Relevant bibliographies by topics / Song of Igor’s Campaign

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Song of Igor’s Campaign'

Author: Grafiati
Published: 28 May 2022
Last updated: 31 July 2025

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Journal articles on the topic "Song of Igor’s Campaign"

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RANCHIN, A. M. "DID THE AUTHOR OF THE TALE OF IGOR’S CAMPAIGN KNOW THE CHRONICLE NARRATIVES ABOUT THE CAMPAIGN OF 1185? PART 1." Lomonosov Journal of Philology, no. 2, 2024 (June 16, 2024): 97–111. http://dx.doi.org/10.55959/msu0130-0075-9-2024-47-02-6.

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The article is devoted to the problem of textual connections between The Tale of Igor’s Campaign and the narratives about the campaign of Prince Igor in 1185, which are part of the chronicles of the Laurentian group and the Ipatiev Chronicle. Hypotheses and opinions belonging to various scholars are examined in detail: the idea of the absence of such connections, the assumption of the primacy of the Tale in relation to the narrative from the Ipatiev Chronicle, the statement of the secondary nature of the ‘song’ about Igor’s campaign in relation to both narratives. The subject of attention is p
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Ranchin, Andrey. "DID THE AUTHOR OF THE TALE OF IGOR’S CAMPAIGN KNOW THE CHRONICLE NARRATIVES ABOUT THE CAMPAIGN OF 1185? PART TWO." Lomonosov Journal of Philology, no. 3, 2024 (June 17, 2024): 195–208. http://dx.doi.org/10.55959/msu0130-0075-9-2024-47-03-15.

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The article is devoted to the problem of textual connections between The Tale of Igor’s Campaign and the narratives about the campaign of Prince Igor in 1185, which are part of the chronicles of the Laurentian group and the Ipatiev Chronicle. Hypotheses and opinions belonging to various scholars are examined in detail: the idea of the absence of such connections, the assumption of the primacy of The Tale in relation to the narrative from the Ipatiev Chronicle, the statement of the secondary nature of the “song” about Igor’s campaign in relation to both narratives. The subject of attention is p
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Wang, Yu. "Kiev as an artistic toponym in “The Song of Igor’s Campaign” and the Chinese translations." RUDN Journal of Studies in Literature and Journalism 24, no. 4 (2019): 713–20. http://dx.doi.org/10.22363/2312-9220-2019-24-4-713-720.

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The article explores the toponym “Kiev” as an universal center of the space - time organization of “The Song of Igor’s Campaign”. The capital city of Ancient Russia is mentioned in 10 episodes, in each of which it appears in the symbolic incarnation of a certain political slogan or poetic hyperbole. The study analyzes and compares the image of Kiev, displayed in the original text of “The Song”, its translations into Chinese, and commentaries by Wei Huangnu and Li Xiyin, who discovered the artistic value of the ancient Russian masterpiece to Chinese philologists and a wide circle of readers.
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RADZIIEVSKA, Tetiana. "VLADIMIR NABOKOV’S ENGLISH TRANSLATION OF “THE SONG OF IGOR’S CAMPAIGN” AS A PRECEDENT SITUATION IN INTERCULTURAL COMMUNICATION." Folia Philologica, no. 4 (2022): 67–77. http://dx.doi.org/10.17721/folia.philologica/2022/4/9.

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The paper deals with the English translation of “The Song of Igor’s Campaign”, carried out by Vladimir Nabokov in the middle of the 20th century. The translation is considered in a linguocultural perspective as a precedent situation (a case) in intercultural communication. Such approach involves not only an analysis of the lexical and syntactical features of the translated medieval text, but also a study of the dynamics of translation activity, which advances in specific historical conditions, depends on certain factors that influence it, and corresponds to certain tasks. The purpose of the pa
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Wang, Yu. "The image of wolf in artistic animalism of “The Song of Igor’s Campaign” and ancient Chinese literature." RUDN Journal of Studies in Literature and Journalism 24, no. 3 (2019): 424–32. http://dx.doi.org/10.22363/2312-9220-2019-24-3-424-432.

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The article analyzes the image of the wolf in “The Song of Igor's Campaign” and ancient Chinese literature. In the motive complex of artistic animalism of “The Song” the wolf is represented semantically multivalued. He acts as a symbolic function of the forerunner of tragic events, poeticizes as a legendary mythological werewolf, and is also intensively used as a comparison-personification. In ancient Chinese literature the wolf in the vast majority of texts acts as a carrier of negative emotions. Its main metaphorical associations are alien invaders, rebels, sovereigns-tyrants. The image of t
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Li, Ziwei. "On the “phrase-for-phrase” translation of The Song of Igor’s Campaign by Xiyin Li." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 88 (2024): 167–95. https://doi.org/10.17223/19986645/88/9.

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The second full Chinese translation of The Song of Igor’s Campaign was completed by Xiyin Li at the end of the 20th century. In the preface of his work, the translator clearly pointed out his approach to translation, namely, “translate phrase-forphrase”. The objective of this study was to analyze the essence of his translation approach based on not only the translated text, but also its paratext. The paratext was studied in two aspects, the form and the content. The contradiction between the rich form and the random content was explained by investigating the general historical influences on th
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Burykin, Alexey A. "Еще раз о Босом волке в тюрко-монгольском эпосе и «Слове о полку Игореве»". Бюллетень Калмыцкого научного центра Российской академии наук, № 1 (20 грудня 2020): 113–22. http://dx.doi.org/10.22162/2587-6503-2020-1-13-113-122.

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The article analyses the names of the wolf in the eposes of the Mongolian and Turkic nations, which is of interest for defining the Mongolian and Turkic epic traditions and perceptions related to the wolf. One of the problems discussed by the author is the understanding of the Old Russian word-combination ‘босый волк’(off-white wolf) which appears in “The Song of Igor’s Campaign”. In the Mongolian folklore, a name of the wolf includes the word hалзн ‘a white mark or white stripe on the forehead of the animal’ which is inherent in the definition of a wolf by color. This specification allows us
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Pevtsov, G. D. "Linguistic, Historical and Poetical Stylistic Aspects of Translating of The Song of «Igor's Campaign». The Subjects of the Authorship and the Time of Creation." Язык и текст 4, no. 1 (2017): 39–47. http://dx.doi.org/10.17759/langt.2017040104.

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The article presents some peculiarities of the new translation of The Song of Igor's Campaign made by the author of the present article as well as the translations by the most famous Russian authors of different times. The translations are compared and their advantages and shortcomings come to light. The subjects of the authorship of The Song and the time of its creation are touched upon as well.
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Kovaleva, Tatyana I., and Igor E. Loshchilov. "“The ancient duel of Mstislav…”: the story of “The Russian Primary Chronicle” in a V. Sosnora’s poem “The battle of Mstislav with Rededya” (1959)." Sibirskiy filologicheskiy zhurnal, no. 2 (2023): 166–79. http://dx.doi.org/10.17223/18137083/83/13.

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This paper deals with the poem by V. Sosnora, “The Battle of Mstislav with Rededya” (1959). The poem is based on the story of “The Russian Primary Chronicl” under 6530 (1022) devoted to the event mentioned in the title. According to the poet, when writing his “historical” poems, he “re-imagines” the material of ancient Russian monuments and brings it closer to the modern reader. The poet’s creative method was often misunderstood by critics and satirists who referred to his “irreverent” treatment of history. In terms of literary criticism, “re-imagining” implies using a rich palette of poetic m
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Russell, James R. "Iranians, Armenians, Prince Igor, and the Lightness of Pushkin." IRAN and the CAUCASUS 18, no. 4 (2014): 345–81. http://dx.doi.org/10.1163/1573384x-20140403.

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The Animal Style that characterizes Scythian art came into Armenia and Russia, where it is attested in bas-reliefs on churches; and the epic Song of Igor's Campaign, a unique verbal reflection of it, inspired Pushkin and his descendants in their poetic visions.
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Dissertations / Theses on the topic "Song of Igor’s Campaign"

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Звагельська, О., Віктор Борисович Звагельський, Виктор Борисович Звагельский та Viktor Borysovych Zvahelskyi. "Відзначення 800-літнього ювілею «Слова о полку Ігоревім» у періодиці Сумщини". Thesis, Сумський державний університет, 2019. https://essuir.sumdu.edu.ua/handle/123456789/77205.

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Теза присвячена соціальнокомунікативному аналізу періодичних видань Сумщини щодо висвітлення 800-літнього ювілею геніального твору «Слово о полку Ігоревім», який за рішенням ЮНЕСКО та уряду СРСР відзначався у 1985 р.<br>The thesis deals with the socio-communication analysis of the local periodicals of Sumy region. The article describes the materials devoted to the 800 years anniversary of The Song of Igor’s Campaign, which was celebrated in 1985.
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Peterson, Lottie Elizabeth. "A Rhetorical Analysis of Campaign Songs in Modern Elections." BYU ScholarsArchive, 2018. https://scholarsarchive.byu.edu/etd/6718.

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Since the U.S. presidential election of 1800, candidates have selected campaign songs to underscore their political platforms. The literature on politics and music suggests that in modern campaigns, the significance of music rests not in the song itself but in the artist behind the song and the image associated with that particular artist. This analysis sought to convey how the very process of selecting a campaign song is a profound rhetorical act, and that songs chosen even in modern elections have a specific meaning and purpose tied to the political contexts in which they are embedded. Using
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Brown, Garrett Amzi. "Songs in U.S. Presidential Campaigns: Function, Signification, and Spin." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492708533163934.

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Cai, Yi-jhen, and 蔡怡臻. "The Mediatization of Politics in Election Campaign: The Case of DPP’s Campaign Song Strategy in the 2016 Presidential Election." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/68rapz.

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碩士<br>國立中正大學<br>傳播學系電訊傳播研究所<br>105<br>In Taiwan, since the lifting of martial law in 1987, more and more candidates use popular lyrics for their campaigns. This is the case when the increasing number of commercial media outlets has driven the party competition to go fierce. Particularly in the internet campaign era, campaign strategies are more diversified than before. The research employs the concept of “mediatization” to examine the role of campaign songs in Taiwan’s political campaign, with particular attention paid to examine how campaign songs were integrated in the election campaign sinc
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Huang, Wung-ui, and 黃文鈺. "An Investigation into Lyric Writing and Societal Background--The Cases of KMT and DPP Presidential Campaign Theme Song Lyrics." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/59897344907348364437.

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碩士<br>南華大學<br>美學與視覺藝術學系碩士班<br>97<br>Before 1990s, in Taiwan, most political parties win voter''s identification by adapting songs during election period. In 1994, first time appeared the creative campaign song is during Shui-bian Chen announcing for the mayor of Taipei. Measured the body made two campaign songs, "The new country of Taipei" and "Spring flowers", by Lu Han-xiu for Shui-bian Chen. From then, it starts to appear measuring the body making the campaign songs. 　　 　　The main object of study of this research which from 1996 to 2008 are Kuomintang and Democratic Progressive Party previo
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Chang, Wei-Ling, and 張維玲. "Dao-Xue Type Scholar-Bureaucrats’ Attitude Toward the Legitimacy Restoration in the mid-Southern Song Dynasty’s Anti-Favorites Campaign (1163~1207)." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/49802241444992056946.

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碩士<br>國立臺灣大學<br>歷史學研究所<br>97<br>The central theme of this thesis is to explain Southern Song dynasty’s political characteristics through the interaction of four main factors that dominate the historical progress during mid-Southern Song dynasty: imperial power, Favorites, Dao-Xue type scholar-bureaucrats, and the legitimacy restoration issue. Dao-Xue type scholar-bureaucrats, a concept brought up by Yu Yingshi（余英時） in his “The History World of Zhu Xi”,（《朱熹的歷史世界》） refers to, in the context of this thesis, Neo-Confucians who adhere to Li-xue; it is expanded to include scholar-bureaucrats who ide
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Books on the topic "Song of Igor’s Campaign"

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1899-1977, Nabokov Vladimir Vladimirovich, ed. The song of Igor's campaign. Ardis, 1988.

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Stanage, Niall. Redemption song: An Irish reporter inside the Obama campaign. Liberties Press, 2008.

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Stanage, Niall. Redemption song: An Irish reporter inside the Obama campaign. Liberties Press, 2008.

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Nabokov, Vladimir Vladimirovich. Song of Igor's Campaign. ABRAMS (Ignition), 2009.

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The Song of Igor's Campaign. Ugly Duckling Presse, 2006.

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Nabokov, Vladimir Vladimirovich. The Song of Igor's Campaign, An Epic of the Twelfth Century. Ardis Publishers, 1989.

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Republican Central Campaign Club of New and L. Fayette Sykes. Garfield and Arthur Republican Campaign Song Book 1880: Yr. 1880. Creative Media Partners, LLC, 2015.

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Redemption song: An Irish reporter inside the Obama campaign. Liberties Press, 2008.

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A Song Of Ice And Fire Campaign Guide A Sourcebook For A Song Of Ice And Fire Roleplaying. Green Ronin Publishing, 2010.

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Another new song to another old tune: Air, "John Anderson, my Jo". s.n., 1986.

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Book chapters on the topic "Song of Igor’s Campaign"

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Doehring, André, and Kai Ginkel. "»Hulapalu, What Is It All About?« Embodied Performativity in the Relationship between Popular Music and Populism in Austria." In Populismus kritisieren. mdwPress / transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839474303-006.

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André Doehring and Kai Ginkel highlight the complex interplay of music and politics, with a focus on the socio-material assemblages of situated musical practice. They discuss the song "Hulapalu" by Austrian singer Andreas Gabalier (2015a) and its role in election campaign events of the far-right populist Freedom Party of Austria (FPÖ). They argue that to understand the political potential of Gabalier's music, one must acknowledge how his public persona is ultimately overshadowed by his embodied persona arising from the song's performance at FPÖ campaign venues resembling beer tents with their
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Ranchin, Andrey M. "On the Problems of Studying Verse of The Tale of Igor’s Campaign." In Hermeneutics of Old Russian Literature. Issue 21. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/horl.1607-6192-2022-21-461-492.

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The article deals with the problems of determining the metric of The Tale of Igor’s Campaign. The objects of the research are works by A.Yu. Chernov, who believes that this work was written by the author’s tonic verse, unlike the tonic verse of folk poetry, and by S.L. Nikolaev, who proves that it uses a syllabo-tonic verse of different meters and claims that this verse is characteristic of folklore. The article demonstrates that those described by A.Yu. Chernov rhymes and other consonances-alliterations do not divide the text of The Tale of Igor’s Campaign into verses and that there are no si
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Sazonova, Lidiia I. "“The Tale of Igor’s Campaign” in Perception and Poetic Language of S. Esenin and N. Klyuev". У Sergey Esenin, His Contemporaries and Successors: Сollective Мonograph to the Аnniversary of N.I. Shubnikova-Guseva. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0718-2-34-51.

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The article examines the perception of poets of the 20th century, namely Sergey Esenin and Nikolay Klyuev, of “The Tale of Igor’s Campaign” and the artistic impact of the ancient poem on their aesthetic views and creativity. It reflects motifs, images, realities, lines, reminiscences, echoes, retelling of fragments of the ancient poem. As a rich resource of poetic language and a source of artistic images, the “The Tale of Igor’s Campain” is used by the authors in the role of pretext, subtext, metatext in order to create a new artistic reality. In Esenin’s theoretical reflection “The Tale of Ig
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Fedotov, Oleg I. "A Troyan in The Tale of Igor’s Campaign and the Sonnets of Alexander Kondratiev." In Hermeneutics of Old Russian Literature. Issue 22. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/horl.1607-6192-2023-22-563-580.

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The article examines a comparative analysis of the hypothetical image of Troyan in The Tale of Igor’s Campaign and Alexander Kondratiev’s sonnet cycle Slavic Gods (1936). Being well versed in various interpretations of the mysterious image by Medievalists, the poet gave unconditional preference to the mythological direction. An inspirational example for him was the book of Pyotr Buturlin Sonnets (1895). During the period of 20 years of residence in the Volyn city of Dorogobuzh, Kondratiev studied local legends both in the folklore existence and in the presentation of Polish authors Jan Dlugosh
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"Pravost Slova / On the Authenticity of The Lay of Igor’s Campaign." In Completion, Volume 2/Part 2. De Gruyter Mouton, 2013. http://dx.doi.org/10.1515/9783110307375.283.

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Temnuhin, Valery B. "The Problem of modern rendering and editing of the Tale of Igor’s Campaign." In Hermeneutics of Old Russian Literature: Issue 19. А.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0610-9-574-586.

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Ranchin, Andrey M. "On the New Interpretations of “Dark Places” in The Tale of Igor’s Campaign." In Hermeneutics of Old Russian Literature. Issue 22. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/horl.1607-6192-2023-22-431-454.

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The article examines the interpretation of the so-called “dark places” (obscure in meaning and function of the fragments), which are contained in the books of V.A. Vorontsov and A.A. Utkin dedicated to The Tale of Igor’s Campaign. Both interpreters consider The Tale, placing it in contexts that are fundamentally new in comparison with the background against which this literary monument was usually studied. However, these contexts themselves in V.A. Vorontsov and A.A. Utkin are completely different. In the monograph by V.A. Vorontsov is a Turkic-speaking cultural environment and alleged Turkic-
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Gassner, Florian. "3. Nationalism and Colonialism: The Early German Reception of The Tale of Igor’s Campaign." In International Medievalisms. Boydell and Brewer, 2023. http://dx.doi.org/10.1515/9781800109087-006.

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Dworkin, Ira. "Introduction." In Congo Love Song. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469632711.003.0001.

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This introduction uses the popular James Weldon Johnson and J. Rosamond Johnson song “Congo Love Song” to consider the way that African American popular culture—in this instance a wildly successful vaudeville song—were integral parts of a larger culture of African American transnational engagement with the Congo. The song was written and first performed in 1903 at the height of an African American campaign against King Leopold II of Belgium’s colonial regime. The political significance of the song is further highlighted by the career of James Weldon Johnson, who was not only a songwriter, but
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Dworkin, Ira. "Near the Congo." In Congo Love Song. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469632711.003.0008.

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This chapter explores the ways that the poet’s seminal work “The Negro Speaks of Rivers” engages a discrete geopolitical space rather than a generic African continent. While the poem names four rivers on three continents, references such as “I built my hut near the Congo and it lulled me to sleep” are typically read as romantic. Although the poem’s political allusions may not be apparent to readers in the twenty-first century, at the time of its writing, the Belgian Congo was less than a generation removed from a massive international human rights campaign in which African Americans played a c
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Conference papers on the topic "Song of Igor’s Campaign"

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Wang, Yu, and Antonina Shelemova. "Hydronyms in The Song of Igor’s Campaign and the Chinese Translations." In Proceedings of the 2019 International Conference on Pedagogy, Communication and Sociology (ICPCS 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icpcs-19.2019.57.

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Lesnaya, Galina. "Methodology for a text research in Kiev edition of “The Tale of Igor’s Campaign” by V.M. Peretz, 1926." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.14.

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Linguistic and literary analysis of Old Russian literature’s texts implies that a special methodology of studying should be employed. Such a methodology was developed by V. N. Peretz at his “Seminary”, while he was teaching at St. Vladimir’s University in Kiev and at Petrograd University. In the article the principles of reading the text proposed by the scholar are reviewed basing on “The Tale of Igor’s Campaign”, published by V.N. Peretz in Ukrainian in Kiev in 1926.
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Mogerman, Jo-Elle. "What we Learn about STEM Learning and Action from an ‘80s Pop Song." In Moral Motives & STEM-Informed Action / Motivos morales y acción basada en STEM. Knology, 2023. http://dx.doi.org/10.55160/dedv4771.

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Chen, Xilin, and Tao Xi. "Cross-Cultural Management of Chinese Traditional Theatre Industry Based on Broadway Operation Model." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001860.

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Broadway, as one of the leading commercial show districts in the West, has a mature commercial experience and operation model. The theatre industry on Broadway is different from other places, and its production and marketing methods have also proven to be highly successful. This paper analyses the business model, artistic concept, communication strategy, and user research of Western theatre based on Broadway at the academic level. At the practical level, the paper investigates the cross-cultural management and communication model of the Chinese theatre industry. The Broadway theatre management
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Gang, Getrude C. Ah, and Jaimond Lambun. "FOSTERING POSITIVE ATTITUDES TOWARDS SELF-CARE AMONG THE YOUTH IN BONGOL VILLAGE DURING THE RECOVERY MOVEMENT CONTROL ORDER." In International Psychological Applications Conference and Trends. inScience Press, 2021. http://dx.doi.org/10.36315/2021inpact042.

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"One of the major concerns among the relevant public authorities during the 2019 coronavirus disease (Covid-19) pandemic is the attitude and behavior of the Malaysian society regarding compliance with self-care Covid-19. Although the number of Covid-19 cases is decreasing, public authorities, such as the Malaysian Ministry of Health continually remind people to adhere to the Standard Operating Procedure (SOP) for Covid-19 to reduce the number of cases. To support the authorities’ efforts, a one-day self-care Covid-19 programme involving 10 youths (3 males &amp; 7 females) with a mean age of 17
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