Academic literature on the topic 'Sylvia Plath'

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Journal articles on the topic "Sylvia Plath"

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Estrada, Lucía. "Sylvia Plath." Perseitas 6, no. 2 (2018): 482. http://dx.doi.org/10.21501/23461780.2846.

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Matterson, Stephen, and Robyn Marsack. "Sylvia Plath." Yearbook of English Studies 24 (1994): 343. http://dx.doi.org/10.2307/3507947.

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Hobbs, David. "Representing Sylvia Plath." Women: A Cultural Review 24, no. 2-3 (2013): 239–40. http://dx.doi.org/10.1080/09574042.2013.787786.

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Breslin, Paul. "Demythologizing Sylvia Plath." Modernism/modernity 8, no. 4 (2001): 675–79. http://dx.doi.org/10.1353/mod.2001.0078.

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Petersen, Mariana Chaves. "Sylvia and the absence of life before Ted." Anuário de Literatura 23, no. 1 (2018): 133–53. http://dx.doi.org/10.5007/2175-7917.2018v23n1p133.

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Como Bronwyn Polaschek menciona em The postfeminist biopic, o filme Sylvia (Christine Jeffs, 2003) é baseado em biografias de Sylvia Plath que focam em seu relacionamento com o marido Ted Hughes – como é o caso de A mulher calada, de Janet Malcolm. Neste artigo, fundamentado nos trabalhos de Linda Hutcheon, Mary E. Hawkesworth e Tracy Brain, argumento que essa biografia funciona como um palimpsesto de Sylvia e que o filme constrói Plath como a persona de Ariel, negligenciando sua “Juvenilia” – sua poesia inicial, conforme definida por Hughes. De fato, Sylvia deixa de fora os primórdios da vida
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Panjaitan, Indra Purnawan, and Nurhadi Hamka. "Analysis of Imagery in the Poem "DADDY" by Sylvia Plath." Linguistic, English Education and Art (LEEA) Journal 7, no. 1 (2023): 184–91. http://dx.doi.org/10.31539/leea.v7i1.6966.

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The aim of this study to describe the image contained in the poem "Daddy" by Sylvia Plath. The method used in this research is qualitative descriptive. Data collection used the technique of reading logs of the poem "Daddy" by Sylvia Plath. The research result were visual imagery, auditory imagery, pictures No aesthetic and magical. Conclusion from results of imagery analysis carried out on the poem "Daddy" by Sylvia Plath is that the most dominant image is visual imagery.
 Keywords: Analysis, Imagery, Literature, Poetry
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Clinton, Alan Ramón. "Sylvia Plath and Electracy." Iowa Journal of Cultural Studies 8, no. 1 (2006): 60–71. http://dx.doi.org/10.17077/2168-569x.1073.

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Newcomb, John Timberman, and Linda Wagner-Martin. "Sylvia Plath: A Biography." American Literature 60, no. 3 (1988): 511. http://dx.doi.org/10.2307/2926988.

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Fromm, Harold. "Sylvia Plath, Hunger Artist." Hudson Review 43, no. 2 (1990): 245. http://dx.doi.org/10.2307/3851871.

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Miller, Ellen. "Philosophizing with Sylvia Plath." Philosophy Today 46, no. 1 (2002): 91–101. http://dx.doi.org/10.5840/philtoday200246157.

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Dissertations / Theses on the topic "Sylvia Plath"

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Svensson, Anna. "Almost there : approaches to closure in the works of Sylvia Plath /." Uppsala : Dept. of English, Uppsala University, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-8156.

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Strangeways, Alison Louise. "Sylvia Plath : poetry and influence." Thesis, University of the West of England, Bristol, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.306895.

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Crowther, Gail. "The haunted reader and Sylvia Plath." Thesis, Lancaster University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543965.

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If, as Jacqueline Rose (1991) claims, Sylvia Plath is a ghost that haunts our culture, a ghost created from myths, stories and fantasies, then what happens to these myths and fantasies when they seep into the world at large? This piece of research aims to explore the notion of haunting. How does Sylvia Plath return and in what way does she inform the lives of her readers? This research collects, combines and critiques the 'creative autobiographies' of Plath 'reader-fans' and engages in the ongoing debates about the problematic nature of ethnography (Skeggs, 1995, Lawler, 2000) thus contributin
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Nervaux-Gavoty, Laure de. "Sylvia Plath : la traversée de l'image." Paris 3, 2007. http://www.theses.fr/2007PA030060.

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S’appuyant sur l’étude de manuscrits, textes et oeuvres picturales non publiés, ce travail examine les influences artistiques, le travail de l’image et la représentation du regard dans l’oeuvre de Plath. Cette dernière s’affranchit progressivement d’une esthétique formaliste qui fait du poème un artefact pictural figé, et de la vision le fondement de l’écriture. Influencés par l’esthétique cinématographique et la grammaire des rêves, ses derniers poèmes envisagent au contraire l’écriture comme un processus à la fois dynamique et violent. Ce travail étudie également la représentation du regard
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Marchon, Heller Marthe. "La genèse d'un poète : Sylvia Plath." Université Stendhal (Grenoble ; 1970-2015), 1990. http://www.theses.fr/1990GRE39033.

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Sylvia plath est un poete americain, nee a boston, massachusetts, en 1932, et morte a londres, grande bretagne en 1963. Les elements qui sont a la source de sa poesie et qui ont contribue a son developpement font l'objet de cette etude. A partir de l'analyse des images et des themes de son oeuvre, ce travail tente de montrer comment les relations du poete avec deux figures marquantes, son pere et sa mere, ont influence sa vie et sa poesie<br>Sylvia plath is an american poet who was born in boston, massachusetts in 1932, and died in london in 1963. This is a study of the elements that have been
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Mather, Mary Lynn. "Sylvia Plath images of life in a poet of death." Thesis, Rhodes University, 1992. http://hdl.handle.net/10962/d1002288.

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On a creative and a personal level, Sylvia Plath seems to have been fascinated by the relationship between life and death. Her work reflects an ongoing preoccupation with duality and a sense of tension between two opposing forces suffuses virtually every poem she wrote in the period from 1956 to early 1963. Because her attitude to both life and death is deeply ambivalent, Plath's poetry rests on a strong awareness of conflict and her art is characterized by a continual pull between extremes. This thesis is an examination of how she uses images of life in poems that ostensibly deal with death.W
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Tang, Leung-ying June. ""Dying is an art, like everything else" : the theme of suicide in Sylvia Plath's life and works /." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25335078.

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Bradshaw, Melissa. "Elizabeth Bishop and Sylvia Plath through psychoanalysis." Thesis, Birkbeck (University of London), 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.565947.

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This thesis reads Elizabeth Bishop and Sylvia Plath for their poetic engagement psychoanalysis. This reading nuances their relation to confessional poetry. By 'confessional' I mean the term first used to describe Robert Lowell's 'Life Studies' (1959), and later to describe the poets that were influenced by him. My main intervention is that what makes Bishop and Plath's poetry appear confessional owes to their engagement with psychoanalysis. Confessional poetry provokes psychoanalytic interpretation, but these two poets are not the passive object of psychoanalytic interpretation. Instead they u
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Soutter, Jennifer. "Archetypal elements in the poetry of Sylvia Plath." Thesis, Durham University, 1989. http://etheses.dur.ac.uk/954/.

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Bonazza, Laryssa <1997&gt. "Sylvia Plath and Ted Hughes: A Literary Couple." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21266.

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This body of work attempts to interpret Sylvia Plath’s and Ted Hughes’ literary career from a point of view that extricates itself from the standard discourses surrounding their private lives, discourses that often distort insights into their poetry. Starting from the authors’ biographies, in the first chapter I will argue, among other things, that truth and fiction are often mixed in the portrayal of Hughes’ and Plath’s lives, especially as far as their marriage and the interpretation of their works are concerned. Hughes’ Birthday Letters (1998) has often been defined as the poetic version of
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Books on the topic "Sylvia Plath"

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Wagner-Martin, Linda. Sylvia Plath. Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230505926.

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Bassnett, Susan. Sylvia Plath. Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-0-230-80189-9.

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Bassnett, Susan. Sylvia Plath. Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18600-6.

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Wagner-Martin, Linda. Sylvia Plath. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27527-4.

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Bronfen, Elisabeth. Sylvia Plath. 2nd ed. Northcote House, 2004.

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Harold, Bloom. Sylvia Plath. Chelsea House Publishers, 1989.

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Harold, Bloom, ed. Sylvia Plath. Bloom's Literary Criticism, 2007.

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Marsack, Robyn. Sylvia Plath. Open University Press, 1992.

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Harold, Bloom. Sylvia Plath. Chelsea House Publishers, 2001.

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Reiff, Raychel Haugrud. Sylvia Plath. Marshall Cavendish Benchmark, 2008.

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Book chapters on the topic "Sylvia Plath"

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Rippl, Gabriele. "Plath, Sylvia." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12321-1.

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Rippl, Gabriele. "Sylvia Plath." In Kindler Kompakt Amerikanische Literatur 20. Jahrhundert. J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05528-6_28.

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Handley, Graham, and Anne Dangerfield. "Sylvia Plath." In English coursework. Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-13024-5_12.

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Schlichter, Annette. "Plath, Sylvia." In Metzler Autorinnen Lexikon. J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_295.

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LaBarge, Emily. "Sylvia Plath." In The Bodies That Remain. punctum books, 2018. https://doi.org/10.21983/p3.0212.1.22.

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Face in obscurity, she blows out three white candles that burn at different lengths, fixed to a saucer sitting atop a desk crowded with papers. Streams of smoke rise into the air; thin white lines twist and coil, undulating against the darkness of the surround-ing room. From behind, we see her walk up a short flight of stairs into the kitchen. Backlit with early morning glow, she emerges in silhou-ette—tall, slender, modest housecoat tied at the waist, long hair hanging down her back—as she moves in a deliberate, efficient manner. She opens and closes cupboards, prepares a tray of tea for one,
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Bassnett, Susan. "Introduction." In Sylvia Plath. Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-0-230-80189-9_1.

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Bassnett, Susan. "Tracing a Life." In Sylvia Plath. Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-0-230-80189-9_2.

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Bassnett, Susan. "Poetry as Process." In Sylvia Plath. Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-0-230-80189-9_3.

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Bassnett, Susan. "God, Nature and Writing." In Sylvia Plath. Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-0-230-80189-9_4.

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Bassnett, Susan. "Writing the Family." In Sylvia Plath. Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-0-230-80189-9_5.

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Conference papers on the topic "Sylvia Plath"

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Ревенко, Мария Михайловна. "MOTIF OFALIENATION IN SYLVIA PLATH’S POEM ‘HARDCASTLECRAGS’." In Социально-экономические и гуманитарные науки: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Июнь 2020). Crossref, 2020. http://dx.doi.org/10.37539/seh291.2020.56.34.002.

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Отчуждение является одной из центральных тем американской литературы XXвека. Это состояние представляет собой реакцию героя на окружающий мир и зачастую реализуется в текстах с помощью приёма отстранения. В творчестве Сильвии Плат мотивы отчуждения являются основными, примером чего является стихотворение «Хардкасл Крэгс». Alienation is one of the central themes in American literature of 20century. This condition represents character’s reaction on the outside world. The motifs of alienation are basic in the work of Sylvia Plath. The article presents an analysis of the motif of alienation in Syl
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Рустамов, Роман Ровшанович. "CHARACTERISTIC FEATURES OF SYLVIA PLATH'S SHORT PROSE." In Социально-экономические и гуманитарные науки: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Июнь 2022). Crossref, 2022. http://dx.doi.org/10.37539/seh303.2022.10.43.006.

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На примере рассказов «Джонни Паника и Библия сновидений», «Дочери Блоссом-стрит», «Мэри Вентура и “Девятое королевство”» и других определяется своеобразие малой прозы Сильвии Плат: доминирование тем одиночества и непонимания, автобиографичность, сюжетная напряженность, фрагментарность, богатая метафоричность. The article reveals the characteristic features of Sylvia Plath`s short prose based on the analysis of stories “Johnny Panic and the Bible of Dreams”, “The Daughters of Blossom Street”, “Mary Ventura and The Ninth Kingdom” and others: the major themes of loneliness and lack of connection,
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Piérola, Nicolás. "Drawing as a research tool." In LINK 2024 Conference Proceedings. Tuwhera, 2024. https://doi.org/10.24135/link2024.v5i1.237.

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Every drawing we see or make reveals something about the world. It can tell us about a moment, a time, a history, as much as about who created it and how we observe what surrounds us. Drawing is as innate as seeing, because both mature in tandem with the development of our minds. Without drawing, that is, without understanding the images as such (what makes them different from what we observe and at the same time, what makes them similar), we would hardly develop the ability to read or write, as the connections we establish through drawing are essential for those processes. Seeing something is
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