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Journal articles on the topic 'Solzhenitsyn’s aesthetics'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Altynbaeva, Gulnara M. "Meta self-description and self-psychologism as meta-poetic principles of A. I. Solzhenitsyn." Izvestiya of Saratov University. Philology. Journalism 22, no. 1 (2022): 105–9. http://dx.doi.org/10.18500/1817-7115-2022-22-1-105-109.

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The autobiographical character of Solzhenitsyn’s oeuvre, inseparable nature of ethical and aesthetic views, have shaped the author’s unique aesthetics. From the point of view of the author of this article, eliciting the meta-poetic principles defines the way of comprehension of Solzhenitsyn’s artistic world, of his ‘phenomenon’. The article presents the analysis of two of Solzhenitsyn’s significant meta-poetic principles: self-meta-description and self-psychologism. The research is based on Diary R-17 which should be introduced into the readers’ and researchers’ circulation as an important key

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2

Altynbaeva, Gulnara M. "“WORLDVIEW GEOGRAPHY” OF THE WRITER: JUSTIFICATION OF THE CONCEPT (ON THE MATERIAL OF A. I. SOLZHENITSYN’S LITERARY WORKS)." Proceedings of Southern Federal University. Philology 26, no. 1 (2022): 129–37. http://dx.doi.org/10.18522/1995-0640-2022-1-129-137.

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The article presents the substantiation of the literary concept «writer’s “worldview geography”» put forward by the author as one of the aesthetic principles of A.I. Solzhenitsyn. The author of the article aims at proving that the inclusion of the proposed concept in scientific circulation is relevant for the study of the writer’s aesthetics. Understanding the «writer’s “worldview geography”» as an aesthetic principle of the writer, which is realized in travel notes and literary texts about the journey based on the impressions of the trip, the author of the study insists that, choosing a place

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3

Алтынбаева, Г. М. "A. I. Solzhenitsyn’s Conversations with Young People about the Awakening of “Kind Feelings”." Вестник Рязанского государственного университета имени С.А. Есенина, no. 2(75) (August 4, 2022): 129–37. http://dx.doi.org/10.37724/rsu.2022.75.2.013.

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В статье на материале обращений, лекций, речей, ответов А. И. Солженицына в студенческих аудиториях Владивостока, Москвы, Ростова, Рязани, Самары, Саратова, Твери, Томска, Виндзора, Гарварда, Цюриха и других городов России и Зарубежья проанализированы этические и эстетические взгляды писателя на современный мир, вопросы саморазвития и проблему гуманистических ценностей. В статье аргументированно показано, что Солженицын стремится привить молодым собеседникам такие нравственные качества, как самоограничение, справедливость, совестливость. Кроме того, автор статьи говорит о том, что, опираясь на

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4

Altynvaeva, Gulnara M. "The dialogue with the classic writer as A. I. Solzhenitsyn’s metapoetic principle (Immersing into Chekhov)." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 21, no. 1 (2021): 90–93. http://dx.doi.org/10.18500/1817-7115-2021-21-1-90-93.

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In this article one of the metapoetic principles of A. I. Solzhenitsyn is analyzed – ‘a dialogue with a classic writer’. In his sketch Immersing into Chekhov Solzhenitsyn renders the pleasure of aesthetic insights from the encounters with Chekhov, enters into a conversation with him, argues with Chekhov’s world outlook. Thereby Solzhenitsyn’s own ‘creative lab’ is revealed to the reader.

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5

Ступницька, Наталія Миколаївна. "РЕЛИГИОЗНЫЙ АСПЕКТ В ТВОРЧЕСТВЕ А.И. СОЛЖЕНИЦЫНА". Наукові записки Харківського національного педагогічного університету імені Г.С. Сковороди "Літературознавство" 3, № 82 (2015): 149–59. https://doi.org/10.5281/zenodo.45553.

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The article noted that the religious view of the world passes through all the works by A.I. Solzhenitsyn, organically intertwined with the narrative structure of the literary works, and in his publicistic works is noted in the article. It is due to the undoubted religiousness of the writer who clearly understood the existential essence of Orthodoxy. The writer sees the world as the Creation which is full of the deepest meaning and his task is to understand the God’s plan the deep sense of events and phenomena. This is the peculiarity of Solzhenitsyn’s aesthetics, which combines see

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6

Goncharov, Petr A. "“Native on Fatherland”: A. Solzhenitsyn in V. Astafiev’s view (on the material of letters and journalism)." Neophilology, no. 4 (2023): 814–21. http://dx.doi.org/10.20310/2587-6953-2023-9-4-814-821.

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The article examines the view, assessment, interpretation of the personality scale, the direction of A. Solzhenitsyn’s work in the letters and journalism of V. Astafiev. The importance of the research is due to the attention of modern literary criticism to the historiosophical and socio-political issues of Russian prose, the necessity to research the creations of Russian literature of the 20th century in its brightest performances and assessments. The purpose of the research is an attempt to determine the similarity of aesthetic positions, which became the basis for assessing and interpreting

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7

Babicheva, Maya E. "The Writers on One Wave. L.D. Rzhevsky about the Creative Works of A.I. Solzhenitsyn." Bibliotekovedenie [Library and Information Science (Russia)] 67, no. 4 (2018): 421–30. http://dx.doi.org/10.25281/0869-608x-2018-67-4-421-430.

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The article considers attitude of the representatives of different “waves” of Russian emigration to the personality and works of A.I. Solzhenitsyn. The author the reasons of special analysed interest of the representatives of the “second wave” to the early period of the writer’s creative works, as well as described specific features of perception of A.I. Solzhenitsyn’s works by the literary critic L.D. Rzhevsky, belonging to that wave. For the first time the works of L.D. Rzhevsky devoted to the creative works of A.I. Solzhenitsyn are introduced into scientific circulation. Philologist by educ

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8

Алтынбаева, Г. М., and Л. Е. Герасимова. "The Chekhovian code in A. Solzhenitsyn’s The Gulag Archipelago." Вестник Рязанского государственного университета имени С.А. Есенина, no. 4(81) (December 27, 2023): 80–86. http://dx.doi.org/10.37724/rsu.2023.81.4.008.

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В статье на материале текста А. И. Солженицына «Архипелаг ГУЛАГ» показано влияние чеховской поэтики на писателя. Авторы предлагаемого исследования обратились не к анализу очевидных связей произведений «Остров Сахалин» и «Архипелаг ГУЛАГ», а показали эстетическую преемственность Солженицына, взявшего от Чехова прежде всего его высокое нравственно-философское понимание человека, зафиксированное в его статьях, письмах, художественных текстах. В ходе «медленного чтения» «опыта художественного исследования» авторы статьи выделили ряд отсылок к Чехову, от прямых до аллюзивных, подводящих к мысли не

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9

Altynbaeva, G. M. "ALEXANDER SOLZHENITSYN’S “NOBEL LECTURE” AS HIS AESTHETIC CREDO." Учёные записки Петрозаводского государственного университета 44, no. 5 (2022): 20–25. http://dx.doi.org/10.15393/uchz.art.2022.781.

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10

Purcell, Brendan. "Alexander Solzhenitsyn's Overcoming Personal, Political and Historical Amnesia Through Literary-Aesthetic Anamnes." History of Communism in Europe 1, no. -1 (2010): 35–47. http://dx.doi.org/10.7761/hce.1.35.

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11

Sebeleva, A.V. "Alexander Solzhenitsyn's Journalism During the «Exile» Period." Nizhnevartovsk Philological Bulletin, no. 2 (November 16, 2020): 43–46. https://doi.org/10.5281/zenodo.4277633.

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Alexander Solzhenitsyn was a bright, original, and thought-provoking writer. In addition to his writing, he left a legacy of criticism and journalism that is significant for the history of Russian literature. Solzhenitsyn's work as a publicist teaches respect for the national cultural and spiritual heritage. Insufficient attention to the writer's historical and journalistic activities sometimes led to narrowed ideas about how Solzhenitsyn evaluated certain phenomena of Russian literature, culture, and society as a whole. Insufficient attention to the journalistic activities of the auth

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12

Н.Н., Ступницкая. "ЭКФРАСИС В СТРУКТУРЕ РОМАНА А.И. СОЛЖЕНИЦЫНА «В КРУГЕ ПЕРВОМ»". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 1, № 87 (2018): 162–70. https://doi.org/10.5281/zenodo.1322544.

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The article is devoted to the study of the ekphrastic components of Solzhenitsyn’s novel “The First Circle”. The approaches to the study of ekphrasis in contemporary humanitarian discourse are considered. As ekphrasis is a representation in the literary work of works of other forms of art, it is significantly expanded narrative space. Some ekphrases of the paintings in the novel by A.I. Solzhenitsyn “The First Circle” are described in the article. Peculiarities of the influence of ekphrases on the recipient are determined. The description of Kondrashev-Ivanov&rsqu

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13

Ivanova, Irina. "Classic Forced Labor Camp Prose in Contemporary Russian Literature: The Transformation Revisited." Бюллетень Калмыцкого научного центра Российской академии наук 3, no. 23 (2022): 120–43. http://dx.doi.org/10.22162/2587-6503-2022-3-23-120-143.

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Introduction. In the classic sense, forced labor camp prose includes fiction and documentary texts created by immediate participants of the events described (Stalin’s purges of the 1920s–1950s), and thus being usually autobiographical by nature. The bulk of such prose works were created in the 1950s–1970s by such writers as A. Solzhenitsyn, V. Shalamov, E. Ginsburg, Yu. Dombrovsky, A. Zhigulin, etc. Goals. The paper attempts an analysis of features inherent to manifestations of the forced labor camp theme in contemporary Russian fiction, and relates such texts to existing visions of such prose

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14

Kolesnikova, E. I. "Conceptualization of Trickster in the Modern Literary Process." Vestnik NSU. Series: History and Philology 22, no. 2 (2023): 121–26. http://dx.doi.org/10.25205/1818-7919-2023-22-2-121-126.

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The article observes the monograph of N. Kovtun “Trickster as a hero of our time. On the Material of Russian Prose of the Second Half of the 20th – 21st Century”, where the attributive signs of the trickster archetype (ambivalence, vitality, the role of a mediator, liminarity, creativity, connection with the sacral) are summarized and supplemented. Each of these characteristics is convincingly substantiated on the basis of other researchers’ works. The conceptual and semantic field of tricksterism is revealed with the help of the analysis of the main motives – the path, insecurity, duality, re

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15

Remoundou, Natasha. "The Posthuman and Irish Antigones: Rights, Revolt, Extinction." Clotho 4, no. 2 (2022): 211–47. http://dx.doi.org/10.4312/clotho.4.2.211-247.

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Antigone’s afterlives in Ireland have always enacted critical gestures of social protest and mourning that expose the fundamental fragility of human rights caught up in the symbolic conflict between oppressors and oppressed. This paper seeks to explore the scope of rereading certain Irish figurations of Antigone – the exemplary text of European humanism – through a posthumanist lens that unveils new and radical understandings of modern injustices, legal fissures, and capitalist insinuations of an “inhuman politics” against proletarian minorities in twentieth-century Irish society in transnatio

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16

Prozhiko, Galina S. "Russian documentary at the turn of the 21st century." Journal of Flm Arts and Film Studies 11, no. 2 (2019): 21–32. http://dx.doi.org/10.17816/vgik11221-32.

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The essay analyzes creative problems of the screen language of Russian documentaries at the turn of the 21st century in the context of the changed system of film production and promotion, as well as the changed paradigm of relations between the author and the hero and the evolution of the expressive methods of the documentary film which took place in that period. The essay reflects on the problems of the development of Russian documentaries at a crucial time when the issues of the survival of the documentary, so acute in the 1990s, have been overcome and are now bringing to the fore creative s

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17

Lysenko, Oleksandr. "Imperial Nature of the Russian Culture through the Prism of War." Folk art and ethnology, no. 3 (September 30, 2023): 55–61. http://dx.doi.org/10.15407/nte2023.03.055.

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The article reveals the problem of the low morale of Russian society at the present stage of its development from the point of view of Russia’s war against Ukraine in 2014–2023. A clear indicator of the society’s decline is the justification of Putin’s policy by most of the intellectual and cultural elite of the Russian Federation, which demonstrates the dominance of the authoritarian political ideology – Rashism, based on totalitarian and misanthropic ideological principles and social practices. While analyzing the socio-political processes in Russia over the past three decades, it is worth n

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