Relevant bibliographies by topics / Solzhenitsyn’s aesthetics

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Academic literature on the topic 'Solzhenitsyn’s aesthetics'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Solzhenitsyn’s aesthetics"

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Altynbaeva, Gulnara M. "Meta self-description and self-psychologism as meta-poetic principles of A. I. Solzhenitsyn." Izvestiya of Saratov University. Philology. Journalism 22, no. 1 (2022): 105–9. http://dx.doi.org/10.18500/1817-7115-2022-22-1-105-109.

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The autobiographical character of Solzhenitsyn’s oeuvre, inseparable nature of ethical and aesthetic views, have shaped the author’s unique aesthetics. From the point of view of the author of this article, eliciting the meta-poetic principles defines the way of comprehension of Solzhenitsyn’s artistic world, of his ‘phenomenon’. The article presents the analysis of two of Solzhenitsyn’s significant meta-poetic principles: self-meta-description and self-psychologism. The research is based on Diary R-17 which should be introduced into the readers’ and researchers’ circulation as an important key
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Altynbaeva, Gulnara M. "“WORLDVIEW GEOGRAPHY” OF THE WRITER: JUSTIFICATION OF THE CONCEPT (ON THE MATERIAL OF A. I. SOLZHENITSYN’S LITERARY WORKS)." Proceedings of Southern Federal University. Philology 26, no. 1 (2022): 129–37. http://dx.doi.org/10.18522/1995-0640-2022-1-129-137.

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The article presents the substantiation of the literary concept «writer’s “worldview geography”» put forward by the author as one of the aesthetic principles of A.I. Solzhenitsyn. The author of the article aims at proving that the inclusion of the proposed concept in scientific circulation is relevant for the study of the writer’s aesthetics. Understanding the «writer’s “worldview geography”» as an aesthetic principle of the writer, which is realized in travel notes and literary texts about the journey based on the impressions of the trip, the author of the study insists that, choosing a place
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Алтынбаева, Г. М. "A. I. Solzhenitsyn’s Conversations with Young People about the Awakening of “Kind Feelings”." Вестник Рязанского государственного университета имени С.А. Есенина, no. 2(75) (August 4, 2022): 129–37. http://dx.doi.org/10.37724/rsu.2022.75.2.013.

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В статье на материале обращений, лекций, речей, ответов А. И. Солженицына в студенческих аудиториях Владивостока, Москвы, Ростова, Рязани, Самары, Саратова, Твери, Томска, Виндзора, Гарварда, Цюриха и других городов России и Зарубежья проанализированы этические и эстетические взгляды писателя на современный мир, вопросы саморазвития и проблему гуманистических ценностей. В статье аргументированно показано, что Солженицын стремится привить молодым собеседникам такие нравственные качества, как самоограничение, справедливость, совестливость. Кроме того, автор статьи говорит о том, что, опираясь на
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Altynvaeva, Gulnara M. "The dialogue with the classic writer as A. I. Solzhenitsyn’s metapoetic principle (Immersing into Chekhov)." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 21, no. 1 (2021): 90–93. http://dx.doi.org/10.18500/1817-7115-2021-21-1-90-93.

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In this article one of the metapoetic principles of A. I. Solzhenitsyn is analyzed – ‘a dialogue with a classic writer’. In his sketch Immersing into Chekhov Solzhenitsyn renders the pleasure of aesthetic insights from the encounters with Chekhov, enters into a conversation with him, argues with Chekhov’s world outlook. Thereby Solzhenitsyn’s own ‘creative lab’ is revealed to the reader.
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Ступницька, Наталія Миколаївна. "РЕЛИГИОЗНЫЙ АСПЕКТ В ТВОРЧЕСТВЕ А.И. СОЛЖЕНИЦЫНА". Наукові записки Харківського національного педагогічного університету імені Г.С. Сковороди "Літературознавство" 3, № 82 (2015): 149–59. https://doi.org/10.5281/zenodo.45553.

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The article noted that the religious view of the world passes through all the works by A.I. Solzhenitsyn, organically intertwined with the narrative structure of the literary works, and in his publicistic works is noted in the article. It is due to the undoubted religiousness of the writer who clearly understood the existential essence of Orthodoxy. The writer sees the world as the Creation which is full of the deepest meaning and his task is to understand the God’s plan the deep sense of events and phenomena. This is the peculiarity of Solzhenitsyn’s aesthetics, which combines see
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Goncharov, Petr A. "“Native on Fatherland”: A. Solzhenitsyn in V. Astafiev’s view (on the material of letters and journalism)." Neophilology, no. 4 (2023): 814–21. http://dx.doi.org/10.20310/2587-6953-2023-9-4-814-821.

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The article examines the view, assessment, interpretation of the personality scale, the direction of A. Solzhenitsyn’s work in the letters and journalism of V. Astafiev. The importance of the research is due to the attention of modern literary criticism to the historiosophical and socio-political issues of Russian prose, the necessity to research the creations of Russian literature of the 20th century in its brightest performances and assessments. The purpose of the research is an attempt to determine the similarity of aesthetic positions, which became the basis for assessing and interpreting
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Babicheva, Maya E. "The Writers on One Wave. L.D. Rzhevsky about the Creative Works of A.I. Solzhenitsyn." Bibliotekovedenie [Library and Information Science (Russia)] 67, no. 4 (2018): 421–30. http://dx.doi.org/10.25281/0869-608x-2018-67-4-421-430.

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The article considers attitude of the representatives of different “waves” of Russian emigration to the personality and works of A.I. Solzhenitsyn. The author the reasons of special analysed interest of the representatives of the “second wave” to the early period of the writer’s creative works, as well as described specific features of perception of A.I. Solzhenitsyn’s works by the literary critic L.D. Rzhevsky, belonging to that wave. For the first time the works of L.D. Rzhevsky devoted to the creative works of A.I. Solzhenitsyn are introduced into scientific circulation. Philologist by educ
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Алтынбаева, Г. М., and Л. Е. Герасимова. "The Chekhovian code in A. Solzhenitsyn’s The Gulag Archipelago." Вестник Рязанского государственного университета имени С.А. Есенина, no. 4(81) (December 27, 2023): 80–86. http://dx.doi.org/10.37724/rsu.2023.81.4.008.

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В статье на материале текста А. И. Солженицына «Архипелаг ГУЛАГ» показано влияние чеховской поэтики на писателя. Авторы предлагаемого исследования обратились не к анализу очевидных связей произведений «Остров Сахалин» и «Архипелаг ГУЛАГ», а показали эстетическую преемственность Солженицына, взявшего от Чехова прежде всего его высокое нравственно-философское понимание человека, зафиксированное в его статьях, письмах, художественных текстах. В ходе «медленного чтения» «опыта художественного исследования» авторы статьи выделили ряд отсылок к Чехову, от прямых до аллюзивных, подводящих к мысли не
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Altynbaeva, G. M. "ALEXANDER SOLZHENITSYN’S “NOBEL LECTURE” AS HIS AESTHETIC CREDO." Учёные записки Петрозаводского государственного университета 44, no. 5 (2022): 20–25. http://dx.doi.org/10.15393/uchz.art.2022.781.

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Purcell, Brendan. "Alexander Solzhenitsyn's Overcoming Personal, Political and Historical Amnesia Through Literary-Aesthetic Anamnes." History of Communism in Europe 1, no. -1 (2010): 35–47. http://dx.doi.org/10.7761/hce.1.35.

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Books on the topic "Solzhenitsyn’s aesthetics"

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Serafimova, Vera, Ivan Pankeev, and L. G. Tyurina. History of Russian literature of the XX-XXI centuries. INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1866868.

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The textbook consists of review and monographic chapters, presents a modern view of the literary process of the XX — early XXI century, examines the work of poets, novelists, playwrights who caused an extraordinary rise in spirituality and culture of the period under consideration. The analysis of the top works of Nobel Prize laureates is given: I. Bunin, B. Pasternak, M. Sholokhov, A. Solzhenitsyn, I. Brodsky, writers- front—line poets and prose writers. Attention is paid to the work of writers of Russian emigration. The section "Modern prose" includes materials on philosophical and aesthetic
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Serafimova, Vera. History of Russian literature of XX-XXI centuries. INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1138897.

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The textbook consists of review and monographic chapters, presents a modern view of the literary process of the XX-beginning of the XXI century, examines the work of poets, prose writers, playwrights who caused an extraordinary rise in spirituality and culture of the period under consideration. The analysis of the top works of Nobel prize winners: I. Bunin, B. Pasternak, M. Sholokhov, A. Solzhenitsyn, V. Shalamov, I. Brodsky, writers-front — line poets and prose writers is given. Attention is paid to the work of writers of Russian emigration. The section "Modern prose" includes materials about
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Book chapters on the topic "Solzhenitsyn’s aesthetics"

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Aitken, Ian. "The ‘Naturalist’ Treatment of Film in The Specificity of the Aesthetic (Georg Lukács, 1963) and One Day in the Life of Ivan Denisovich (Alexander Solzhenitsyn, 1962; Caspar Wrede, 1970)." In The Major Realist Film Theorists. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474402217.003.0010.

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The distinction between progressive ‘narration’ and reactionary ‘description’, that is, between realism and naturalism, is one that Georg Lukács often made in his critical writings on literature, and is encapsulated in his 1936 essay ‘Narrate or Describe?’. This distinction, appearing in such an uncompromising essay, has also provided critics with reason to dismiss Lukács’ position on naturalism, and also on modernism, given that Lukács argued elsewhere that twentieth-century modernism was a regressive outcome of the alienating tendencies found within nineteenth-century naturalism. However, th
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Aitken, Ian. "Chapter 9 The ‘Naturalist’ Treatment of Film in The Specificity of the Aesthetic (Georg Lukács, 1963) and One Day in the Life of Ivan Denisovich (Alexander Solzhenitsyn, 1962; Caspar Wrede, 1970)." In The Major Realist Film Theorists. Edinburgh University Press, 2016. http://dx.doi.org/10.1515/9781474402224-010.

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Conference papers on the topic "Solzhenitsyn’s aesthetics"

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Salnikova, Ekaterina. "The Aesthetic Features of the TV Version of qThe First Circleq. TV Adaptation by A. I. Solzhenitsyn, Director - Gleb Panfilov, 2006." In 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-17.2018.43.

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Journal articles
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