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Journal articles on the topic 'Sylvia Plath'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Estrada, Lucía. "Sylvia Plath." Perseitas 6, no. 2 (2018): 482. http://dx.doi.org/10.21501/23461780.2846.

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2

Matterson, Stephen, and Robyn Marsack. "Sylvia Plath." Yearbook of English Studies 24 (1994): 343. http://dx.doi.org/10.2307/3507947.

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3

Hobbs, David. "Representing Sylvia Plath." Women: A Cultural Review 24, no. 2-3 (2013): 239–40. http://dx.doi.org/10.1080/09574042.2013.787786.

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4

Breslin, Paul. "Demythologizing Sylvia Plath." Modernism/modernity 8, no. 4 (2001): 675–79. http://dx.doi.org/10.1353/mod.2001.0078.

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5

Petersen, Mariana Chaves. "Sylvia and the absence of life before Ted." Anuário de Literatura 23, no. 1 (2018): 133–53. http://dx.doi.org/10.5007/2175-7917.2018v23n1p133.

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Como Bronwyn Polaschek menciona em The postfeminist biopic, o filme Sylvia (Christine Jeffs, 2003) é baseado em biografias de Sylvia Plath que focam em seu relacionamento com o marido Ted Hughes – como é o caso de A mulher calada, de Janet Malcolm. Neste artigo, fundamentado nos trabalhos de Linda Hutcheon, Mary E. Hawkesworth e Tracy Brain, argumento que essa biografia funciona como um palimpsesto de Sylvia e que o filme constrói Plath como a persona de Ariel, negligenciando sua “Juvenilia” – sua poesia inicial, conforme definida por Hughes. De fato, Sylvia deixa de fora os primórdios da vida

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6

Panjaitan, Indra Purnawan, and Nurhadi Hamka. "Analysis of Imagery in the Poem "DADDY" by Sylvia Plath." Linguistic, English Education and Art (LEEA) Journal 7, no. 1 (2023): 184–91. http://dx.doi.org/10.31539/leea.v7i1.6966.

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The aim of this study to describe the image contained in the poem "Daddy" by Sylvia Plath. The method used in this research is qualitative descriptive. Data collection used the technique of reading logs of the poem "Daddy" by Sylvia Plath. The research result were visual imagery, auditory imagery, pictures No aesthetic and magical. Conclusion from results of imagery analysis carried out on the poem "Daddy" by Sylvia Plath is that the most dominant image is visual imagery. Keywords: Analysis, Imagery, Literature, Poetry

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7

Clinton, Alan Ramón. "Sylvia Plath and Electracy." Iowa Journal of Cultural Studies 8, no. 1 (2006): 60–71. http://dx.doi.org/10.17077/2168-569x.1073.

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8

Newcomb, John Timberman, and Linda Wagner-Martin. "Sylvia Plath: A Biography." American Literature 60, no. 3 (1988): 511. http://dx.doi.org/10.2307/2926988.

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9

Fromm, Harold. "Sylvia Plath, Hunger Artist." Hudson Review 43, no. 2 (1990): 245. http://dx.doi.org/10.2307/3851871.

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10

Miller, Ellen. "Philosophizing with Sylvia Plath." Philosophy Today 46, no. 1 (2002): 91–101. http://dx.doi.org/10.5840/philtoday200246157.

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11

Goodspeed-Chadwick, Julie. "“He’s Busy Espalliering Sylvia”: Ted Hughes, Sylvia Plath, and Assia Wevill." Journal of the Midwest Modern Language Association 55, no. 1 (2022): 11–30. http://dx.doi.org/10.1353/mml.2022.a913838.

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Abstract: Prompted by recent feminist recovery efforts, this essay traces and considers Assia Wevill (1927–1969) as a noteworthy woman writer, whose life and literary contributions were influenced and inspired by the Pulitzer Prize–winning Sylvia Plath (1932–1963) and the former British Poet Laureate Ted Hughes (1930–1998). Reflecting on the manner in which Assia has been understood as a femme fatale archetype, the article seeks to reframe our understanding of her life primarily and her work secondarily by foregrounding them in her own words. While Assia has conventionally been approached as a

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12

Saeed, Ismael Muhamad, and Ranji Shorsh Rauf Muhamad. "Eros in Sylvia Plath`s Selected Poems." Journal of Zankoy Sulaimani Part (B - for Humanities) 20, no. 2 (2000): 377–88. http://dx.doi.org/10.17656/jzsb.10899.

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13

Macaulay McManus, James. "Sylvia Plath and Mad Studies: Reframing the Life and Death of Sylvia Plath." International Mad Studies Journal 1, no. 1 (2022): e1-17. http://dx.doi.org/10.58544/imsj.v1i1.5248.

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14

Teixeira, Derick Davidson Santos. "“Brilho como espelho”: tensões entre fingimento e testemunho em Sylvia Plath / “I Gleam Like a Mirror”: Tensions Between Pretending and Testimony in Sylvia Plath." Revista do Centro de Estudos Portugueses 39, no. 61 (2019): 197. http://dx.doi.org/10.17851/2359-0076.39.61.197-211.

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Resumo: Este trabalho trata da tensão entre testemunho e fingimento na poesia de Sylvia Plath. Veremos que, na obra da poeta, há uma tensão entre a poesia que finge e a poesia que testemunha, similar à tensão que é possível estabelecer entre a poesia de Fernando Pessoa e a poética do testemunho formulada por Jorge de Sena. Tais concepções de poesia são cotejadas, principalmente, com um artigo de George Steiner sobre a obra da poeta, com formulações de Giorgio Agamben sobre o testemunho e com propostas críticas de Marcos Siscar relacionadas ao lugar de fala da poesia. Dessa forma, é possível el

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15

Miller, Ellen M. "Sylvia Plath and White Ignorance." Janus Head 10, no. 1 (2007): 137–55. http://dx.doi.org/10.5840/jh20071019.

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Sylvia Plath wrote in the midst of growing racial tensions in 1950s and 1960s America. Her work demonstrates ambivalence towards her role as a middle-class white woman. In this paper, I examine the racial implications in Plath's color terms. I disagree with Renee Curry's reading in White Women Writing White that Plath only considers her whiteness insofar as it affects herself. Through a phenomenological study of how whiteness shifts meaning in this poem, I hope to show that Curry's negative estimation is only partly right. I suggest that embodiment is a problem for Plath in general, and this c

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16

Glăvan, Gabriela. "The Unwritten Sylvia Plath Biographies." Caietele Echinox 47 (December 1, 2024): 370–82. https://doi.org/10.24193/cechinox.2024.47.23.

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Sylvia Plath’s belonging to the literary modernist canon turns the issue of her biographical iconography into a problematic matter, as late modernist critical directions considered biography a flawed concept and practice with a poor reflective capacity. Moreover, the first generation of prospective Plath biographers abandoned their projects at various stages in their progress, leaving a consistent amount of archival material that needs re-exploration and reinterpretation. I propose a revisiting of the Harriet Rosenstein Sylvia Plath archive and of Elizabeth Hinchliffe’s unfinished Plath biogra

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17

Reece, Jane. "Conversation with Sylvia in Colour." International Review of Qualitative Research 1, no. 4 (2009): 569–81. http://dx.doi.org/10.1525/irqr.2009.1.4.569.

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This paper takes the form of two imaginary meetings with the resurrected figure of the writer Sylvia Plath, in 1967 and 2007, informed by the work of Lieblich (1997) and Speedy (2005; 2007b). It is loosely based on recollections by Al Alvarez (1974:20–53; 2005:29–33), one of the last people to see Plath alive before her death on 13 February 1967, and from Plath's journals (1983). I have drawn from Plath's autobiographical novel, The Bell Jar, the many speculations on Plath's last days that provided material for Wintering (Moses, 2003), and from Birthday Letters (1999) — Ted Hughes' poetry coll

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18

Dickie, Margaret, and Linda W. Wagner. "Sylvia Plath: The Critical Heritage." Modern Language Review 85, no. 2 (1990): 430. http://dx.doi.org/10.2307/3731843.

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19

Corcoran, Neil, Stephen Tabor, and Susan Bassnett. "Sylvia Plath: An Analytical Bibliography." Yearbook of English Studies 20 (1990): 348. http://dx.doi.org/10.2307/3507629.

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20

Neau, Françoise. "Sylvia Plath et l'urgence d'écrire." Libres cahiers pour la psychanalyse 30, no. 2 (2014): 93. http://dx.doi.org/10.3917/lcpp.030.0093.

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21

Hubbard, Stacy Carson, and Jacqueline Rose. "The Haunting of Sylvia Plath." American Literature 66, no. 4 (1994): 862. http://dx.doi.org/10.2307/2927731.

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22

Anjum, Dr Tasneem. "Electra complex in Sylvia Plath." International Journal of English Literature and Social Sciences 4, no. 6 (2019): 1652–54. http://dx.doi.org/10.22161/ijels.46.4.

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23

Perloff, Marjorie, Jacqueline Rose, and Paul Alexander. "The Haunting of Sylvia Plath." New England Quarterly 65, no. 4 (1992): 648. http://dx.doi.org/10.2307/365826.

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24

Della Valle, Marina. "Sylvia Plath: quatro “poemas-porrada”." Cadernos de Literatura em Tradução, no. 7 (November 1, 2006): 165–99. http://dx.doi.org/10.11606/issn.2359-5388.i7p165-199.

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25

Cho, Ailee, and Jeong-hwa Yoo. "Sylvia Plath and Becoming-Minority." NEW STUDIES OF ENGLISH LANGUAGE & LITERATURE 69 (February 28, 2018): 1–23. http://dx.doi.org/10.21087/nsell.2018.02.69.1.

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26

Dilworth, Thomas. "Colossal Influences on Sylvia Plath." English Language Notes 40, no. 4 (2003): 77–82. http://dx.doi.org/10.1215/00138282-40.4.77.

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27

CATLETT, LISA FIRESTONE JOYCE. "THE TREATMENT OF SYLVIA PLATH." Death Studies 22, no. 7 (1998): 667–92. http://dx.doi.org/10.1080/074811898201353.

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28

Banner, Gillian. "Sylvia Plath and Holocaust poetry." Immigrants & Minorities 21, no. 1-2 (2002): 231–48. http://dx.doi.org/10.1080/02619288.2002.9975039.

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29

Gordon, John. "Sylvia Plath: Three Bee Notes." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 16, no. 3 (2003): 49–51. http://dx.doi.org/10.1080/08957690309598219.

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30

María Paz Moreno. "Tulipanes (Invocación a Sylvia Plath)." Sirena: poesia, arte y critica 2010, no. 1 (2010): 150. http://dx.doi.org/10.1353/sir.0.0238.

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31

María Paz Moreno and Yunsuk Chae. "Tulips (Invocation to Sylvia Plath)." Sirena: poesia, arte y critica 2010, no. 1 (2010): 151. http://dx.doi.org/10.1353/sir.0.0298.

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32

Holbrook, David. "The agony of Sylvia Plath." Higher Education Quarterly 39, no. 3 (1985): 249–64. http://dx.doi.org/10.1111/j.1468-2273.1985.tb01418.x.

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33

Glavan, Gabriela. "Perpetual Rewriting: Sylvia Plath’s Biographies." Analele Universității de Vest. Seria Științe Filologice 61, no. 61 (2024): 71–80. http://dx.doi.org/10.35923/autfil.61.05.

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For almost four decades after she died, Sylvia Plath’s executors (The Sylvia Plath Estate) carefully guarded biographical details concerning the circumstances of the writer’s final months of life. As generations passed and archives opened, Plath scholarship was enriched with new perspectives feeding on new materials and documents. I shall explore the impact of archival elements on the constant revising and rewriting of Sylvia Plath’s biography, while also discussing the relevance of the unpublished manuscripts of some biographers. Despite their long and thorough documentation, they abandoned t

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34

Rodrigues, Júlia Côrtes. "Lendo Sylvia Plath: poesia e paradigma." Caletroscópio 3, no. 5 (2015): 152–66. http://dx.doi.org/10.58967/caletroscopio.v3.n5.2015.3585.

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Sylvia Plath, célebre poeta norte-americana, é com frequência associada a Robert Lowell e Anne Sexton, os quais se tornaram conhecidos como “poetas confessionais”. Esse trabalho, em consonância com leituras contemporâneas de Plath, discute brevemente o vínculo da poeta com a poesia confessional (vínculo, como se verá, questionável). Em seguida, apresenta-se uma leitura de um dos poemas mais célebres de Plath, “Lady Lazarus”, seguida por uma proposta de tradução. Destaca-se a contribuição dos estudos de Claire Brennan e Jacqueline Rose para este artigo.

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35

Asotić, Selma. "Sylvia Plath and the dangers of biography." Journal of Education Culture and Society 6, no. 1 (2020): 55–64. http://dx.doi.org/10.15503/jecs20151.55.64.

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2013 marked the 50th anniversary of the death of Sylvia Plath and was commemorated by a flurry of new publications on the life and work of the late poet. The renewed interest in Sylvia Plath also revitalized the decades-old debate on the interdependence of her poems and her biography. This paper investigates and problematizes the way in which poetry in general and the work of Sylvia Plath in particular are read and interpreted. It tries to shed some light on the “biographical fallacy” which has for so long plagued critical approaches to her work and shows ways in which S. Plath’s own poetic me

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36

Saputra, Wanda Andres, Alya Nur Haliza, Fatimah Azzahra, Hidayatul Nurjanah, and Ariani Selviana Pardosi. "NO OTHER POSSIBILITIES THAN TRAUMATIC REALISM IN SYLIA PLATH’S ARIEL POEM (1965)." ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture 8, no. 1 (2024): 15. http://dx.doi.org/10.17977/um006v8i12024p15-30.

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This research aims to analyze the traumatic realism in the poem Ariel (1965), written by Sylvia Plath. This research uses Michel Rothberg's (2000) theory to show traces of trauma realized in literary works and uses Abelson's (1995) theory to find extreme experiences that traumatize individuals. Researchers use an approach or reference based on the biographical book "The Cambridge Introduction to Sylvia Plath," written by Gill (2008), to find a correlation between Plath's life and her writing in Ariel. This research uses a qualitative descriptive design to reveal and investigate the phenomenon

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37

Fizza Amir, Dr. Imran Ali Khan, and Zohaib Ur Rehman. "Unveiling the Interplay between Foregrounding and Emotional Resonance: A Stylistics Analysis of Sylvia Plath’s LADY LAZARUS." GUMAN 7, no. 2 (2024): 339–50. https://doi.org/10.63075/guman.v7i2.862.

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Sylvia Plath holds significant place in modern literature. Focusing on the subject matter and linguistic preoccupation of Sylvia Plath this study tries to create bridge between the thematic and stylistic innovation in Plath’s poem Lady Lazarus. This study is qualitative in nature. Therefore, close reading and descriptive tools for data analysis are used to dive deeper into the context of this poem. The stylistics innovation incorporates various literary techniques that are used by Plath to create emotional resonance in her poetry. The aim of this study is to know the underlying philosophy of l

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38

Da Silva, Mariana Soletti. "Sylvia Plath: um olhar crítico sob “Olmo”." Palimpsesto - Revista do Programa de Pós-Graduação em Letras da UERJ 20, no. 35 (2021): 346–60. http://dx.doi.org/10.12957/palimpsesto.2021.52941.

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O presente trabalho busca analisar os estratos de significação do poema "Olmo", publicado por Sylvia Plath em seu mais célebre livro de poesias, "Ariel" (2007). Para tal, foi montada uma linha do tempo acerca do que significa poesia e, evidentemente, as transformações do significado de seu conceito. Foca-se em especial na poesia confessional, cuja principal expoente é Sylvia Plath. Procuram-se inferências sobretudo sobre a finalidade do sujeito poético do poema e como ele se comporta frente às complexidades expostas.

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39

Stevenson, Deborah. "Your Own, Sylvia: A Verse Portrait of Sylvia Plath (review)." Bulletin of the Center for Children's Books 60, no. 9 (2007): 369. http://dx.doi.org/10.1353/bcc.2007.0327.

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40

Matterson, Stephen, and Al Strangeways. "Sylvia Plath: The Shaping of Shadows." Modern Language Review 95, no. 3 (2000): 817. http://dx.doi.org/10.2307/3735525.

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41

Peel, Robin. "The Ideological Apprenticeship of Sylvia Plath." Journal of Modern Literature 27, no. 4 (2004): 59–72. http://dx.doi.org/10.2979/jml.2004.27.4.59.

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42

Hulverson, Elizabeth. "Sylvia Plath: autobiografía de una fiebre." Estudios: filosofía, historia, letras 9, no. 34 (1993): 99. http://dx.doi.org/10.5347/01856383.0034.000172634.

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43

Santana, Ivan Justen, and Sylvia Plath. ""All the Dead Dears", Sylvia Plath." Cadernos de Literatura em Tradução, no. 8 (December 1, 2007): 215–32. http://dx.doi.org/10.11606/issn.2359-5388.i8p215-232.

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44

André, Michel. "Anges et démons de Sylvia Plath." Books N° 114, no. 2 (2021): 72–75. http://dx.doi.org/10.3917/books.114.0072.

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45

Feirstein, Frederick. "A Psychoanalytic Study of Sylvia Plath." Psychoanalytic Review 103, no. 1 (2016): 103–26. http://dx.doi.org/10.1521/prev.2016.103.1.103.

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46

Zimbakova, Kristina. "The ways Sylvia Plath speaks Macedonian." Babel. Revue internationale de la traduction / International Journal of Translation 50, no. 4 (2004): 298–309. http://dx.doi.org/10.1075/babel.50.4.02zim.

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I delved in the original of the American poet Sylvia Plath poems with an ambition to "move" it and give it a new dimension compatible with Macedonian (a South-Slavic language). Regarding prosody, compared to the iambic in the original, particularly in the early poems, the translation of the poems uses trochee as a meter natural to modern Macedonian poetry and the closest one to the standard speech. The translation complies with the Macedonian grammatical and natural gender, and the noun-verb and adjective-noun agreement in gender, number, and person. Cultural shift is frequently applied, too.

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47

Doel, I., L. Friesen, and P. K. Steinberg. "An Unacknowledged Publication by Sylvia Plath." Notes and Queries 56, no. 3 (2009): 428–30. http://dx.doi.org/10.1093/notesj/gjp142.

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48

Easthope, A. "Reading the Poetry of Sylvia Plath." English 43, no. 177 (1994): 223–35. http://dx.doi.org/10.1093/english/43.177.223.

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49

Mulvania, Andrew. "Sylvia Plath: A Fifty-Year Retrospective." Missouri Review 36, no. 4 (2013): 177–88. http://dx.doi.org/10.1353/mis.2013.0085.

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50

Peel, Robin. "The Ideological Apprenticeship of Sylvia Plath." Journal of Modern Literature 27, no. 4 (2004): 59–72. http://dx.doi.org/10.1353/jml.2005.0009.

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