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Books on the topic 'Thao Folk songs'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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1

Bunčhœ̄m, Sawing. Khwāmsō̜i-khwāmthūai. Samnakphim Mō̜radok ʻIsān, 1999.

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2

Phatthrāchai, Sukanyā. Phlēng patiphāk: Botphlēng hǣng patiphān khō̜ng chāobān Thai. Khana ʻAksō̜nrasāt, Čhulālongkō̜nmahāwitthayālai, 1997.

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3

Phimsēn, Pramūan. Phayā hō̜ khlōng. Nūai ʻAnurak Singwǣtlō̜m Sinlapakam Thō̜ngthin Čhangwat Khō̜n Kǣn, 1995.

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4

Rattanakhunnasāt, Phim. Phim kawī Sī ʻĪsān, Dō̜rō̜. Phim Rattanakhunnasāt: Ramlưk bō̜rommakhrū phūpraphan klō̜n lam phư̄a mō̜lam nai dindǣn ʻĪsān. Samnak Songsœ̄m Sinlapawatthanatham, Mahāwitthayālai Khō̜n Kǣn, 1997.

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5

Krō̜pthō̜ng, Siriphō̜n. Wiwatthanākān phlēng lūkthung nai sangkhom Thai. Samnakphim Phanthakit, 2004.

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6

Khōttarachomphū, Nārin, та Sathāban Rātchaphat Kamphǣng Phet, ред. Kānlalēn phlēng phư̄nbān Tambon Nakhō̜n Chum, ʻAmphœ̄ Mư̄ang, Čhangwat Kamphǣng Phet. Sathāban Rātchaphat Kamphǣng Phet, 1997.

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7

Kētprathum, Wichīan. Phlēng phư̄nbān čhāk Phayuhakhīrī. Sūn Watthanatham Čhangwat Nakhō̜n Sawan, Witthayālai Khrū Nakhō̜n Sawan, 1987.

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8

Somchai. Lak tham thāng Phra Phutthasātsanā thī prākot yū nai botphlēng lūkthung Thai =: Principle of Buddhism as found in Thai folk songs, phleng luk thung. Mahāčhulālongkō̜nrātchawitthayālai, 1995.

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9

Sǣngthō̜ng, Kritsanā. Phlēng patiphāk: Watthanatham dontrī læ phāpsathō̜n sangkhom khō̜ng chāo Tambon Khao Thō̜ng, ʻAmphœ̄ Phayuhakhīrī, Čhangwat Nakhō̜n Sawan. Sūn Sinlapawatthanatham, Sathāban Rātchaphat Nakhō̜n Sawan, 1997.

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10

Sǣnthawīsuk, Piyaphan. Dontrī phư̄nbān ʻĪsān: Khītakawī ʻĪsān, tamnān khrư̄ang dontrī læ kānrīanrū dontrī phư̄nbān ʻĪsān. Čhangwat Mahā Sārakhām], 2006.

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11

1955-, Buntư̄an Sīwō̜raphot, and Thailand Krom Sinlapākō̜n, eds. Bot dō̜ksō̜i sawan khrang Krung Kao. 2nd ed. Krom Sinlapākō̜n, 1998.

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12

Rakʻitsara, Latdā. Phlēng klō̜m dek "Phāk Tai" chā nō̜ng. Samnakphim Thānbūakǣo, 2002.

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13

Lōhitkun, Thīraphāp. Pathommabot phlēng lūkthung læ phlēng phư̄a chīwit nai Mư̄ang Thai, Phō̜. Sō̜. 2480-2500. Samnakphim Somsān, 1997.

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14

Sutchāyā, Sukanyā. Phlēng phư̄nbānsưksā. Sūn Khatichon Witthayā rūamkap Khrōngkān Tamrā Khana ʻAksō̜nrasāt, Čhulālongkō̜nmahāwitthayālai, 2000.

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15

Pienkowski, Jan. Fancy that! Orchard Books, 1989.

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16

Quán, Vi Miên. Ca dao-dân ca Thái Nghệ An. Nhà xuất bản Đại học quốc gia Hà Nội, 2010.

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17

Phongwat, Sāwit. Nāttayapradit læ watthanatham phư̄nbān phāk Tai. Sūn Watthanatham Čhangwat Phūket, Witthayālai Khrū Phūket, 1991.

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18

Phakdī, Niran. Khunnalaksana khō̜ng phlēng klō̜m lūk nai sangkhom læ watthanatham Čhangwat Chachœ̄ngsāo =: The lullaby songs in society and culture of Chachoengsao Province. Samnakngān Khana Kammakān Watthanatham hǣng Chāt, Krasūang Watthanatham, 2005.

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19

Nāwikkamūn, ʻAnēk. Kret čhāk wong phlēng. Phim Kham Samnakphim, 2012.

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20

Sumrongthong, Bussakorn. Mō̜lam. Samnakphim hǣng Čhulālongkō̜nmahāwitthayālai, 2010.

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21

Phalangwan, Wǣng. Tamnān ramwong Kumphawā, Khammā Rungniran. s.n.], 2005.

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22

Bunnāk, Khrư̄ačhit. Kānsưksā čhētkhati tō̜ phlēng phư̄nbān ʻĪsān khō̜ng naksưksā sathāban rātchaphat Phāk Tawanʻō̜k Chīang Nư̄a nai khēt ʻĪsān tai: Folk songs in the North-eastern part of Thailand : a critical study with special reference to the attitude of students in lower North-eastern rajabhat institute. Khana Manutsayasāt læ Sangkhommasāt, Sathāban Rātchaphat Surin, 1998.

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23

Nāwikkamūn, ʻAnēk. Sārānukrom phlēng phư̄nbān Phāk Klāng. Klum Sưksā Phlēng Phư̄nbān, 1985.

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24

Līangsombūn, Wirat. Phlēng hōmrōng Nōrā: Karanīsưksā Čhangwat Nakhō̜n Sī Thammarāt. Sathāban Rātchaphat Nakhō̜n Sī Thammarāt, 1999.

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25

Phongwat, Sāwit. Phlēng læ kānlalen phư̄nbān Phāk Tai =: Southern music and local plays. Prōkrǣm Wichā Nāttasin, Khana Wichā Manutsayasāt læ Sangkhommasāt, Sathāban Rātchaphat Phūket, 1999.

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26

Phǣngngœ̄n, Phaibūn. Klō̜nlam-phūmipanyā khō̜ng ʻĪsān. Samnakphim ʻŌdian Satō, 1991.

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27

Suwannaphāt, Phachō̜n. Phlēng Khōrāt. Sathāban Wičhai Phāsā læ Watthanatham phư̄a Phatthanā Chonnabot, 2001.

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28

ʻUthok, Mongkhon. Phlēng Phin Phanomphrai. Dǭkyā, 2001.

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29

Čhindāsǣng, Monsawan, ed. Tamnān phlēng phư̄a chīwit: Sāithān hǣng kāntō̜sū. Samnakphim Phimtulā, 1989.

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30

Nghịch, Hoàng Trần, ed. Lời có vần ông cha truyền lại: Song ngữ Việt Thái. Nhà xuá̂t bản Văn hóa dân tộc, 2005.

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31

Cubbin, Sue. 'That precious legacy': Ralph Vaughan Williams and Essex folksong. Essex Record Office, 2006.

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32

1940-, Cohen Ronald D., ed. "Wasn't that a time!": Firsthand accounts of the folk music revival. Scarecrow Press, 1995.

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33

Bunnāk, Khrư̄ačhit. Khǣčhǣt: Dư̄an hǣng thētsakān Songkrān chāo Thai Khamēn Surin (khatichon sū kānsadǣng). Phāk Wichā Nāttasin, Khana Manutsayasāt læ Sangkhommasāt, Sathāban Rātchaphat Surin, 1999.

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34

Čhopkrabūanwan, Čhēnphop. Phlēng lūkthung. ʻUtthayān Kānrīanrū, 2007.

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35

ʻŌ̜ramut, Bunthœ̄t. Phlēng Karīang, tambon Sūan Phưng, ʻAmphœ̄ Sūan Phưng, Čhangwat Rātchaburī. Rongrīan Sūan Phưng Witthayā, 1997.

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36

ʻŌ̜ramut, Bunthœ̄t. Phlēng Karīang, tambon Sūan Phưng, ʻAmphœ̄ Sūan Phưng, Čhangwat Rātchaburī. Rongrīan Sūan Phưng Witthayā, 1997.

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37

Thailand. Samnakngān Khana Kammakān Watthanatham hǣng Chāt., ed. Lūkthung dīdēn songsœ̄m watthanatham Thai. Samnakngān Khana Kammakān Watthanatham hǣng Chāt, Krasūang Sưksāthikān, 1996.

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38

Thailand. Samnakngān Khana Kammakān Watthanatham hǣng Chāt., ed. 60 pī laokhān tamnān lūkthung Thai. Samnakngān Khana Kammakān Watthanatham hǣng Chāt, Krasūang Sưksāthikān, 1999.

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39

Nāwikkamūn, ʻAnēk. Phlēng phư̄nban. ʻUtthayān Kānrīanrū, 2007.

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40

Bưngsai, Sangīam. Botbāt khō̜ng lamklō̜n nai dān kānmư̄ang. Samnakngān Khana Kammakān Watthanatham hǣng Chāt, Krasūang Sưksāthikān, 1988.

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41

Phan, Đăng Nhật. Khủn Chưởng, anh hùng ca Thái. Nhà xuất bản Khoa học xã hội, 2005.

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42

Quán, Vi Miên. Mường Bôn huyè̂n thoại: Qua mo và dân ca Thái. Nhà xuá̂t bản Lao động, 2010.

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43

Lò, Vũ Vân. Văn hóa dân gian người Thái vùng Mộc Châu, Phù Yên, Bắc Yên tỉnh Sơn La. Nhà xuất bản Đại học quốc gia Hà Nội, 2010.

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44

Lò, Văn Sơi. Then Thái. Nhà xuất bản Văn hoá dân tộc, 2011.

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45

Thao texts and songs. Institute of Linguistics, Academia Sinica, 2011.

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46

Cohen, Norm, Carson Cohen, and Anne Dhu McLucas, eds. An American Singing Heritage. A-R Editions, 2021. http://dx.doi.org/10.31022/a089.

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This edition brings together representative transcriptions of folk songs and ballads in the British-Irish-American oral tradition that have enjoyed widespread familiarity throughout twentieth-century America. Within are the one hundred folk songs that most frequently occurred in a methodical survey of Roud's Folk Song Index, catalogues of commercial early country (or “hillbilly”) recordings, and relevant archival collections. The editors selected sources for transcriptions in a broad range of singing styles and representing many regions of the United States. The selections attempt to avoid the
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47

Cohen, Norman, ed. American Folk Songs. Greenwood, 2008. http://dx.doi.org/10.5040/9798400610691.

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This state-by-state collection of folksongs describes the history, society, culture, and events characteristic of all fifty states. Unlike all other state folksong collections, this one does not focus on songs collected in the particular states, but rather on songs concerning the life and times of the people of that state. The topics range from the major historical events, such as the Boston Tea Party, the attack on Fort Sumter, and the California Gold Rush, to regionally important events such as disasters and murders, labor problems, occupational songs, ethnic conflicts. Some of the songs wil
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48

Golemovic, Dimitrije O. Balkan Refrain. The Rowman & Littlefield Publishing Group, Inc., 2010. https://doi.org/10.5040/9798216202578.

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While the refrain is a frequent and important feature of folk singing, little has been written on it and what it can achieve. Balkan Refrain: Form and Tradition in European Folk Song attempts to establish what refrain actually is and how it can be defined in folk and scholarly practice based on musical examples from Serbia, Montenegro, and the Republic of Srpska, with the aim of finding general rules applicable to refrains in the songs of other nations. The refrain is observed from musical and linguistic perspectives, as well as its religious, social, and economical uses. As refrain is so impo
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49

Bennett, Elizabeth. Performing Folk Songs. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781501390210.

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Performing Folk Songs is the first full-length volume to explore folk singing from the perspective of performance studies. Using archival sources, family repertoire, and recorded performances of interviewees, this book argues that archives and repertoires are produced in sensory environments and through embodied encounters. Autoethnography, sensory ethnography, life-writing and landscape writing are used to explore the affective and emotional aspects of learning songs ‘by heart’. Drawing on her experience as a folk singer, Bennett contributes to discourse on British folk traditions in the 21st
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50

33 yō̜t klō̜nlam. Sūn Sinlapa Watthanatham, Witthayālai Khrū Lœ̄i læ Sūn Watthanatham Čhangwat Lœ̄i, 1992.

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