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1

1950-, Murphy Brenda, ed. A streetcar named Desire, by Tennessee Williams. Pasadena, Calif: Salem Press, 2010.

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2

1950-, Murphy Brenda, ed. A streetcar named Desire, by Tennessee Williams. Pasadena, Calif: Salem Press, 2010.

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3

Harold, Bloom, ed. Tennessee Williams's A streetcar named desire. New York: Chelsea House, 2009.

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4

Harold, Bloom, ed. Tennessee Williams's A streetcar named Desire. New York: Chelsea House Publishers, 1988.

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5

Roberts, James Lamar. CliffsNotes on Williams' The Glass Menagerie & Streetcar Named Desire. New York: John Wiley & Sons, Ltd., 2002.

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6

Tennessee, Williams. Ca b chwant: Cyfieithiad o 'A streetcar named desire' Tennessee Williams. Aberystwyth: Canolfan Astudiaethau Addysg, 2003.

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7

Tennessee Williams's The glass menagerie & A streetcar named Desire. Woodbury, N.Y: Barron's Educational Series, 1985.

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8

Ein Fall im Medienvergleich: Film- und Fernsehversion von "A streetcar named Desire" : Beitrag zur Annäherung an eine Mediensemiotik. Frankfurt am Main: P. Lang, 1990.

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9

Williams: A streetcar named Desire. Cambridge: Cambridge University Press, 2000.

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10

author, Dustagheer Sarah, and Young Jennifer 1974 author, eds. Shakespeare in London. London: Bloomsbury Arden Shakespeare, An Imprint of Bloomsbury Publishing Plc, 2015.

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11

Constantakis, Sara. Drama for students: Presenting analysis, context and criticism on commonly studied dramas. Detroit, Mich: Gale, 2010.

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12

Tennessee, Williams. Spark Notes Streetcar Named Desire. SparkNotes, 2002.

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13

Tennessee Williams's A streetcar named Desire. Barnes & Noble, 1998.

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14

1950-, Murphy Brenda, ed. A streetcar named Desire, by Tennessee Williams. Pasadena, Calif: Salem Press, 2010.

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15

A streetcar named Desire, by Tennessee Williams. Pasadena, Calif: Salem Press, 2010.

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16

Tennessee, Williams. Streetcar Named Desire/Coles Notes. Coles Pub Group Ltd, 1991.

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17

YNAL Streetcar Named Desire 2015. Pearson Education, Limited, 2015.

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18

Tennessee, Williams. Tennessee Williams' a Streetcar Named Desire (Monarch Notes). Monarch Press, 1986.

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19

Harold, Bloom, ed. Tennessee Williams's A streetcar named Desire. Philadelphia: Chelsea House, 2005.

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20

Coles notes on Tennessee Williams' A Streetcar named Desire. Toronto: Coles Pub. Co. Ltd., 1985.

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21

York Notes on "Streetcar Named Desire" by Tennessee Williams. Longman, 1995.

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22

Onyett, Nicola. Philip Allan Literature Guide: A Streetcar Named Desire. Hodder Education Group, 2012.

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23

Onyett, Nicola. Philip Allan Literature Guide: A Streetcar Named Desire. Taylor & Francis Group, 2011.

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24

Vardy, Richard. AS/A-Level English Literature Workbook: A Streetcar Named Desire. Hodder Education Group, 2018.

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25

Czlapinski, Becky. How to Write a Killer Essay : A Streetcar Named Desire: A Streetcar Named Desire by Tennessee Williams. Independently Published, 2019.

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26

York Notes on Tennessee Williams' "Streetcar Named Desire" (York Notes Advanced). 2nd ed. Longman, 1998.

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27

York Notes on Tennessee Williams' "Streetcar Named Desire" (York Notes Advanced). 3rd ed. Longman, 2003.

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28

Tennessee Williams - A Streetcar Named Desire/Cat on a Hot Tin Roof. imusti, 2013.

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29

Findlay, Judith. Brodie's Notes on Tennessee Williams' "Streetcar Named Desire" and "Glass Menagerie" (Pan Study Aids). Pan Books, 1988.

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30

Confronting Tennessee William's A streetcar named Desire: Essays in critical pluralism. Westport, Conn: Greenwood Press, 1993.

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31

Tennessee, Williams. Study and Revise for AS/A Level: A Streetcar Named Desire by Tennessee Williams. Hodder Education Group, 2011.

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32

Confronting Tennessee Williams's A Streetcar Named Desire: Essays in Critical Pluralism (Contributions in Drama and Theatre Studies). Greenwood Press, 1992.

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33

Previn, Andre. I Want Magic: From the Opera a Streetcar Named Desire Based on the Play by Tennessee Williams. G Schirmer, 1999.

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34

Previn, Andre. I Can Smell the Sea Air: From the Opera a Streetcar Named Desire Based on the Play by Tennessee Williams. G Schirmer, 1999.

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35

Student Handbook to the Plays of Tennessee Williams: The Glass Menagerie; a Streetcar Named Desire; Cat on a Hot Tin Roof; Sweet Bird of Youth. Bloomsbury Publishing Plc, 2014.

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36

Bottoms, Stephen, Philip Kolin, Michael Hooper, and Katherine Weiss. Student Handbook to the Plays of Tennessee Williams: The Glass Menagerie; a Streetcar Named Desire; Cat on a Hot Tin Roof; Sweet Bird of Youth. Bloomsbury Publishing Plc, 2014.

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37

Nelson, Benjamin. The Major Plays of Tennessee Williams: Cat on a Hot Tin Roof/the Glass Menagerie/Orphedeus Descending/a Streetcar Named Desire and Others (Monarch Notes). Monarch Press, 1985.

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38

Shepherd-Barr, Kirsten E. 4. Salesmen, southerners, anger, and ennui. Oxford University Press, 2016. http://dx.doi.org/10.1093/actrade/9780199658770.003.0005.

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From 1940 to 1960 some of modern drama’s most famous plays were staged: Tennessee Williams’ A Streetcar Named Desire (1947) and Arthur Miller’s Death of a Salesman (1949), attaining a new kind of tragedy and a particularly American brand of realism; and, in London, Beckett’s Waiting for Godot (1955) and John Osborne’s Look Back in Anger (1956), introducing, respectively, the ‘theatre of the absurd’ and a new linguistic and emotional brutality, inaugurating an era of ‘kitchen sink’ realism. ‘Salesmen, southerners, anger, and ennui’ shows how these radically different dramas expanded plays’ subject matter as well as their formal and linguistic properties; in particular, they changed forever the way language (and silence) worked on stage.
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39

Kolin, Philip C. Williams: A Streetcar Named Desire (Plays in Production). Cambridge University Press, 2000.

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40

Kolin, Philip C. Williams: A Streetcar Named Desire (Plays in Production). Cambridge University Press, 2000.

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41

Tennessee Williams A Streetcar Named Desirecat On A Hot Tin Roof. Palgrave MacMillan, 2013.

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42

Knopf, Robert. Script Analysis for Theatre. Bloomsbury Publishing Plc, 2017. http://dx.doi.org/10.5040/9781408183267.

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Script Analysis for Theatre: Tools for Interpretation, Collaboration and Production provides theatre students and emerging theatre artists with the tools, skills and a shared language to analyze play scripts, communicate about them, and collaborate with others on stage productions. Based largely on concepts derived from Stanislavski’s system of acting and method acting, the book focuses on action - what characters do to each other in specific circumstances, times, and places - as the engine of every play. From this foundation, readers will learn to distinguish the big picture of a script, dissect and ’score’ smaller units and moment-to-moment action, and create individualized blueprints from which to collaborate on shaping the action in production from their perspectives as actors, directors, and designers. Script Analysis for Theatre offers a practical approach to script analysis for theatre production and is grounded in case studies of a range of the most studied plays, including Sophocles’ Oedipus the King, Shakespeare’s Twelfth Night, Henrik Ibsen’s Hedda Gabler, Georg Büchner’s Woyzeck, Oscar Wilde’s The Importance of Being Earnest, Tennessee Williams’s A Streetcar Named Desire, and Paula Vogel’s How I Learned to Drive, among others. Readers will develop the real-life skills professional theatre artists use to design, rehearse, and produce plays.
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43

L, Roberts James. CliffsNotes on Williams' the Glass Menagerie and a Streetcar Named Desire. Houghton Mifflin Harcourt Publishing Company, 1999.

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