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1

Cavell, Stanley. Contesting tears: The Hollywood melodrama of the unknown woman. University of Chicago Press, 1996.

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2

Spiekermann, Geraldine. Tränen. W. Fink, 2008.

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3

Jaroslav, Anděl, Hartley Keith, Rosenfield Israel 1939-, and DOX Centrum současného umění, eds. Douglas Gordon: Krev, pot, slzy = blood, sweat, tears. DOX Centre for Contemporary Art, 2009.

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4

Yi, Ho-gŏl. Nunmul kwa chŏngch'i: 'Arirang' esŏ 'Hayan kŏt'ap' kkaji, taejung munhwa ro t'amgu hanŭn kamjŏng ŭi Han'gukhak. Ttabi, 2018.

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5

1960-, Morgan David, ed. Knowing the score: Film composers talk about the art, craft, blood, sweat, and tears of writing for cinema. HarperEntertainment, 2000.

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6

Amit, Tami. Motion pictures. Monografik, 2008.

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7

Canada. Industry, Science and Technology Canada. Motion pictures. Industry, Science and Technology Canada, 1991.

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8

Canada. Industry, Science and Technology Canada. Motion pictures. Industry, Science and Technology Canada, 1988.

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9

Lea, Bandy Mary, Biesenbach Klaus, and Kunst-Werke Berlin, eds. Andy Warhol: Motion pictures. KW Institute for Contemporary Art, 2004.

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10

Iris, Newsom, and Library of Congress, eds. Performing arts: Motion pictures. Library of Congress, 1998.

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11

Hollander, Anne. Moving pictures. Harvard University Press, 1991.

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12

Hollander, Anne. Moving pictures. Knopf, 1989.

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13

Olson, Nancy B. Cataloging motion pictures and videorecordings. Soldier Creek Press, 1991.

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14

Carroll, Noël. The philosophy of motion pictures. Blackwell Pub. Ltd, 2008.

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15

Olson, Nancy B. Cataloging motion pictures and videorecordings. Soldier Creek Press, 1991.

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16

Reed, David. David Reed paintings: Motion pictures. Museum of Contemporary Art, San Diego, 1998.

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17

Olson, Nancy B. Cataloging motion pictures and videorecordings. Soldier Creek Press, 1991.

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18

Loader, Jayne. Between pictures. Grove Press, 1987.

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19

Congress, Library of, ed. Motion picture agreement. Library of Congress, 1985.

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20

Harris, Mark. Pictures at a Revolution. Penguin Group USA, Inc., 2008.

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21

1966-, Feng Peter X., and Marchetti Gina, eds. Chinese connections: Critical perspectives on film, identity and diaspora. Temple University Press, 2008.

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22

McIlroy, Brian. Irish cinema: An illustrated history. Anna Livia Press, 1988.

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23

Dawar, Ramesh. Best from Bollywood. ibs Books, 2008.

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24

1951-, McCormick Richard W., and Guenther-Pal Alison, eds. German essays on film. Continum, 2004.

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25

McIlroy, Brian. World cinema. Flicks Books, 1989.

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26

hÉireann, Bord Scannán na. [List of Irish films]. Bord Scannán na hÉireann, 1998.

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27

Menashe, Louis. Moscow Believes in Tears: Russians and Their Movies. New Academia Publishing, LLC, 2010.

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28

Menashe, Louis. Moscow Believes in Tears: Russians and Their Movies. New Academia Publishing, LLC, 2011.

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29

Moscow Believes in Tears: Russians and Their Movies. New Academia Publishing, LLC, 2010.

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30

Cavell, Stanley. Contesting Tears: The Hollywood Melodrama of the Unknown Woman. University Of Chicago Press, 1997.

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31

Cavell, Stanley. Contesting Tears: The Hollywood Melodrama of the Unknown Woman. University Of Chicago Press, 1997.

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32

The child in film: Tears, fears, and fairytales. Rutgers University Press, 2010.

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33

Melodrama after the Tears. Amsterdam University Press, 2015.

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34

MacKinnon, Kenneth. Love, Tears, and the Male Spectator. Rowman & Littlefield Publishers, Incorporated, 2002.

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35

Mather, Nigel. Tears of Laughter: Comedy-Drama in 1990s British Cinema. Manchester University Press, 2019.

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36

Mather, Nigel. Tears of Laughter: Comedy-Drama in 1990s British Cinema. Manchester University Press, 2006.

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37

Mather, Nigel. Tears of Laughter: Comedy-Drama in 1990s British Cinema. Manchester University Press, 2006.

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38

Love, Tears and the Male Spectator. Fairleigh Dickinson University Press, 2002.

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39

Love, tears, and the male spectator. Fairleigh Dickinson University Press, 2002.

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40

Metelmann, Jörg, and Scott Loren. Melodrama after the Tears: New Perspectives on the Politics of Victimhood. Amsterdam University Press, 2016.

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41

One Leg Over: Memories of Love, Fun and a Few Tears. Text Publishing Company, 2017.

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42

Morgan, David. Knowing The Score: Film Composers Talk About the Art, Craft, Blood, Sweat, and Tears of Writing for Cinema. Harper Paperbacks, 2000.

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43

Morgan, David. Knowing the Score: Film Composers Talk about the Art, Craft, Blood, Sweat, and Tears of Writing for Cinema. HarperCollins Publishers, 2013.

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44

Elkins, James. Pictures and Tears. Routledge, 2005. http://dx.doi.org/10.4324/9780203990322.

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45

Pictures and Tears. Routledge, 2004.

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46

Donovan, Mike. Motion Pictures. Independently Published, 2019.

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47

Blackwood, Gemma, and Andrew McGregor, eds. Motion Pictures. Peter Lang CH, 2016. http://dx.doi.org/10.3726/978-3-0351-0951-1.

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48

Motion pictures. Franklin Watts, 2004.

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49

Motion Pictures. Lang AG International Academic Publishers, Peter, 2016.

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50

Godfrey, Donald G. Jenkins’ Motion Pictures. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038280.003.0005.

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This chapter examines C. Francis Jenkins' photographic inventions that he used to demonstrate motion pictures in a variety of applications. Despite losing in the early battle with Thomas J. Armat, Jenkins declared himself the inventor of the motion-picture projector. With the Phantoscope, he ventured into home and educational use. He would travel west, filming a Hopi Snake Dance, teach photographic expression, and invent fireproof protections for the projector. This chapter first provides an overview of Jenkins' first Phantoscopes and the patents he obtained for them before turning to his demo
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