Log in

Relevant bibliographies by topics / Songs of Protest

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers
Reports

Academic literature on the topic 'Songs of Protest'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Songs of Protest.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Songs of Protest"

1

MacKinnon, Richard. "Protest Song and Verse in Cape Breton Island." Ethnologies 30, no. 2 (2009): 33–71. http://dx.doi.org/10.7202/019945ar.

Full text

Abstract:

On Cape Breton Island, where coal mining and steel making were once an essential part of the region’s culture and economy, protest song and verse are found in abundance. This article explores some previously unexamined protest songs and verses of Cape Breton Island. The body of songs is culled largely from the Maritime Labour Herald, a newspaper of the 1920s that included both locally and internationally composed works. Some earlier folklorists ignored protest songs because their paradigms did not permit them to view these forms as authentic cultural expressions. Their approach raises complex

APA, Harvard, Vancouver, ISO, and other styles

2

Hunter, Jannie H. "The Song of Protest: Reassessing the Song of Songs." Journal for the Study of the Old Testament 25, no. 90 (2000): 109–24. http://dx.doi.org/10.1177/030908920002509008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Lewis, Court. "Songs of Social Protest." Acorn 18, no. 1 (2018): 95–97. http://dx.doi.org/10.5840/acorn2018181/214.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Aronson, Greg, and Kiernan Box. "Song Translation Analysis as a Means for Intercultural Connectivity." Journal of Urban Society's Arts 8, no. 1 (2021): 1–14. http://dx.doi.org/10.24821/jousa.v8i1.5444.

Full text

Abstract:

In an increasingly interconnected and globalised world, the need for cross cultural understanding is greater than ever before. Exploring and analysing songs from different cultures can be an effective ‘entry point’ into learning about the nature of other peoples and societies lives and for developing a sense of ethnocultural empathy. Protest songs can provide a lens for intercultural analysis, especially for understanding minority or subcultural perspectives. Translating songs into different languages makes these works more accessible to a broader cross-section of people. We present translatio

APA, Harvard, Vancouver, ISO, and other styles

5

Martinelli, Dario. "Popular music, social protest and their semiotic implications." New Sound, no. 42 (2013): 41–52. http://dx.doi.org/10.5937/newso1342041m.

Full text

Abstract:

The goal of this article is to discuss the relationship between popular music (song writing, in particular) and issues of social protest, as portrayed in the various repertoires. The interface of the analysis is of a semiotic type, and the steps will follow a path that goes from problematizing the issue as such (with an emphasis on the current difficulties of identifying protest songs in terms of "genre"), to the definition of those stylistic elements pertaining to the context (in/for which these songs are written and/or played), the themes (as appearing from the lyrics) and the music itself (

APA, Harvard, Vancouver, ISO, and other styles

6

Garabedian, Steven. "Lawrence Gellert, Negro Songs of Protest." African American Review 49, no. 4 (2016): 297–311. http://dx.doi.org/10.1353/afa.2016.0048.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Jolaosho, Omotayo. "Singing Politics: Freedom Songs and Collective Protest in Post-Apartheid South Africa." African Studies Review 62, no. 2 (2019): 6–29. http://dx.doi.org/10.1017/asr.2018.16.

Full text

Abstract:

Abstract:This article examines the continued salience of sung protests in South Africa by investigating the adaptation of anti-apartheid freedom songs along with the emergence of new expressive forms in ongoing community mobilizations. Based on sixteen months of ethnographic research in Johannesburg, this article argues that freedom songs constitute a distinct register that is politically efficacious due to singing’s aesthetically embodied effects. Formative elements of antiphony, repetition, and rhythm constitute a musical practice that organizes protest gatherings, allows for democratic lead

APA, Harvard, Vancouver, ISO, and other styles

8

Boone, Gloria M., Jane Secci, and Linda M. Gallant. "Resistance: Active and Creative Political Protest Strategies." American Behavioral Scientist 62, no. 3 (2017): 353–74. http://dx.doi.org/10.1177/0002764217735623.

Full text

Abstract:

Resistance to U.S. President Donald Trump’s policies on gender equality, health care, race relations, the environment, and immigration has been large, widespread, and persistent. Following President Trump’s election, millions of people across the United States protested, creatively using slogans, signs, costumes, chants, and songs. Others engaged in resistance with online videos, songs, memes, and hashtags. By employing the communicative informatics model, we examine the relationship between online communication and the creative and active audience involved in U.S. political resistance in 2017

APA, Harvard, Vancouver, ISO, and other styles

9

Pring-Mill, Robert. "The roles of revolutionary song – a Nicaraguan assessment." Popular Music 6, no. 2 (1987): 179–89. http://dx.doi.org/10.1017/s0261143000005973.

Full text

Abstract:

The term ‘protest song’, which became so familiar in the context of the anti-war movement in the United States during the 1960s, has been widely applied to the songs of socio-political commitment which have developed out of traditional folksong in most of the countries of Latin America over the past twenty years (see Pring-Mill 1983 and forthcoming). Yet it is misleading insofar as it might seem to imply that all such songs are ‘anti’ something: denouncing some negative abuse rather than promoting something positive to put in its place. A more helpful designation is that of ‘songs of hope and

APA, Harvard, Vancouver, ISO, and other styles

10

Rosenberg, Tiina. "The Soundtrack of Revolution Memory, Affect, and the Power of Protest Songs." Culture Unbound 5, no. 2 (2013): 175–88. http://dx.doi.org/10.3384/cu.2000.1525.135175.

Full text

Abstract:

All cultural representations in the form of songs, pictures, literature, theater, film, television shows, and other media are deeply emotional and ideological, often difficult to define or analyze. Emotions are embedded as a cultural and social soundtrack of memories and minds, whether we like it or not. Feminist scholarship has emphasized over the past decade that affects and emotions are a foundation of human interaction. The cognitive understanding of the world has been replaced by a critical analysis in which questions about emotions and how we relate to the world as human beings is centra

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Songs of Protest"

1

Roman-Rivera, William J. "Silence and screams "Nueva Canción" and its impact on political movements in Chile, Argentina and Uruguay /." Muncie, Ind. : Ball State University, 2008. http://cardinalscholar.bsu.edu/383.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Yancey, Eddie. "Rhythm and Blues protest songs: voices of resistance." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2007. http://digitalcommons.auctr.edu/dissertations/610.

Full text

Abstract:

This study was an investigation of seven selected rhythm and blues black protest songs, from 1964 to 1975, and their relationship to black empowerment during the era of the Black Power Movement. The songs were analyzed using content analysis and revealed three expected themes of self/black identity, racial equity and self-determination. A fourth theme, social change, evolved during the study. The study focused on the political, cultural and economic ramifications, especially of black music, as a form of protest against a system that proved to be one of inequality, and prejudicial segregation i

APA, Harvard, Vancouver, ISO, and other styles

3

Lanci, Michael P. "Songs for Joe Hill." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin149580760300849.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Carr-Wilcoxson, Amanda Marie. "Protest Music of the Vietnam War: Description and Classification of Various Protest Songs." Digital Commons @ East Tennessee State University, 2010. https://dc.etsu.edu/etd/1686.

Full text

Abstract:

The Vietnam War and subsequent protest movement remains one of the most tumultuous times in U.S. history. This thesis is an attempt to define and describe the protest movement as well as the varied popular protest songs that came from this era. Building on a previous study written by Elizabeth Kizer, this thesis creates sub-categories in which the protest music falls into. The first two chapters of this study help by giving historical context to the songs by describing the Vietnam War and then the protest movement in the U.S. The final chapter then deals with popular protest songs that appeare

APA, Harvard, Vancouver, ISO, and other styles

5

Ritter, Jonathan Larry. "A river of blood music, memory, and violence in Ayacucho, Peru /." Diss., Restricted to subscribing institutions, 2006. http://proquest.umi.com/pqdweb?did=1273100121&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Neff-Mayson, Heather. "Redemption songs : the voice of protest in the poetry of Afro-Americans /." Bern : Francke, 1989. http://catalogue.bnf.fr/ark:/12148/cb355192701.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Galdino, Roberto Carlos. "A porta da saida : a poetica das canções de Torquato Neto." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270028.

Full text

Abstract:

Orientadores: Luiz Carlos da Silva Dantas, Alexandre Soares Carneiro<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-11T03:01:29Z (GMT). No. of bitstreams: 1 Galdino_RobertoCarlos_M.pdf: 566706 bytes, checksum: ffa65cd4536e53831ec5f0e219a3f819 (MD5) Previous issue date: 2008<br>Resumo: Nosso estudo debruça-se por sobre as canções de Torquato Neto, anteriores a sua participação no Tropicalismo, que tem um perfil semelhante à canção engajada, de protesto, de meados da década de 1960, e durante seu envolvime

APA, Harvard, Vancouver, ISO, and other styles

8

Gramani, Giuliana. "Mudanças e permanências: a indústria cultural e os anos 60 em I\'m Not There, de Todd Haynes." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-06112014-115951/.

Full text

Abstract:

O presente trabalho tem por objetivo analisar o filme Im Not There (Não estou lá, EUA, 2007), dirigido pelo norte-americano Todd Haynes. A análise terá como seu principal objetivo detectar o tema central da obra, que retrata a vida e carreira de Bob Dylan através de seis personagens bastante distintos. Para isso, serão observados mais minuciosamente três personagens da película, os mais ligados ao universo musical, a saber, o menino que se apresenta como Woody Guthrie, Jack Rollins e Jude Quinn. Os outros três personagens (Robbie Clark, Arthur Rimbaud e Billy the Kid) serão discutidos à medida

APA, Harvard, Vancouver, ISO, and other styles

9

Fuller, Denise Ann. "Creating Resistance on the Border: Coalitions and Counternarratives to S.B. 1070." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492606102229575.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Laux, Katie M. "Songs in the key of protest how music reflects the social turbulence in America from the late 1950s to the early 1970s /." Oxford, Ohio : Miami University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1184767254.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Songs of Protest"

1

Manfredonia, G. Libres! toujours--: Anthologie de la chanson et de la poésie anarchistes du XIXe siècle. Atelier de création libertaire, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Protest music in France: Production, identity and audiences. Ashgate, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Mitrofanova, Anastasia V. Pesni russkogo Soprotivlenii︠a︡. AVITI, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Hester, Carolyn. Warriors of the rainbow. Outpost Records, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Peter, Paul, and Mary (Musical group). No easy walk to freedom. Gold Castle, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Wagińska-Marzec, Maria. Protest-song w Republice Federalnej Niemec w okresie kontestacji młodzieżowej. Instytut Zachodni, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Folk music USA: The changing voice of protest. Schirmer Trade Books, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Seeger, Pete, Arlo Guthrie, Ronnie Gilbert, and Holly Near. Harp. Redwood Records, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Cancionero. Editorial Letras Cubanas, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Devrimci marşlar: Türküler, ağıtlar, şiirler. Su Yayınları, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Songs of Protest"

1

Martinelli, Dario. "Songs of Social Protest and Context." In Give Peace a Chant. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50538-1_2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Martinelli, Dario. "Songs of Social Protest and Lyrics." In Give Peace a Chant. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50538-1_3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Martinelli, Dario. "Songs of Social Protest and Music." In Give Peace a Chant. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50538-1_4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Motion, Judy. "Environmental protest songs and justice perspectives." In Popular Culture and Social Change. Routledge, 2020. http://dx.doi.org/10.4324/9781315203515-8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

May, Adrian. "Protest Songs and the Comic Connection." In Tradition in Creative Writing. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74776-3_7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Gasaway Hill, Mary Lynne. "Exploring the Protest Language of Songs: We Shall Overcome and 99 Luftballons/99 Red Balloons." In The Language of Protest. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77419-0_4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Boucher, David. "Images and Distorted Facts: Politics, Poetry and Protest in the Songs of Bob Dylan." In The Political Art of Bob Dylan. Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230522541_7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Gel'man, Vladimir. "Fathers, sons, and grandsons." In Cultural Forms of Protest in Russia. Routledge, 2017. http://dx.doi.org/10.4324/9781315665610-2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Goldman, Danielle. "A love Song as a Form of Protest." In The Routledge Companion to Dance Studies. Routledge, 2019. http://dx.doi.org/10.4324/9781315306551-17.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Moore, Robin. "Chapter Seven. Carlos Varela, Protest Song, and Cuban Music History." In My Havana, edited by Maria Carida Cumana, Karen Dubinsky, and Xenia Reloba de la Cruz. University of Toronto Press, 2014. http://dx.doi.org/10.3138/9781442668997-010.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Songs of Protest"

1

Blom, Diana, Caroline van Niekerk, and Richard Muranda. ""Your silence can seriously damage someone's health": Getting Zimbabwe protest songs heard." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.07.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Kaptsova, V. I. "NATIONAL SPECIFICITY OF LINGUISTIC REPRESENTATION OF PROTEST IN TEXTS OF RUSSIAN AND ENGLISH PUNK ROCK SONGS." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-35.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Mondal, U. K., and J. K. Mandal. "A Novel Technique to Protect Piracy of Quality Songs through Amplitude Manipulation (PPAM)." In 2010 International Symposium on Electronic System Design (ISED 2010). IEEE, 2010. http://dx.doi.org/10.1109/ised.2010.54.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Fontcuberta, J., R. M. de los Inocentes, N. Sala, M. Borrell, and J. Félez. "STUDY OF A SPANISH FAMILY WITH INHERITED PROTEIN S DEFICIENCY." In XIth International Congress on Thrombosis and Haemostasis. Schattauer GmbH, 1987. http://dx.doi.org/10.1055/s-0038-1644298.

Full text

Abstract:

Protein S (PS) is a plasma glycoprotein that serves as a cofactor for activated protein C (PC) anticoagulant activity. Inherited PS deficiency has been found to be associated to thrombotic disease in several families. In the present study, we report on a Spanish family with type II PS deficiency.The propositus is a 40 year-old male that was referred to our center for study after having suffered from multiples thrombotic events since he was 20 year-old. After his first episode of deep vein thrombosis (DVT) he had 4 recurrences, three of them complicated with pulmonary embolism. It should be rem

APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Songs of Protest"

1

Manhiça, Anésio, Alex Shankland, Kátia Taela, Euclides Gonçalves, Catija Maivasse, and Mariz Tadros. Alternative Expressions of Citizen Voices: The Protest Song and Popular Engagements with the Mozambican State. Institute of Development Studies (IDS), 2020. http://dx.doi.org/10.19088/ids.2020.001.

Full text

Abstract:

This study examines Mozambican popular music to investigate three questions: Are notions of empowerment and accountability present in popular music in Mozambique? If so, what can these existing notions of empowerment and accountability reveal about relations between citizens and state institutions in general and about citizen-led social and political action in particular? In what ways is popular music used to support citizen mobilisation in Mozambique? The discussion is based on an analysis of 46 protest songs, interviews with musicians, music producers and event promoters as well as field int

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!