarden, Torjus. "Peirce’s Classification of the Sciences." KNOWLEDGE ORGANIZATION 47, no. 3 (2020): 267–78. http://dx.doi.org/10.5771/0943-7444-2020-3-267.

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Charles Peirce’s classification of the sciences was designed shortly after the turn of the twentieth century. The classification has two main sources of inspiration: Comte’s science classification and Kant’s theoretical philosophy. Peirce’s classification, like that of Comte, is hierarchically organised in that the more general and abstract sciences provide principles for the less general and more concrete sciences. However, Peirce includes and assigns a superordinate role to philosophical disciplines which analyse and provide logical, methodological and ontological principles for the speciali

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25

Christlieb, Pablo Fernandez. "Political Psychology as Social Aesthetics." Political Psychology 22, no. 2 (2001): 357–66. http://dx.doi.org/10.1111/0162-895x.00244.

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26

Leddy, Thomas. "American Society for Aesthetics: 50th anniversary meeting." Journal of Value Inquiry 28, no. 2 (1994): 339–44. http://dx.doi.org/10.1007/bf01079576.

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27

Milam, Erika Lorraine. "The aesthetics of evolution." Metascience 27, no. 3 (2018): 389–94. http://dx.doi.org/10.1007/s11016-018-0334-y.

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28

Allingham, Peter. "Cars, Aesthetics and Urban Development." Knowledge, Technology & Policy 21, no. 3 (2008): 115–23. http://dx.doi.org/10.1007/s12130-008-9053-9.

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29

Gaus, Nurdiana. "Philosophy and politics in higher education." Qualitative Research Journal 19, no. 3 (2019): 294–306. http://dx.doi.org/10.1108/qrj-12-2018-0008.

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Purpose The purpose of this paper, which is drawn on Indonesian academic women’s experiences, is to examine the extent to which the aesthetics of existence or true life of women academics in relation to the truth telling, played out within the interaction between philosophy and politics, is affected by the application of NPM in research and publication productivities, and the way in which women academics are voicing their opinions toward this issue. Design/methodology/approach In total, 30 women academics across two geographical region (east and west) universities took part in this research, s

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30

Dilek Bozkurt, Arzan. "A UNIQUE PERSPECTIVE ON ROGERS' DIFFUSION OF INNOVATIONS THEORY THROUGH THE LENS OF THE “HER” MOVIE." Uluslararası Halkla İlişkiler ve Reklam Çalışmaları Dergisi 8, no. 1 (2025): 189–223. https://doi.org/10.61766/hire.1606133.

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This article explores the relationship between artificial intelligence (AI) philosophy and the theory of innovation adoption in the context of rapidly advancing AI technology. The increasing global investments and societal impact of AI underscore the need to understand its philosophical dimensions and societal acceptance. The article begins by examining John Searle's critique of "Strong AI" and fundamental AI philosophy topics, including the relationship between thinking and computation, emotional intelligence, and creativity. It evaluates AI's pursuit of understanding the human mind and consc

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31

Purviance, Susan M. "Aesthetics and adjudication: Intersubjective requirements and juridical judgment." Journal of Value Inquiry 27, no. 2 (1993): 165–78. http://dx.doi.org/10.1007/bf01207374.

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32

Bystrov, Vladimir, and Vladimir Kamnev. "Vulgar Sociologism: The History of the Concept." Sotsiologicheskoe Obozrenie / Russian Sociological Review 18, no. 3 (2019): 286–308. http://dx.doi.org/10.17323/1728-192x-2019-3-286-308.

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This article can be considered as the history of the concept of vulgar sociologism, including both the moment of the emergence of this concept and its subsequent history. In the 20th century, new approaches were formed in the natural sciences about society and man which assumed to consider all of the ideas from the point of view of class psycho-ideology. This approach manifested itself somewhat in the history of philosophical and scientific knowledge, but chiefly in literary criticism (Friche, Pereverzev). As a result, any work of art turns into a ciphered message behind which the interest of

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33

Orgad, Yariv. "On wabi sabi and the aesthetics of family secrets: Reading Haruki Murakami's Kafka on the shore." Culture & Psychology 23, no. 1 (2016): 52–73. http://dx.doi.org/10.1177/1354067x16650811.

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Family secrets are commonly considered as a defense mechanism that conceals shameful content and evades guilt. As shame and guilt threaten narcissistic perfection, secrecy functions as a self-protective mechanism by evading acknowledgment of imperfection, thus conceptualizing imperfection as a psychological threat. However, the meaning of perfection and imperfection is culturally grounded, and, therefore, our understanding of family secrets may gain better understanding by examining different cultural perspectives of perfection/imperfection. In this context, we can gain insights to the process

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34

Chaloupka, William. "John Dewey’s Social Aesthetics as a Precedent for Environmental Thought." Environmental Ethics 9, no. 3 (1987): 243–60. http://dx.doi.org/10.5840/enviroethics1987938.

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35

Satybaldieva, D. S. "THE CATEGORY OF "PERFECTION" IN AL-FARABI'S PHILOSOPHY." Al-Farabi 79, no. 3 (2022): 15–25. http://dx.doi.org/10.48010/2022.3/1999-5911.02.

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The article is devoted to the study of the category of “perfection”, presented in the philosophy of Al-Farabi in the following natural-scientific, historicalphilosophical, social, ethical and aesthetic treatises: “On the Views of the Inhabitants of the Virtuous City”, “On the Origin of Sciences”, “Indicating the Path to Happiness”, “Civil Policy”, “Aphorisms of a Statesman”, “The Great Book of Music”. While analyzing the category of “perfection”, Al-Farabi places it in the context of achievement of human happiness. The study concludes that the category of “perfection” in AlFarabi’s treatises m

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36

Harle, Rob. "An Introduction to the Social and Political Philosophy of Bertolt Brecht: Revolution and Aesthetics." Leonardo 49, no. 1 (2016): 88–89. http://dx.doi.org/10.1162/leon_r_01168.

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37

Dobrokhotov, Aleksandr. "GAKhN: an aesthetics of ruins, or Aleksej Losev’s failed project." Studies in East European Thought 63, no. 1 (2010): 31–42. http://dx.doi.org/10.1007/s11212-010-9131-x.

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Sokolovskiy, Sergei V. "In Search of Atmospheres: Directions, Methods, Perspectives (an Interview with Tonino Griffero)." Ètnografičeskoe obozrenie, no. 4 (November 25, 2024): 22–38. http://dx.doi.org/10.31857/s0869541524040023.

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The article is a commented translation from English and German of an interview, conducted in February 2024 with the Italian philosopher-phenomenologist, professor of aesthetics at the University of Rome “Tor Vergata”, the current undisputed leader in the study of (affective) atmospheres Tonino Griffero. The interview touches upon a diversity of traditions in atmospheric research (including national variation in such studies), the correlation of the notions of atmosphere with the notions of mood (Stimmung) andambiance, research methods and ways of theorizing of atmospheric phenomena by German p

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Andrushchenko, Tetiana, and Oksana Sapiha. "Cultural Discourse in the Formation of Spiritual and Aesthetic Culture." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 1(54) (March 21, 2022): 61–75. http://dx.doi.org/10.31318/2414-052x.1(54).2022.255426.

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The author considers the problem of complex research of culturological discourse, which influences the formation of spiritual and aesthetic culture as a holistic phenomenon. Synergetic approaches to culturological systems were analyzed in order to identify their importance in the spiritual and aesthetic education of youth. Two areas of cultural study (optimistic and pessimistic) are described in the article, they are generated by its crisis. Isolationist and integrative views on the place of culturology in the system of scientific knowledge are considered from the point of view that according

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Howells, Christina. "Jean-Luc Nancy and La Peau des images." Body & Society 24, no. 1-2 (2018): 166–74. http://dx.doi.org/10.1177/1357034x18760179.

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This article considers Jean-Luc Nancy’s reflections on the nude in painting and photography in the light of his aesthetics, his philosophy of the body and soul, and some of his other writings on portraiture. It explores Nancy’s insistence on skin as the truth behind and beyond which no further meaning waits to be revealed: there are no hidden depths, no secret or sacred truths, nothing is concealed beneath the skin.

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Rohde, Rick. "Ideology, Bureaucracy and Aesthetics: Landscape Change and Land Reform in Northwest Scotland." Environmental Values 13, no. 2 (2004): 199–221. http://dx.doi.org/10.1177/096327190401300205.

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Scottish devolution and land reform were high on the political agenda with Labour's victory at the general election in 1997. In the Highlands of Scotland, where disputes over the ownership and control of land have a long history, initiatives involving the community ownership of land were gathering pace, one of which was Orbost Estate in Skye. What began as an ‘experiment’ in building a new community with the intention of creating a model for land reform, by 2002 had become a symbol of community opposition and heavy-handed mismanagement by bureaucrats. The conflict between local objectors and t

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Gardiner, Michael E. "Le défi dialogique de Bakhtine aux sciences sociales." Slavica Occitania 25, no. 1 (2007): 67–87. https://doi.org/10.3406/slaoc.2007.2276.

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«Bakhtin’s Dialogical Challenge to the Social Sciences» Despite the vicissitudes of his difficult personal life, Bakhtin managed to prosecute a highly successful intellectual career that encompassed a prodigious range of topics, which survives today as a challenging, complex, and many-hued body of work. If we include the writings of the Bakhtin Circle as well as Bakhtin’s own undisputed single-authored texts, such an œuvre could be said to encompass : an existential phenomenology that focuses on human perception, the body, and intersubjectivity ; the aesthetics of cultural creation ; the philo

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de Vries, Nadia. "Corpse encounters: an aesthetics of death." Mortality 24, no. 4 (2019): 490–91. http://dx.doi.org/10.1080/13576275.2019.1572087.

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KELLY, ÁINE. "“A Radiant and Productive Atmosphere”: Encounters of Wallace Stevens and Stanley Cavell." Journal of American Studies 46, no. 3 (2012): 681–94. http://dx.doi.org/10.1017/s002187581100137x.

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Writing on such diverse works as Shakespeare'sKing Lear, Wallace Stevens's “Sunday Morning” and Vincente Minnelli'sThe Bandwagon, Stanley Cavell is a philosopher consistently moved to philosophize in the realm of the aesthetic. Cavell invokes Stevens, particularly, at moments of hisoeuvreboth casual and constructive. In a commemorative address of the “Pontigny-en-Amérique” encounters at Mount Holyoke College in 2006, Cavell takes Stevens as his direct subject. During the original Pontigny colloquia, held during the wartime summers of 1942–44, some of the leading European figures in the arts an

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Papastergiadis, Nikos. "A Breathing Space for Aesthetics and Politics: An Introduction to Jacques Rancière." Theory, Culture & Society 31, no. 7-8 (2014): 5–26. http://dx.doi.org/10.1177/0263276414551995.

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Jacques Rancière is one of the central figures in the contemporary debates on aesthetics and politics. This introduction maps the shift of focus in Rancière’s writing from political theory to contemporary art practice and also traces the enduring interest in ideas on equality and creativity. It situates Rancière’s rich body of writing in relation to key theorists such as the philosopher Alain Badiou, art historian Terry Smith and anthropologist George E. Marcus. I argue that Rancière offers a distinctive approach in this broad field by clarifying the specificity of the artist’s task in the pro

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Fumerton (book author), Patricia, and A. Kent Hieatt (review author). "Cultural Aesthetics: Renaissance Literature and the Practice of Social Ornament." Renaissance and Reformation 29, no. 4 (2009): 69–71. http://dx.doi.org/10.33137/rr.v29i4.11450.

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47

Caponi, Gustavo. "Lo natural, lo seglar y lo sobrenatural." Humanities Journal of Valparaiso, no. 14 (December 29, 2019): 27. http://dx.doi.org/10.22370/rhv2019iss14pp27-55.

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In Philosophy of Biology, but also in Philosophy of Mind, in Ethics, in Epistemology, and even in Aesthetics, the term naturalization is usually used in two different ways. It is often used in a meta-philosophical sense to indicate a way for doing philosophy that, in some way, would approximate this reflection to scientific research. But it is also often used in a meta-theoretical sense. In that case, it is used to characterize an explanatory operation proper to science. Sometimes, this scientific operation consists of explaining, in natural science terms, what was previously explained by reco

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GEROMINI, Jenifer Cortes Demeterco. "Uma Reflexão sobre a Fenomenologia da Experiência Estética: O Caso do Teatro." PHENOMENOLOGICAL STUDIES - Revista da Abordagem Gestáltica 27, no. 2 (2021): 242–51. http://dx.doi.org/10.18065/2021v27n2.10.

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Art, a fundamentally human subject, has become an important field of study in both philosophy and psychology. It is deemed relevant to think of it from a phenomenological perspective, that regards artistic activities not as a representation, but as an expression. This study aims to consider the actor's/actress's activities based on the book Phénoménologie de l'experience esthétique, the main work by Mikel Dufrenne, a phenomenologist who wrote the most extensive study regarding aesthetics in phenomenology. This task has been accomplished in two stages: a possible explanation about the aesthetic

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Schindler, Samuel. "Naturalness in physics: just a matter of aesthetics?" Metascience 28, no. 2 (2019): 345–47. http://dx.doi.org/10.1007/s11016-019-00418-w.

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Wenger, Rodolfo. "The Regimes of Identification of Art and the Political Reconfiguration of Aesthetics." AM Journal of Art and Media Studies, no. 22 (September 15, 2020): 35–42. http://dx.doi.org/10.25038/am.v0i22.386.

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For the philosopher Jacques Rancière there is no ‘art’ without a specific identification regime that delimits it, makes it visible and makes it intelligible as such. A regime of art defines the specific ways in which a given epoch conceives of the nature and logic of artistic representation, puts certain practices in relation to specific forms of visibility and modes of intelligibility, specifies the ways in which the artistic expressions take place within society, what their functions are within social life in general and in relation to the other social activities in particular. In this artic

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