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Dissertations / Theses on the topic 'Space fashion'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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1

Eriksson, Kajsa G. "Concrete fashion : dress, art, and engagement in public space /." Göteborg : HDK, School of Design and Crafts, Faculty of Fine, Applied and Performing Arts, University of Gothenburg, 2009. http://hdl.handle.net/2077/21545.

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North, Stella. "Clothing the space of flesh: fashion as material narration." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/10567.

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In this thesis, I conceive clothing as a corporeal surface in order to re-envision clothing, the corporeal, and the surface. I conceive clothing as a frame for embodied experience in the world, and the body as a means by which clothing is brought into worldly existence. Taking clothing and the body to be mutually constitutive, I draw on texts from a range of registers—literary, artisanal, experiential, theoretical, artistic, conceptual—in order to locate their material interrelation. The act of location is an important reflexive concern of the thesis. In examining the interface of clothing wit
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Jönsson, Jennifer. "!ACTION! Investigating the force in fashion." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-10639.

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This degree work aims to tell a story about the force of fashion. Through forced material interactions on body the focus of this study is interaction. Interaction between contrasting materials, body and space and/or catwalk and audience. By forcing materials to act and interact on body this work aims to nd new expressions and ways of making in fashion. To tell this story a design space was made, ‘Wonderland’, a place where all the ‘Wonder Women’ live. These ‘Wonder Women' are like sisters, di erent from the other. The resemblance lies in the interaction and forceful expression. This collection
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Bågander, Linnéa. "BODY(dress?)SPACE(room?) : an exploration of dress at the intersection between body and arranged space through movement." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-411.

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This work is an exploration of the spatial boundaries of dress through the moving body’s interaction with arranged space. The work aims to question the distinction that is done between a “garment” and a “room” in the context of set deign and costume design as well as “dress” and “architecture”. The work is carried out through a series of staged experiments with different materials abilities to understand, extend or transform; - Movement of the body - The spatial boundaries of the body The work is a focusing on the similarities of set and costume design and garment and architecture rather than
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Koch, Daniel. "Structuring Fashion : Department Stores as Situating Spatial Practice." Doctoral thesis, KTH, Arkitektur, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-4321.

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This dissertation investigates department stores as complex spatial and cultural buildings, in which values and ideas are expressed, negotiated, and produced. Situated in a cultural context commonly referred to as a society of consumption, where identity and social structures are worked out through consumption rather than production, the query turns to a specific act of consumption: that of shopping. More precisely, it investigates the role of space and spatial distribution in shopping. How space is distributed, arranged, or ordered allows for different possibilities in constructing categories
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Winters, Amy. "Why does soft matter? : exploring the design space of soft robotic materials and programmable machines." Thesis, Royal College of Art, 2017. http://researchonline.rca.ac.uk/2842/.

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This practice-led research examines how the emerging role of the ‘material designer’ can enrich the design process in Human Computer Interaction. It advocates embodiment as a design methodology by employing tacit knowledge; focusing on a subjective, affective and visceral engagement with computational materials. This theoretical premise is explored by drawing on the fields of soft robotics, as well as transitive and programmable materials. With the advancement and democratisation of physical computing and digital fabrication, it is now possible for designers to process, or even invent and comp
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Thomson, Clare A. M. "Reading between the aisles : a contextualised study of young fashion consumers' experiences of retail space." Thesis, University of Edinburgh, 2002. http://hdl.handle.net/1842/23223.

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Previous research exploring the impact of the retail environment has presented consumers as passive participants who can be managed in the space. Much of this research has focused on measuring consumers’ responses and behaviour using experimental and survey-based approaches, detached from the complexity and diversity of consumers’ lived experiences. However more recent research in advertising, services and leisure, and inter-disciplinary studies on consumption has highlighted the consumers’ role as active meaning makers across a variety of activities and contexts. This thesis focuses on young
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Taleb, Rabah Yaqub. "Exploring the space of the thawb : the intersection between fashion, traditional dress and Kuwaiti women's identity." Thesis, University of Southampton, 2018. https://eprints.soton.ac.uk/423571/.

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This research examines the identity of Kuwaiti women in the context of dress. Specifically, it investigates the extent to which their lifestyle has been impacted by the recent economic boom stimulated by the oil trade. From a simple life governed by norms and social customs to a sudden influx of wealth and foreign cultural influence, the identity of the typical Kuwaiti woman is being transformed. Nowhere is this transformation more evident than in their dress. Through the lens of fashion, this thesis examines changes in Kuwaiti women’s identity via the traditional thawb over the past 65 years,
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Edwards, Bronwen. "Making the West End modern : space, architecture and shopping in 1930s London." Thesis, University of the Arts London, 2004. http://ualresearchonline.arts.ac.uk/2299/.

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This research explores the shopping cultures of the 1930s West End, arguing for the recognition of this as a significant moment within consumption history, hitherto overlooked in favour of the Victorian and Edwardian periods. The approach is interdisciplinary, combining in a new way studies of shopping routes and networks, retail architecture, spectacle, consumer types and consumption practices. The study first establishes the importance of shopping geographies in understanding the character of the 1930s West End. It positions this shopping hub within local, national and international networks
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Howell, Amy Beth. "Line, Space and Plane." Kent State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=kent1259177315.

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Олейнікова, Ірина, Олена Слітюк, Назар Заіка та Анна Дзікевич. "Створення світлодизайну для шоу-майданчиків". Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/18132.

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Надано результати дослідження використання світлового обладнання для оформлення подіуму та шоу-майданчиків. Метою дослідження є застосування сучасних технологій в показах мод для досягнення рекламного ефекту та привернення уваги глядачів. В ході дослідження було розглянуто різновиди світлового обладнання та його втілення у фешн-показах та шоу-майданчиках.<br>The results of research of use the innovative lighting devices, which are used for décor of the podium. The aim of the research is to use modern technologies in fashion shows, and achieve an advertising effect to attract the attention of v
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Veerman, Nora. "Fashioning Cultural Equity : A study of the materials, practices, products and consumers of fashion company Afriek." Thesis, Stockholms universitet, Modevetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-170349.

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In today’s globalising world, cultural differences are often exacerbated and exploited for commercial purposes. Recently, various transnational fashion companies have arisen that aim to soothe such cultural tensions, establishing cross-cultural dialogue through the production of fashion. This thesis explores how one of such companies, Afriek, may bridge cultural differences through the production of garments made of African kitenge cloth, in a crosscultural collaboration between The Netherlands and Rwanda. In this study, the company is regarded not as a homogenous, profit-directed entity, but
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Horne, Susan Elaine. "A Seasonal Shelf Space Reorder Model Decision Support System." Kent State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=kent1291086889.

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Wilkens, Josefin. "Restricted Movements : A study of performative values of abstract garments and objects." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-22042.

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This thesis investigates performative values of garments and objects in relation to space. It aims to show the potential of using abstract garments and objects as choreographers and communicators for dance performance. The concept of creating garments that act as indicators for movement in contemporary dance is insufficiently explored. This research will provide further knowledge of how one can use garments and objects to extend the body and therefore reach unexplored movement territory. Furthermore this study is made with a fashion research perspective and strives to provide an alternative to
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Maldonado, Maura Carneiro. "Usando o luxo, consumindo o espaço: uma investigação sobre as relações entre espaço, consumo de moda e luxo." Universidade Federal da Paraí­ba, 2009. http://tede.biblioteca.ufpb.br:8080/handle/tede/3846.

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Made available in DSpace on 2015-04-16T14:49:08Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 869911 bytes, checksum: a4d69e09c649efbfe1a3e8c74dda7a63 (MD5) Previous issue date: 2009-07-30<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>Luxury consumption in Brazil has been growing significantly, this country being considered one of the 10 largest luxury markets in the world.Though it is restricted to just 1% of the population, the sector already sets in movement US$2,5 billion per year. This strong commercial presence stimulates theoretical and academic analysis a
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Eklöf, Andreas. "Biker Jacket." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17065.

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Staring to explore the fashionable biker jacket from the fifties lead to the discover that it hasn’t changed much since its origin. The stereotyped biker jacket with the genuine black leather and raw details is an impact model and thought the jacket no longer is worn while riding a bike is it still presenting an image of a rebellious life.The aim of this work is to explore our traditional view of the biker jacket through material and shape. Discovering that the bikers riding position has big similarities with a standing cow gave background to the material used in the classical jackets, the cow
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Trindade, Diogo Marques. "O corpo cartografado. Configurações de pequenos espaços-tempo no vestuário." Master's thesis, Faculdade de Arquitetura de Lisboa, 2012. http://hdl.handle.net/10400.5/5781.

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SVENSSON, ANNA. "Units." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17359.

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Lortoglu, Ceren. "Social Distinction And Symbolic Boundaries In A Globalized Context: Leisure Spaces In Istanbul." Master's thesis, METU, 2003. http://etd.lib.metu.edu.tr/upload/12604720/index.pdf.

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This study focuses on the conditions and processes that strengthen social distinctions and symbolic boundaries in society. In order to fully grasp the conditions of these processes, it is not sufficient to simply study them as they are carried out on a daily basis. Therefore in this study firstly a general overview of the matter evaluated in the context of globalization. Although a variety of means are at work in constructing social distinctions and symbolic boundaries, in this study three of them have been taken up: leisure, consumption and space. In order to reveal the relationship between t
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Bouaouina, Hend. "L’événement abordé comme discours : approche sémiotique des arts de la scène dans le secteur de la mode." Thesis, Toulouse 2, 2017. http://www.theses.fr/2017TOU20117.

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Focalisée sur l’interaction entre Mode, événement, espace et corps, la thèse se propose de traiter le processus visuel, communicationnel et scénographique d’un défilé de Mode. Il s’agit d’une rencontre entre différents éléments constitutifs de l’événement de Mode, transformant l’action corporelle en des unités simultanées et concurrentes reparties dans l’espace et dans le temps. Dès lors, la représentation d’un défilé relève de l’enjeu entre réception, perception, interprétation et cognition des différentes pratiques artistiques qui participent à sa réalisation. En organisant ce travail, on a
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Pereira, Valnei. "São Paulo e Rio de Janeiro: hipermetrópoles, turismo e moda como economias culturais do espaço." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-15062010-100918/.

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A tese analisa as transformações socioespaciais das metrópoles de São Paulo e Rio de Janeiro na virada do século XX para o XXI a partir do turismo e da moda, refletidos como economias culturais do espaço. Para isso, considera os acionamentos e sentidos do turismo, para além de suas categorizações, e pelas quais é possível identificar uma turistificação urbana presente em diferentes níveis e escalas; um primeiro verificado nos discursos e sentidos das políticas urbanas de promoção da imagem urbana e competição internacional; um segundo na busca da diversificação e comoditização da experiência t
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Esfahani, Najva. "La muse : théâtre et théâtralité dans la photographie de mode." Thesis, Paris 5, 2013. http://www.theses.fr/2013PA05H022.

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L’étude se construit sur deux axes. Dans le premier, elle cherche à expliciter la fonction du lieu dans la séance photographique de mode, la manière dont la rêverie du photographe crée dans sa pensée un mannequin qui correspond à un espace ; ou bien, un endroit qui ressemble au modèle. Par une observation esthético compréhensive et une démarche phénoménologique, la recherche se concentre sur l’imaginaire de l’espace clôt dans l’image de mode, le logis, la maison, la chambre, etc. Tout en nous positionnant sous un angle holistique ; le concret avec le transcendant, le microcosme avec le macroco
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Kusina, Jeanne Marie. "Seduction, Coercion, and an Exploration of Embodied Freedom." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1403637510.

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Souza, Josenilde Silva. "Desfile de moda nos espaços da cidade: abordagem semiótica dos regimes de visibilidade, de identidade, de interação e de sentido." Pontifícia Universidade Católica de São Paulo, 2011. https://tede2.pucsp.br/handle/handle/4344.

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Made available in DSpace on 2016-04-26T18:11:15Z (GMT). No. of bitstreams: 1 Josenilde Silva Souza.pdf: 6248944 bytes, checksum: fa63aabbb890022265048d0cdbb95c6d (MD5) Previous issue date: 2011-10-20<br>This work analyzes to what extent the choice of a certain city space for the performance of fashion shows is decisive to establish a new plastic and semantic configuration. In the transition of the conventional space formed by an indoor room to an outdoor and unconventional space for example, a viaduct, a street or a garden we investigate the fashion show s ways of organizations in diff
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Garavito, Ramírez Adriana Rosario. "¿Cómo se escribe de moda en distintos espacios sociales?: Una comparación del discurso en las revistas Gamarra Modas y Viú (setiembre 2017- agosto 2018)." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2018. http://hdl.handle.net/10757/625856.

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Esta tesis explora teorías sobre el rol del periodismo de moda en distintos espacios sociales en Lima, Perú. Por un lado, se explica los fundamentos teóricos en los cuales se sustenta que el concepto de la moda es mucho más amplio del que normalmente se percibe. Se detalla cómo es que esta puede funcionar como un campo de acción político; y es un fenómeno social que puede reflejar los aspectos económicos, sociales, de raza y género de un hábitat social. Por otro lado, se realiza un análisis detallado del discurso de dos revistas. Cada una representa un espacio social y entiende y expone la mod
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Brydges, Taylor. "Made in Canada : The strategies, spaces and working lives of independent designers in the Canadian fashion system." Doctoral thesis, Uppsala universitet, Kulturgeografiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-325176.

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Drawing on 87 interviews with independent fashion designers and key informants, this thesis is a collection of papers which aim to explore the strategies, spatial dynamics and working lives of independent fashion designers in the Canadian fashion industry. The majority of fashion design firms in Canada are small independent businesses, typically run by an individual or pair of designers, with few employees. Independent fashion designers create unique small businesses, produce high quality garments defined by the label ‘made in Canada,’ strategically mobilize physical and virtual spaces within
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Montaguti, Lucia. "Ottimizzazione del processo di gestione e riordino delle spare parts in un'azienda del settore lusso: il caso Salvatore Ferragamo S.p.A." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2017.

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La tesi illustra gli step che hanno portato all’ottimizzazione del processo di gestione e riordino delle spare parts legate o meno a richieste di riparazione di merce usata proveniente dal cliente finale del canale Retail di un’azienda operante nel settore lusso, la Salvatore Ferragamo S.p.A.. Durante il periodo di tirocinio della durata di 6 mesi, ho avuto la possibilità di affiancare i responsabili del progetto soprattutto nella fase di definizione delle specifiche funzionali di un software tramite il quale gestire le richieste di riparazione e gli ordini di parti di ricambio, da distribu
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Perez, Angulo Herick Melvin Manuel. "Instituto Superior de Diseño Gráfico y Diseño de Modas en Independencia." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/655922.

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El Instituto Superior de Diseño gráfico y Diseño de modas es un proyecto que responde a la necesidad de la actualización del método de enseñanza del diseño y la educación superior. El usuario principal son los jóvenes de 15 a 25 años del sector B y C de Lima Norte. El lugar donde se realiza es en el distrito de Independencia donde tenga cercanía con el metropolitano que conecta a todo Lima para facilidad de acceso de los estudiantes. Su principal concepto del Instituto es que pueda estar adecuada su arquitectura con los métodos de enseñanza que se ven en otros institutos del mundo en la in
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Huang, Shih-shin, and 黃世忻. "Construction of Fashion Color Perceptual Space." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/01203776258287616162.

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碩士<br>國立臺灣科技大學<br>設計研究所<br>89<br>It is important for designers to find out customers’ preferences. Color is one of the critical factors influencing the appearance of products. Appropriate color combinations could significantly enhance a product’s image. Research in preferences and perceptions about color combinations will provide helpful references for designers. The purpose of this study is to analyze the perceptual space of fashion color combinations. The study contains three parts: to construct the perceptual space of fashion color combinations; to compare the perceptual space of
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Talwar, Rita. "The body narrated : fashion + identity + space." 2010. http://hdl.handle.net/1993/22316.

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Chang, Chun-ling, and 張純綾. "History is Fashion-ing? Dialectics between Historic Space and Fashion Events." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/q3kfk7.

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HSU, YU-HAN, and 徐于涵. "Dark Space and Inner Emotion of Fashion Creation." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/wy3tpb.

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碩士<br>輔仁大學<br>織品服裝學系碩士班<br>107<br>This study takes the creator’s experience as the starting point for costume creation. The emotion is from the space transform the “dark space” and “inner emotion” into the design inspiration of the creation. The dark space is displayed in the pattern making design. The flat patterning design is used circular, semicircle, square, and triangle. Interior design concept uses plane second space to third degree. Select the outline of the desired flat graphic for pattern making design. The color is black gray, gray, and light gray, it means that from entering the dar
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WANG, SHIH-HSUN, and 汪世勳. "A Study of Fast Fashion Space Based on the Theory of Space Syntax." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/02049947821294824363.

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碩士<br>國立雲林科技大學<br>創意生活設計系<br>104<br>Spatial layouts can directly affect human behaviors, any object within a space can influence the spatial patterns and encourage or restrict our behaviors, and for example, it is necessary to take a detour when being obstructed by a solid object when moving in a straight line. In the recent years, “fast fashion” has become increasingly popular within the fashion industry, and quick response to fashion trends and affordable prices have led to repeating consumer visits, therefore increasing the frequent contact between people and the space. New products are rap
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Chang, Hsiao-Ting, and 張孝婷. "Building the fashion brand from image and sound space─ taking In Fashion magazine publicist as an example." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/2ktfn5.

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碩士<br>崑山科技大學<br>視覺傳達設計研究所<br>96<br>Fashion branding brings people not only the image and sound space experience, but also becomes a globally discussed subject in the twenty first century. It creates the trend of consumption and deeply influences people’s desire of taste of life style. Therefore, many industries adopt the technique of branding in order to create an〝in fashion〞image. This study is to discuss the looksmanship processing of fashion brands under the wide-opening fashion media and the highly development of techart after 80’s. Keystone in this trend of looksmanship development
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Wetherbee, Kathryn J. "Envisioning a New Public Space." 2013. https://scholarworks.umass.edu/theses/1093.

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This thesis challenges the way we design and inhabit urban public space. This architectural thesis project envisions a new public space. A framework for expression: a place where people physically create the spaces around them through architectural manipulation and expression of ideas, art and performance. The framework is inspired by translating the principles of garment design into architectural strategies: joinery, materiality, structure, response, and adjustability. As the architecture changes, so do the programs and ways of expressing. The site of this exploration is on the coast of Maine
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Lien, Lee Yu, and 李玉蓮. "An exchange of fashion space creation from a scar image perspective." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/04664625013017872890.

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碩士<br>實踐大學<br>服裝設計研究所<br>89<br>Summary This study aims to produce creations for fashion design methods and to discuss the necessary space and structures for fashion design. Using scar images as a medium as well as the foundation of connections, the study also points out the possibility of body space and clothing space. It uses wound scars as a medium to extend to different types of space structures leading to a fashion design element of space form. Scars are a transformation of images on the skin. Skin transforms to a new structural form through the cracking, destroyin
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HUI, LAI PEI, and 賴佩慧. "Research on the Balances between Fashion Business Guidelines and Space Aesthetics." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/54571661060697955829.

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碩士<br>輔仁大學<br>織品服裝學系<br>95<br>The clothing and accessories industry has been a high value-added fashion industry since the economy is booming in recent years. Our industry is now developing and changing in minutes because our customers have access to worldwide communication with a flip of switch. The consumption behavior of the consumers is different from that in the old days, nowadays the consumers know what they need and what their rights are, so they have not been confined in the conventional consumption mode. Both businessmen and space designers of our industry hope to catch the consume
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Hung, Serena, and 洪紹凡. "Building Consumer Loyalty in the Cyber Space --Fashion & Apparel Industry--." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/90639419433408323071.

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碩士<br>國立臺灣大學<br>商學研究所<br>89<br>Have you been to a mall lately where the parking lot is packed and you literally have to spend a vacation day in line to pay for a shirt? Have you been annoyed by the salesperson peering over your shoulder making unwanted recommendations? Buying apparels online is emerging as a trend thanks to the drawback from physical stores. The popular belief is that simple and standardized merchandise such as CDs and books, whose key attributes could be communicated easily by pictures and words and do not require touch and feel can sell great on the net. Now the question
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Baptista, Ana Beatriz Correia da Costa Ferrão. "Season to Season: A Flexibilidade do Espaço BLOOM." Master's thesis, 2020. http://hdl.handle.net/10316/93985.

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Dissertação de Mestrado Integrado em Arquitetura apresentada à Faculdade de Ciências e Tecnologia<br>A arquitetura é uma disciplina com possíveis transversalidades com a matemática, a arte, a tecnologia, mas também com as ciências sociais e políticas, a filosofia e, claro, conexa à história. Por seu lado, a moda pode ser vista como um fenómeno sociocultural, que acompanha o decorrer dos tempos sob a forma de vestuário. Num primeiro momento, arquitetura e moda pouco aparentam ter em comum, mas comungam de um vasto campo que vai desde o abrigo do corpo, às linhas e texturas de um produto final.E
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Broojerdiazar, Valeh. "Gastown eco-studio: manifestations of body in interior design and eco-fashion." 2015. http://hdl.handle.net/1993/30766.

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The fashion industry has a complex and often ambiguous relationship with the environment. Fast fashion has led to increased waste and harmful production methods, but innovative textile developments have led to more environmentally-friendly clothing production. In the recent decades, eco-fashion has become an evolutionary model that focuses on environmental concerns and an eco-driven consciousness. This Master of Interior Design practicum project proposes a hypothetical eco-fashion design studio in Gastown, Vancouver in order to showcase the conclusive relationship between interior design and e
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Huang, Tsai-Chun, and 黃才駿. "“Geometric Obsession” The Addiction and the Allay within Fashion Design.-The Study of Cubic Pattern Intervene the Fashion Design and Body Space." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/8nx4we.

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碩士<br>實踐大學<br>時尚與媒體設計研究所<br>100<br>“There are always plastic pieces of triangle, rectangle and pentagon as well as foam bricks of arch shape or cube in my toy box.” This is a research about anthropometry. Human body is the beginning of fashion design, but this concept is often forgotten. The literature review started from geometry which is also the conceptual origin and the form of final works of this thesis. By composing and manipulating the geometric elements and combining the 2D pattern making and 3D draping, I attempt to generate a whole set of new concepts of clothing. It begins with my
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Hsiang-Min, Liu, and 劉向敏. "A Creation of Fashion Design —An Application of Penetration of Space Interface on Bias Cutting." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/26872277880129151290.

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碩士<br>實踐大學<br>服裝設計研究所<br>91<br>【ABSTRACT】 A Creation of Fashion Design — An Application of Penetration of Space Interface on Bias Cutting Author：Liu Hsiang-Min Supervisors：Professor Lu Ting-Ching Date of Graduate：Jan 16．2002 The goal of this research is to present a design that establishes the relationships between realness and emptiness through the application of spatial interface penetration and the 45 degree bias-cut. The design initiates the interaction between the fabric (realness) and the intended cavities (emptines
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Hsieh, Min-yen, and 謝旻諺. "A Study of the Localization of Fashion Hairdressing Economy：The Management Concept and Cultural Space of Longtan Mentor." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/3nbqac.

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碩士<br>華梵大學<br>建築系在職專班<br>103<br>With the post-modernism performance, apparently, Taiwan’s salon industry has played an important role in our economy. The annual size of the market economy has also reached several ten billion dollars. For the sake of expanding the share of market, different schools of the hairdressing chain system do their best to promote their competitiveness in the violently changeable environment. Therefore, customer's satisfaction has become an important reference index. Because the salon industry is easy to start, the growth and decline change rapidly, how Mentor Group has
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"Fabricated in-between space: weaving the museum into the community complex." 2008. http://library.cuhk.edu.hk/record=b5893833.

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Zhang Hailun Helen.<br>"Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2007-2008, design report."<br>Includes bibliographical references.<br>Chapter 1. --- Synopsis<br>Chapter 2. --- Research<br>Chapter &1 --- background<br>Chapter &2 --- precedents within architecture<br>Chapter &2.1 --- Prada by Rem Koolhaas<br>Chapter &2.2 --- "Concert Hall and Exhibition Complex, Rouen, 1988-, by Bernard Tchumi"<br>Chapter &3 --- precedents within fashion<br>Chapter &3.1 --- the Mobius dress<br>Chapter 3. --- Issue<br>Chapter &1 --- human body<br>Chapter &2 --- s
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Chow, Christina Wing Sum. "unDressing Spectacle: An Architectural Discourse on the Event of Space." Thesis, 2012. http://hdl.handle.net/10012/6550.

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Woven within fashion and dress is the innate ability to create atmosphere and transformative experiences. Architecturally, the façade of a building acts as its skin, having responsibilities that exceed the functions of shelter and materiality. The process of dressing buildings create and shape dynamic relationships with all the elements of its surroundings. Beyond the basic need for convenience and protection, both practices operate as part of a larger world of personified and tailored objects that create ambience and space. This thesis, entitled unDressing Spectacle, explores the parallels b
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Cheng, Ju-Chun, and 鄭如珺. "From “Luxury Fashion”to “mix and match”:The Consumption Space and Symbolic Meaning of the Eastern District in Taipei City." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/21074294937511805623.

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碩士<br>臺灣大學<br>社會學研究所<br>98<br>This thesis tries to understand how and why the juxtaposition of the heterogeneous and multi- style consumption patterns exists in the eastern district in Taipei, and how particular symbolic meanings have being produced here. This thesis adopts the concept of “path dependence” and the perspective of political economy. Emphasizing the importance of timeline, this thesis also tries to figure out the roles different agents play at different stages. While the eastern district in Taipei became a paradise for shopping and recreation, it also produced the symbolic meanin
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Ling, Andrea Shin. "The Girl in the Wood Frock." Thesis, 2007. http://hdl.handle.net/10012/3032.

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A GIRL, forced to marry her father after he sees her playing in his dead wife’s wedding gown, runs away wearing five dresses. Four dresses are of silk and they are beautiful. The last dress is of wood. It is in this dress that the girl escapes, throwing herself into the river to float away. A prince saves the girl but treats her badly, for she wears an ugly wood frock. Her suffering is eased at night when the girl takes off the wood dress and dances in her silk ones. The prince discovers the girl in the silk dresses and falls in love. They live happily ever after. This thesis is bas
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Abreu, Carolina Vieira de. "Arquitectura e Moda. Prada: Espaço Híbrido entre Conforto e Consumo, Auto-Representação e Persuasão." Master's thesis, 2018. http://hdl.handle.net/10316/81528.

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Dissertação de Mestrado Integrado em Arquitetura apresentada à Faculdade de Ciências e Tecnologia<br>Resumo: Arquitectura e Moda podem – numa primeira leitura – aparentar poucas semelhanças entre si. O carácter monumental e perene da primeira parece opor-se irredutivelmente à natureza efémera e flexível da segunda; as suas escalas são também drasticamente distintas. No entanto, numa observação mais atenta, percebemos que partilham, não só uma mesma origem de cariz funcional – de abrigo do corpo humano através da concepção de volumes –, mas também a sua capacidade de expressão de ideias de iden
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Hsin-Yu, Liu, and 劉欣瑜. "A Study on Fashion-Show Models and Performance Spaces." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/04108318516079421239.

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碩士<br>國立宜蘭大學<br>建築與永續規劃研究所碩士班<br>97<br>Fashion models are the products developed by the performances of fashion shows. With equipments and locations, the brands are made publication of their ideas through the performances of fashion shows, in which to create a space form unique and being born from it. Moreover, in recent years, the trends of models are swept through the whole world. A lot of younger generations of men and women in Taiwan have also joined the model industry, and the general publics are starting to be curious about the business as well. As a result, our study aimed to make inves
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Ma, Sheng-Yuan, and 麻生沅. "Fashion, Architecture, Taste and Globalization: The Production and Consumption of Cosmetic Store Spaces." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/96050847040177388578.

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