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Relevant bibliographies by topics / Television actors and actresses

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Academic literature on the topic 'Television actors and actresses'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "Television actors and actresses"

1

Stieger, Stefan, and Christoph Burger. "Body Height and Occupational Success for Actors and Actresses." Psychological Reports 107, no. 1 (2010): 25–38. http://dx.doi.org/10.2466/01.07.pr0.107.4.25-38.

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The association of body height with occupational success has been frequently studied, with previous research mainly finding a positive effect among men and positive or null effects among women. Occupational success has almost exclusively been measured so far by short-term success variables (e.g., annual income). In the present study, the relationship of success and height was examined in a group of actors and actresses using a large online database about movies (Internet Movie Database) where heights of actors and actresses are stated. The number of roles played in movies and television series

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Duha, Ekrisyen, Umar Mono, and Alemina Perangin Angin. "Communication Style in Indonesia’s Television Series: My Nerd Girl." Austronesian: Journal of Language Science & Literature 1, no. 1 (2022): 1–8. http://dx.doi.org/10.59011/austronesian.1.1.2022.1-8.

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This research is about communication styles in Indonesia’s television series. The research was conducted because it had an interesting and unique phenomenon in it where the characters or actors and actresses had a certain communication style, which makes it interesting to be conducted. The communication style and the way of actors in Indonesia’s Television series ‘My nerd girl’ communicate are the aims of this research. This research was descriptive qualitative research because it aimed to describe and explain in depth a case that would be researched. The data was documentation which consists

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Ugurlu, Elif Gizem. "Mediatized Child Characters." European Journal of Social Sciences 1, no. 3 (2018): 98. http://dx.doi.org/10.26417/ejss.v1i3.p98-102.

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Child actors and actresses perform in television programs, such as contests, shows and series, and in movies broadcasted in Turkey. After the program is broadcasted, social media accounts such as Facebook and instagram are opened by their parents for these children and it is attempted to increase their popularity. Children with increased popularity begin to act in new series and advertisements, and they are drawn into a consumption cycle. While these children, who are used for humour, promotional or dramatic factors, are disturbed, on the other hand, they cause that children's real and big pro

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Barnes, Sue, Karen Dee Michalowicz, and Melanie A. Womack. "Now & Then: From Manager to Meteorologist From Heavenly Bodies to Barometers." Mathematics Teaching in the Middle School 1, no. 2 (1994): 123–29. http://dx.doi.org/10.5951/mtms.1.2.0123.

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Now… Shreveport is a large town in Northwest Louisiana. A state that is classified as a severe-weather area. Northern Louisiana is often hit by thunderstorms and tornadoes. Southern Louisiana, on the Gulf of Mexico, is susceptible to hurricanes during late summer. When the manager of television station KSLA in Shreveport began looking for a person to fill the weather-news slot a few years ago, he did not want someone who could just point to a weather map. He wanted a good meteorologist. In regions that have invariant weather, those people who give the weather are usually actors or actresses wh

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Hashimi, Sayed Samim, Azizullah Jabarkhail, and Abdullah Awwab. "Overview of Structural Elements of Pashto Radio Dramas." Sprin Journal of Arts, Humanities and Social Sciences 2, no. 10 (2023): 53–59. http://dx.doi.org/10.55559/sjahss.v2i10.173.

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Drama is an ancient representational art that dates back to the first centuries of human existence. There has been some discussion about the antiquity of the origin of the drama. This genre has specific types, such as stage, radio, television, one-act and interactive dramas. In this, the radio drama is the one that is broadcasted on the radio and each character and actor presents a scene, it is recorded in the studio and then broadcast so that the audience listens to it. It represents the events that can only be presented with sound. In the structural elements, the story and the incident come

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Park, Kyung Sin. "Reasonable Compensation for Creative Labor: International Practices and Precedents of Audiovisual Author’s Unwaivable Right to Remuneration." Korea Copyright Commission 143 (September 30, 2023): 141–77. http://dx.doi.org/10.30582/kdps.2023.36.3.141.

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For copyright to achieve its original purpose, creators should be entitled to fruits of successful exploitation of their work after they license or transfer their rights. Due to imbalance of bargaining power, creators often sign away their rights to compensation. To respond that, we need to think about legislating an unwaivable right. Its operation resembles the fee collecting systems already set up for television writers and actors in Korea and for music writers and performers around the world, which originate from historical reasons, collective power, or the statutory compensation for perfor

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Mwanthi, Shadrach Moki. "Motivating factors that lead to consumption of Nigerian movies." Editon Consortium Journal of Literature and Linguistic Studies 5, no. 1 (2023): 249–56. http://dx.doi.org/10.51317/ecjlls.v5i1.397.

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This study sought to explore the motivating factors that lead to the consumption of Nigerian Movies, Nollywood. The researcher collected data by interviewing residents of the Shauri Moyo estate using a self-administered questionnaire and a focused group discussion using the FGD interview schedule. Key informants' interviews were also conducted with program production managers from Citizen TV. The Kenyan audience used uses and gratifications theory to analyse different motivations for watching Nigerian movies. The study revealed that Nigerian movies have audiences of all people of all ages, gen

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Mwanthi, Shadrach Moki. "Motivating factors that lead to consumption of Nigerian movies." Editon Consortium Journal of Media and Communication Studies 5, no. 1 (2023): 249–56. http://dx.doi.org/10.51317/ecjmcs.v5i1.398.

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This study sought to explore the motivating factors that lead to the consumption of Nigerian Movies, Nollywood. The researcher collected data by interviewing residents of the Shauri Moyo estate using a self-administered questionnaire and a focused group discussion using the FGD interview schedule. Key informants' interviews were also conducted with program production managers from Citizen TV. The Kenyan audience used uses and gratifications theory to analyse different motivations for watching Nigerian movies. The study revealed that Nigerian movies have audiences of all people of all ages, gen

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Mardina, Titin, and Varinia Pura Damaiyanti. "Suka Korea: Peniruan Perilaku Ala Korea di Kalangan Mahasiswa FISIP ULM." Huma: Jurnal Sosiologi 2, no. 2 (2023): 193–201. http://dx.doi.org/10.20527/h-js.v2i2.75.

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Korean popular culture or hallyu whose spread can influence students in accepting culture from outside. This study aims to find out the Korean cultural trends that students have followed and how the process of imitating the behavior of students who follow these trends. This study uses a qualitative research method with a phenomenological approach. Data collection techniques used are observation, interviews and documentation. The results of this study indicate that FISIP ULM students have known Korean popular culture trends since they were in elementary school until now through watching Korean

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Marques, J. Frederico. "The Semantic Representation of Actresses and Actors." Empirical Studies of the Arts 24, no. 1 (2006): 81–93. http://dx.doi.org/10.2190/721b-7fak-paxy-cbuw.

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Dissertations / Theses on the topic "Television actors and actresses"

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Murray, Susan Dorrit. ""Hitch your antenna to the stars!" : early television and the renegotiation of broadcast stardom /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Yuen, Nancy Wang. "Performing authenticity how Hollywood working actors negotiate identity /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1692357331&sid=13&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Bedir, Semih. "Exploring Local, Experimenting with Transnational: Understanding Global Popularity of Turkish Television Series." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1597141652839587.

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Donaldson, Natalie. "Lumberjacks and hoodrats: negotiating subject positions of lesbian representation in two South African television programmes." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002473.

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With the inclusion of sexual orientation in the Equality clause of the post-Apartheid constitution which demands equal rights and protection for all individuals regardless of sexual orientation, South Africa has been praised as one of the most liberal countries in the world. Because of this legal equality, gay and lesbian experiences have become a lot more visible in every day South African lives. This includes visibility in South African television programmes and film. Today, a number of South African produced television programmes have included at least one lesbian character in their storyli

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Bowman, Barbara A. "How Do Actors and Actresses Age?: Self-Monitoring and Aging." UNF Digital Commons, 1995. http://digitalcommons.unf.edu/etd/92.

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This study investigates the relationship between life events, self-monitoring, and aging. This relationship is explored in the following five areas: religious practices, social networks, intergenerational relationships, retirement, and leisure. It was hypothesized that, compared to low self-monitors, high self-monitors would (a) spend less time in private devotional activities as they age, (b) feel a heavier impact from the reduction in the quantity of social networks, (c) have more distant intergenerational ties, (d) adjust to forced retirement more quickly, and ( e) be less satisfied with le

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Shing, On-ki Angel. "The star as cultural icon : the case of Josephine Siao Fong Fong /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22199792.

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Dodd, Alan. "From stars to celebrities : Hollywood stardom in the age of celebrity culture." Thesis, University of Aberdeen, 2010. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=167617.

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This thesis examines the changing nature of Hollywood stardom and how this is informed by an emergent celebrity culture. Through several case studies this study augments older forms of analysis with Bourdieu’s concept of capital to create a new model of stardom that can accommodate recent cultural developments. In chapter one four key forms of capital are identified. After contextualising this new model within the history of classic Hollywood and older academic approaches to stardom in chapter two, the analysis of Nicole Kidman’s star text in chapter three shows how her image has evolved to co

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Lau, Wai-sim, and 劉慧嬋. "Chinese martial arts stardom in participatory cyberculture." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50533824.

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The participatory cyberspace, epitomized by the concept of Web 2.0, has become a key venue of Chinese stardom in the post-cinema era.Web 2.0 invites its users to contribute to the content through an architecture of participation. Fans can search, poach, edit, and post filmic and publicity materials about stars, formulating seamless, collaborative reworkings of the star image and generating a new star-fan dynamic. At the crossroads of participatory cyberspace and cinema, transnational Chinese movie stars call our attention to the critical concern of Chineseness. In recent years, a number of Ch

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Choi, Wing-yee Kimburley. "Reading audiences : spectatorship and stars in Hong Kong cinema : the case of Chow Yun-fat /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19853397.

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Shing, On-ki Angel, and 盛安琪. "The star as cultural icon: the case of Josephine Siao Fong Fong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952823.

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Books on the topic "Television actors and actresses"

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Chapman, Peter. The players: Actors in movies on television and videocassette. Windsor Press, 1994.

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Otfinoski, Steven. Oprah Winfrey: Television star. Blackbirch Press, 1993.

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Heaton, Dean. Remember me!: Burial sites of actors. Val Vista Books, 2004.

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White, Betty. Here we go again: My life in television. Scribner, 2010.

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White, Betty. Here we go again: My life in television. Scribner, 2010.

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Dungen, Pierre Van den. De la scène à la lucarne: Pionniers de la télévision en Belgique francophone : conversations avec Henri Billen. Le Cri, 2008.

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Jacob, Dionisio. Dionísio Azevedo e Flora Geni: Uma vida na arte. Imprensa Oficial, 2010.

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Whitfield, June. --And June Whitfield. Bantam Press, 2000.

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Carvalho, Tania. Aracy Balabanian: Nunca fui anjo. Imprensa Oficial do Estado de São Paulo, 2005.

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ʻAbbāsī, Nīlofar. Kahī an kahī. Velkam Buk Porṭ, 2012.

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Book chapters on the topic "Television actors and actresses"

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Caughie, John. "What Do Actors Do When They Act?" In British Television Drama. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137327581_14.

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Cumberbatch, Guy, and Ralph Negrine. "The employment of disabled actors." In Images of Disability on Television. Routledge, 2022. http://dx.doi.org/10.4324/9781003341031-12.

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Chakrabarti, Santanu. "Power Games: Audience Measurement as a Mediation between Actors in India." In Television Audiences Across the World. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137345103_7.

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Gaggiotti, Miguel. "Naturshchiki, Types and Non-actors: Nonprofessional Performance in Early Soviet Cinema." In Palgrave Close Readings in Film and Television. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-32382-9_2.

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Phusamruat, Visakha. "The Promise and Challenges of Privacy in Smart Cities: The Case of Phuket." In Smart Cities in Asia. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-1701-1_6.

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AbstractThe aim of this chapter is to examine privacy and personal data-related issues arising from the smart city development. Based on recent smart city campaigns in Phuket involving closed-circuit television (CCTV) installation and digitally-tracking wristbands, the author finds that local actors’ privacy perceptions and data processing practices substantially deviate from the privacy views and practices required by the Thai Personal Data Protection Act. This deviation will potentially result in the lack of actual implementation or inevitable forced changes to the local community life just to meet the new legal standard. The global–local tension created by norms brought by visitors from various cultural backgrounds and the local tradition makes finding a common ground far more difficult. The case demonstrates the limitations of current legal approaches to embracing diverse societal views and interests, while also paving the possibility of a new way to understand privacy in smart cities and integrate this knowledge into their universal design.

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Bocarnea, M. "Celebrity-Persona Parasocial Interaction Scale." In Handbook of Research on Electronic Surveys and Measurements. IGI Global, 2007. http://dx.doi.org/10.4018/978-1-59140-792-8.ch039.

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The celebrity-persona parasocial interaction scale (CPPI) is designed to measure how media consumers form parasocial relationships with celebrities or popular fictional characters. A parasocial relationship is defined as an imaginary interpersonal relationship between a media consumer and a media persona (Horton & Wohl, 1956). Persona can be real people, such as actors, athletes, and performing artists; or they can be fictional characters, such as Susan in the television serial Desperate Housewives, a character played by actress Teri Hatcher, or Indiana Jones, a character in the film, Raiders of the Lost Ark, played by actor Harrison Ford. The CPPI is derived from several other published parasocial action scales, including Rubin, Perse & Powell (1985), Cole & Leets (1999), and Auter & Palmgreen (2000). While most parasocial interaction scales are designed to measure the strength of parasocial relationships that develop through television viewing, the CPPI is particularly targeted to celebrities whose exposure far exceeds television programs alone.

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Perriam, Chris. "Imanol Arias (b. 1956)." In Stars and Masculinities In Spanish Cinema. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780198159964.003.0002.

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Abstract Imanol Arias is described in Cinerama’s ‘Diccionario de actores’ (1995/6) as ‘el galán más reputado de su generatión’ (the best regarded lead male of his generation), has appeared in some thirty feature films to date, and has an ongoing (if up and down) career in theatre (having joined the Centro Drámatico National in his early twenties, encouraged by its director Adolfo Marsillach), and in mass audience television drama series stretching from Anillos de oro (Gold Rings) (TVE 1983) to Querido maestro (Dear Teacher: third series, Tele 5 1998) and Dime que me quieres (Tell Me You Love Me) (Antena 3:2001). In part because of his presence on television, in part because of the gossip-magazine appeal of his long relationship (from 1984) to actress and broadcaster Pastora Vega and their family life (González and Pasquím 1990), of the actors discussed in this book Arias has the second most extensive press coverage (with Antonio Banderas a clear first, but with relatively little on the Spanish period).

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"Actors, Actresses, Stars." In Hitchcock on Hitchcock, Volume 1. University of California Press, 2019. http://dx.doi.org/10.1525/9780520960947-004.

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Giesen, Rolf, and Anna Khan. "Animators to Become Actors and Actresses (Sort of)?" In Acting and Character Animation. CRC Press, 2017. http://dx.doi.org/10.4324/9781315155036-10.

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"Animators to Become Actors and Actresses (Sort of)?" In Acting and Character Animation. CRC Press, 2017. http://dx.doi.org/10.1201/9781315155036-11.

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Conference papers on the topic "Television actors and actresses"

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Wen, Liuchun. "A Comparative Analysis of Actors' and Actresses' Oscar Acceptance Speeches Based on Big Data Methodology." In The International Conference on New Media Development and Modernized Education. SCITEPRESS - Science and Technology Publications, 2022. http://dx.doi.org/10.5220/0011911700003613.

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Xia, Han, and Chunfang Li. "Face Recognition and Application of Film and Television Actors Based on Dlib." In 2019 12th International Congress on Image and Signal Processing, BioMedical Engineering and Informatics (CISP-BMEI). IEEE, 2019. http://dx.doi.org/10.1109/cisp-bmei48845.2019.8965869.

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Tsukiyama, Takuto, Sho Ooi, and Mutsuo Sano. "A Perceptive Mobile Program to Analyze Finger Posture on the Piano using Machine Learning and Object Detection." In 5th International Conference on Artificial Intelligence and Big Data. Academy & Industry Research Collaboration Center, 2024. http://dx.doi.org/10.5121/csit.2024.140413.

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People from various professions are involved in the production of anime, including directors, animation directors, character designers, and voice actors/actresses. Specifically, the role of an animation director is of importance in the realm of animation. The animation director serves as the unifying force in shaping the animation's style by meticulously reviewing and redrawing the key animations provided by the key animators. The aim of this study is to develop a redrawing system using GLCIC to reduce the workload on animation directors when redrawing original key animation. Specifically, thi

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Tsukiyama, Takuto, Sho Ooi, and Mutsuo Sano. "SAMURAI：A Transformation System for Animation Characters based on GLCIC to Alleviate the Workload of Animation Directors." In 5th International Conference on Artificial Intelligence and Big Data. Academy & Industry Research Collaboration Center, 2024. http://dx.doi.org/10.5121/csit.2024.140417.

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People from various professions are involved in the production of anime, including directors, animation directors, character designers, and voice actors/actresses. Specifically, the role of an animation director is of importance in the realm of animation. The animation director serves as the unifying force in shaping the animation's style by meticulously reviewing and redrawing the key animations provided by the key animators. The aim of this study is to develop a redrawing system using GLCIC to reduce the workload on animation directors when redrawing original key animation. Specifically, thi

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Chronopoulou, Anna. "Music in the service of the directorial vision: The case study of the theatrical performance of Acharnians in 1976 by the Greek Art Theatre (Theatro Technis)." In 8th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2022. http://dx.doi.org/10.32591/coas.e-conf.08.03033c.

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Someone could claim that a well prepared, contemporary theatrical production consists of a thorough planning, a period of rehearsals and the final presentation of the work before the audience. Whether we talk about a collective theatrical organization or a hierarchical one, we should agree upon the fact that the directorial vision could be considered as the motivating gear of a theatrical performance. It is the director’s or the team’s directorial vision – in the cases of alternative, collective theatrical productions – which guides those who participate in a theatrical performance and, theref

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Jascanu, Veronica, and Nicolae Jascanu. "ARGUMENTATION IN A SECOND-SCREEN EDUCATIONAL PLATFORM.DOCX." In eLSE 2016. Carol I National Defence University Publishing House, 2016. http://dx.doi.org/10.12753/2066-026x-16-029.

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Television watching is a social experience. People watch the same TV programs and they are talking about shows and movies, discussing, analyzing and recommending. With the rise of the SmartTV platforms the domain of Augmented Entertainment is changing. There are new ways to watch and discuss about television shows, to integrate the web experience with the TV one. There is an opportunity to involve the user and make it an active entity during or after the show. A second-screen platform focused on education is an innovative concept. The challenge is to define a coherent environment involving cla

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Edlichko, Anzhela I. "CODIFICATION OF THE ORTHOEPIC NORMS OF THE GERMAN LANGUAGE: HISTORY AND CURRENT SITUATION." In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.07.

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The article discusses the development of the lexicographic codification of pronunciation norms of German. It gives an overview of the orthoepic norm, its varieties and inherent features, relations between the norm and standard of pronunciation. Pronouncing dictionaries since the end of the 19th century have been studied as primary sources, some phonetic phenomena are also illustrated with the explanatory dictionaries of earlier periods. The lexicographic codification of the pronunciation norms in historical retrospect is briefly analyzed: from exaggerated articulation of actors in Germany to a

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Velinova, Neli, Lora Metanova, Mariyan Tomov, and Lilia Raycheva. "Fuzzy Choice – The Facebook Facade of The Triple Parliamentary Election Campaign 2021 In Bulgaria." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002522.

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The rapid advancement of ICTs has outstripped the theoretical rationalization, regulatory framework, business models, professional practices and audiences’ participation in contemporary democratic processes (Kaid L., Mazoleni G., Blumler JG, Esser F.). This new ‘mosaic culture’ is characterized by demassification of media and of society itself. A virtual online culture has been created which, due to its interactive nature, acts as integrating while having an alienating and restrictive impact on people, destroying ‘live’ communication. Nevertheless, media still stays among the main factors of t

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Reports on the topic "Television actors and actresses"

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Willis, Craig. ECMI Minorities Blog. Minority Language Media and TikTok: Are Broadcasters Showing They Are Still Relevant for Younger Audiences? European Centre for Minority Issues, 2023. http://dx.doi.org/10.53779/qlmm1477.

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Whilst younger audiences move away from traditional forms of media consumption, public broadcasters – including those in minority languages – have long been facing declining viewing figures in terms of linear television. At the same time, social media consumption habits are diverging along a generational gap – younger audiences favour TikTok and Instagram over Facebook or Twitter. This blogpost sheds light on one element of this, analysing the attempts of institutional actors – in this case minority language broadcasters – to reach different audience segments by creating content directly throu

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