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Dissertations / Theses on the topic 'Songs of Protest'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Roman-Rivera, William J. "Silence and screams "Nueva Canción" and its impact on political movements in Chile, Argentina and Uruguay /." Muncie, Ind. : Ball State University, 2008. http://cardinalscholar.bsu.edu/383.

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2

Yancey, Eddie. "Rhythm and Blues protest songs: voices of resistance." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2007. http://digitalcommons.auctr.edu/dissertations/610.

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This study was an investigation of seven selected rhythm and blues black protest songs, from 1964 to 1975, and their relationship to black empowerment during the era of the Black Power Movement. The songs were analyzed using content analysis and revealed three expected themes of self/black identity, racial equity and self-determination. A fourth theme, social change, evolved during the study. The study focused on the political, cultural and economic ramifications, especially of black music, as a form of protest against a system that proved to be one of inequality, and prejudicial segregation i

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Lanci, Michael P. "Songs for Joe Hill." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin149580760300849.

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4

Carr-Wilcoxson, Amanda Marie. "Protest Music of the Vietnam War: Description and Classification of Various Protest Songs." Digital Commons @ East Tennessee State University, 2010. https://dc.etsu.edu/etd/1686.

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The Vietnam War and subsequent protest movement remains one of the most tumultuous times in U.S. history. This thesis is an attempt to define and describe the protest movement as well as the varied popular protest songs that came from this era. Building on a previous study written by Elizabeth Kizer, this thesis creates sub-categories in which the protest music falls into. The first two chapters of this study help by giving historical context to the songs by describing the Vietnam War and then the protest movement in the U.S. The final chapter then deals with popular protest songs that appeare

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5

Ritter, Jonathan Larry. "A river of blood music, memory, and violence in Ayacucho, Peru /." Diss., Restricted to subscribing institutions, 2006. http://proquest.umi.com/pqdweb?did=1273100121&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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6

Neff-Mayson, Heather. "Redemption songs : the voice of protest in the poetry of Afro-Americans /." Bern : Francke, 1989. http://catalogue.bnf.fr/ark:/12148/cb355192701.

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7

Galdino, Roberto Carlos. "A porta da saida : a poetica das canções de Torquato Neto." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270028.

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Orientadores: Luiz Carlos da Silva Dantas, Alexandre Soares Carneiro<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-11T03:01:29Z (GMT). No. of bitstreams: 1 Galdino_RobertoCarlos_M.pdf: 566706 bytes, checksum: ffa65cd4536e53831ec5f0e219a3f819 (MD5) Previous issue date: 2008<br>Resumo: Nosso estudo debruça-se por sobre as canções de Torquato Neto, anteriores a sua participação no Tropicalismo, que tem um perfil semelhante à canção engajada, de protesto, de meados da década de 1960, e durante seu envolvime

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Gramani, Giuliana. "Mudanças e permanências: a indústria cultural e os anos 60 em I\'m Not There, de Todd Haynes." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-06112014-115951/.

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O presente trabalho tem por objetivo analisar o filme Im Not There (Não estou lá, EUA, 2007), dirigido pelo norte-americano Todd Haynes. A análise terá como seu principal objetivo detectar o tema central da obra, que retrata a vida e carreira de Bob Dylan através de seis personagens bastante distintos. Para isso, serão observados mais minuciosamente três personagens da película, os mais ligados ao universo musical, a saber, o menino que se apresenta como Woody Guthrie, Jack Rollins e Jude Quinn. Os outros três personagens (Robbie Clark, Arthur Rimbaud e Billy the Kid) serão discutidos à medida

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9

Fuller, Denise Ann. "Creating Resistance on the Border: Coalitions and Counternarratives to S.B. 1070." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492606102229575.

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10

Laux, Katie M. "Songs in the key of protest how music reflects the social turbulence in America from the late 1950s to the early 1970s /." Oxford, Ohio : Miami University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1184767254.

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Laux, Katie. "SONGS IN THE KEY OF PROTEST: HOW MUSIC REFLECTS THE SOCIAL TURBULENCE IN AMERICA FROM THE LATE 1950S TO THE EARLY 1970S." Miami University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=miami1184767254.

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12

Hyder, Thomas. "The Legacy of Civil Rights Protest Music: Sweet Honey in the Rock's "The Ballad of Harry T. Moore"." Master's thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5314.

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This study investigates the role music played in the Civil Rights Movement as a form of political protest. The first part of the studies analyzed how political protest music was used in the early part of the twentieth-century leading up to the Civil Rights Movement of the 1960s. An analysis of the role of music in African-American culture also provides a historical background to the music-making of the Civil Rights Movement. Specific musical forms such as topical ballads, freedom songs, and spirituals are examined. In addition, musical influences of African culture as well as religious influen

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13

Osterno, Maria do Livramento Rios. "A canÃÃo engajada nos anos 80: o rock nÃo errou." Universidade Federal do CearÃ, 2009. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=3846.

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Essa pesquisa se filia Ã concepÃÃo de COSTA (2001) de que o discurso literomusical enquanto prÃtica discursiva serve de referÃncia para os sujeitos, como legitimador de verdades e disseminador de maneiras de como esses sujeitos interagem com a realidade, com os outros sujeitos e com eles prÃprios. Essa nossa associaÃÃo ao pensamento de Costa(2001) recrudesce ainda mais posto que o escopo de nosso projeto foram as canÃÃes engajadas, de protesto, ou neoprotesto da comunidade discursiva do rock80, o chamado Brock, momento musical de grande inserÃÃo no meio da juventude, onde o discurso alheio dos

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14

Clément, Guillaume. "Rock et politique au Royaume-Uni (1994-2007) : de "Cool Britannia" à " Broken Britain"." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040124.

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Dans les années 1990, le rock britannique revient sur le devant de la scène, porté par des groupes tels Blur, Oasis, Pulp et Suede, que la presse rassemble sous l'étiquette Britpop. Non contents de s'inspirer des grands groupes locaux des années 1960, comme les Beatles, ces musiciens se distinguent par une écriture et une image profondément ancrées dans leur propre identité britannique, et évoquent volontiers dans leurs chansons le mode de vie de la jeunesse comme la culture de la classe ouvrière. Cette renaissance sur les plans musical et culturel (participant au phénomène Cool Britannia) est

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Osterno, Maria do Livramento Rios. "A canção engajada nos anos 80: o rock não errou." www.biblioteca.ufc.br, 2009. http://www.repositorio.ufc.br/handle/riufc/6107.

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OSTERNO, Maria do Livramento Rios, A canção engajada nos anos 80: o rock não errou. 2009. Dissertação (Mestrado em Linguistica) – Universidade Federal do Ceará, Departamento de Letras Vernáculas, Programa de Pós-Graduação em Linguística, Fortaleza-CE, 2009.<br>Submitted by Liliane oliveira (morena.liliane@hotmail.com) on 2012-08-28T16:40:02Z No. of bitstreams: 1 2009_DIS_MLROSTERNO.pdf: 926128 bytes, checksum: ca6d61890a19d1fde27560699281dd36 (MD5)<br>Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2013-10-10T14:00:03Z (GMT) No. of bitstreams: 1 2009_DIS_MLROST

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Drewett, Michael. "An analysis of the censorship of popular music within the context of cultural struggle in South Africa during the 1980s." Thesis, Rhodes University, 2004. http://hdl.handle.net/10962/d1007098.

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The censorship of popular music in South Africa during the 1980s severely affected South African musicians. The apartheid government was directly involved in centralized state censorship by means of the Directorate of Publications, while the South African Broadcasting Corporation exercised government censorship at the level of airplay. Others who assisted state censorship included religious and cultural interest groups. State censorship in turn put pressure on record companies, musicians and others to practice self-censorship. Many musicians who overtly sang about taboo topics or who used cont

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17

Sorroce, Danilo Sérgio. "A canção de protesto e o rock protesto: diálogos da democracia brasileira." Universidade Presbiteriana Mackenzie, 2015. http://tede.mackenzie.br/jspui/handle/tede/2357.

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Made available in DSpace on 2016-03-15T19:47:39Z (GMT). No. of bitstreams: 1 Danilo Sergio Socorre.pdf: 1109484 bytes, checksum: 8b5fac3c6375180970eb16207e1d3cb0 (MD5) Previous issue date: 2015-02-19<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>During this study we focused our research on dialogues between the Protest Song of 1960s and 1970s, especially those occurred in certain works created by Gilberto Gil, Caetano Veloso and Chico Buarque de Holanda and a few songs produced by politicized and protest rock launched by bands from Brasilia such as Capital Inicial, Plebe

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Gao, Song [Verfasser]. "Structural and functional study of human MxA protein / Song Gao." Berlin : Freie Universität Berlin, 2011. http://d-nb.info/1025550056/34.

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19

Rose, Mark. "Striking a discordant note : protest song and working-class political culture in Germany, 1844-1933." Thesis, University of Southampton, 2010. https://eprints.soton.ac.uk/367356/.

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This thesis examines the role played by protest song in the development of the political culture of Germany’s industrial working class between 1844 and 1933. Protest song was an integral component in the struggle of the German working class to achieve some measure of political and social equality in the nineteenth and early twentieth centuries. Throughout this period, the working class found itself subjected to varying levels of political repression by the German authorities, and in order to promote their political views, industrial workers used the medium of song to protest against injustice.

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20

Chouana, Khaled. "Vers une redéfinition de la protest song ? Réflexions sur la chanson contestataire aux États-Unis : le cas de Bruce Springsteen et la reflective song." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30005/document.

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Ce travail constitue une réflexion sur la chanson contestataire contemporaine aux États-Unis à travers les chansons et l’engagement politique et social de Bruce Springsteen. Nous défendons la thèse que Springsteen renouvelle le genre de la protest song en s’adaptant à l’époque contemporaine. Pour ce faire, le chanteur adopte quatre stratégies artistiques. Elles consistent à chanter sur les gens ordinaires et leur quotidien, aborder le désenchantement et le désespoir des plus exclus, composer des chansons qui remplissent une fonction cathartique en ayant recours à l’imitation et enfin à militer

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21

Marchbanks, Jack R. "Pride and Protest in Letters and Song: Jazz Artists and Writers during the Civil RightsMovement, 1955-1965." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1522929258105629.

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22

Harris, Abril N. "Deadly force| Perceptions of police and exploration of strategies used by African American mothers to protect their sons." Thesis, California State University, Long Beach, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10263757.

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<p> The African American community’s relationship with the police has historically been strained for more than a century. How that tumultuous relationship affects African American mother’s perceptions of police and confidence in the ability for police to interact safely with their sons has not been explored thus far. It is the intention of this study to explore and offer insight into the experience of African American mothers with sons and potential police interactions. This qualitative study utilized a focus group setting to gather information. Within two weeks of the focus group

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23

Bohlman, Andrea Florence. "Activism and Music in Poland, 1978-1989." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10516.

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This dissertation presents a historical study of intersections between music and activism in Poland from the election of Cardinal Karol Wojtyła as Pope John Paul II in 1978 to Poland’s first democratic elections in 1989. Musical action in three cultural spheres shapes the project: (1) the political activism of musicians, (2) activists who turn to music as a political instrument, and (3) the musical ambitions of the communist authorities, the Polish United Workers’ Party. I critique the repercussions of politics in music as well as music’s significance for policy makers and dissidents, and I as

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24

Santos, Adna Nascimento Alves. "A compreensão de implícitos textuais nas canções de protesto social : uma alternativa na formação do leitor crítico." Universidade Federal de Sergipe, 2015. https://ri.ufs.br/handle/riufs/6446.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>It has become imperative in the current context of Brazilian public school the reading practices as an agenda of constant reflection and research for alternatives that can contribute to the development of the reading comprehension in various levels of middle school students, given the Saeb data and Prova Brasil (2014), whose large-scale assessments showed difficulties of the students to select implicit information, inferring the meaning of a word or expression, among others; there by, indicating, serious deviations of understanding

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25

Duncan, Kelli Adams. "The Role of Ribosomal Protein L7, An Estrogen Receptor Coactivator, on the Development of Zebra Finch (Taeniopygia Guttata) Song System." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/biology_diss/47.

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The Australian zebra finch (Taeniopygia guttata) serves as an excellent model organism for studying the mechanisms that influence brain sexual differentiation. The brain and behavior of the zebra finch are sexually dimorphic. The regions of the brain that control the learning and production of song (song control nuclei) are significantly larger in the male brain than in the female brain and only males sing courtship songs, thus the majority of past research has focused on the development of these sex differences. In the majority of mammals, brain sexual differentiation occurs because hormones

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Song, Shangqing [Verfasser], and Hans-Joachim [Akademischer Betreuer] Anders. "A histology-based four protein array for postoperative outcome prediction in clear cell renal cell carcinoma / Shangqing Song ; Betreuer: Hans-Joachim Anders." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2017. http://d-nb.info/114485718X/34.

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27

Attarhaie, Tehrani Mahtab. "Anatomical Expression and Functional Role of the G-Protein Coupled Estrogen Receptor 1 in the Song System of Zebra Finches (Taeniopygia guttata)." Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent152416406994131.

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28

Gomes, Caio de Souza. "\"Quando um muro separa, uma ponte une\": conexões transnacionais na canção engajada na América Latina (anos 1960/70)." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-28062013-130124/.

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O objetivo desta pesquisa é analisar como, ao longo das décadas de 1960 e 70, artistas ligados à canção engajada conceberam projetos de integração da América Latina por meio da canção, e como esses projetos resultaram no estabelecimento de uma série de conexões transnacionais. Neste período, os impactos da Guerra Fria tiveram como consequência um contexto político fortemente polarizado, o que afetou diretamente o campo cultural e, especialmente, o campo artístico. As experiências políticas comuns favoreceram as trocas de ideias e a intensa circulação de artistas por todo o continente, permitin

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Song, Fei [Verfasser], and Gerd [Akademischer Betreuer] Sutter. "Characterization of recombinant Modified Vaccinia virus Ankara for delivery of Middle East Respiratory Syndrome Coronavirus spike protein antigens / Fei Song. Betreuer: Gerd Sutter." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2014. http://d-nb.info/105491477X/34.

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30

Corneloup, Bernard. "Génération MPB : filiations, dialogues et ruptures : Mouvements musicaux et dynamique socioculturelle dans le Brésil contemporain." Thesis, Lyon 2, 2012. http://www.theses.fr/2012LYO20087/document.

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1958, au Brésil, surgit un genre musical nouveau, la Bossa Nova, qui s'annonce comme une révolution dans le paysage musical traditionnel. Vingt ans plus tard, 1978 est l'année de "l'Ouverture" politique, Chico Buarque, poète musicien qui a dominé la décennie autant à travers ses chansons qu'à travers son attitude de résistance contre la dictature, lance un disque dans lequel il enregistre des musiques jusqu'alors interdites par la censure. Cet événement conclut une période de grande créativité artistique, ponctuée de bouleversements sociaux et culturels, de déclarations d'intentions, de ruptur

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31

Tabti-Kouidri, Fatiha. "La chanson algérienne des années 1990, un vecteur de contestation et de diversité : langage, langues et enjeux socioculturels." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030014.

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L’objet de ces recherches est d’étudier un moyen d’expression, de communication, de résistance, de mobilisation, de contestation, de revendication et d’affirmation identitaire, qui, dans une Algérie aux multiples facettes et aux diverses attaches où le substrat culturel est massivement investit par l’oralité, a constitué pour une grande partie de la population algérienne, durant les années 1990, un exutoire indispensable au maintient d’un équilibre individuel et collectif fortement compromis par un déferlement de violence sans précédent dans l’histoire de l’Algérie indépendante, une possibilit

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Tiné, Paulo José de Siqueira. "Procedimentos modais na música brasileira: do campo étnico do Nordeste ao popular da década de 1960." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-13122009-102355/.

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a)Objetivos: Traçar um perfil dos procedimentos melódicos modais presentes nas manifestações étnicas e populares do nordeste brasileiro afim de verificá-los em autores ligados à música popular do Brasil na década de 1960, cotejando os diferentes procedimentos harmônicos realizados. b)Métodos: O principal método utilizado foi o da análise a partir da transcrição de exemplos em áudio. A partir dessas análises uma série de comparações com materiais similares encontrados na bibliografia foi realizada. c) Resultados: Como resultado dessa pesquisa foram apontados os principais modos e traços cad

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33

Chen, Yi-chun, and 陳怡君. "A Research on Taiwanese Protest Songs After the Lift of the Martial Law." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/85968333408491135482.

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碩士<br>國立中正大學<br>台灣文學研究所<br>101<br>Protest songs have a strong connection with social movements, containing strong anti-authority elements that challenge established systems, and are often aligned with the minor, suppressed groups of society. They speak for the poor and weak, and in effect have a profound and enduring impact on the society at large. Yet the topic is seldom studied in Taiwan. This article approaches the subject from the perspective of Taiwanese cultural study, and aims to analyze and reveal the status, development, characteristics as well as cultural significance of the most rep

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"Songs of Protest in the Umbrella Movement: Exerting Power through Affect and Emotion." 2016. http://repository.lib.cuhk.edu.hk/en/item/cuhk-1292721.

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Ganev, Robin. "Popular ballads and rural identity in Britain, 1700-1830 /." 2004. http://wwwlib.umi.com/cr/yorku/fullcit?pNQ99170.

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Thesis (Ph.D.)--York University, 2004. Graduate Programme in History.<br>Typescript. Includes bibliographical references (leaves 312-337). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNQ99170

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Maree, Gert Hendrik. ""Listen to our song listen to our demand" : South African struggle songs, poems and plays : an anthropological perspective." Diss., 2011. http://hdl.handle.net/10500/5617.

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Proceeding from the premise that the meaning of performances flows from contextual, textual, and nonverbal elements, this dissertation explores layers of meaning arising from performances of selected South African struggle songs, poems and plays. In particular, it focuses on performances of the Mayibuye Cultural Group which functioned as an adaptive mechanism in the changing sociopolitical landscape of the 1980s and early 1990s, and on contemporary performances. The analysis of the songs, poems and play underscores the importance of nonverbal elements for the interpretation of performances, an

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Van, Schalkwyk Anastasia. "The voice of protest : urban black women : song and resistance in the 1980s." Thesis, 1994. http://hdl.handle.net/10413/5201.

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In order to understand black women's socio-political role in the construction of, and participation in resistance culture, it is essential to look at the historic developments as a whole. To define women's social and political role in resistance as inherently separate would infact marginalize women from the broader overview, and therefore discredit their contribution to resistance politics. Women should be seen as part of public society. If to be separate is, inherently, to be unequal, then it is only by integrating the study of women into the study of society that "women's studies", by ceasin

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Hadebe, Josiah Sillo. "Izwe alithuthuki by Phuzekhemisi as sung in KwaZulu-Natal : maskandi song as social protest analysed as an oral-style text." Thesis, 2000. http://hdl.handle.net/10413/5721.

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CHUNG, YING-TING, and 鐘映庭. "Metaphoric criticism of Taiwan's student movement protest songs─ A case study of Wild Lily Generation and Post-Wild Strawberry Generation." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/xcgjcg.

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碩士<br>輔仁大學<br>大眾傳播學研究所碩士班<br>106<br>The subjects of this study are the protest songs sung during the “Wild Lily Student Movement” in 1990, “Wild Strawberries Movement” in 2008, and “Sunflower Student Movement” in 2014. The participants are divided into two generations, “the Wild Lily Generation” and “Post-Wild Strawberries Generation”, utilizing the Theory of Generations posted by Karl Mannheim. The aim of this study is try to capture the collective consciousness of the two generations as well as the significance in their respective times by analyzing the lyrics of these songs. The rhetorical

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Ramaite-Mafadza, P. E. A. "Indigenous protest lyrics in women's musical performances :Vhavenda women in Vhembe :a case of Vhavenda women in the Vhembe District, Limpopo Province." Thesis, 2016. http://hdl.handle.net/11602/412.

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Dhlamini, Nozizwe. "Music as a medium of protest : an analysis of selected Kalanga music." Thesis, 2017. http://hdl.handle.net/10500/23380.

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The study explores the theme of protest as encoded in selected Kalanga music. In particular, the study focuses on the analysis of songs sung by Kalanga musicians such as Chase Skuza, Ndux Junior and Batshele Brothers, Ndolwane Super Sounds and Tornado Heroes within the period 2000-2013.The selected period is generally considered to be a crisis period in Zimbabwe. Further, the study also relies on views from key respondents obtained through semi structured interviews and questionnaires. The research adopts the Critical Discourse Analysis (CDA) framework and the hegemony theory to help

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Růžička, Miroslav. "Antiimigrační postoj v české hudební tvorbě: sémiotická analýza." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-404717.

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In my diploma thesis, I am reconstructing the anti-immigration attitude in Czech nationalist music production in the year 2016 in the context of the so-called European migration crisis. The sample consists of five selected music videos for nationalist protest songs reacting to the migration crisis and events connected to it. The thesis is based on the theoretical resources of social semiotics and the method of research is the multimodal semiotic analysis, which allows detailed research of the contents of complex communicates like music videos. In the theoretical part, I focus on acquainting th

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Azcona, Stevan César 1972. "Movements in Chicano music : performing culture, performing politics, 1965-1979." 2008. http://hdl.handle.net/2152/17735.

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More than a confined account of the musical activity of the Chicano Movement, my research considers Chicana/o music of the period as a critical part of the protest music genres of Latin America (eg. Nueva canción, canto nuevo) and the Unites States (eg. labor/union and civil rights songs). Consequently, although situated squarely within the context of the Chicano Movement, this project necessarily examines the musical yet political links between Chicano musicians and their counterparts in the American labor movement, Civil Rights Movement, and Latin American social movements of the period. Cou

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Procházková, Mariana. "Bob Dylan v kontextu amerického protestsongu." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-333318.

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The tradition of protest songs in the United States is a continuum, which began in colonial times with the British Broadside Ballads, was nurtured in the 19th century through the Negro spirituals, and throughout the 20th century by performers such as Joe Hill, Woody Guthrie, Pete Seeger, and Bob Dylan. Out of necessity, blacks developed strategies of veiled protests to a fine art during the 19th century. The perennial cause of the black protest was the status forced on them by white supremacists. The spirituals encouraged them to persevere in their efforts to free themselves from the shackles

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Chirombe, James. "The interface of music and politics : exposition of Tongai Moyo and Hosiah Chipanga's post 2000 music." Thesis, 2019. http://hdl.handle.net/10500/25540.

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The research is an Afrocentric engagement that analyses selected songs by Tongai Moyo and Hosiah Chipanga in post-independence Zimbabwe. The study is informed by Afrocentricity, which provides the theoretical anchorage to the exposition and elucidation of the pursuit for independence, liberation and freedom of Zimbabweans in the post-independence era. The study analyses selected sungura songs composed and sung by Hosiah Chipanga and Tongai Moyo in post-2000 era. The study indicates that post-independence Zimbabwe of 2000 to 2010 reflects a decade of crisis. The exposition unfolds through a cr

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Mugovhani, Ndwamato George. "Venda choral music: compositional styles." Diss., 2007. http://hdl.handle.net/10500/1202.

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Black choral music composers in South Africa, inspired by the few opportunities available to them until recent times, have nonetheless attempted to establish, perhaps subconsciously, some choral tradition and, in doing so, incorporate African musical elements in their works. My research traces the foundations and historical development of choral music as an art amongst Vhavenda, and the contributions made thereto by a number of past and present Venda composers that this researcher could manage to identify and trace, to the music of the people. The selected composers are Stephen Maimela Dziv

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Song, Haipeng [Verfasser]. "Systematic studies of the interaction between amyloid β-protein [beta-protein] and lipids / vorgelegt von Haipeng Song". 2005. http://d-nb.info/97597422X/34.

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Ledoux, Julie. "L’« âme escogriffe » des Colocs : ironie et critique sociale dans la chanson québécoise engagée." Thèse, 2010. http://hdl.handle.net/1866/4639.

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Depuis les débuts des études sur la chanson, plusieurs chercheurs ont pu déterminer que l’âge d’or de la chanson québécoise comprenait la production chansonnière des années soixante et soixante-dix. C’est en filiation avec cette époque culturellement engagée et collective que la chanson du tournant du millénaire s’établit. En effet, après le creux musical des années quatre-vingt au Québec, un groupe reprit le collier de la chanson engagée au début des années quatre-vingt-dix. En défendant les marginalisés de la société et en se faisant le porte-parole de ceux-ci, les Colocs ont contribué à l’a

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