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Dissertations / Theses on the topic 'Television actors and actresses'

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Published: 4 June 2021

Last updated: 30 July 2024

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1

Murray, Susan Dorrit. ""Hitch your antenna to the stars!" : early television and the renegotiation of broadcast stardom /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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2

Yuen, Nancy Wang. "Performing authenticity how Hollywood working actors negotiate identity /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1692357331&sid=13&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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3

Bedir, Semih. "Exploring Local, Experimenting with Transnational: Understanding Global Popularity of Turkish Television Series." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1597141652839587.

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4

Donaldson, Natalie. "Lumberjacks and hoodrats: negotiating subject positions of lesbian representation in two South African television programmes." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002473.

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With the inclusion of sexual orientation in the Equality clause of the post-Apartheid constitution which demands equal rights and protection for all individuals regardless of sexual orientation, South Africa has been praised as one of the most liberal countries in the world. Because of this legal equality, gay and lesbian experiences have become a lot more visible in every day South African lives. This includes visibility in South African television programmes and film. Today, a number of South African produced television programmes have included at least one lesbian character in their storyli

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5

Bowman, Barbara A. "How Do Actors and Actresses Age?: Self-Monitoring and Aging." UNF Digital Commons, 1995. http://digitalcommons.unf.edu/etd/92.

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This study investigates the relationship between life events, self-monitoring, and aging. This relationship is explored in the following five areas: religious practices, social networks, intergenerational relationships, retirement, and leisure. It was hypothesized that, compared to low self-monitors, high self-monitors would (a) spend less time in private devotional activities as they age, (b) feel a heavier impact from the reduction in the quantity of social networks, (c) have more distant intergenerational ties, (d) adjust to forced retirement more quickly, and ( e) be less satisfied with le

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6

Shing, On-ki Angel. "The star as cultural icon : the case of Josephine Siao Fong Fong /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22199792.

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7

Dodd, Alan. "From stars to celebrities : Hollywood stardom in the age of celebrity culture." Thesis, University of Aberdeen, 2010. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=167617.

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This thesis examines the changing nature of Hollywood stardom and how this is informed by an emergent celebrity culture. Through several case studies this study augments older forms of analysis with Bourdieu’s concept of capital to create a new model of stardom that can accommodate recent cultural developments. In chapter one four key forms of capital are identified. After contextualising this new model within the history of classic Hollywood and older academic approaches to stardom in chapter two, the analysis of Nicole Kidman’s star text in chapter three shows how her image has evolved to co

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8

Lau, Wai-sim, and 劉慧嬋. "Chinese martial arts stardom in participatory cyberculture." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50533824.

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The participatory cyberspace, epitomized by the concept of Web 2.0, has become a key venue of Chinese stardom in the post-cinema era.Web 2.0 invites its users to contribute to the content through an architecture of participation. Fans can search, poach, edit, and post filmic and publicity materials about stars, formulating seamless, collaborative reworkings of the star image and generating a new star-fan dynamic. At the crossroads of participatory cyberspace and cinema, transnational Chinese movie stars call our attention to the critical concern of Chineseness. In recent years, a number of Ch

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9

Choi, Wing-yee Kimburley. "Reading audiences : spectatorship and stars in Hong Kong cinema : the case of Chow Yun-fat /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19853397.

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10

Shing, On-ki Angel, and 盛安琪. "The star as cultural icon: the case of Josephine Siao Fong Fong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952823.

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11

Drake, Philip Justin. "Stardom after the star system economies of performance in contemporary Hollywood cinema /." Connect to e-thesis, 2002. http://theses.gla.ac.uk/942/.

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Thesis (Ph.D.) -- University of Glasgow, 2002.<br>Ph.D. thesis submitted to the Department of Theatre, Film and Television Studies, University of Glasgow, 2002. Includes bibliographical references. Print version also available.

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12

Prenter, Tracey. "A psychobiographical study of Charlize Theron." Thesis, Rhodes University, 2016. http://hdl.handle.net/10962/d1020843.

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Psychobiographers study the lives of extraordinary, prominent, and enigmatic individuals. Psychobiographical research advances our insight into the uniqueness and complexity of the human personality and therefore makes a substantial contribution towards one of the major objectives of the field of psychology. Purposive sampling was employed to select Charlize Theron as the subject of this psychobiographical study. As the only South African who has won an Oscar, Theron is an exceptional individual who demonstrates tenacity and a will to succeed despite significant traumatic events in her childho

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13

Choi, Wing-yee Kimburley, and 蔡穎儀. "Reading audiences: spectatorship and stars inHong Kong cinema : the case of Chow Yun-fat." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B29913469.

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14

Skirletz, Jay H. "In the Wings without a Cue: How Industrialization Upstaged America's Actors and How They Can Re-take Center Stage." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/SkirletzJH2003.pdf.

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15

Wong, Suet-lan, and 黃雪蘭. "Hong Kong cinema made international: the action cinema of Bruce Lee and Jackie Chan." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31951764.

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16

Aich, Priyanka. "The construction and (re)presentation of Indian women in recent mainstream western cinema." Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Thesis/Fall2009/p_aich_112309.pdf.

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Thesis (M.A. in communication)--Washington State University, December 2009.<br>Title from PDF title page (viewed on Feb. 12, 2010). "Edward R. Murrow College of Communication." Includes bibliographical references (p. 107-115).

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17

Suen, Siu-mei Jocelyn. "Tina Ti as sex symbol : a challenge to dominant culture /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22199615.

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18

Mosher, Jerry Dean. "Weighty ambitions fat actors and figurations in American cinema, 1910-1960 /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1495959291&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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19

Bode, Lisa Merle Theatre Film &amp Dance UNSW. "From shadow citizens to teflon stars : cultural responses to the digital actor." Awarded by:University of New South Wales. Theatre, Film and Dance, 2005. http://handle.unsw.edu.au/1959.4/20593.

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This thesis examines an intermittent uncanniness that emerges in cultural responses to new image technologies, most recently in some impressions of the digital actor. The history of image technologies is punctuated by moments of fleeting strangeness: from Maxim Gorky's reading of the cinematographic image in terms of 'cursed grey shadows', to recent renderings of the computer-generated cast of Final Fantasy: The Spirits Within as silicon-skinned mannequins. It is not merely the image's unfamiliar and new aesthetics that render it uncanny. Rather, the image is received within a cultural framewo

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20

Carleto, Simone. "Processos de formação de intérpretes em consigna livre : práxis e metodologias experimentadas pela Escola Livre de Teatro de Santo André (ELT), Núcleo de Artes Cênicas (NAC) e SP Escola de Teatro /." São Paulo, 2017. http://hdl.handle.net/11449/152428.

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Orientador: Alexandre Luiz Mate<br>Banca: Carminda Mendes André<br>Banca: José Pacheco<br>Banca: Mei Hua Soares<br>Banca: Reynúncio Napoleão de Lima<br>Resumo: Apresento na pesquisa reflexão a respeito da formação de atores e atrizes em consigna livre, imbricando antecedentes histórico-conceituais à observação das práxis estético-político-pedagógicos de três instituições que oferecem cursos de atuação: Escola Livre de Teatro de Santo André (ELT), Núcleo de Artes Cênicas (NAC) e SP Escola de Teatro. Com base em pressupostos característicos da forma de produção coletivo-colaborativa do teatro de

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21

Nunes, Marilyn Clara 1984. "O oposto : um princípio para o desenvolvimento da presença e criação cênicas /." São Paulo, 2017. http://hdl.handle.net/11449/151300.

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Orientadora: Lucia Regina Vieira Romano<br>Banca: Elizabeth Lopes<br>Banca: Vinicius Torres Machado<br>Resumo: Partindo da minha formação enquanto atriz junto ao Odin Teatret, e de todos os estudos que as(os) integrantes desse grupo têm realizado acerca do vocabulário da atriz e do ator, busquei conectar teoria e prática, retomando o treinamento que é desenvolvido nessa tradição. Logo no início da pesquisa, o princípio da oposição, por sua recorrente presença nos exercícios e também nos escritos, mostrou-se relevante dentro do processo formativo desse grupo, especialmente no que diz respeito a

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22

Geanotes, Alyxia. ""Don't look at the camera!" : an investigation into directorial methodologies and practise used when working with child actors in film." Master's thesis, University of Cape Town, 2005. http://hdl.handle.net/11427/10545.

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Title of CD-ROM is "Unwritten Letters", written and directed by Alyxia Geanotes.<br>Includes bibliographical references.<br>This dissertation sets out to explore the complexities inherent in working with children in a filmic context. The focus is on creating a set of guidelines for other emergent filmmakers to use when and if they choose to work with children in film. It will analyse how the complex dynamics of children and film together create both the obstacles and inspirations in filmmaking. The film Unwritten letters forms the platform for the analysis and discussion around the nature of c

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23

Suen, Siu-mei Jocelyn, and 孫少薇. "Tina Ti as sex symbol : a challenge to dominant culture." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hdl.handle.net/10722/205876.

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24

Barbosa, Laura Melamed [UNESP]. "Relações entre escutar e dizer no processo de criação da interpretação: a influência da audibilidade na percepção dos recursos expressivos orais." Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/141882.

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Submitted by LAURA MELAMED BARBOSA null (lauramelamed@ig.com.br) on 2016-07-19T17:19:42Z No. of bitstreams: 1 Dissertação_Laura_Melamed_Barbosa_Repositório.pdf: 2566699 bytes, checksum: 114cbaa7e7365ccbf60ee76696d8b141 (MD5)<br>Rejected by Ana Paula Grisoto (grisotoana@reitoria.unesp.br), reason: Solicitamos que realize uma nova submissão seguindo as orientações abaixo: Inserir a data de defesa na folha de aprovação. Corrija estas informações e realize uma nova submissão contendo o arquivo correto. Agradecemos a compreensão. on 2016-07-19T18:39:58Z (GMT)<br>Submitted by LAURA MELAM

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25

Wong, Suet-lan. "Hong Kong cinema made international : the action cinema of Bruce Lee and Jackie Chan /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20059796.

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26

Carman, Emily Susan. "Independent stardom female stars and freelance labor in 1930s Hollywood /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1666151841&sid=33&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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27

Brown, Arielle B., and Arielle B. Brown. "The Effects of Politics and Media on America: Creating the Role of Lainie Wells in Lee Blessing's Two Rooms." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2130.

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Two Rooms, by Lee Blessings, was selected for performance at the University of New Orleans during the fall of 2015. I studied and portrayed the role of Lainie Wells as my thesis project. The purpose of my thesis was to research a character physically, psychologically, and emotionally as an actress and create a character through the eyes of Lainie Wells. The following is a brief breakdown of the structure of my written thesis: biography of Lee Blessing, hostage families and their mental state as it relates to the Iranian hostage crisis, mass media effects on Syria, The Hunt for Bin Laden, the r

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28

Cevik, Senem Bahar. "Impact of media spokeswomen on teen girls' body image." CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2801.

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This project investigated body image issues of girls aged 13-19 years old. It surveyed a random sample of 100 girls via a self-administered questionnaire. The study found that most teen girls have a celebrity actor idol and that the majority of teen girls are self conscious regarding body shape and weight.

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29

Shen, Chen. "Stephen Chow : the king of comedy in Hong Kong laughter in disguise and seeing beyond believing." Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2525519.

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30

Quintal, Shanda. "Fair to Middlin’: How the Mediocre White Male Trope as the Exemplar of Human Experience and Universal Truth Fails to Adequately Prepare the Diverse Field of Contemporary Actors and Audiences in Film, Television and Theatre Today." ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2678.

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Non-traditional casting has been a controversial practice in film, television and theatre that was implemented to offer people of color and women opportunities which had previously been available to white or male performers. The following is a case study documenting the process by which I have discovered that non-traditional casting as a practice contributes to the oppression of people of color as well as supports the status quo of the white patriarchy. This case study is analyzed from the historical, sociological, psychological and philosophical theories and ideologies relevant to the unsucce

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31

Carleto, Simone [UNESP]. "Processos de formação de intérpretes em consigna livre: práxis e metodologias experimentadas pela Escola Livre de Teatro de Santo André (ELT), Núcleo de Artes Cênicas (NAC) e SP Escola de Teatro." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/152428.

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Submitted by SIMONE CARLETO null (simonecarleto@uol.com.br) on 2018-01-05T13:10:38Z No. of bitstreams: 1 Tese Completa Simone Carleto_final.pdf: 39974225 bytes, checksum: 655e40f6ecf0f0792b3b923f4652bbbc (MD5)<br>Approved for entry into archive by Laura Mariane de Andrade null (laura.andrade@ia.unesp.br) on 2018-01-08T12:22:38Z (GMT) No. of bitstreams: 1 carleto_s_dr_ia.pdf: 39974225 bytes, checksum: 655e40f6ecf0f0792b3b923f4652bbbc (MD5)<br>Made available in DSpace on 2018-01-08T12:22:38Z (GMT). No. of bitstreams: 1 carleto_s_dr_ia.pdf: 39974225 bytes, checksum: 655e40f6ecf0f0792b3b923f46

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Mason, Melissa. "The revenge of the second banana a female sidekick's survival guide." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4803.

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I returned to school to receive an MFA in Musical Theater for many reasons, but paramount was the need to further explore and develop my range as an actress. Throughout my career, I have played a variety of roles, but none as challenging or possibly as rewarding as the man-hungry secretary "Charlie" in James Valcq's Zombies from the Beyond, produced by the Jester Theatre in Winter Garden, FL. Performing this role allowed me to achieve one of my objectives when entering the grad program at UCF: to transition from a classical ingenue or soubrette into a leading lady or character actress; making

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33

Oliveira, Júnior João Carlos de. "Preparação de atores na ficção televisiva seriada: um estudo de caso sobre telenovelas da Globo." Universidade Federal de Juiz de Fora (UFJF), 2016. https://repositorio.ufjf.br/jspui/handle/ufjf/3693.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-03-16T15:56:54Z No. of bitstreams: 1 joaocarlosdeoliveirajunior.pdf: 1174278 bytes, checksum: 92bd1d39125d3153f880b5d2e3774665 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-03-17T12:26:31Z (GMT) No. of bitstreams: 1 joaocarlosdeoliveirajunior.pdf: 1174278 bytes, checksum: 92bd1d39125d3153f880b5d2e3774665 (MD5)<br>Made available in DSpace on 2017-03-17T12:26:31Z (GMT). No. of bitstreams: 1 joaocarlosdeoliveirajunior.pdf: 1174278 bytes, checksum: 92bd1d39125d3153f880b5d2e3774665 (M

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Arredondo, Christina Marlene. "The affects [sic] of behavior on celebrity image." CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2627.

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35

Ferraz, Aline de Oliveira. "A formação de atores em escolas profissionalizantes: um estudo sobre o ver e o ser visto." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/27/27155/tde-01032013-151848/.

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São visíveis as necessidades de ocupação dos espaços de visibilidade na instância pública dentro da sociedade espetacularizada. A partir dessa premissa, a presente pesquisa, realizada na Oficina de Atores Nilton Travesso, busca pensar as possíveis contribuições de uma metodologia baseada nas aprendizagens existentes nas práticas simultâneas de atuação e fruição da cena adotadas na formação profissional dos estudantes. Esses experimentos foram fundamentados nos recentes estudos da recepção teatral, que no atual contexto surgem como possibilidade de equacionar os entraves relativos à experiência

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36

Maciel, Ana Carolina de Moura Delfim 1971. "Yes nos temos bananas : cinema industrial paulista : a Companhia Cinematografica Vera Cruz, atrizes de cinema e Eliane Lage. Brasil, anos 1950." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280238.

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Orientador: Cristina Meneguello<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-10T21:58:29Z (GMT). No. of bitstreams: 1 Maciel_AnaCarolinadeMouraDelfim_D.pdf: 42216695 bytes, checksum: c8b39a500702f3f74e472466c897c5f4 (MD5) Previous issue date: 2008<br>Resumo: Esta tese tem como objetivo investigar a trajetória da atriz Eliane Lage, integrante da história do cinema brasileiro dos anos 1950. A eleição e divulgação de um grupo de atrizes - integrando a busca pela implantação de um star system do cinema b

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37

Lewis, Shane. "Orry-Kelly : an Australian in Hollywood : producing meaning through costume." Thesis, Queensland University of Technology, 1997.

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Costume designer Orry-Kelly has a unique place in Hollywood history as one of the few designers to win three or more Academy Awards and one of the few Australians to succeed in the Hollywood studio system. His work was a major factor in the success of Bette Davis at Warner Bros. However, Orry-Kelly and his work have received little critical attention. This study examines the function of Orry-Kelly's costumes in a selection of Bette Davis vehicles produced at Warner Bros. between 1938 and 1942. In order to assess the value of Orry-Kelly's contributions, the thesis charts the development of th

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38

Becker, Christine A. "An industrial history of established Hollywood film actors on fifties prime time television /." 2001. http://www.library.wisc.edu/databases/connect/dissertations.html.

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Šimek, Martin. "Obrazy dějin v české filmové a televizní tvorbě 21. století očima mladé generace herců a hereček." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-345654.

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The aim of this thesis is to capture the view of young (professionally) generation of actors and actresses who have played in at least one film or television film with the theme of the history of the twentieth century, on problems of contemporary history and historical subjects in the film. Another aim is to examine the reflection of the risks or benefits of film processing or historical events affecting the film medium itself, survivors from among the family members of narrators and schooling. Research is conducted through qualitative methods based on interviews with fourteen respondents, tog

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40

"Japanese voice goes global and local: globalization and localization of the Japanese seiyū culture in Hong Kong." 2007. http://library.cuhk.edu.hk/record=b5896750.

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Iu, Yiu.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2007.<br>Includes bibliographical references (leaves 163-173).<br>Abstracts in English and Chinese ; questionnaires also in Chinese.<br>Abstracts --- p.i<br>Acknowledgements --- p.iii<br>Table of Contents --- p.iv<br>Introduction --- p.1<br>Chapter A. --- Objectives and Significance --- p.1<br>Chapter B. --- Academic Issues and Literature Review --- p.4<br>Chapter C. --- Theories and Methodologies --- p.18<br>Chapter D. --- Structure of the Thesis --- p.20<br>Chapter Part I: --- The Making of a Seiyu Culture in Japan<br>Cha

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41

Skriletz, Jay H. "In the wings without a cue: how industrialization upstaged America's actors and how they can re-take center stage /." 2003. http://www.library.umaine.edu/theses/pdf/SkriletzJH2003.pdf.

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"Image and identity: a study of Connie Chan Po Chu and Josephine Siao Fong Fong as popular icons for women in the culture industry of Hong Kong." 1998. http://library.cuhk.edu.hk/record=b5889718.

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by Ku Ho Kwan Lisbeth.<br>Thesis submitted in: September 1997.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 1998.<br>Filmography: leaves 117-119.<br>Includes bibliographical references (leaves 109-116).<br>List of illustrations --- p.vii<br>Chapter I. --- Introduction --- p.1<br>Chapter 1. 1 --- Articulating Hong Kong History / Identity --- p.1<br>Chapter 1.2 --- Identity through Mass-Cultural Mediation --- p.10<br>Chapter 1. 3 --- Using Popular Culture --- p.18<br>Chapter II. --- The Locality of Culture: A Contextual Analysis of Cantonese Cinema in Hong Kong --- p.32<br>Chapte

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Beltrán, Mary Caudle. "Bronze seduction the shaping of Latina stardom in Hollywood film and star publicity /." 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3108457.

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CHEN, Ying-Hsuan, and 陳穎萱. "The political-economy analysis of transnational satellite television co-producing nonfiction programs with the local actors: Take Discovery Channel for example." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/39020972683869633361.

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碩士<br>國立臺灣師範大學<br>大眾傳播研究所<br>98<br>With development of capitalism globalization, in addition to the influence on finance and trade of the international corporation, transnational media influence on culture activities are more concerned. When transnational media expands its global market, it must face inherent culture and existing market, and how to interact with the locals by taking appropriate linking strategies. As for international satellite TV channels, " nonfiction entertainment" channels differs from other foreign channels by using localization strategy in the program production, which a

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Beltrán, Mary Caudle. "Bronze seduction: the shaping of Latina stardom in Hollywood film and star publicity." Thesis, 2002. http://hdl.handle.net/2152/456.

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Ayob, Asma. "Beyond appearances : transnationalism and representation of women in Bollywood cinema." Thesis, 2014. http://hdl.handle.net/10500/18481.

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Bollywood cinema continues to evolve. As a result, it has become a transnational/cultural role player for Indian audiences worldwide. There has always been a strong link between Bollywood cinema and Indian society. Over the years, it has contributed to the dialogue on women’s roles and position in Indian society. In the past, Bollywood filmmakers were faithful to representations of women who were bound by patriarchal structures in the sense that they were expected to be loyal to ancient Indian traditions and belief-systems. Based on the increase in Indian migration, contemporary Bollywood film

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