Journal articles: 'Sylvia Plath'

1

Estrada, Lucía. "Sylvia Plath." Perseitas 6, no. 2 (July 1, 2018): 482. http://dx.doi.org/10.21501/23461780.2846.

APA, Harvard, Vancouver, ISO, and other styles

2

Matterson, Stephen, and Robyn Marsack. "Sylvia Plath." Yearbook of English Studies 24 (1994): 343. http://dx.doi.org/10.2307/3507947.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Hobbs, David. "Representing Sylvia Plath." Women: A Cultural Review 24, no. 2-3 (June 2013): 239–40. http://dx.doi.org/10.1080/09574042.2013.787786.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Breslin, Paul. "Demythologizing Sylvia Plath." Modernism/modernity 8, no. 4 (2001): 675–79. http://dx.doi.org/10.1353/mod.2001.0078.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Clinton, Alan Ramón. "Sylvia Plath and Electracy." Iowa Journal of Cultural Studies 8, no. 1 (2006): 60–71. http://dx.doi.org/10.17077/2168-569x.1073.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Newcomb, John Timberman, and Linda Wagner-Martin. "Sylvia Plath: A Biography." American Literature 60, no. 3 (October 1988): 511. http://dx.doi.org/10.2307/2926988.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Fromm, Harold. "Sylvia Plath, Hunger Artist." Hudson Review 43, no. 2 (1990): 245. http://dx.doi.org/10.2307/3851871.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Miller, Ellen. "Philosophizing with Sylvia Plath." Philosophy Today 46, no. 1 (2002): 91–101. http://dx.doi.org/10.5840/philtoday200246157.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Saeed, Ismael Muhamad, and Ranji Shorsh Rauf Muhamad. "Eros in Sylvia Plath`s Selected Poems." Journal of Zankoy Sulaimani Part (B - for Humanities) 20, no. 2 (January 30, 2000): 377–88. http://dx.doi.org/10.17656/jzsb.10899.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Petersen, Mariana Chaves. "Sylvia and the absence of life before Ted." Anuário de Literatura 23, no. 1 (April 11, 2018): 133–53. http://dx.doi.org/10.5007/2175-7917.2018v23n1p133.

Full text

Abstract:

Como Bronwyn Polaschek menciona em The postfeminist biopic, o filme Sylvia (Christine Jeffs, 2003) é baseado em biografias de Sylvia Plath que focam em seu relacionamento com o marido Ted Hughes – como é o caso de A mulher calada, de Janet Malcolm. Neste artigo, fundamentado nos trabalhos de Linda Hutcheon, Mary E. Hawkesworth e Tracy Brain, argumento que essa biografia funciona como um palimpsesto de Sylvia e que o filme constrói Plath como a persona de Ariel, negligenciando sua “Juvenilia” – sua poesia inicial, conforme definida por Hughes. De fato, Sylvia deixa de fora os primórdios da vida de Plath – antes de ela conhecer Hughes – e acaba, assim, retratando-a mais como esposa do que como escritora. Por fim, ao trazer informações sobre a vida de Plath antes de ela conhecer Hughes de uma biografia mais recente (de Andrew Wilson), analiso como uma imagem diferente de Plath poderia ter sido criada se essa parte de sua vida não estivesse ausente do filme.

APA, Harvard, Vancouver, ISO, and other styles

11

Macaulay McManus, James. "Sylvia Plath and Mad Studies: Reframing the Life and Death of Sylvia Plath." International Mad Studies Journal 1, no. 1 (December 14, 2022): e1-17. http://dx.doi.org/10.58544/imsj.v1i1.5248.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Teixeira, Derick Davidson Santos. "“Brilho como espelho”: tensões entre fingimento e testemunho em Sylvia Plath / “I Gleam Like a Mirror”: Tensions Between Pretending and Testimony in Sylvia Plath." Revista do Centro de Estudos Portugueses 39, no. 61 (August 26, 2019): 197. http://dx.doi.org/10.17851/2359-0076.39.61.197-211.

Full text

Abstract:

Resumo: Este trabalho trata da tensão entre testemunho e fingimento na poesia de Sylvia Plath. Veremos que, na obra da poeta, há uma tensão entre a poesia que finge e a poesia que testemunha, similar à tensão que é possível estabelecer entre a poesia de Fernando Pessoa e a poética do testemunho formulada por Jorge de Sena. Tais concepções de poesia são cotejadas, principalmente, com um artigo de George Steiner sobre a obra da poeta, com formulações de Giorgio Agamben sobre o testemunho e com propostas críticas de Marcos Siscar relacionadas ao lugar de fala da poesia. Dessa forma, é possível elucidar como Sylvia Plath atinge uma modalidade de testemunho dotado de valor histórico e que expõe o lugar de fala próprio da poesia.Palavras-chave: Sylvia Plath; poesia; fingimento; testemunho.Abstract: This work is about the tensions between pretending and testimony in Sylvia Plath’s poetry. We will notice that, in her work, there is a tension between the poetry that pretends and the poetry that testifies, which is similar to the tension that is possible to establish between Fernando Pessoa’s poetry and the poetics of testimony formulated by Jorge de Sena. These conceptions of poetry are collated, mainly, with an article by George Steiner about the poet, with formulations by Giorgio Agamben about the testimony and with Marcos Siscar’s critical proposals related to the place of speech of Poetry. Thus, it is possible to elucidate how Sylvia Plath reaches a type of testimony endowed with historical value and that shows a place of speech that belongs specifically to poetry.Keywords: Sylvia Plath; poetry; pretending; testimony.

APA, Harvard, Vancouver, ISO, and other styles

13

Miller, Ellen M. "Sylvia Plath and White Ignorance." Janus Head 10, no. 1 (2007): 137–55. http://dx.doi.org/10.5840/jh20071019.

Full text

Abstract:

Sylvia Plath wrote in the midst of growing racial tensions in 1950s and 1960s America. Her work demonstrates ambivalence towards her role as a middle-class white woman. In this paper, I examine the racial implications in Plath's color terms. I disagree with Renee Curry's reading in White Women Writing White that Plath only considers her whiteness insofar as it affects herself. Through a phenomenological study of how whiteness shifts meaning in this poem, I hope to show that Curry's negative estimation is only partly right. I suggest that embodiment is a problem for Plath in general, and this contributes to her inability to fully examine other bodies.

APA, Harvard, Vancouver, ISO, and other styles

14

Dickie, Margaret, and Linda W. Wagner. "Sylvia Plath: The Critical Heritage." Modern Language Review 85, no. 2 (April 1990): 430. http://dx.doi.org/10.2307/3731843.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Corcoran, Neil, Stephen Tabor, and Susan Bassnett. "Sylvia Plath: An Analytical Bibliography." Yearbook of English Studies 20 (1990): 348. http://dx.doi.org/10.2307/3507629.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Neau, Françoise. "Sylvia Plath et l'urgence d'écrire." Libres cahiers pour la psychanalyse 30, no. 2 (2014): 93. http://dx.doi.org/10.3917/lcpp.030.0093.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Hubbard, Stacy Carson, and Jacqueline Rose. "The Haunting of Sylvia Plath." American Literature 66, no. 4 (December 1994): 862. http://dx.doi.org/10.2307/2927731.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Anjum, Dr Tasneem. "Electra complex in Sylvia Plath." International Journal of English Literature and Social Sciences 4, no. 6 (2019): 1652–54. http://dx.doi.org/10.22161/ijels.46.4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Perloff, Marjorie, Jacqueline Rose, and Paul Alexander. "The Haunting of Sylvia Plath." New England Quarterly 65, no. 4 (December 1992): 648. http://dx.doi.org/10.2307/365826.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Della Valle, Marina. "Sylvia Plath: quatro “poemas-porrada”." Cadernos de Literatura em Tradução, no. 7 (November 1, 2006): 165–99. http://dx.doi.org/10.11606/issn.2359-5388.i7p165-199.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Cho, Ailee, and Jeong-hwa Yoo. "Sylvia Plath and Becoming-Minority." NEW STUDIES OF ENGLISH LANGUAGE & LITERATURE 69 (February 28, 2018): 1–23. http://dx.doi.org/10.21087/nsell.2018.02.69.1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Dilworth, Thomas. "Colossal Influences on Sylvia Plath." English Language Notes 40, no. 4 (June 1, 2003): 77–82. http://dx.doi.org/10.1215/00138282-40.4.77.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

CATLETT, LISA FIRESTONE JOYCE. "THE TREATMENT OF SYLVIA PLATH." Death Studies 22, no. 7 (September 1998): 667–92. http://dx.doi.org/10.1080/074811898201353.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Banner, Gillian. "Sylvia Plath and Holocaust poetry." Immigrants & Minorities 21, no. 1-2 (March 2002): 231–48. http://dx.doi.org/10.1080/02619288.2002.9975039.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Gordon, John. "Sylvia Plath: Three Bee Notes." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 16, no. 3 (January 2003): 49–51. http://dx.doi.org/10.1080/08957690309598219.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

María Paz Moreno. "Tulipanes (Invocación a Sylvia Plath)." Sirena: poesia, arte y critica 2010, no. 1 (2010): 150. http://dx.doi.org/10.1353/sir.0.0238.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

María Paz Moreno and Yunsuk Chae. "Tulips (Invocation to Sylvia Plath)." Sirena: poesia, arte y critica 2010, no. 1 (2010): 151. http://dx.doi.org/10.1353/sir.0.0298.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Holbrook, David. "The agony of Sylvia Plath." Higher Education Quarterly 39, no. 3 (June 1985): 249–64. http://dx.doi.org/10.1111/j.1468-2273.1985.tb01418.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Reece, Jane. "Conversation with Sylvia in Colour." International Review of Qualitative Research 1, no. 4 (February 2009): 569–81. http://dx.doi.org/10.1525/irqr.2009.1.4.569.

Full text

Abstract:

This paper takes the form of two imaginary meetings with the resurrected figure of the writer Sylvia Plath, in 1967 and 2007, informed by the work of Lieblich (1997) and Speedy (2005; 2007b). It is loosely based on recollections by Al Alvarez (1974:20–53; 2005:29–33), one of the last people to see Plath alive before her death on 13 February 1967, and from Plath's journals (1983). I have drawn from Plath's autobiographical novel, The Bell Jar, the many speculations on Plath's last days that provided material for Wintering (Moses, 2003), and from Birthday Letters (1999) — Ted Hughes' poetry collection concerning his marriage to Sylvia Plath.

APA, Harvard, Vancouver, ISO, and other styles

30

Asotić, Selma. "Sylvia Plath and the dangers of biography." Journal of Education Culture and Society 6, no. 1 (January 3, 2020): 55–64. http://dx.doi.org/10.15503/jecs20151.55.64.

Full text

Abstract:

2013 marked the 50th anniversary of the death of Sylvia Plath and was commemorated by a flurry of new publications on the life and work of the late poet. The renewed interest in Sylvia Plath also revitalized the decades-old debate on the interdependence of her poems and her biography. This paper investigates and problematizes the way in which poetry in general and the work of Sylvia Plath in particular are read and interpreted. It tries to shed some light on the “biographical fallacy” which has for so long plagued critical approaches to her work and shows ways in which S. Plath’s own poetic method differs from the method of confessional writers such as Robert Lowell, in the hope of revealing why S. Plath’s work cannot and should not be approached through the prism of her biography.

APA, Harvard, Vancouver, ISO, and other styles

31

Stevenson, Deborah. "Your Own, Sylvia: A Verse Portrait of Sylvia Plath (review)." Bulletin of the Center for Children's Books 60, no. 9 (2007): 369. http://dx.doi.org/10.1353/bcc.2007.0327.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Da Silva, Mariana Soletti. "Sylvia Plath: um olhar crítico sob “Olmo”." Palimpsesto - Revista do Programa de Pós-Graduação em Letras da UERJ 20, no. 35 (May 13, 2021): 346–60. http://dx.doi.org/10.12957/palimpsesto.2021.52941.

Full text

Abstract:

O presente trabalho busca analisar os estratos de significação do poema "Olmo", publicado por Sylvia Plath em seu mais célebre livro de poesias, "Ariel" (2007). Para tal, foi montada uma linha do tempo acerca do que significa poesia e, evidentemente, as transformações do significado de seu conceito. Foca-se em especial na poesia confessional, cuja principal expoente é Sylvia Plath. Procuram-se inferências sobretudo sobre a finalidade do sujeito poético do poema e como ele se comporta frente às complexidades expostas.

APA, Harvard, Vancouver, ISO, and other styles

33

Matterson, Stephen, and Al Strangeways. "Sylvia Plath: The Shaping of Shadows." Modern Language Review 95, no. 3 (July 2000): 817. http://dx.doi.org/10.2307/3735525.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Peel, Robin. "The Ideological Apprenticeship of Sylvia Plath." Journal of Modern Literature 27, no. 4 (June 2004): 59–72. http://dx.doi.org/10.2979/jml.2004.27.4.59.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Hulverson, Elizabeth. "Sylvia Plath: autobiografía de una fiebre." Estudios: filosofía, historia, letras 9, no. 34 (1993): 99. http://dx.doi.org/10.5347/01856383.0034.000172634.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Santana, Ivan Justen, and Sylvia Plath. ""All the Dead Dears", Sylvia Plath." Cadernos de Literatura em Tradução, no. 8 (December 1, 2007): 215–32. http://dx.doi.org/10.11606/issn.2359-5388.i8p215-232.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

André, Michel. "Anges et démons de Sylvia Plath." Books N° 114, no. 2 (June 8, 2021): 72–75. http://dx.doi.org/10.3917/books.114.0072.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Feirstein, Frederick. "A Psychoanalytic Study of Sylvia Plath." Psychoanalytic Review 103, no. 1 (February 2016): 103–26. http://dx.doi.org/10.1521/prev.2016.103.1.103.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Zimbakova, Kristina. "The ways Sylvia Plath speaks Macedonian." Babel. Revue internationale de la traduction / International Journal of Translation 50, no. 4 (December 31, 2004): 298–309. http://dx.doi.org/10.1075/babel.50.4.02zim.

Full text

Abstract:

I delved in the original of the American poet Sylvia Plath poems with an ambition to "move" it and give it a new dimension compatible with Macedonian (a South-Slavic language). Regarding prosody, compared to the iambic in the original, particularly in the early poems, the translation of the poems uses trochee as a meter natural to modern Macedonian poetry and the closest one to the standard speech. The translation complies with the Macedonian grammatical and natural gender, and the noun-verb and adjective-noun agreement in gender, number, and person. Cultural shift is frequently applied, too. The poems crave for translation as a means of their resurrection, and unraveling of the powerful emotional input and imagery, in another language. While translating I was tenaciously in pursuing of the light in the lines of Plath’s poetry hoping to create by means of words a setting within Macedonian where that light will shimmer most intensely. The question is, what would Sylvia herself say in Macedonian that the translator does not say? Yet she is meant to speak via the translator as an intermediary, who unavoidably distorts the real picture in the mirror. Although translation of poetry can never fully satisfy the appetites of the original, it remains to be the original’s sole destiny and way of survival. Poetry itself is a certain translation of and deviation from the ordinary speech. Thus, the translation into Macedonian is actually translation of a translation. Everything is Translation: the imaginary Original is a body enveloped in the myriad of garments belonging to Translation.

APA, Harvard, Vancouver, ISO, and other styles

40

Doel, I., L. Friesen, and P. K. Steinberg. "An Unacknowledged Publication by Sylvia Plath." Notes and Queries 56, no. 3 (September 1, 2009): 428–30. http://dx.doi.org/10.1093/notesj/gjp142.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Easthope, A. "Reading the Poetry of Sylvia Plath." English 43, no. 177 (September 1, 1994): 223–35. http://dx.doi.org/10.1093/english/43.177.223.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Mulvania, Andrew. "Sylvia Plath: A Fifty-Year Retrospective." Missouri Review 36, no. 4 (2013): 177–88. http://dx.doi.org/10.1353/mis.2013.0085.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Peel, Robin. "The Ideological Apprenticeship of Sylvia Plath." Journal of Modern Literature 27, no. 4 (2004): 59–72. http://dx.doi.org/10.1353/jml.2005.0009.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Tabor, Ellen B. "Wintering: A Novel of Sylvia Plath." Psychiatric Services 54, no. 12 (December 2003): 1664–65. http://dx.doi.org/10.1176/appi.ps.54.12.1664.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Cooper, Brian. "Sylvia Plath and the Depression Continuum." Journal of the Royal Society of Medicine 96, no. 6 (June 2003): 296–301. http://dx.doi.org/10.1177/014107680309600613.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Ryle, Anthony. "Sylvia Plath and the Depression Continuum." Journal of the Royal Society of Medicine 96, no. 9 (September 2003): 471–72. http://dx.doi.org/10.1177/014107680309600921.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Cooper, B. "Sylvia Plath and the depression continuum." JRSM 96, no. 6 (June 1, 2003): 296–301. http://dx.doi.org/10.1258/jrsm.96.6.296.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Ryle, A. "Sylvia Plath and the depression continuum." JRSM 96, no. 9 (August 29, 2003): 471–72. http://dx.doi.org/10.1258/jrsm.96.9.471-a.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Rodrigues, Julia Cortes. "Poetas e martinis: uma leitura de The Barfly Ought to Sing de Anne Sexton." Em Tese 25, no. 3 (March 20, 2020): 113. http://dx.doi.org/10.17851/1982-0739.25.3.113-132.

Full text

Abstract:

O suicídio da poeta Sylvia Plath abalou o universo literário em 1963. As associações entre poesia e autossacrifício na obra de poetas vinculados ao rótulo “confessional” foram cimentadas, mitificou-se a morte de Plath, e surgiram debates éticos que jamais cessaram. No calor desse momento, ainda em 1966, Anne Sexton, que conhecera Sylvia Plath brevemente anos antes, publica um texto memorialístico no periódico Tri-Quarterly. Essas memórias de Sexton, registradas sob o título “The Barfly Ought to Sing” [“O Bebum Deve Cantar”], são o tema deste artigo: heterogêneo em sua feitura – já que alterna recordações de Plath, leitura de sua poesia e dois poemas inéditos de Sexton –, o texto tampouco é homogêneo no sentido de sua homenagem, pois não procura ocultar uma tensão competitiva que perpassa o elo afetivo. Acredita-se que o texto possua uma dimensão crítica que foi frequentemente subestimada. Através da escrita das memórias, Sexton parece ter buscado formular uma visão da poesia confessional: inclui ela própria e Plath enquanto referências dessa poética e nomeia, a seu modo, alguns de seus elementos fundamentais.

APA, Harvard, Vancouver, ISO, and other styles

50

Bick, Suzann, and Anne Stevenson. "Bitter Fame: A Life of Sylvia Plath." Antioch Review 48, no. 4 (1990): 540. http://dx.doi.org/10.2307/4612294.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Journal articles on the topic 'Sylvia Plath'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles