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Journal articles on the topic 'Tears in motion pictures'

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1

Madhona, Rizkyka Hamama, and Yenny. "Representasi Emosional Joker Sebagai Korban kekerasan Dalam Film Joker 2019 (Analisis Semiotika Ferdinand De Saussure)." Soetomo Communication and Humanities 3, no. 1 (2022): 1–13. http://dx.doi.org/10.25139/sch.v3i1.4475.

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This study aims to explain the emotional representation of the Joker as a victim of violence in the 2019 Joker film based on Ferdinand De Saussure's theory. Joker is a psychological thriller genre film. The film opens with Arthur Fleck trying out various expressions. With a clown-style make-up, Arthur pulled his face in a motion pulling the corners of his lips up to create a smiling facial expression. Arthur then lowered the corners of his lips down to make a sad expression with his lips down, and then pulled his lips back into a smile. A few tears flowed between her black eye makeup. The rese
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2

Taş, Ruhi, and Mansur Beştaş. "Designing a Remote Monitoring and Security System for Broadcast Transmitters." Düzce Üniversitesi Bilim ve Teknoloji Dergisi 13, no. 2 (2025): 811–23. https://doi.org/10.29130/dubited.1512889.

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Remote monitoring systems are vital for many systems. Especially in the broadcasting industry, it is critical to keep the broadcasts running 24/7 uninterrupted. It is another challenge to be aware of the interruptions in terrestrial broadcasts on the country's geography and to intervene as soon as possible. For this reason, it is aimed to monitor TRT (Turkish Radio Television Co.) FM and TV transmitters and to gather information about their malfunctions and following station security warning. With the developed system, the follow-up of those responsible has been facilitated, and the response t
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3

Norouzzadeh, Mohammad Sadegh, Anh Nguyen, Margaret Kosmala, et al. "Automatically identifying, counting, and describing wild animals in camera-trap images with deep learning." Proceedings of the National Academy of Sciences 115, no. 25 (2018): E5716—E5725. http://dx.doi.org/10.1073/pnas.1719367115.

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Having accurate, detailed, and up-to-date information about the location and behavior of animals in the wild would improve our ability to study and conserve ecosystems. We investigate the ability to automatically, accurately, and inexpensively collect such data, which could help catalyze the transformation of many fields of ecology, wildlife biology, zoology, conservation biology, and animal behavior into “big data” sciences. Motion-sensor “camera traps” enable collecting wildlife pictures inexpensively, unobtrusively, and frequently. However, extracting information from these pictures remains
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4

MCNABB, ALEX. "A CONCEPTUAL MODEL FOR THE ORIGINS OF GEOTHERMAL AND VOLCANIC ACTIVITY IN THE NORTH ISLAND OF NEW ZEALAND." ANZIAM Journal 50, no. 3 (2009): 421–25. http://dx.doi.org/10.1017/s1446181109000182.

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AbstractThe current geothermal and volcanic activity in the North Island of New Zealand is explained as a consequence of Pacific and Australian plate interactions over the last 20 million years. The primary hypothesis is that the Kermadec subduction zone has for the last 20 million years or more been retreating in a south-easterly direction at about five centimetres per year. It is surmised that this motion and interaction with another subduction zone almost at right angles to it under the North Island resulted in plate tearing due to the incompatibility of the plate geometry where these subdu
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5

Walsh, John. "Pictures, Tears, Lights, and Seats." Antioch Review 61, no. 4 (2003): 767. http://dx.doi.org/10.2307/4614572.

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6

Young, Linda. "Motion Pictures." SMPTE Journal 105, no. 4 (1996): 177–78. http://dx.doi.org/10.5594/j15829.

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7

Masson, Alan J. "Motion Pictures." SMPTE Journal 108, no. 2 (1999): 75–78. http://dx.doi.org/10.5594/j17112.

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8

Masson, Alan J. "Motion Pictures." SMPTE Journal 107, no. 1 (1998): 11–13. http://dx.doi.org/10.5594/j17616.

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9

Bonnaud, Irène, Suzanne Doppelt, Christophe Triau, and Sacha Zilberfarb. "Motion pictures." Vacarme 15, no. 2 (2001): 60. http://dx.doi.org/10.3917/vaca.015.0060.

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10

Burns, Edward J. "Motion Pictures." SMPTE Journal 97, no. 4 (1988): 268–74. http://dx.doi.org/10.5594/j00667.

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11

Young, Linda. "Motion Pictures." SMPTE Journal 106, no. 1 (1997): 9–11. http://dx.doi.org/10.5594/j09530.

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12

Ricotta, Frank J. "Motion Pictures." SMPTE Journal 104, no. 4 (1995): 186–88. http://dx.doi.org/10.5594/j09609.

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13

Ricotta, Frank J. "Motion Pictures." SMPTE Journal 103, no. 4 (1994): 211–15. http://dx.doi.org/10.5594/j09688.

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14

Antonoff, Michael. "Motion Pictures." Scientific American 296, no. 5 (2007): 24–25. http://dx.doi.org/10.1038/scientificamerican0507-24.

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15

Mitchison, Tim J. "Motion pictures." Nature 357, no. 6373 (1992): 32. http://dx.doi.org/10.1038/357032a0.

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16

Gomery, Douglas. "Motion Pictures." Communication Booknotes 16, no. 5 (1985): 49. http://dx.doi.org/10.1080/10948008509488306.

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17

Gomery, Douglas. "Motion Pictures." Communication Booknotes 17, no. 1 (1986): 7–9. http://dx.doi.org/10.1080/10948008609488219.

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18

Gomery, Douglas. "Motion Pictures." Communication Booknotes 17, no. 9-10 (1986): 98–107. http://dx.doi.org/10.1080/10948008609488269.

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19

Gomery, Douglas. "Motion Pictures." Communication Booknotes 18, no. 7-8 (1987): 63–69. http://dx.doi.org/10.1080/10948008709488193.

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20

Gomery, Douglas. "Motion Pictures." Communication Booknotes 18, no. 9-10 (1987): 93–99. http://dx.doi.org/10.1080/10948008709488203.

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21

Gomery, Douglas. "Motion Pictures." Communication Booknotes 19, no. 5 (1988): 95–103. http://dx.doi.org/10.1080/10948008809488155.

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22

Block, Eleanor, James K. Bracken, Eleanor S. Block, and Bruce A. Austin. "Motion Pictures." Communication Booknotes Quarterly 29, no. 1 (1998): 52–60. http://dx.doi.org/10.1080/10948009809361557.

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23

Levine, Niall, John A. Lent, and Bruce Austin. "Motion pictures." Communication Booknotes Quarterly 29, no. 2 (1998): 88–96. http://dx.doi.org/10.1080/10948009809361564.

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24

Austin, Bruce A., Eleanor Block, Chris Sterling, Robert Huesca, and Gary R. Edgerton. "Motion pictures." Communication Booknotes Quarterly 29, no. 4 (1998): 196–203. http://dx.doi.org/10.1080/10948009809361586.

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25

Austin, Bruce A., Niall Levine, and Chris Sterling. "Motion pictures." Communication Booknotes Quarterly 30, no. 4 (1999): 227–31. http://dx.doi.org/10.1080/10948009909361637.

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26

Blasko, Edward J. "Motion Pictures." SMPTE Journal 95, no. 4 (1986): 413–19. http://dx.doi.org/10.5594/j17960.

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27

Iosifian, S. A., and V. A. Petrovskii. "Motion Pictures." Russian Education & Society 37, no. 10 (1995): 11–22. http://dx.doi.org/10.2753/res1060-9393371011.

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28

Baptista, John L. "Motion Pictures." SMPTE Journal 101, no. 4 (1992): 231–34. http://dx.doi.org/10.5594/j02302.

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29

Baptista, John L. "Motion Pictures." SMPTE Journal 102, no. 4 (1993): 289–94. http://dx.doi.org/10.5594/j03791.

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30

Baptista, John L. "Motion Pictures." SMPTE Journal 100, no. 4 (1991): 225–31. http://dx.doi.org/10.5594/j04767.

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31

Jennifer Tebbe-Grossman. "Medicine’s Motion Pictures." Film & History: An Interdisciplinary Journal of Film and Television Studies 39, no. 1 (2009): 98–99. http://dx.doi.org/10.1353/flm.0.0076.

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32

Cho, Minhaeng. "Molecular motion pictures." Nature 444, no. 7118 (2006): 431–32. http://dx.doi.org/10.1038/444431a.

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33

Moralova, Ludmila Victorovna, and Evgeniya Sergeevna Abaeva. "Translation of catch phrases in an audiovisual text." Litera, no. 11 (November 2024): 75–85. http://dx.doi.org/10.25136/2409-8698.2024.11.71252.

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The article discusses the problem of interlinguistic and intercultural transfer of winged words (catch phrases) in an audiovisual text of the Soviet period. The source of the material is the Russian motion picture "Moscow Does Not Believe in Tears" and its translation into English (subtitling), the material is 34 winged words (catch phrases) which were selected with verification based on Internet sources. The purpose of the research is to study the methods/techniques of transferring catch phrases in audiovisual translation (subtitling) from Russian into English, as well as to analyze the resul
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34

Hunter, Jefferson. "Pictures and Motion Pictures in the 1940s." Hopkins Review 7, no. 1 (2014): 93–111. http://dx.doi.org/10.1353/thr.2014.0001.

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35

Nimis, Erika. "“Motion pictures” in Nigeria." Visual Anthropology 14, no. 3 (2001): 293–99. http://dx.doi.org/10.1080/08949468.2001.9966836.

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36

Bardell, Eunice Bonow. "Pharmacists in Motion Pictures." American Journal of Health-System Pharmacy 45, no. 1 (1988): 179–83. http://dx.doi.org/10.1093/ajhp/45.1.179.

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37

Leach-Murray, Susan. "SWANK Motion Pictures, Inc." Technical Services Quarterly 35, no. 1 (2017): 115–16. http://dx.doi.org/10.1080/07317131.2017.1385299.

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38

Copeland, V. Natasha E. "Pictures in Motion or Motion Pictures: Sembène’s Natural Products Steal the Show." Études littéraires africaines, no. 30 (November 17, 2014): 58–76. http://dx.doi.org/10.7202/1027347ar.

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Dans ses films Xala (1974) et Ceddo (1977), Sembène redéfinit l’usage des sculptures traditionnelles en bois, tout en demeurant fidèle aux métaphysiques sahéliennes dans ses innovations esthétiques, littéraires ou cinématographiques. Des masques, un bâton ou une canne jouent à l’écran un rôle qui, en raison de leur propre vitalité et de leur étroite association avec divers personnages, capte l’attention du public autant que le font les héros des films. Sembène oppose, dans la trame de ses films, la force vitale de ces objets africains à celle d’artefacts, symboles de l’Occident. Sculptés par l
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39

Chinitz, Noah, Daniel D. Bohl, Manoj Reddy, Shay Tenenbaum, Scott Coleman, and James W. Brodsky. "Preoperative Gait Analysis of Peroneal Tendon Tears." Foot & Ankle International 43, no. 2 (2021): 233–43. http://dx.doi.org/10.1177/10711007211036876.

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Background: Little is known regarding the impact of peroneal tendon tears on function. This study quantifies gait changes associated with operatively-confirmed peroneal tendon tears. Methods: Sixty-five patients with unilateral peroneal tendon tears were prospectively evaluated using preoperative 3D multisegment gait analysis of both limbs. Data were analyzed according to pattern/severity of tears, as confirmed surgically: peroneus brevis tears, reparable (PBR); peroneus brevis tears, irreparable (PBI); peroneus longus tears, irreparable (PLI); and concomitant irreparable tears of both tendons
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40

Haughton, Victor M., Timothy A. Schmidt, Kevin Keele, Howard S. An, and Tae-Hong Lim. "Flexibility of lumbar spinal motion segments correlated to type of tears in the annulus fibrosus." Journal of Neurosurgery: Spine 92, no. 1 (2000): 81–86. http://dx.doi.org/10.3171/spi.2000.92.1.0081.

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Object. The authors conducted a study in which their objective was to measure the effect of tears in the annulus fibrosus on the motions of lumbar spinal motion segments. Methods. Lumbar spinal motion segments were harvested from human cadavers and studied using a 1.5-tesla magnetic resonance imager. The motion segments were subjected to incremental flexion, extension, rotation, and lateral bending torques. Displacements and rotations were measured using a kinematic system. The segments were sectioned on a cryomicrotome to verify the presence of tears in the annulus fibrosus. Conclusions. Tear
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41

Porée, Marc. "Poets' lives in motion (pictures)." Études anglaises 66, no. 4 (2013): 511. http://dx.doi.org/10.3917/etan.664.0511.

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42

Ba Tu Truong, S. Venkatesh, and C. Dorai. "Scene extraction in motion pictures." IEEE Transactions on Circuits and Systems for Video Technology 13, no. 1 (2003): 5–15. http://dx.doi.org/10.1109/tcsvt.2002.808084.

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43

Baecker, Dirk. "The Reality of Motion Pictures." MLN 111, no. 3 (1996): 560–77. http://dx.doi.org/10.1353/mln.1996.0032.

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44

Marta Zarzycka and Bettina Papenburg. "Motion Pictures: Politics of Perception." Discourse 35, no. 2 (2013): 163. http://dx.doi.org/10.13110/discourse.35.2.0163.

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45

Yeazell, Ruth Bernard. "Sex, Lies, and Motion Pictures." Henry James Review 25, no. 1 (2004): 87–96. http://dx.doi.org/10.1353/hjr.2004.0012.

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46

Blackstone, Erwin A., and Gary W. Bowman. "Vertical Integration in Motion Pictures." Journal of Communication 49, no. 1 (1999): 123–39. http://dx.doi.org/10.1111/j.1460-2466.1999.tb02785.x.

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47

Cavanna, Stefano, and Andrea Eugenio Cavanna. "Bilateral bone marrow edema syndrome of the humeral head mimicking avascular necrosis: a case report." Egyptian Rheumatology and Rehabilitation 50, no. 1 (2023). http://dx.doi.org/10.1186/s43166-023-00197-7.

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Abstract Background Bone marrow edema syndrome (BMES), previously referred to as transient osteoporosis, is an uncommon and underdiagnosed self-limiting condition typically affecting the weight-bearing joints of the hip and lower limb. Its occurrence in upper limb or non-weight bearing joints is particularly rare. Case presentation We report the case of an otherwise healthy 42-year-old man who gradually developed severe and disabling left shoulder pain over the course of 6 months. Nine months after onset, he presented clinically with bilateral involvement and radiologically (magnetic resonance
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48

Yasuhara, Akiko, and Takuma Takehara. "Robots with tears can convey enhanced sadness and elicit support intentions." Frontiers in Robotics and AI 10 (June 1, 2023). http://dx.doi.org/10.3389/frobt.2023.1121624.

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The behaviour of shedding tears is a unique human expression of emotion. Human tears have an emotional signalling function that conveys sadness and a social signalling function that elicits support intention from others. The present study aimed to clarify whether the tears of robots have the same emotional and social signalling functions as human tears, using methods employed in previous studies conducted on human tears. Tear processing was applied to robot pictures to create pictures with and without tears, which were used as visual stimuli. In Study 1, the participants viewed pictures of rob
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49

"Motion Pictures." SMPTE Journal 94, no. 4 (1985): 369–81. http://dx.doi.org/10.5594/j14054.

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50

"MOTION PICTURES." Communication Booknotes Quarterly 31, no. 1 (2000): 43–54. http://dx.doi.org/10.1207/s15326896cbq3101_10.

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