Relevant bibliographies by topics / Subjective and extra-subjective forms of expressing author vision

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Academic literature on the topic 'Subjective and extra-subjective forms of expressing author vision'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Subjective and extra-subjective forms of expressing author vision"

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Halatska, Valentyna. "The Problem of an Author in Contemporary Theatre Publicism in Ukraine: Psycholinguistic Aspect." East European Journal of Psycholinguistics 1, no. 1 (2014): 32–40. https://doi.org/10.5281/zenodo.45776.

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<strong>Abstract.</strong>&nbsp;The article studies the realization of a communicative act (theatre reality &ndash; journalist reader) through the forms of&nbsp; author&rsquo;s &nbsp;consciousness&nbsp; expressing.&nbsp; Esthetic and communicative effect, which is realized through particular psycholinguistic means and produces effective form of intercultural dialogue, is analysed. In today&rsquo;s Ukrainian journals media aspect of theatrical art is represented in the active out &ndash; of- subject forms of expressing author&rsquo;s consciousness. These forms can be found in informational (sho
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APOLLONOV, IVAN. "PHENOMENOLOGY OF THE PLASTIC IMAGE: HOW IS A PHILOSOPHICAL PARABLE POSSIBLE IN SCULPTURE?" HORIZON / Fenomenologicheskie issledovanija/ STUDIEN ZUR PHÄNOMENOLOGIE / STUDIES IN PHENOMENOLOGY / ÉTUDES PHÉNOMÉNOLOGIQUES 13, no. 2 (2024): 490–509. https://doi.org/10.21638/2226-5260-2024-13-2-490-509.

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The article examines the question posed in the title, which implies the consideration of sculpture as a method of sense making by plastic means, revealing the truth of being in spatial form. The study of the phenomenological perspective of this method is built upon I. Kant’s conception of art as a free play of genius, based on reason. The apparent contradiction between the spontaneity of the subjective assumption of an image, which implies the impossibility of its being deduced, and its rationality, assuming an extra-subjective universalism of meaning, is resolved based on the F. Schelling’s d
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Rama, Tamara, and Carmen Lloret. "Unveiling and Revealing the Mirror: Mobile Reverberations in Patrick Bokanowski’s Animated Films." Animation 14, no. 2 (2019): 83–101. http://dx.doi.org/10.1177/1746847719856997.

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The principal focus of this article is to provide an analysis of some of the most significant works by the independent filmmaker Patrick Bokanowski and the methodology he uses to create those animated films. It addresses Bokanowski’s technique of filming on various kinds of reflective surfaces as a strategy for transforming the image through optical deformation and thereby expressing his subjective vision in films and animation. He explores the practical application of creating reverberation as visual echoes, as well as the use of unusual reflections that appear in mirrors and other more unsta
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Riskin, Seth. "Light Dance." Leonardo 53, no. 1 (2020): 90–91. http://dx.doi.org/10.1162/leon_a_01636.

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The author discusses the origin and meaning of his Light Dance artwork. The simple approach—placing a source of light on the body and thereby manipulating the illumination of the surrounding space through body movements—alters the viewer’s perception of space and time. Architecture appears malleable as the performer affects the size, shape and speed of light forms that reach from the body to the boundaries of the room. Light, in this perceptual environment, is not a mere transmitter of information between the invariant material surroundings and the eye of the viewer; light is a space-defining
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T.S., Matvieieva. "THE PECULIARITIES OF FORMING OF ANTROPOCETRE IN UKRAINIAN NOVEL STUDY OF SECOND HALF OF XIX CENTURY." Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 1, no. 87 (2018): 94–107. https://doi.org/10.5281/zenodo.1322524.

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The article analyzes the peculiarities of the construction of anthropocentre in Ukrainian novel study of the second half of the XIX century in connection with the strengthening of the tendency for homocentrism, which determined the purpose and the sphere of the studio observation. The result of the analysis of the literary material was differentiation and study of the factors infl uencing on methods, techniques, means of the depicturing of the world and a man in it, taking into account the objective (extra-literary) and subjective (proper aesthetic) priorities of the author&rsquo;s thinking: r
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Sveshnikov, Alexandr V. "The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy." Journal of Flm Arts and Film Studies 8, no. 3 (2016): 72–82. http://dx.doi.org/10.17816/vgik8372-82.

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The widespread tendencies in art to focus on the expression of subjective attitude to an event rather than on accurate depiction of an object have led to an increasingly strong opinion that basic academic literacy has lost its former practicality. Art pedagogy theory often treats the classical and modern education methods as the opposites. Traditional education is claimed to be incompatible with the resolution of modern creative questions, and the instruction methods of the past are seen as outdated and unnecessary. Such contrasting of the old and the new fails to consider the existence of a c
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Sveshnikov, Alexander V. "The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy." Journal of Flm Arts and Film Studies 8, no. 4 (2016): 98–107. http://dx.doi.org/10.17816/vgik8498-107.

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The widespread tendencies in art to focus on the expression of subjective attitude to an event rather than on accurate depiction of an object have led to an increasingly strong opinion that basic academic literacy has lost its former practicality. Art pedagogic theory often treats the classical and modern education methods as opposites. Traditional education is claimed to be incompatible with the resolution of modern creative questions, and the instruction methods of the past are considered as outdated and unnecessary. Such contradistinction of the old and the new fails to consider the existen
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8

Ivanenko, Igor N., Viktor V. Shalin, and Yulian G. Tambiyants. "Historiosophical Aspects of Domestic Democracy: Early and Developed State: Article 2." Общество: философия, история, культура, no. 2 (February 21, 2024): 28–36. http://dx.doi.org/10.24158/fik.2024.2.3.

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The article presents the second part of the work on the historiosophical vision of Russian democracy. Based on the concept of stages of state genesis by L. Grinin, the authors analyze domestic manifestations of democracy at the stages of an early and developed state. Despite the fact that in the conditions of the early state the high-est authority had very superficial control over social processes, already in the Kievan period there was a clear tendency for the leading political subjectivity to transition to princely power. In subjective terms, the popular consciousness preferred the figure of
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Фадеева, Татьяна Евгеньевна. "VIEWER IN THE VIRTUAL REALITY SPACE: PLANETARY OPTICS’ FORMATION." ΠΡΑΞΗMΑ. Journal of Visual Semiotics, no. 3(33) (May 5, 2022): 73–96. http://dx.doi.org/10.23951/2312-7899-2022-3-73-96.

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Рассматривается особый способ телесного присутствия зрителя в различных произведениях виртуальной реальности (VR). В некоторых из них зритель присутствует лишь в роли наблюдателя / свидетеля, или «призрака», не способного взаимодействовать с миром виртуальной инсталляции и влиять на происходящие в нем события. В других же элемент интерактивности проявляется ярче, роль зрителя более не сводится исключительно к наблюдению, он становится активным участником инсталляции. Произведения искусства, созданные с применением технологий виртуальной реальности, – это искусственные «миры», предлагающие зрит
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Macenka, S. Р. "Literary Portrait of Fanny HenselMendelssohn (in Peter Härtling’s novel “Dearest Fenchel! The Life of Fanny Hensel‑Mendelssohn in Etudes and Intermezzi”)." Aspects of Historical Musicology 17, no. 17 (2019): 195–212. http://dx.doi.org/10.34064/khnum2-17.13.

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Background. Numerous research conferences and scholarly papers show increased interest in the creativity of German composer, pianist and singer of the 19th century Fanny Hensel-Mendelssohn. What is particularly noticeable is that her life and creativity are subject of non-scholarly discussion. Writers of biographical works are profoundly interested in the personality of this talented artist, as it gives them material for the discussion of a whole range of issues, in particular those pertaining to the phenomena of female creativity, new concepts of music and history of music with emphasis on it
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Book chapters on the topic "Subjective and extra-subjective forms of expressing author vision"

1

Knoblauch, Hubert, and Sabine Petschke. "Vision and Video. Marian Apparition, Spirituality and Popular Religion." In Traces of the Virgin Mary in Post-Communist Europe. Institute of Ethnology and Social Anthropology, Slovak Academy of Sciences, VEDA, Publishing House of the Slovak Academy of Sciences, 2020. http://dx.doi.org/10.31577/2019.9788022417822.204-233.

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The chapter demonstrates that spirituality and popular religiosity are built into the Marian apparitions, thus turning them into a contemporary ‘modern’ phenomenon. The study refers to a series of apparitions which happened during 1999 in Marpingen, a German village close to the Western border with France. This village was the setting for a series of Marian apparitions back in the 19th century. These earlier apparitions have recently been subjected to a very thorough study by British historian David Blackbourn (1993). Whereas Blackbourn based his analysis on written documents mostly stored in
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Journal articles
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