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Journal articles on the topic 'Space fashion'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

McQuillan, Vésma Kontere. "Rethinking fashion review with architectural fashion analysis method." International Journal of Fashion Studies 11, no. 1 (2024): 161–80. http://dx.doi.org/10.1386/infs_00110_1.

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Exploring the interplay between fashion and architecture, this article introduces architectural fashion analysis method, an original methodology for analysing fashion shows through an architectural lens. Focusing on the works of Prada and OMA/AMO, the study delves into the narrative power of space in fashion presentations, informed by theories from Roland Barthes and Adrian Forty, as well as the theoretical model of fashion spaces by McQuillan and Hansen. This approach highlights the underexplored but crucial role of architectural thinking in fashion critique. The article posits that employing

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Montgomery, Jess. "Coming apart at the seams: How the theatrical within fashion makes space for empowerment." Clothing Cultures 7, no. 1 (2021): 79–90. http://dx.doi.org/10.1386/cc_00030_1.

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Relationships between fashion and theatricality open up spaces of fantasy in which new ways of being can be imagined. In drawing upon the ways in which theatre exists in a space that is both physically real and created through imagination, the theatrics of high fashion similarly create spaces that are both physically real and imagined. Though often read as a symptom of an unnecessarily excessive system, theatricality in fashion can alternatively signal a turn towards a more ethical fashion system. Because fashion (as it relates to the production and consumption of clothing and other wearable g

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Скалацька, Олена Віталіївна. "ФІЛОСОФСЬКІ ПІДҐРУНТЯ АНАЛІЗУ ПРОСТОРОВОСТІ МОДИ". Філософські обрії, № 34 (12 грудня 2015): 110–18. https://doi.org/10.5281/zenodo.35298.

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The purpose of the article is to review the possibilities of the definition of fashion as a space, searching of the philosophical foundations for the analysis of fashion`s space. It was emphasized that multi-dimensional space allows using a physical concept of Aristotle for the analysis of the socio-cultural phenomenon of fashion, which is represented in physical space. The question is raised according to the failure of the definition “fashion” and the need for its consideration in a philosophical perspective. Discursivity of existing classifications of fashion’s concept in h

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Devetak, Tanja. "Space In Fashion Design – Ƒ2 (Fabiani Fashion) Case Study." South East European Journal of Architecture and Design 2016 (December 17, 2016): 1–6. http://dx.doi.org/10.3889/seejad.2016.10027.

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TThese research inquiries into the transformation of complex architectural spatial objects into contemporary garments by implementing creative pattern cutting as an integrated part of the fashion design process. From the architecture design process, a creative process of generating ideas using the human body as the centre point of the creative process, and an understanding of the envelope around that space were implemented and researched in fashion design. A creative construction method evolved using the standard matrix of basic blocks and implementation of the sculptural work by creating thre

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Kozintseva, Tatiana, and Liudmyla Haenggi. "THE GLAMOR: FROM THE FASHION MARGINAL TO FASHION SPACE BORDER." Visnyk of the Lviv University, no. 39 (2021): 51–57. http://dx.doi.org/10.30970/pps.2021.39.7.

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Pamela, C. Scorzin. "Theatre of Fashion: Scenographic Fashion Shows as Theatrical Practice in Design." Art Style, Art & Culture International Magazine 1, no. 1 (2019): 11–22. https://doi.org/10.5281/zenodo.4068408.

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Art Style | Art & Culture International Magazine Abstract Contemporary fashion design is increasingly taking to the stage – in the figurative sense, but also quite literally. Scenographic practices, familiar to us until now only from the theatre, the concert stage and the opera, today are progressively turning up in the conquest of consumption’s commercial spaces. However, here, too, “scenography” does not just mean creating a visual background, a pretty décor or striking set design for the presentation space and the staging of fashion and brands. In the cont

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Skalatskaya, E. V. "THE DRAMATIC APPROACH OF I. HOFFMAN IN STRUCTURING THE SPACE OF FASHION." Anthropological Measurements of Philosophical Research, no. 9 (June 21, 2016): 29–37. https://doi.org/10.15802/ampr2016/72172.

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<strong>The purpose</strong> of work is to explicate the opportunities of dramatic approach of I. Hoffman to analyse the fashion as a space. A concrete material, where the action of the concept is demonstrated, it is the demonstration of clothing on seasonal fashion shows of designer`s collection. <strong>The methodology</strong> is the dramatic approach of I. Hoffmann, comparative analysis. The above mentioned methodology allowed us to trace the interconnection of image and fashion in zonal distribution of performance space. <strong>Originality</strong> consists in en

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Almila, Anna-Mari. "What is ‘space’ for dress? Theoretical considerations of a spatial turn for fashion studies." International Journal of Fashion Studies 8, no. 1 (2021): 7–23. http://dx.doi.org/10.1386/infs_00035_1.

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This article seeks to contribute to the increasing body of fashion scholarship focused on space. Along with a spatial turn in human and social sciences, it is increasingly recognized by fashion researchers that spaces and places of fashion matter – but it is less discussed how a theoretical framework could be created to explore these. Thus, a Lefebvrian spatial analysis is considered here. The approach suggested recognizes that dress is fundamentally political, as is the space which it inhabits. Dressed bodies are subject to hegemonic ideologies, but individuals have the power to resist these,

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Ribeiro, Liliana Simões, Rui Alberto Lopes Miguel, Maria Madalena Rocha Pereira, José Mendes Lucas, and Isabel Maria Gonçalves Trindade. "Human body as fashion space: fashion accessories, design and woven fabrics." Journal of Fashion Marketing and Management 19, no. 3 (2015): 249–57. http://dx.doi.org/10.1108/jfmm-07-2013-0088.

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Purpose – Considering that the human body is undeniable a fashion space, the purpose of this paper is to highlight the importance of design and material choice in the relationship between clothing and accessories, namely, bags, for the fashion consumer. Design/methodology/approach – Initially the paper provides a historical framing of the use of materials in bags and its relation with clothing. Then, are described the characteristics of materials and how the human body relates to them, specifically how the sense of touch plays a decisive role in materials choice. Thus a natural fiber-based fab

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Dolmatova, Anna A., and Liubov V. Оkonechnikova. "Subjective Semantic Space of Fashion Among Young People." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 28, no. 2 (2022): 177–84. http://dx.doi.org/10.15826/izv1.2022.28.2.037.

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This study is devoted to the description of the psychosemantic space of the concept of “fashion” among young people, which was revealed using the content analysis of the modified test “Incomplete sentences”. The differences in the understanding of fashion among boys and girls, as well as among specialists working in the fashion industry, are described. The connection of a positive attitude to fashion (“Scale of attitude to fashion” by N. G. Artemtseva, T. N. Grekova) with the main indicators of attitude towards self (“Methodology of self-attitude” by V. V. Stolin, S. R. Pantileev) and self-act

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Suh, Sungeun. "Fashion Everydayness as a Cultural Revolution in Social Media Platforms—Focus on Fashion Instagrammers." Sustainability 12, no. 5 (2020): 1979. http://dx.doi.org/10.3390/su12051979.

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This study qualitatively analyzes the phenomenon of fashion everydayness as a cultural revolution in the digital space as everyday life continues to expand into digital platforms. The analysis proceeded in four perspectives based on Lefebvre’s theoretical framework: the festivalization of everyday life, the artification of everyday life, the holistic stylization of everyday life, and cultural revolution as a daily practice. Instagram, the case for this study and the most popular image-centric social network, leads the digital aesthetics paradigm through creative acts that weave fashion into th

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Weaver, Ailsa. "A rumour from ground control: Time, space and fashioned gender identity in David Bowie’s ‘Ashes to Ashes’." Critical Studies in Men's Fashion 10, no. 2 (2023): 239–57. http://dx.doi.org/10.1386/csmf_00078_1.

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This article aims to identify the fashioned ‘look’ of sound, and the sound of a fashion look, by investigating a significant precedent in the early music video canon: ‘Ashes to Ashes’ (1980), co-directed by David Mallet and David Bowie. The article analyses the three characters that Bowie performs in the video in recognition of three recurring concerns of fashion theory: time, space and masculine sartorial identity. The character of Pierrot is considered through understandings of modernity and postmodernity, including the reciprocal influence of the nostalgic-futurist ‘New Romantic’ movement.

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Al-Mutawa, Fajer Saleh. "Negotiating Muslim masculinity: androgynous spaces within feminized fashion." Journal of Fashion Marketing and Management 20, no. 1 (2016): 19–33. http://dx.doi.org/10.1108/jfmm-11-2014-0080.

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Purpose – The purpose of this paper is to explore how Muslim men in Kuwait negotiate their luxury fashion consumption (considered a feminized practice in Kuwait) without compromising their masculine identity. Design/methodology/approach – The data were collected through 108 qualitative questionnaires and two unstructured in-depth interviews. Non-participant observations and informal conversations took place as part of an ongoing ethnographic study on luxury fashion consumption in Kuwait. Findings – Within the feminized space of fashion, accessories (such as shoes, wallets, watches, sunglasses,

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NINOMIYA, Reiko, and Yukiko HIGUCHI. "Individual difference analysis of fashion image space." Japanese journal of ergonomics 24, no. 1 (1988): 43–51. http://dx.doi.org/10.5100/jje.24.43.

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Liudmyla, Haenggi. "Play-element in the space of fashion." Worldview-Philosophy-Religion 13 (February 13, 2019): 214–20. http://dx.doi.org/10.21272/wpr.2018.13.23.

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Kim, Soon Ja. "Virtual Space Persona Expressed in Fashion Illustration." Fashion & Textile Research Journal 15, no. 5 (2013): 671–81. http://dx.doi.org/10.5805/sfti.2013.15.5.671.

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Maki, Rawan. "Local Ontology and Lived Experience of Fashion toward a Gulf Fashion “Sustainability”." English Language Notes 60, no. 2 (2022): 106–20. http://dx.doi.org/10.1215/00138282-9890802.

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Abstract What makes fashion “local”? What makes it “sustainable”? Can non-Western fashion locales have the same definitions of sustainability espoused by the global industry? This article reflects on a fashion “sustainability” for Bahrain and the Arab Gulf that goes beyond a focus on product. Specifically, the article explores how fashion space is used in Bahrain by different groups, as well as equity of experience and phenomenology of these spaces in Bahrain. Fashion spaces—such as the mall or souk—are primary areas of public gathering in the Gulf. Based on the results of qualitative intervie

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Armstrong, Leah. "“Fashions of the Future”: Fashion, Gender, and the Professionalization of Industrial Design." Design Issues 37, no. 3 (2021): 5–17. http://dx.doi.org/10.1162/desi_a_00644.

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Abstract In 1939, U.S. Vogue magazine dedicated its February issue to the promotion of the New York World's Fair, which would open in April 1939, giving significant editorial space to the subject of industrial design for the first time. The issue's leading fashion editorial feature, “Fashions of the Future,” invited nine industrial designers to dress the “woman of tomorrow.” The feature served as a promotional vehicle for the World's Fair and for the industrial designers who worked on it. Through a close examination of the issue's visual and textual content, this article explores the relations

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Moeran, Brian. "Proposing Fashion: The Discourse of Glossy Magazines." Comunicação e Sociedade 24 (December 30, 2013): 120–42. http://dx.doi.org/10.17231/comsoc.24(2013).1779.

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This essay discusses the production and discourse of fashion magazines, or glossies, which are an integral part of the ‘fashion system’. As intermediaries between producers and consuming public, the glossies’ main purpose is to propose: to make proposals about what in particular makes the latest clothes ‘fashion’; about what the latest trends are likely to be; about the importance of the names behind them; about reasons why fashion should be important in readers’ lives; and about where the clothes themselves may be purchased. Such proposals legitimize fashion and the fashion world in cultural

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Kushchyk, Iryna. "Features of Fashion Transformation as a Form of Communication." Issues in Cultural Studies, no. 40 (December 21, 2022): 233–41. https://doi.org/10.31866/2410-1311.40.2022.269380.

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The purpose of the article is to form a base for studying the term “fashion” in Ukrainian cultural studies; to carry out a cultural studies analysis of the evolution of fashion and its development as a form of communication; to conduct a semiotic analysis of fashion; to study today’s multicultural space and its processes; to research clothes as one of the systems of information transmission between people. The research methodology is formed by using diachronic, synchronous, semiotic and comparative-historical methods, which are specific to cultural studies. The scientific nov

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Jeong, Jin, Ha Kyung Lee, and Yuri Lee. "Café or art exhibition? Which experience is more effective in luxury fashion flagships?" Journal of Fashion Marketing and Management: An International Journal 29, no. 2 (2024): 252–68. https://doi.org/10.1108/jfmm-12-2022-0269.

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PurposeThe purpose of this study is to investigate the effect of brand experiences through cafés or art spaces in luxury fashion flagships on consumers’ buying behavior toward authorized shopping channels.Design/methodology/approachOnline questionnaires are used by adapting measurements from prior research. We test whether positive relationships exist between multi-faceted (i.e. sensory, emotional, intellectual, and relational) experiences, consumer’s revisiting intention toward the experiential spaces, and the purchase intention of luxury fashion goods from authorized channels, especially foc

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Goeller, Daniela. "Fashion (hi)stories: Poetics and politics." Clothing Cultures 10, no. 2 (2023): 149–61. https://doi.org/10.1386/cc_00075_1.

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Fashion or ‘fashioning’, is, beyond its dominant perception as a global industry, a cultural practice. As such, it is to be approached from its entanglement with history, art and culture. This article presents an investigation into the 2022 fashion film Horizon Blues by Jeano Edwards for Wales Bonner and examines the creative space of a fashion collection based on artistic collaborations. Starting from the fabric, the film shows how history, meaning and experience are interwoven and connected to the body and sheds a different light on the relationship of art and fashion. Picking up aspects of

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Trigoni, Mirsini. "Visual research methodologies, branding and magazine readerships." Journal of Fashion Marketing and Management 20, no. 3 (2016): 339–66. http://dx.doi.org/10.1108/jfmm-09-2015-0076.

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Purpose – The purpose of this paper is to explore how interior spaces can be differently represented across home magazines of different background and target audiences. And investigates how visual texts can differentiate a brand, increase brand loyalty and target different market segments. Design/methodology/approach – This paper draws on material for comparative analysis from three home magazines (Wallpaper, Ideal Home and Elle Decoration). It combines quantitative methods (content analysis) and qualitative methods (fieldwork observations). Findings – This research suggests that Wallpaper is

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Onuki, Misuzu. "Research Essay." International Journal of Space Technology Management and Innovation 1, no. 1 (2011): 44–57. http://dx.doi.org/10.4018/ijstmi.2011010103.

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Fashion in space is a new phenomenon that has just come about as a result of the start of commercial human space flight. Space wear of government astronauts has been strictly practical based on safety and reliability even space casual wear on board has been just simple catalog ones, but now is the very age of space tourism. The general public can go to space to have an once-in-a-lifetime space experience. Naturally, these people will want to wear their “Sunday Best” or their favorite or unique designer garment that both enhances the space flight experience and expresses their personal enthusia

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Cianfanelli, Elisabetta. "Editorial." Fashion Highlight 1, no. 1 (2023): 8–9. http://dx.doi.org/10.36253/fh-2254.

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This first issue of Fashion Highlight marks the birth of a new journal in the fashion studies landscape, with the aim of sharing advances in scientific research in fashion nationally and internationally, contributing to current and future debates, disseminating original and innovative research, and supporting scenarios under construction in the digital and physical territories of the contemporary. The space of fashion in design cultures in academia is increasingly relevant and recognized, although it is the outcome of a rather recent path, which is nourished by the constant dialogue with histo

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Fontaine, Andrea Sosa. "Seaming the Dialect of Space." SPACE International Journal of Conference Proceedings 1, no. 2 (2021): 44–50. http://dx.doi.org/10.51596/sijocp.v1i2.26.

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Each discipline in the built environment has a unique dialect for thinking, designing, crafting, and inhabiting space. Words such as tectonics, materiality, and vernacular all hold a specific interpretation in architecture. Even common words have understated complexity, but only when offered under an architectural lens, words such as gesture, negotiate, and scale. Interiors also have their own language, words such as adjacency, identity, surface, and atmosphere. Language from interior design shares most origins with architecture, but arguably, as a discipline, interiors exist at a point of int

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Reinhardt, Dagmar. "Elastic Space: Latent Formations in Fashion and Architecture." Architectural Theory Review 12, no. 2 (2007): 181–94. http://dx.doi.org/10.1080/13264820701739455.

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Barna, Nataliia. "Semiological Turn as an Interpretant of Fashion Space of the 20th Century." Bulletin of KNUKiM. Series in Arts, no. 41 (December 30, 2019): 162–67. https://doi.org/10.31866/2410-1176.41.2019.188682.

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The purpose of the article is to determine the sociocultural determinants of  the  formation  for  interpretation systems of fashion activity as a factor in the global problems of our time. The research methodology has used the methods of fashion  semiological  analysis by R. Barthes and system-semiotic  analysis of pop culture, advertising, and fashion   by J. Baudrillard. Scientific novelty lies in the linguistic-semiotic interpretation of fashion as a cultural phenomenon. Conclusions. It was found  that in the context of theatrical influence

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EGRI, PETRA, ZOLTÁN BECK, and ANTAL BÓKAY. "Fashion and pilgrimage: Discourses constructing Romani identity." Romani Studies 34, no. 1 (2024): 89–110. http://dx.doi.org/10.3828/rost.2024.5.

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Our study interprets the activities and products of Romani Design, a Budapest-based high fashion company. We discuss their creative technique and ideology, which programmatically construct a distinctive Romani identity in their fashion products. Their activities take part not just in the maistream world of fashion shows and fashion business but they also appear in special spaces of representation, for example, in a major city museum exhibition, mobilizing visual parallels with eighteenth-century artistic paintings. They also take part in a religious, ritual event, the dressing of the statue of

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Dwyer, Claire, and Peter Jackson. "Commodifying Difference: Selling EASTern Fashion." Environment and Planning D: Society and Space 21, no. 3 (2003): 269–91. http://dx.doi.org/10.1068/d349.

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In this paper we explore the contested spaces of contemporary commodity culture through case-study research with two fashion companies that are involved, in linked but contrasting ways, with the production and marketing of cultural difference. One company, the British-based women's wear firm EAST, is striving to extend its high-street presence via a generalised ‘ethnic’ aesthetic, combined with culturally constructed notions of design individuality. The other firm, the Indian-based company Anokhi, has a more ambivalent relationship with the commercial ‘mainstream’, emphasising its use of tradi

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Researcher. "FASHION IDENTITY R&D VIA COLOR, DESIGN AND TECHNOLOGY WITH AI TRANSFORMATION." International Journal of Commerce Research and Development (IJCRAD) 4, no. 2 (2024): 17–27. https://doi.org/10.5281/zenodo.14058592.

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The aim of this paper is to explore the elements of fashion identity for improving the space design and related elements for improving customer experiences in the post COVID-19 period. A qualitative research was conducted with four articles published from 2004-2020 referenced.  Based on the study, various factors were examined and the key elements identified are: Color Reflection, Design Intervention. Attention Guidance, Feel from Visual Communication for fashion identity. Through this paper, service organizations and business leaders may re-think the use of color analysis, space design a

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Demming, Anna. "A welcoming space for everyone." Physics World 36, no. 9 (2023): 12–13. http://dx.doi.org/10.1088/2058-7058/36/09/14.

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Anna Demming describes how a new charity called Space Pride wants to challenge the space industry’s outdated attitudes to diversity by hosting a fashion gala at a major space congress in Milan next year.

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Abdulahhad, Enas Salim, and Zainab Huseen Ra’ouf. "Analogy between costume and architecture as fashion." Association of Arab Universities Journal of Engineering Sciences 27, no. 3 (2020): 97–111. http://dx.doi.org/10.33261/jaaru.2020.27.3.011.

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Architecture withen its environment is a field of knowledge that exchanges influence for various disciplines, The concept of fashion emerged in various fields espatialy those that had both sids physical and meaning such as architecture and costume. That drew the research attention to it and explained its vision regarding the relationship between architecture and fashion, the problem of research is determined by the "unclear relationship between architecture and fashion The aim of the research is to investigate the possibilities of similarities and differences between them to clarify the type o

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Slavkova, Emilija. "Digital Fashion for Sustainable Cultural Diversity." International Journal of Art and Design 1, no. 2 (2024): 31–44. https://doi.org/10.69648/alwj8645.

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This research examines the digitalization of the fashion industry, exploring how this emerging paradigm fosters sustainability and cultural diversity among designers. It highlights the democratizing potential of digital tools and technologies in fashion design while addressing the challenges and opportunities they introduce. The study investigates the potential for digital fashion to nurture authentic expressions of cultural diversity, countering the dominance of a few global fashion capitals by developing new local markets and individual fashion narratives within the digital space. A key focu

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Suriani da Silva, Ana Cláudia. "A moda enquanto espaço da escrita para Júlia Lopes de Almeida." Revista do Instituto Histórico e Geográfico Brasileiro 185, no. 495 (2024): 341–64. http://dx.doi.org/10.23927/revihgb.v.185.n.495.2024.177.

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This article aims to examine the intersection between fashion journalism and the mainstream press through the column “A moda” by Júlia Lopes de Almeida, published under the pseudonym Ecila Worms in the newspaper O País (RJ, 1834-1934), between 24 February 1892 and 16 August 1901. I examine how Almeida balanced references to everyday life in Rio de Janeiro with self-references taken from fashion periodicals to construct a dual reality, as suggested by Niklas Luhmann (1886). Moreover, I explore the role of the physical space in her writing. The view from her window, along with the objects on her

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Mateus Felippe, Alessandro, Sandra Regina Rech, Icleia Silveira, and Lucas Da Rosa. "Fashion lab as a factor of innovation in fashion authoring design." Modapalavra e-periódico 13, no. 30 (2020): 40–69. http://dx.doi.org/10.5965/1982615x13302020040.

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The post-industrial revolution transformations continue to echo in our society, allowing advances in the area of technology, production, and consumption of products in different segments, especially fashion. In view of this, this article proposes to understand, in an initial and conceptual way, the use of space Fashion lab by fashion designer designers. It is considered that the use of this laboratory can qualify the innovation process during the production of new products. In this work, the basic research was used with a descriptive qualitative approach and the theoretical foundation contempl

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Urist, Gabriel. "Hip hop, sports, street fashion, jewellery." Global Hip Hop Studies 4, no. 1 (2023): 75–78. http://dx.doi.org/10.1386/ghhs_00079_1.

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Not only do the golden sneakers capture something elemental about the Breaking and the Olympics theme, but the twisting arrows and dynamic lines speak evocatively to the movement and space of the artform.

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Xin, Yijing. "Constructivism of Ballet Movement Used in Fashion Design." Arts Studies and Criticism 5, no. 4 (2024): 201. http://dx.doi.org/10.32629/asc.v5i4.2675.

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In this century, both ballerinas and fashion designers have developed ideals and ideas with form, geometry space and creativity. Fashion designers prefer to combine dance aesthetics with details.This paper take the geometric structure design of constructivism as the core, apply these special structures to the fashion design. The unique structures and fabric modification technique are used in clothing, and express different and special visual effects in several ways. By exploring the relationship between people, free, space and geometry in ballet, and extending the design concept of constructiv

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TRUAX, BARRY. "Composition and diffusion: space in sound in space." Organised Sound 3, no. 2 (1998): 141–46. http://dx.doi.org/10.1017/s1355771898002076.

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Composition and diffusion can be understood as two complementary and related processes: bringing sounds together, and spreading them out again in an organised fashion. In the Western tradition, these two processes are frequently carried out by different people at different times, each drawing on specialised knowledge. The electroacoustic tradition, even if much briefer, offers the possibility of the composer designing and implementing both aspects of the music, and interrelating them in highly specific ways. Computer control offers the greatest precision in dealing with the complexities of the

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Ahmed, Tanveer. "Are fashion sketchbooks racist?" Fashion, Style & Popular Culture 00, no. 00 (2021): 1–15. http://dx.doi.org/10.1386/fspc_00055_1.

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Drawing on scholar Marc Augé’s concept of non-place, this article contributes to growing studies that focus on the ways in which fashion produces racism. Recent years have shown a rise in the scrutiny by social media of racist fashion garments and campaigns that problematically stereotype, appropriate and Other marginalized cultures. However, less attention has been given to how racism is constructed through design practices in education and curricula, such as through the different activities and techniques that constitute the fashion ideation process. Indeed, few studies to date have examined

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Yang, Xun, Yunshan Ma, Lizi Liao, Meng Wang, and Tat-Seng Chua. "TransNFCM: Translation-Based Neural Fashion Compatibility Modeling." Proceedings of the AAAI Conference on Artificial Intelligence 33 (July 17, 2019): 403–10. http://dx.doi.org/10.1609/aaai.v33i01.3301403.

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Identifying mix-and-match relationships between fashion items is an urgent task in a fashion e-commerce recommender system. It will significantly enhance user experience and satisfaction. However, due to the challenges of inferring the rich yet complicated set of compatibility patterns in a large e-commerce corpus of fashion items, this task is still underexplored. Inspired by the recent advances in multirelational knowledge representation learning and deep neural networks, this paper proposes a novel Translation-based Neural Fashion Compatibility Modeling (TransNFCM) framework, which jointly

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Cheang, Sarah, Leslie Rabine, and Arti Sandhu. "Decolonizing fashion [studies] as process." International Journal of Fashion Studies 9, no. 2 (2022): 247–55. http://dx.doi.org/10.1386/infs_00070_2.

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In this Special Issue, we explore decolonizing fashion studies not as a destination but as non-linear process, ever revised, re-evaluated, revisited and relived. Situated within a space of self-questioning, the authors in this Special Issue embrace unresolved contradictions and unresolvable paradoxes inherent to the very being of fashion. They are participants, aware that there is no pure pre-colonial space to return to, no ‘authentic’ pre-colonial dress to resuscitate, accept the multiple means to liberation that emerge through layered/interconnected/tangled histories. In pieces about India,

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김완주 and Lee Keum Hee. "A Study on Space Embodiment of Supermodern Fashion Design." Research Journal of the Costume Culture 16, no. 6 (2008): 1064–75. http://dx.doi.org/10.29049/rjcc.2008.16.6.1064.

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Caulkins, Jonathan P., Richard F. Hartl, Peter M. Kort, and Gustav Feichtinger. "Explaining fashion cycles: Imitators chasing innovators in product space." Journal of Economic Dynamics and Control 31, no. 5 (2007): 1535–56. http://dx.doi.org/10.1016/j.jedc.2006.05.008.

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Chumachenko, M. "TRADITIONAL MOTIVES IN CHINESE FASHION DESIGN: ENGLISH RESEARCH SPACE." Традиції та новації у вищій архітерктурно-художній освіті, no. 3 (October 3, 2018): 21–24. https://doi.org/10.5281/zenodo.1443090.

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Modern Chinese fashion industry has long traditions. It differs in its own understanding of style, beauty and has its particular features in a suit construction, decorative and accessory program. Usage of folk motifs accompanies almost all spheres of social and cultural life of modern China, where the desire for roots and national identity is an important part of economic and industrial strategy positioning of the country in the world markets. Fashion industry is not an exception, it is oriented not only on a commercial component but it also has peculiar artistic and aesthetic line. For the Ch

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Korhonen, Aino Helena. "Problematizing Fashion Sustainability." Fashion Highlight, SI1 (July 14, 2025): 532–40. https://doi.org/10.36253/fh-3218.

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Business author John Elkington´s key assumptions, presented in his 1997 work Cannibals with Forks - the multiple perspectives view, global data and future-oriented temporality - continue to inform mainstream fashion sustainability today. If fashion is to move beyond a singular profit-driven vision toward shared well-being, the research community needs to increasingly steer studies toward using reflexive approaches, by actively mobilizing and problematizing existing frameworks, not aiming to subvert or debunk or to vindicate or defend our normative point of view, but to critically problematize

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Oklander, Mykhailo, and Alevtyna Kudina. "CHANNELS FOR PROMOTION OF FASHION BRANDS IN THE ONLINE SPACE." Baltic Journal of Economic Studies 7, no. 2 (2021): 179–87. http://dx.doi.org/10.30525/2256-0742/2021-7-2-179-187.

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The article’s purpose is to substantiate scientific and applied recommendations for the using of modern digital marketing tools to promote fashion brands. The subject of research is the theoretical foundations of the formation and operation of a system of priority channels for the promotion of brands of light industry enterprises in terms of increasing business risks. Methodology. The methods of scientific abstraction, analysis and synthesis, systemic, dialectical, expert, analogies and structural-functional research methods are used. Results. The study has shown that most of the world’s brand

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Pursche, Alexander R., Iain M. Suthers, and Matthew D. Taylor. "The effect of targeted stocking on behaviour and space utilization of a released finfish." ICES Journal of Marine Science 71, no. 5 (2014): 1100–1106. http://dx.doi.org/10.1093/icesjms/fst209.

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Abstract Targeted stocking involves the release of fish directly into high-quality habitat, however this is often time-consuming, expensive and difficult. Acoustically tagged hatchery-reared juvenile mulloway Argyrosomus japonicus were released in groups directly into deep-hole habitat preferred by wild conspecifics (targeted stocking), or in a non-targeted fashion near easily accessible sites that lacked high-quality habitats in the direct vicinity. Fish were tracked continuously, 24 h d−1, for 5 d following release. Fish released in a targeted fashion showed lower mean activity rates (50% le

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Kim, HyunWoo, and IlMin Nah. "The Context and Significance of Surrealism in Contemporary Fashion Show Spaces: Focusing on Cases of Luxury Brand Fashion Shows since 2015." Korean Society of Culture and Convergence 45, no. 12 (2023): 753–66. http://dx.doi.org/10.33645/cnc.2023.12.45.12.753.

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The purpose of this study is to examine the meaning of surrealism expression in contemporary fashion show spaces in the context of sustainable development. First, we have derived the spatial characteristics of surrealist painting that freely explores the imagination and unconsciousness. Second, we have selected five luxury brands’ shows held after the UN's Sustainable Development Goals(2015) and analysed how they went against the traditional show paradigm: by recycling existing spaces and ready-made objects and encouraging the coincidental combination of unfamiliar objects in heterogeneous pla

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Trisno, Rudy, Fermanto Lianto, and Mieke Choandi. "An Interior-Architecture Concept for Fashion-Accessory-Interior: Transforming Space from Body to Transformable Fashion Interior." International Journal of Engineering Research and Technology 13, no. 11 (2020): 3262. http://dx.doi.org/10.37624/ijert/13.11.2020.3262-3265.

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