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Dissertations / Theses on the topic 'South African Revolutionary poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Devereux, Stephen. "Post–exilic an old South African returns to the new South Africa." University of Western Cape, 2020. http://hdl.handle.net/11394/7934.

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Magister Artium - MA<br>This portfolio of poems, prose poems and short fiction pieces is quasi-autobiographical and tracks the trajectory of my life, from childhood in Cape Town (‘pre-exilic’) to emigration abroad (‘exilic’) and return to Cape Town in late middle age (‘post-exilic’). Themes explored include the deceptive nature of memory and the risk of imbuing a childhood recollected in later life with affective or narrative nostalgia; the psychologically dislocating nature of exile on personal identity and notions of home; and Cape Town as both an imaginary construct and a multi-layered real

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2

MacDonald, T. Spreelin. "Steve Biko and Black Consciousness in Post-Apartheid South African Poetry." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1273169552.

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3

Kaschula, Russell H. "The transitional role of the Xhosa oral poet in contemporary South African society." Thesis, Rhodes University, 1991. http://hdl.handle.net/10962/d1002085.

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This thesis outlines the changing role of the Xhosa imbongi in contemporary South African society. The changing socio-economic and political scenario in South Africa, and the way in which the imbongi is adapting in order to accommodate new pressures created by these changes, form an integral part of this thesis. The effects of education and increasing literacy on the tradition are outlined. The interaction between oral and written forms is explored in chapter 2. The role of the imbongi within the religious sphere is included in chapter 3. Xhosa preachers within the independent churches often m

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4

Pinnock, William. ""To learn how to speak": a study of Jeremy Cronin's poetry." Thesis, Nelson Mandela Metropolitan University, 2014. http://hdl.handle.net/10948/d1021038.

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In the chapters that follow, the porous boundary between the public and the private in Jeremy Cronin’s poetry is investigated in his three collections, Inside (1983), Even the Dead: Poems, Parables and a Jeremiad (1996) and More Than a Casual Contact (2006). I argue two particular Marxist theorists are central to reading Cronin’s poetry: Bertolt Brecht, and his notion of the Verfremdungseffekt, and Walter Benjamin and his work on historical materialism, primarily the essay On the Concept of History / Theses on the Philosophy of History (1940). Both theorists focus on the work of art in a histo

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5

Birch, Alannah. "A study of Roy Campbell as a South African modernist poet." Thesis, University of the Western Cape, 2013. http://hdl.handle.net/11394/4823.

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>Doctor Literarum - DLit<br>Roy Campbell was once a key figure in the South African literary canon. In recent years, his poetry has faded from view and only intermittent studies of his work have appeared. However, as the canon of South African literature is redefined, I argue it is fruitful to consider Campbell and his work in a different light. This thesis aims to re-read both the legend of the literary personality of Roy Campbell, and his prose and poetry written during the period of “high” modernism in England (the 1920s and 1930s), more closely in relation to modernist concerns about langu

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6

Ringani, G. N. "Nxopaxopo wa vutlhokovetseri byo phofula bya J.M Magaisa." Thesis, University of Limpopo, 2014. http://hdl.handle.net/10386/1413.

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Thesis (M.A. (African Languages)) --University of Limpopo, 2014<br>The main aim of this study is to evaluate protest poetry in Mihloti (1981) and Xikolokolo nguvu ya Pitori (1987) by J.M. Magaisa with special references to theme, subject matter and the use of figures of speech.. Chapter 1 indicates the aim of the study, motivation, statement of the problem, research methodology, literature review and the key concepts which are used in this research. Chapter 2 explains the themes of the protest poetry in Magaisa’s poetry. In some explanation of the themes, some of the figures of speech have b

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7

Watson, Stephen. ""Bitten-off things protruding" : the limitations of South African English poetry post-1948." Doctoral thesis, University of Cape Town, 1993. http://hdl.handle.net/11427/22545.

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Bibliography: p. 362-393.<br>In this thesis, the discussion of South African English poetry is undertaken in terms of critical questions to which the body of work, to date, has not been subjected. In the nineteen-seventies and -eighties, several anthologies of South African English poetry were published which, despite their differing foci, attested to the strength, innovation, and international stature of the work. Their editors made claims which emphasised both the importance of Sowetan poetry and the emancipation of white poetry, particularly in the last three decades, from the legacy of a s

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8

Karassellos, Michael Anthony. "Critical approaches to Soweto poetry : dilemmas in an emergent literature." Master's thesis, University of Cape Town, 1989. http://hdl.handle.net/11427/18830.

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A review of contemporary South African and European critical approaches 'to "Soweto poetry" is undertaken to evaluate their efficacy in addressing the diverse and complex dynamics evident in the poetry. A wide selection of poetry from the 1970's and early 1980's is used to argue that none of the critical models provide an adequate methodology free from both pseudo-cultural or ideological assumptions, and "reader-grid"(imposition of external categories upon the poems).From this point of entry, three groups of critics with similar approaches are assessed in relation to Soweto poetry. The second

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9

De, Saxe Marian. "Sing Me a Song of History: South African Poets and Singers in Exile, 1900–1990." Thesis, The University of Sydney, 2010. http://hdl.handle.net/2123/7760.

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In this thesis I argue that poetry, for the South African poets and singers in exile in the period 1900–1990, was a highly symbolic agent which crossed the divide between verbal discourse and poetic form. Poetry embodied altruistic gestures and trusted encounters which became social agencies of change, reconciliation and hope due to historical exigencies, political imperatives and individual courage and sacrifices. By naming the condition of exile within literary representations of movement, travel and the diaspora, I am asking whether poetic representations of the South African exile validate

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10

Nolutshungu, Simphiwe. "Sunrays in a chilly winter." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017777.

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In both my English and IsiXhosa poetry, my themes are love, politics, and the social issues of rural communities, and include my own life experiences, both good and bad. My poems are mainly short narrative accounts of township life. Although they do have a broad educational purpose, they do not preach to the reader. In IsiXhosa, my poetic forms are influenced by the works of J J R Jolobe, W N Mbovane, P T Mtuze, and my English poems by Pablo Neruda, Mafika Pascal Gwala, Garcia Lorca and others.<br>Intliziyo yona izimele gxebe ifihlakele Iyimfihlo, kumagumbi omphefumlo. Iyafunxa, ifukame kulo m

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11

Bokoda, Alfred Telelé. "The poetry of David Livingstone Phakamile Yali-Manisi." Master's thesis, University of Cape Town, 1994. http://hdl.handle.net/11427/17400.

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Bibliography: pages 217-232.<br>Yali-Manisi, a Xhosa writer, performs and writes traditional praise poetry (izibongo) and modern poems (isihobe) and can, therefore, be regarded as a bard because he also performs his poetry. One can safely place him in the interphase as he combines performance and writing. The influence of oral poems and other oral genres can be perceived in his works as some of his works are a product of performances which were recorded, transcribed and translated into English. The dissertation, among other things, examines the way in which Yali-Manisi's work has been influenc

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12

Tait, Charles Norman. "Die verjaardagvers-ritueel in Breyten Breytenbach se oeuvre." Thesis, Nelson Mandela Metropolitan University, 2015. http://hdl.handle.net/10948/5076.

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This study investigates the subgenre of the birthday poem within Breyten Breytenbach’s poetical oeuvre. Throughout the now half a century of his poetic production the writer has repeatedly written poems for himself on his birthday on 16 September of each new year (as well as a smaller number to his wife and close friends) The writing of birthday poems becomes a ritualist poetical act throughout the poet’s life and poetical oeuvre, one that has served many purposes over the years of Breytenbach’s increasingly nomadic existence. This study’s scope spans fifty years of poetical output, starting w

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13

Maahlamela, David wa. "The hoof-printed rock." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1013076.

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Many of these poems, although written in English, are inspired by Sepedi idioms and proverbs. Some invoke township and village life, others the observations and questions that come from writing poetry and experiences of travelling to different countries to read my poems. Others dwell on the political transformation in South Africa, or its absence, and on my own spiritual transformation.

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14

Hacksley, Reginald Gregory. "The poetry of N.H. Brettell : a critical edition." Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1008072.

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This thesis presents for the first time a critical reading edition of all known poems by N. H. Brettell. It makes no claim to being definitive, nor does it attempt to establish a final text. It represents merely the best thinking of the editor. Brettell printed and circulated his poetry primarily in hand-made illustrated volumes in a process reminiscent of the scribal publication of the seventeenth century. Only 137 of his 206 extant poems were commercially published during his lifetime. In this study all known printed versions of Brettell's poetry whether in privately printed or commercially

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15

Robinson, Brendon Kimbale. "No other world: the poetry of Don Maclennan." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1002264.

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This is a study of the poetry of Don Maclennan in four chapters. Chapter One explores the poetry's deep involvement with the immediate world, and with the being that encounters it. Chapter Two examines the corpus's mistrust of abstract thought, and its suggestions for alternative ways of intepreting (or at least approaching an interpretation of) our existential situation. Chapter Three deals with Maclennan's writing on the subject of death, while the final chapter looks at the response of the poetry to the fact of death: put simply, this is to learn to love the situation we are in, and to reco

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16

Beyers, Marike. "How to open the door." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1011502.

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A collection of mostly lyrical poems. The poems explore moments of experience and thought relating to longing and belonging, in terms of relations, memory and place. The poems are mostly short and intense. Silence and implied meanings are often as important as what is said; shadows are evoked to recall substance. Though short, the poems are not tightly closed – on the contrary, meanings proliferate in the process of exploration

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17

Vivier, Lincky Elmé. "One leg at a time." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1012945.

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This collection of poems explores the boundaries between certainty and uncertainty, between the desire for meaning and the destabilisation of meaning. The content encompasses everyday life, love and loss, and the ambiguities are reflected in the forms used, so that, for instance, the linear continuity of narrative and the musicality of the lyric may be juxtaposed with the fragmented and imagistic leaps of the associative poem.

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Bila, Freddy Vonani. "Grieving forests." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1020880.

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This is a collection of village narrative poems mainly set in rural Limpopo that searches into the complexity of the past and how historical events impact on the present. Although the poems are imagined along the Marxist dialectic, they’re fresh imaginative creations featuring a strong element of surprise, spiritual mysticism, experimenting with form, delving into unknown poetic avenues, creating new music, exploring new sounds and taking risks. The long and intense poem, Ancestral wealth, which is a tribute to the poet’s father, reflects on death and its impact through the effective applicati

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19

Bamjee, Saaleha. "My grandmother breaks her hip." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1020881.

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A collection of narrative and confessional poems. The poems are mostly short, cinematic, physical, imagistic: moments in time. They explore the poet’s own life, body, memories, and family relationships, and the tensions between power, duty, love and faith. Several poems concern the navigation of meaning and belonging in a time when international urban culture often clashes with tradition.

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20

Oppelt, Riaan N. "C. Louis Leipoldt and the making of a South African modernism." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80232.

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Thesis (PhD)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: C. Louis Leipoldt had, in his lifetime and after his death, a celebrated reputation as an important Afrikaans poet in South Africa. He remains most remembered for his contribution to the growth of Afrikaans literature and for the significance of his poetry in helping to establish Afrikaans literature in the early part of the twentieth century in South Africa. He is also mostly remembered for his recipe books and food and wine guides, as well as his career as a paediatrician. Between 1980 and 2001, scholarly work was done to off

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21

Jadezweni, Mhlobo Wabantwana. "Aspects of isiXhosa poetry with special reference to poems produced about women." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1006364.

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This study investigates the use of modern and izibongo (praise poetry) techniques in representing women in selected isiXhosa poems. The main interest of the study is to determine whether the same techniques to depict men are used when writing about women. It is also the interest of the study to ascertain how gender issues are dealt with in the selected poems. Seminal studies on izibongo by eminent scholars in this field show a serious lack of critique and little recognition of women in African languages’ poetry in general and in isiXhosa in particular. Pioneering studies in Nguni poetry about

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22

Cuadrado-Femandez, Antonio. "Making 'Sense' : Reading Textual Space in the Contemporary; Anglophone Poetry of 3 South African, Palestinian and Indigenous Australian Writers." Thesis, University of East Anglia, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520421.

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23

Stevens, Mariss Patricia. ""Symbiosis or death" an ecocritical examination of Douglas Livingstone's poetry." Thesis, Rhodes University, 2005. http://hdl.handle.net/10962/d1002254.

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As the quotation in the title of this thesis indicates, Douglas Livingstone states that unless humankind can learn to live in mutuality with the rest of the natural world, the human race faces extinction. Using the relatively new critical approach of ecological literary criticism (ecocriticism) this thesis explores Livingstone's preoccupation with "symbiosis or death" and shows that the predominant theme in his ecologically-orientated poetry is one of ecological despair. Countering this is a tentative thread of hope. Possible resolution lies in the human capacity to attain compassion and wisdo

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24

Kaze, Douglas Eric. "The environmental imagination in Arthur Nortje’s poetry." Thesis, Rhodes University, 2018. http://hdl.handle.net/10962/58024.

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This thesis seeks to contribute to the conversations in the humanities about the treatment of the physical environment in the context of a global ecological fragility and increased scholarly interest in the poetry of Arthur Nortje, a South African poet who wrote in the 1960s. While previous studies on Nortje concentrate on the political, psychic and technical aspects of his poetry, this study particularly explores the representations of the environment in Nortj e’s poetic imagination. Writing in the dark period of apartheid in South Africa’s history, Nortje’s poetry articulates a strong intere

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25

Sullivan, Louella. "Bitten." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017778.

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My poetry investigates the extraordinary in the everyday, exploring my life as a mother and wife, to find the quiet truths that lie there. Using fresh ways of describing familiar experiences, the poems describe tiny, almost-missed moments and voices that have shaped me. Throughout the collection, I imagine my younger selves commenting on my current self and vice versa. Ultimately, my poems use simple words and clean lines to evoke how I feel (and how I want the reader to feel) in each of the moments they describe.

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Watermeyer, Laura. "The gentle pressure of the sky." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017780.

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A collection of lyrical, imaginative prose, ranging from prose poems to more formal short stories to flash fiction. I challenge the ordinary or commonplace by exploring the realms between fiction and poetry, realism and fantasy, reality and illusion. I would like reading the collection to be a sensory experience, one that draws the reader deeper into the imaginary. Stylistically, I work elements of poetic language into the narrative in order to express the mystery and remoteness that the stories require.

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Mde, Vukani. ""Effulgent in the firmament" the politics of representation and the politics of reception in South Africa's 'poetry of commitment', 1968-1983." Thesis, University of Port Elizabeth, 2002. http://hdl.handle.net/10948/288.

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This dissertation re-examines an era in the production and reception of English language poetry in South Africa by black writers. Intellectually the 1970's was the Black Consciousness phase of South African history and very few aspects of life in the country were untouched by the intellectual movement led by Steve Biko and other young black student leaders. The aesthetic and literary output of the time, like all other facets of South African life, exhibited the influence and pressures brought to bear by Black Consciousness. Moreover, the Black Consciousness poets introduced the most vibrant an

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Woudstra, Ruth. "Touching Brýnstone." Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1015032.

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Touching Brýnstone is the story of Beth, a young journalist who is troubled by misfortunes in her family and work circumstances. In a Pretoria library she is seduced by a book that consoles her and progressively becomes a fetish object. It sparks a journey to Japan, where she arrives to teach English. She is intent on meeting the author, whom she confounds with protagonist and book. This Bildungsroman is an exploration of the complex relationship between inner and outer self, and the struggle towards wholeness. Beth must find a way out of the obsession so that she can return to South Africa wi

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Hogge, Quentin Edward Somerville. "Portfolio." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001813.

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My initial intention is to try to show how, as a poet in South Africa, I suffer from a creative identity crisis. I am a white English-speaking male. I live surrounded by isiXhosa-speaking people. Is my poetry, or will my poetry be, relevant in the ‘New’ South Africa? Is English, the language of the colonial oppressors, the appropriate medium in the post-apartheid milieu? Will my subject matter be relevant? These questions and my attempts at answering them, form the basis of the poetry and the portfolio that accompanies the poems. My absorption with finding a creative ‘voice’, my concerns with

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30

Pieterse, Annel. "Language limits : the dissolution of the lyric subject in experimental print and performance poetry." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/71855.

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Thesis (PhD)--Stellenbosch University, 2012.<br>ENGLISH ABSTRACT: In this thesis, I undertake an extensive overview of a range of language activities that foreground the materiality of language, and that require an active reader oriented towards the text as a producer, rather than a consumer, of meaning. To this end, performance, as a function of both orality and print texts, forms an important focus for my argument. I am particularly interested in the effect that the disruption of language has on the position of the subject in language, especially in terms of the dialogic exchange between lo

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Ntabajyana, Sylvestre. "Planting season." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1002014.

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In this thesis I present a collection of semi-narrative poems about a rural Africa that is a place of folk-lore and tradition, but also a place of otherworldly, almost grotesque, incident. My characters are, similarly, range in type, from buskers, to guards, school-children, paupers and tycoons. Through the work a place that is both familiar and unknown, common-place and mysterious, emerge.

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Dowling, Tessa. "The forms, functions and techniques of Xhosa humour." Doctoral thesis, University of Cape Town, 1996. http://hdl.handle.net/11427/17456.

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Bibliography: pages 259-274.<br>In this thesis I examine the way in which Xhosa speakers create humour, what forms (e.g. satire, irony, punning, parody) they favour in both oral and textual literature, and the genres in which these forms are delivered and executed. The functions of Xhosa humour, both during and after apartheid, are examined, as is its role in challenging, contesting and reaffirming traditional notions of society and culture. The particular techniques Xhosa comedians and comic writers use in order to elicit humour are explored with specific reference to the way in which the pho

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Weyer, Christine Louise. "Confession, embodiment and ethics in the poetry of Antjie Krog and Joan Metelerkamp." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80362.

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Thesis (PhD)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: This thesis examines the work of two contemporary South African poets, Antjie Krog and Joan Metelerkamp. Through an analytical-discursive engagement with their work, it explores the relationship between confession and embodiment, drawing attention to the ethical potential located at the confluence of these theories and modes. The theory informing this thesis is drawn from three broad fields: that of feminism, embodiment studies and ethical philosophy. More specifically, foundational insights will come from the work of Simo

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Gaunt, Hailey Kathryn. "Who knew." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001812.

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This book of poems ranges in style from narrative to condensed lyric moment, and shifts in perspective from observation to introspection. Thematically, these poems explore everyday life through its many manifestations – memory, nature, marriage, faith and death – with an emphasis on finding meaning in absolutely ordinary things. Though their tone is often vulnerable and tender, even when it is more distant the poems are always searching.

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Rawlins, Isabel Bethan. "Counting planes." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001816.

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This collection of prose-poems and flash fiction, together with a few short stories, shows how romantic relationships colour our perspectives on the world. The collection has echoes throughout of speakers' voices, theme, imagery and tone. There is a narrative logic too, but working on a subtle level of echo and resonance

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Van, der Nest Megan. "Silence, like breathing." Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1015246.

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In this collection of free verse lyric poems I have drawn inspiration from childhood memories, as well as from the natural world and encounters with the people around me. Each poem focuses on a small moment, presenting an emotive portrait of a memory or an experience. These small moments lead, cumulatively, to deeper insights into myself and the world around me. The collection is divided into four seasons, in part because the work is strongly influenced by the natural world, but also because the progression of the seasons mirrors something of the personal journey reflected in the poems.

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Bezuidenhout, Marianne M. "An investigation into the effect of mobile poetry-based instruction on the literacy levels of Grade 8 English first additional language learners within the South African rural context : a case study." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80361.

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Thesis (MPhil)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: This study is an addition to the growing body of research on the relevance of mobile assisted learning (MALL) or m-learning. Grounded in a sound theoretical framework and informed by practice, it identifies the importance of literacy as a liberating skill, as well as the groundbreaking impact and potential of mobile technologies to enhance literacy levels in developing countries. The ubiquity of mobile devices worldwide, and specifically in South Africa, coupled with the educational needs arising from overcrowded classroo

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Smit, Erasmus Johannes. "Die bydrae van die gereformeerde kerklied tot versoening en eenheid in 'n multikulturele Suid-Afrika / Erasmus Johannes Smit." Thesis, North-West University, 2007. http://hdl.handle.net/10394/1310.

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Mashige, Mashudu Churchill. "Identity, culture and contemporary South African poetry." Thesis, 2007. http://hdl.handle.net/10210/25.

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The main focus of this thesis is to examine how identity and culture are conceived and articulated in a representative selection of contemporary South African poetry. In the introductory chapter, an examination is made of the concepts of identity and culture, in the course of which the polarities of inside and outside, self and other, personal and political, subjective and objective, are carefully examined. Then, through close textual reference to relevant poems considered under the titles “Poetry of the Self”, “Black Consciousness Poetry”, “The Poetry of Revolution”, “Worker Poetry” and “Femi

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Mashige, Mashudu Churchill. "Politics and aesthetics in contemporary black South African poetry." Thesis, 2012. http://hdl.handle.net/10210/7166.

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M.A.<br>In this dissertation an examination is made of the different strands of contemporary South African protest and resistance poetry. This is done by way of analysing selected poems to highlight the relationship which exists between politics and aesthetics and to illustrate that the two concepts are not mutually exclusive. A brief history of written African protest and resistance poetry is provided in an attempt to put this poetry within its historical context and to trace its influences and development. The poems are then examined with the express aim of identifying and understanding thei

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Kgalane, Gloria Vangile. "Black South African women's poetry (1970-1991) : a critical survey." Thesis, 2012. http://hdl.handle.net/10210/6649.

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M.A.<br>This dissertation investigates the work of black women poets in South Africa during the period 1970 - 1991, within the context of race and gender politics. The period 1970 - 1991 represents the approximately two decades in which black poetry became recognised as an important development in South African literary studies. Although several studies of the work of black male poets have been written, hitherto no substantial study of the writings of black women poets, in particular, has been undertaken. Although relatively few black women poets published their work during this era, when comp

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Kromberg, Steve. "The problem of audience: a study of Durban worker poetry." Thesis, 1993. https://hdl.handle.net/10539/26364.

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A thesis submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg in fulfilment of the requirements for the degree of Master of Arts<br>This dissertation shows how both poets and their audiences have played a central role in the emergence of Durban Worker poetry. A review of critical responses to worker poetry concludes that insufficient attention has been paid to questions of audience. Performances of worker poetry are analysed, highlighting the conventions used by the audience when participating in and evaluating the poetry, Social, political and literary facto

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Genis, Gerhard. "South African Great War poetry 1914-1918 : a literary-historiographical analysis." Diss., 2014. http://hdl.handle.net/10500/13847.

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Within a southern African literary-historiographical milieu, the corpse of the First World War (1914-1918) either wanders in the ‘darkling’ woods or wades in the ice-mirrored sea of a sinister psychological landscape. The veld, with its moon, flowers, bowers, animals and sea, is a potent South African metaphysical conceit in which both the white and black corpse – the horrific waste product of war – is seemingly safely hidden within euphemistic shadows. However, these shades are metonymic and metaphorical offshoots of an Adamastorian nightmare, which has its inception in a nascent South Africa

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Foley, Andrew John. "The white English-speaking South Africans contemporary dilemmas and responses in South African English poetry." Thesis, 1990. https://hdl.handle.net/10539/24743.

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A Dissertation submitted to the Faculty of Arts. University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the Degree of Master of Arts.<br>The aim of this dissertation is to offer a close, critical examination of the particular dilemmas and responses of concempocary white English-speaking South Africans as these are reflected in South African English poetry. This aim ought not to be construed as a denial of the legitimate claims of other ethnic groups for attention; nor should it in any way be interpreted as an attempt to reinforce artificial racial categories o

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Sheik, Ayub. "Wopko Jensma : a monograph, the interface between poety and schizophrenia." Thesis, 2002. http://hdl.handle.net/10413/4829.

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This thesis is a monograph of South African poet and artist, Wopko Jensma. Jensma's published anthologies, Sing/or Our Execution (1973), Where White is the Colour, Where Black is the Number (1974) and Have You Seen My Clippings (1977) together with the relatively unknown and unpublished, Blood and More Blood deal with issues of identity relating to race and class within the context of apartheid South Africa in the nineteen seventies. These four anthologies represent a poetics of resistance conceived as an antidote to personal and social suffering as a result of the racist oppression of blacks

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Brown, Duncan John Bruce. "Orality, textuality and history : issues in South African oral poetry and performance." Thesis, 1995. http://hdl.handle.net/10413/6364.

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A vigorous oral tradition has existed throughout South African history, and in many ways represents our truly original contribution to world literature. Despite this, oral literature is largely absent from accounts of literary history in this country. While the particular oppressions of South African political life have contributed to the exclusion of oral forms, the suppression of the oral in favour of the printed text is a feature of literary studies worldwide, and appears to be related to the critical practices that have been dominant in universities and schools for most of this century. In

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Groenewald, Hermanus Christoffel. "Ndebele verbal art with special reference to praise poetry." Thesis, 2012. http://hdl.handle.net/10210/7404.

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D.Litt. et Phil.<br>Approaches to folklore/oral forms have evolved from an interest in things (texts are included here) to an interest in process, of which performance studies is a prime example. A performance orientation seeks to restore an activity (or a text as part of an activity) to its proper place - not as an extracted, reified entity, but as discourse created by performers in particular circumstances. These circumstances, or context, are detail-rich and have influences on a text, and, in turn, a text is a detail that influences other aspects of the total performance. These theoretical

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Lockett, Cecily Joan. "Stranger in your midst : a study of South African women's poetry in English." Thesis, 1993. http://hdl.handle.net/10413/8766.

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This thesis represents the first extended study of South African poetry in English from a gender perspective. It is conceived in two parts: firstly, a deconstructive analysis of the dominant tradition of South African English poetry in order to reveal its masculine or androcentric base; and secondly, the reconstruction of an alternative gynocentric tradition that gives primacy to women and the feminine in poetry. The first section consists of an examination of the ways in which the feminine has been. excluded from the poetic tradition in historical terms by means of social and economic constra

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Frielick, Frielick Stanley. "Aesthetics and resistance: aspects of Mongane Wally Serote's poetry." Thesis, 1990. https://hdl.handle.net/10539/24711.

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A dissertation submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg, in fulfilment of the criteria for the c[egree of Master of Arts<br>The literature produced by writers who align themselves with national liberation and resistance movements presents a serious challenge to dominant standards of literary . aesthetics. Resistance writing aims to break down the assumed division between art and politics. and in this view literature becomes an arena of conflict and struggle. This dissertation examines certain aspects of the poetry of Mongane Wally Serote in order to

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Ngobeni, Khayizeni James. "Nxopaxopo wa mikongomelo ya matsalwa ya ntlahanu ya vutlhokovetseri lama hlawuriweke eka Xitsonga." Thesis, 2014. http://hdl.handle.net/11602/179.

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