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Journal articles on the topic 'Thao Folk songs'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Suphanyot, Buaphan. "Sexuality in Thai Folk Songs." MANUSYA 10, no. 4 (2007): 92–101. http://dx.doi.org/10.1163/26659077-01004007.

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Combining fieldwork research with textual analysis, this paper investigates the role of traditional Thai folk songs in teaching sexuality and sex education in contemporary Thai society. Although this mode of teaching is not formally included in school curricula, folk songs have easily lent themselves to the role of education and the transmission of cultural values. They are filled with humour, easy to remember, and do not challenge prevailing Thai moral standards. This paper shows how folk songs have long been an important way for Thai people to learn about sexual desire, the functioning of se

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RUSDIANSYAH, PUTRI ADILAH, and ANDI SUCI RAHMADANI. "MEANING ANALYSIS OF THE SONG ‘MARENDENG MARAMPA’." Quantum Journal of Social Sciences and Humanities 3, no. 2 (2022): 57–63. https://doi.org/10.55197/qjssh.v3i2.131.

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Local songs are one of the literary genres in demand and enjoyed by the public. Not only to hear the song's lyrics, but some people are also interested in producing and even covering some folk songs. In terms of language, folk songs tend to be free, not bound by special rules. The lyrics mostly come from stories or circumstances from a region. The use of Local languages, which contain many symbolic meanings, makes it sometimes difficult for us to understand the meaning contained in the lyrics of a folk song. This study aims to describe the meaning contained in the Toraja folk song "Marendeng M

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Roper, Jonathan. "Formulas in Folk Verse and Folk Prose." Narodna umjetnost 59, no. 1 (2022): 7–21. http://dx.doi.org/10.15176/vol59no101.

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The existence of formulas in traditional songs of various kinds has been long recognized by scholars, and the presence of formulas in traditional tales has increasingly become a subject of discussion too. This prompts the question whether an individual who has a substantial repertoire of both songs and tales would use some of the same formulas in both these two modes. Or would it be the case that, as tales and songs have their own separate norms and rules, their formulas will not involve any significant similarities? To provide an initial response to such questions, this article draws upon ver

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4

吉田文子, 吉田文子. "漢朝民間歌謠之修辭技巧". 語文與國際研究期刊 28, № 28 (2022): 053–68. http://dx.doi.org/10.53106/181147172022120028004.

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<p>樂府詩之起源為民間流傳歌謠，初期樂府歌辭皆是為了配樂吟唱而作。因此漢朝樂府歌辭中除了音樂符號等特色外，亦多呈現各種修辭技巧，例如：疊字、疊句、對偶、頂真、排比、層遞等。此些修辭技巧共同特色為形式與意義上的「重疊反覆」，在歌辭中亦蘊含著獨特的節奏感。其中的「頂真格」即如接龍遊戲，「對偶」則上下對照相似兩句，作者從研究中認為這兩項修辭技巧在配樂而吟唱的樂府詩中扮演重要的角色。據此，本文研究範圍為「鼓吹曲辭」、「相和歌辭」中的漢朝民歌，探討其中獨特的修辭技巧。主要針對民歌中的「頂真格」在釀造節奏感的作用中對詩意產生的影響，以及在六朝時期已普遍化的「對偶」在漢朝民歌中又曾是如何的角色，這兩大部分進行分析與探討。</p> <p>&nbsp;</p><p>Yue-fu poetry originated from folk songs, and most of the early days of Yue-fu poetry were accompanied by music. For this reason, not only musical symbols can be seen in the lyrics of Yue-fu poetry in the Han Dynasty, but also various rh

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Ghimire, Ram Prasad. "A Folkloristic Study on the Folk Songs That Reflect Nature." Butwal Campus Journal 4, no. 1-2 (2021): 137–46. http://dx.doi.org/10.3126/bcj.v4i1-2.45014.

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This article traces nature in the folk songs being concerned with why folk song creators associate their songs with nature. The study drew its firsthand data by doing field research in Arghakhanchi and the researcher has used folkloristic concepts to analyze the given folk songs. The folkloristic study on them shows that the folk singers of the given locality use nature for two purposes. One purpose of using nature is to produce rhyme in the songs with the objects of nature. This may be called a surface level association. The second one is to associate the subtle layers of their ideas and feel

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qizi, Babajanova Marjona Zarif. "The tradition of metaphorical interpretation in Turkish folk songs." American Journal of Philological Sciences 5, no. 2 (2025): 38–40. https://doi.org/10.37547/ajps/volume05issue02-11.

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In this article, a semantic classification of metaphors used in Turkish folk songs was carried out. We hope that our article will be of interest to other young scholars who wish to conduct research on various aspects of the relationship between language, art and metaphor.

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Mahaliyanarachchi, R. P., and S. Panapitiya. "Folk Poems and Songs to Empower Human Resources Engaged in Sri Lankan Paddy Farming: An Empirical Study." Journal of Agricultural Sciences – Sri Lanka 18, no. 3 (2023): 347–54. http://dx.doi.org/10.4038/jas.v18i3.10131.

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Purpose: Folk poetry was used to alleviate the drudgery and harshness of agricultural life. The research problem here is whether folk poetry has been used for the spiritual thinking and mental development of people engaged in agriculture since ancient times. The main objective of this study is to reveal that these poems and songs stimulated the rice farming of the farmers.Research Method: The method used for this purpose is the Ethnographic research method. In those songs, the words used and the rhythm are considered prominent for this. Folk poems and songs related to farming recorded from dif

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AVDYLİ, Merxhan, and Veli KRYEZİU. "Folk Songs about Canakkale in Albanian History and Literature." Rast Müzikoloji Dergisi 10, no. 2 (2022): 289–309. http://dx.doi.org/10.12975/rastmd.20221028.

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Albanian culture coexisted for a period of over 500 years with Ottoman culture, at the turn of the new century, along with the Balkan troubles that led to the continued embrace of the transition from an old culture to the ideology of the Young Turk movement, and the continuation of joint Albanian-Turkish actions, in order to protect the Albanian Vilayets from the Serbo-Montenegrin occupiers. Early nineteenth-century Turkey emerged from bloody wars on all sides of its borders and from a weak government led by Abdul Hamid II faced a new war in 1915 now in defense of the Dardanelles in the bloodi

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DOĞANER, Ali, and Zeynep TÜRKERİ. "Presentation of Folk Songs Today and Changes in Folk Songs Texture." Akademik Dil ve Edebiyat Dergisi 6, no. 2 (2022): 0. http://dx.doi.org/10.34083/akaded.1085329.

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From the earliest times to the present, the narrators/transmitters of the oral cultural products of Turkish literature have been poets and minstrels ozan, kam, baksı. The oral culture tradition, which has a dynamic structure, has left its place to another literary product over time, formed in accordance with the conditions of the age, the sensitivities of the society and individuals without disturbing its specific features and rules. Folk stories and love stories with folk songs, which have replaced the Turkish epic tradition, have also taken their place in various stages and different cultura

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Tao, Yuyu, Narongruch Woramitmaitree, and Sayam Chuangprakhon. "Musical Literacy in Chinese Fuyang Folk Songs through the ‘Dui Duo Luo’ Music Piece." International Journal of Education and Literacy Studies 13, no. 1 (2025): 121–28. https://doi.org/10.7575/aiac.ijels.v.13n.1p.121.

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Fuyang folk songs, rooted in the cultural traditions of Anhui Province, China, represent a vital component of intangible cultural heritage, encapsulating the region’s linguistic, musical, and cultural identity. This study explores the musical literacy in Chinese Fuyang folk songs through the ‘Dui Duo Luo’ music piece. The research investigates the song’s textual, melodic, and performative elements using qualitative methods, including fieldwork, interviews with five key informants, and musical analysis. The findings reveal that the lyrics of ‘Dui Duo Luo’ serve as a repository of local dialects

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ZORIGT MANDULA. "Research on Folk Tales Sound Features." Academic Journal of Science and Technology 15, no. 3 (2025): 59–62. https://doi.org/10.54097/2faqca31.

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Features of the song culture in the folk tales of Tusheet: Mongolian songs from other countries and Chinese literature have been influenced by the local conditions and the creation of new songs, along with the compositional method that combines the themes of ancient Mongolian literature with the elements of poetry and narration, the ancient form-relational dictionary of Mongolian oral literature, and the melody of all ancient worship songs, which have been carefully preserved and inherited, and have been composed and sung to this day. In particular, the lively and lively nature of the story so

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Thayanithy, Murugu. "Feeling of love in Batticaloa folk songs." International Research Journal of Tamil 3, no. 4 (2021): 108–21. http://dx.doi.org/10.34256/irjt21414.

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Literatures have been studied orally before taking written form. History makes it clear that such songs were written during the Sanskrit period. These oral literatures shed light on the life and history of a country and its flaws and serve as a mirror that reveals the cultures, customs, and ancient thoughts of the people. Although the study of folk songs on the world stage has been in vogue for a long time, it came into practice in Tamil Nadu in the 19th century and then came into the study. However, it has not been advanced as a separate discipline in the University of Sri Lanka to date. Inst

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Chen, Junnan, Jiawei Zhong, Jiajie Xiang, Yingjie Gong, Yilu Li, and Chenghong Wang. "Musical Characteristics of Tibetan Folk Songs in Baima." International Journal of Education and Humanities 6, no. 3 (2023): 88–89. http://dx.doi.org/10.54097/ijeh.v6i3.4195.

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Baima Tibetan is a branch of Tibetan in Longnan area. Its historical origin, religious beliefs, customs and folk customs are very different from Tibetan. Baima Tibetan folk songs have rich flavor and various forms, including toasting songs, labor songs, dance songs, sacrificial songs and other types. Baima Tibetan folk songs are a vivid display of their national customs and living customs. This paper introduces the types of Baima Tibetan folk songs, and analyzes their music characteristics, hoping that more researchers can go to Baima Tibetan and learn about the charming Baima Tibetan folk son

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14

TÜRKMENOĞLU, Ömer. "TURKISH FOLK SONGS ACCOMPANIED BY SYMPHONY." Zeitschrift für die Welt der Türken / Journal of World of Turks 13, no. 2 (2021): 277–86. http://dx.doi.org/10.46291/zfwt/130214.

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In this study, by investigating the subject of Turkish folk songs accompanied by symphony; In the literature review, it was revealed that there is no previous academic study on this subject. It is clear that there should be a written source in addition to the performance regarding this subject, so this article is important in terms of contributing to the literature. Before we talk about symphonic arrangements, we need to have information about the first compilation and recording of Turkish folk songs. Symphonic arrangement of folk songs in Turkey started with the music revolution movement init

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M, Ganesan, and Chitra P. "People's Education and Social Status in Folk Songs." International Research Journal of Tamil 4, S-16 (2022): 128–38. http://dx.doi.org/10.34256/irjt224s1617.

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Literature is created by the well-known poets and preserved by the learned people. Aru. Alagappan says folk songs are created by lay people and saved by them. They have created folk songs in the form of oral literature in various categories such as lullaby songs, ghummi songs, themmangu songs, sports songs. These songs are about the joys and sorrows of the common people but, they may not be documented. The songs do not have formal grammatical forms or word structure. But it has all the flavors and concepts of the people like pleasure, suffering, waiting, achievement, trial, heroism, love and l

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K, Nivetha, Sasirekha P, Bhuvaneshwari K, and Raja M. "Psychology in Tamil Folk Songs." Indian Journal of Tamil 3, no. 3 (2022): 5–10. http://dx.doi.org/10.54392/ijot2232.

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All Tamil literature is a gift given to us by our forefathers. All literature expresses the life values of the people. In this way, folk literature, which is unwritten literature, reflects human feelings. A man expresses his subconscious thoughts and beliefs through folk literature. In folk literature that includes folk songs, folk tales, fables, proverbs, etc., man expresses his life experiences from birth to death. Folk In literature, man expresses his life records from birth to death. In lullabies, events such as a mother's love for her child and making children realise the importance of re

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S, Kamaraj. "Types and Forms of Folk Songs Tradition in Malayalam Literature." International Research Journal of Tamil 4, no. 1 (2021): 32–43. http://dx.doi.org/10.34256/irjt2215.

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The folk songs have been well flourished in Malayalam Literature. The Malayalam folk songs entirely different from the Tamil folk songs. But it is fact that the structure of Malayalam Pattu has been adopted from the Tamil Literature and we could understand that the Tamil structure has been following even today. Folk songs have a special place in Malayalam Literature. Folk songs in Malayalam are categorized into community songs, Worship songs, Professional songs and celebration songs etc. This study has been analysis the Types and forms of folk songs which related to worshiped.

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ZORIGT MANDULA, AYUSH ALIMAA, and SVHBAATAR BATTSOOJ. "The Heritage of Folk Song in Tusheet Luger Research." International Journal of Education and Humanities 19, no. 3 (2025): 246–48. https://doi.org/10.54097/zjxzr505.

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Tusheet folk songs are folk songs that have been passed down orally among the Mongolian people for centuries. They are considered intangible cultural heritage. The meaning of the word Tusheet folk songs is a type of melodious song. Many of the songs are named after real people, places, mountains, and rivers. Their unique characteristics distinguish them from other types of oral literature, and they have a much more convincing power than other oral literature, which is why folk songs have been passed down orally among the people for hundreds of years and have spread widely.

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M, Murali. "Folk Thoughts in Bharathiyar Songs." International Research Journal of Tamil 4, S-11 (2022): 184–89. http://dx.doi.org/10.34256/irjt224s1126.

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Bharathi is admired by the people as the National Poet, World Poet, and Mahakavi. Bharathi had many dimensions as a poet, writer, journalist, freedom fighter, and social reformer. Bharathiyar's songs contain many truths that endure across space and time. There are two types of songs. One is to pour out thoroughly with simplicity in the minds of the laity. Another thing is that the learned poets create slanderous words with sharp edges. There is no doubt that the poetry of the other poets is superior, but all his works are somehow indebted to folk literature. This is a fact known in all folk li

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Duan, Zhipeng, Chutima Maneewattana, and Xiulei Ren. "The Development of Yunnan “New Folk Songs”." International Journal of Sociologies and Anthropologies Science Reviews 4, no. 6 (2024): 269–82. http://dx.doi.org/10.60027/ijsasr.2024.4917.

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Background and Aim: This study investigates the evolution of the “New Folk Song” in Yunnan and analyzes how historical, cultural, and social changes have influenced their development. Yunnan folk songs are a cultural product with local characteristics and close to the development of the working people in Yunnan that is close to the people's daily life. The "New Folk Songs" of Yunnan is a musical form combining “nation” and “modern” innovation. In the process of development, it is constantly endowed with new definitions and connotations and presents the situation of diversified development. Due

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Tosheva, Dilbar Muzaffar kizi. "THE PECULIARITIES OF FOLK SONGS." XXI ASRDA INNOVATSION TEXNOLOGIYALAR, FAN VA TAʼLIM TARAQQIYOTIDAGI DOLZARB MUAMMOLAR 1, no. 5 (2023): 88–92. https://doi.org/10.5281/zenodo.8025375.

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This article written about origin of folk literature. Besides that, folk music vividly depicts people's lives, their attitudes toward reality, and various inner experiences through a variety of sound colors. Song enhances people's spiritual and moral world by influencing their emotions.This article highlights the important role of folk song in the moral and aesthetic education of students.

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J, Mohana Lakshmi. "Human’s Developmental Thoughts in the Tamil Folk Songs." International Research Journal of Tamil 4, S-16 (2022): 69–77. http://dx.doi.org/10.34256/irjt224s1610.

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At first oral songs appeared in the archaic language. These oral songs are sung in different forms. Folk songs have no grammatical restrictions it is just sung. The song is very simple and it is easy to sing. Though the song is simple it has many meanings that are useful for life. This article shows up the emerging management ideas in the folk songs such as leadership characteristics, education, morals and human resources.

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Moldoshova, G. M. "KAYUM MIFTAKOV FOLKLORIST, ETHNOGRAPH, COLLECTOR OF ORAL FOLK CREATIVITY." Herald of KSUCTA n a N Isanov, no. 2-2-2022 (April 30, 2022): 1003–10. http://dx.doi.org/10.35803/1694-5298.2022.2.1003-1010.

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This article describes the colossal collecting work of the folklorist Kayum Miftakov. In the Talas area, he records songs of various themes that are widespread among the local population. These are such songs as songs about love, about sadness, songs about work, religious songs, fairy tales, sayings, fables, riddles, proverbs and sayings, tongue twisters. This article provides brief information about the different genres of oral folk art, and about the activities of K. Miftakov.

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Mohammad Khan, Amir. "Folklore and Folk Songs of Chittagong: A Critical Review." Advances in Language and Literary Studies 8, no. 2 (2017): 37. http://dx.doi.org/10.7575/aiac.alls.v.8n.2p.37.

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Folk Songs stems from Folklore are very rich in the southern region of Chittagong. In this part of the world Folk Songs play pivotal role in the lifestyle of people as a heart-touching and heavenly connection exists between human, nature and Folk Songs. Folk Songs in this area are special because we found the theme of Nature Conservation in them. We took the southern part of Chittagong (Lohagara, Satkania, Chandanaish and Patiya) as our research area, selected a village namely Chunati in the systematic sampling and more than 100 people were interviewed through focus group discussion and key in

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Niroula, Dhundi Raj. "Manifestation of Sexist Ideology in Nepali Folk Songs." Humanities and Social Sciences Journal 14, no. 1 (2022): 1–15. http://dx.doi.org/10.3126/hssj.v14i1.57989.

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The objective of this research article is to examine and analyse the representative folk songs intonated by two Nepalese vocal maestros, Kumar Basnet and Ram Thapa. Feministic theoretical approach has been used to expose how patriarchal ideology belittles women as inferior sex. For that purpose, the perspective of sexist ideology has been employed. Thirteen different songs are taken as the primary texts in this research. Definitely, a number of researches have been carried out on Nepali folk songs by the foreign as well as home scholars basically from the descriptive approach. Aesthetic perspe

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Bhatt Saxena, Archana. "MUSIC IN MALVI FOLK SONGS." International Journal of Research -GRANTHAALAYAH 3, no. 1SE (2015): 1–3. http://dx.doi.org/10.29121/granthaalayah.v3.i1se.2015.3469.

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Indian folk life has always been music. There is no caste in India which does not have any influence on music. For Indian music, it is said that knowledge of Brahm comes from literature and Brahm is obtained from music. In India, there has been a tradition of singing, playing and dancing on various festivals and occasions since ancient times. Folklore is the indelible boon of ancient culture and wealth in which the souls of many cultures have been united. Folk music is a joyous expression of public life. According to Padma Shri Omkaranath-Folk music is the background to the development of Devi

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Hasan, Najat Abdulrahman. "Cultural Problems of Translating Mosuli Folk Songs into English." JOURNAL OF LANGUAGE STUDIES 3, no. 3 (2023): 99–112. http://dx.doi.org/10.25130/jls.3.3.6.

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This paper aims at examining problems and difficulties encounteredby translators when attempting to translate Mosul's folk songs intoEnglish. Folk songs originate among people of a certain country orregion. These songs are passed orally from one generation to the other.Such lyrics are marked by having very specific linguistic andphonological structures. The rationale behind this study is that thetranslation of folk songs in general and Mosul's ones in particular hasnot yet been given the proper attention and that there is a clear paucityin the translation literature of such field. The problem

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Grossberg, Daniel. "Nature, Humanity, and Love in Song of Songs." Interpretation: A Journal of Bible and Theology 59, no. 3 (2005): 229–42. http://dx.doi.org/10.1177/002096430505900302.

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This essay is a study of the three-fold theme of nature, humanity, and love in Song of Songs and an investigation into the ways nature imagery is used to evoke human love. The work further examines the nature of the highly erotic yet restrained love that is evoked.

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Ghimire, Ram Prasad. "Locality in the Folk Songs of Gulmi, Palpa and Arghakhanchi." Vox Batauli 9, no. 01 (2024): 65–71. http://dx.doi.org/10.3126/vb.v9i01.70405.

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This article draws on the folk songs of Gulmi, Palpa and Arghakhanchi with special focus on how they reflect and represent the sense of locality. Most of the folk songs that carry with them the sense of locality in the given districts are wali, Teej songs, savai and bhajan. People in these districts sing their own local folk songs to express their feelings deeply attached with their own local objects, places, people and gods and goddesses. I studied these folk songs in connection to the local beliefs and sensibilities that are regularly attached with what they do and anticipate in their actual

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Ismagilova, Ekaterina I. "Folk song poetry of the Chuvash people of the Krasnoyarsk Krai." Sibirskiy filologicheskiy zhurnal, no. 4 (2022): 49–62. http://dx.doi.org/10.17223/18137083/81/4.

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To create an adequate picture of the existence of the oral folk art of the Chuvash settlers, it is necessary to characterize individual microlocal traditions. Such traditions include song samples recorded from the Chuvash of the Krasnoyarsk Territory in the Bolshemurtinsky (1981 year of recording) and Kazachinsky (2009 year of recording) regions. Genre-style composition of songs is heterogeneous. The calendar layer of folklore is represented by Maslenitsa and round dance songs. Life cycle patterns include wedding and recruiting songs. Untimed lyrics includes guest and traditional lyric songs,

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Prkić-Palavra, Kristina, and Izet Pehlić. "Value Characteristics of Sevdalinka And Turbo-folk as Musical Genres." Društvene i humanističke studije (Online), no. 1(14) (February 4, 2021): 201–22. http://dx.doi.org/10.51558/2490-3647.2021.6.1.201.

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This paper has started from the fact that contextual analysis of song lyrics underlines that the meaning in lyrics is never completely clear, and its functional value and peculiarities are emphasized. This fact is based on insight into the relevant scientific and theoretical sources. The aim of this research was to establish the peculiarities and differences between sevdalinka and turbo-folk genres through a comparative analysis of sevdalinka lyrics and songs written in the spirit of sevdalinka, and turbo-folk songs lyrics. The research started from the assumption that the features of sevdalin

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Lee, Eugene. "The Status of Korean Folk Song Transmission in the Mid-1970s Seen through DBS Report “Minyo-ui Gohyang”." Society Of Korean Oral Literature 71 (December 31, 2023): 181–211. http://dx.doi.org/10.22274/koralit.2023.71.006.

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This study examines the actual status of the transmission of folk songs in South Korea in the mid-1970s through DBS Report "Minyo-ui Gohyang (Hometown of Folk Songs)" produced and broadcast by Dong-A Broadcasting System (DBS). DBS Report "Minyo-ui Gohyang" was a radio documentary series that covered farming and fishing villages to report on folk song transmission. DBS produced and broadcast 15 episodes of DBS Report "Minyo-ui Gohyang" in 1974 and 10 episodes in 1975. Although it did not cover all regions of the country, Gyeongsangnam-do, Gyeongsangbuk-do, Jeollanam-do, Jeollabuk-do, Gangwon-do

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Nnamdi-Eruchalu, Geraldine Ifesinachi. "Folk Songs and Social Realities: The Nsude Igbo Women Example." Advances in Social Sciences Research Journal 9, no. 2 (2022): 366–85. http://dx.doi.org/10.14738/assrj.92.11860.

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This study is aimed at documenting and analyzing the folk songs of Nsude women of South East Nigeria with the aim of understanding and reconstructing the traditional culture of the people which is shrinking in the face of westernization. The researcher observed that Christian songs and popular music have taken over the roles women previously performed by folk songs. The study argues that the decline in the use of folk songs by the womenfolk could be depriving the younger generations of the people certain values, beliefs, norms, and social practice which hitherto controlled behaviour and held t

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Thoyib, Muhammad Edy. "Promoting Covid-19 Health Protocol through Indonesian Folk Songs." Humanus 23, no. 1 (2024): 13. http://dx.doi.org/10.24036/humanus.v23i1.125256.

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Compliance with health protocols during the COVID-19 pandemic is a crucial issue. Some segments of society tend to disregard the prevailing protocols due to a lack of awareness of their importance, making efforts to instill public awareness and adherence to health protocols a significant concern during this pandemic. Among the community's various initiatives, using folk songs as a medium for conveying messages and educating the public has gained prominence. This article aims to investigate the promotion of COVID-19 health protocols through folk songs. The research employs a qualitative descrip

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Peycheva, Lozanka, and Nikolay Kirov. "Bulgarian Folk Songs in a Digital Library." Digital Presentation and Preservation of Cultural and Scientific Heritage 1 (September 30, 2011): 60–68. http://dx.doi.org/10.55630/dipp.2011.1.7.

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The paper presents the main results of an ongoing project aimed at the development of technologies for digitization of Bulgarian folk music and building a heterogeneous digital library with Bulgarian folk songs presented with their music, notes and text. An initial digitization and preservation of the Bulgarian cultural heritage starts by means of digitization and insertion into the library of over 1000 songs that were recorded and written down during the 60s and 70s of XX century. Also we present a full text search engine in a collection of lyrics (text of songs) and coded notes (symbolic mel

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Shubhangi. "Tracing the Tunes That Travelled: Geet Gawai and A Study of Bhojpuri Folk Music in Mauritius." Criterion: An International Journal in English 15, no. 5 (2024): 378–89. https://doi.org/10.5281/zenodo.14109582.

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After the abolishment of slavery throughout the British Empire, under the Slavery Abolition Act of 1833, a system of indentured labour was instituted in 1834 by the British Empire to combat the sudden labour shortage in enslaved colonies, ultimately resulting in forced migration. A significant majority of the Indians brought to foreign colonies (referred to as <em>girmitiya </em>/<em>coolie</em>/<em>jahajis</em> and <em>jahajins</em>) were Bhojpuri speakers from the states of Eastern Uttar Pradesh (then the United Provinces) and Bihar – two of the poorest provinces under colonial rule. W

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Horobets, Volodymyr, and Valentyn Slaston. "Folk Song and Its Transformation in the Repertoire of the Stanislav Pavliuchenko Ukrainian Folk Choir." Bulletin of Kyiv National University of Culture and Arts. Series in Arts, no. 46 (May 22, 2022): 87–93. https://doi.org/10.31866/2410-1176.46.2022.258620.

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The purpose of the research is to analyse the features of the transformation of folk songs in the repertoire of the Stanislav Pavliuchenko Ukrainian Folk Choir. Methods. The article is based on a musical and theoretical analysis of the repertoire of the Ukrainian Folk Choir. The article, along with general scientific methods (analysis, synthesis, generalisation), uses cross-cultural and systematic analysis, making it possible to characterise the transformation processes of Ukrainian folk songs holistically. Methods of processing musical material are aimed at preserving the features of the orig

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Zhang, Dezhi, Huihui Liao, Xiaowen Zhu, De Li, and Min Zhu. "English Publicity of Chinese Folk Songs—With the Tea Picking Dance as an Example." Journal of Education, Teaching and Social Studies 6, no. 1 (2024): p95. http://dx.doi.org/10.22158/jetss.v6n1p95.

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Chinese folk songs have unique inheritance and dissemination value. While actively developing the local dissemination of folk songs, we should constantly expand the transmission of Chinese folk songs overseas and enhance the international influence of Chinese folk song culture. Utilizing folk song micro-lesson to popularize the knowledge of Chinese folk songs, conducting surveys and analyzing the attitudes of international students from different countries towards four folk song micro-lesson videos, we have obtained over 30 valid survey data. The survey found that 96.77% of respondents believe

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Andriichuk, Petro. "The Development of Amateur Choral Art in the Context of the Musical Culture of Ukraine in the Second Half of the 20th and Beginning of the 21st Centuries." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 3, no. 1 (2020): 71–80. https://doi.org/10.31866/2616-7581.3.1.2020.204342.

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The article analyzes the specifics of the amateur choral art development from the second half of the XX century to the present in the context of Ukraine musical culture. It is emphasized that choirs are a form of revealing the creative potential of participants, act as a means of uniting people of different professions and ages by common interests, open opportunities to join the folk song heritage and participate in concert activities. The purpose of this research is to highlight the specifics and main trends in the development of amateur choral art in the second half of the 20th –

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Akande, Sunday Olufemi. "FOLK SONGS AS CONTRIVANCE FOR PROMOTING YORUBA CULTURAL VALUES AND SOCIAL INTERACTION AMONG YORUBA CHILDREN." Ethnomusic 19, no. 1 (2023): 171–86. http://dx.doi.org/10.33398/2523-4846-2023-19-1-171-186.

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Music is share of culture and therefore establishes an integral part of the life of people. The inherent value of folk music cannot be challenged in promotion of cultural values and social interaction in a Yoruba child and in the making of a child as being resourceful, useful and a good citizen, living according to the societal norms and customs. This study employed the historical research method. The study identifies and provides musical notation of some selected Yoruba folk songs materials that can be interpreted musically and also examines the influence and efficacy of Yoruba folk songs in

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Felisilda, Violeta. "RURAL LIFE IMAGERY REPRESENTATIONS IN SELECTED FOLK SONGS." Journal Sampurasun : Interdisciplinary Studies for Cultural Heritage 2, no. 2 (2017): 158. http://dx.doi.org/10.23969/sampurasun.v2i2.167.

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Pedagogical materials in teaching regional literature are needed in Philippine classrooms. However, the number of studies on regional literature that students and teachers can make use of is very limited. To cater to such academic demand, this study selected four folk songs of Southern Leyte, Philippines to determine the rural life imagery that they portray. The formalism approach in literary analysis was used in this study. The chosen folk songs were “AwitsaBukid” (Song of the Mountain), “Barutu” (Boat), “Alibangbang” (Butterfly), and “May BalayGamaysaBungtud” (There Was a Hut on the Hi

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Chowdhury, Rumana. "Bangladeshi Folk Songs: A ‘Nation-Thing’." International Journal of Research and Innovation in Social Science 06, no. 03 (2022): 536–40. http://dx.doi.org/10.47772/ijriss.2022.6325.

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There is no denying the fact that folk music of Bangladesh plays a vital role in representing a diverse cultural hybridization. It is also very closely connected to the emotional phase of the people as it not only stirs emotions but also tells tales of common people. With the accompaniment of the musical instruments, it has a universal appeal. Besides, folk music of Bangladesh is one of the good examples of a ‘Nation-Thing. A ‘Nation-Thing’ is something that belongs to only one particular group or community of people. It represents itself from every aspect of life, art and culture of a nation

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Zhang, Erhang, and Sarawut Choatchamrat. "Dissemination of Folk Song Literacy in China’s Northern Shaanxi Province." International Journal of Education and Literacy Studies 11, no. 4 (2023): 131–40. http://dx.doi.org/10.7575/aiac.ijels.v.11n.4p.131.

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This article examines and discusses the musical and artistic characteristics of Shaanxi folk songs, as well as how they can be more effectively disseminated in today’s rapidly changing social environment. This also provides some beneficial information for the dissemination and development of Shaanxi folk songs, allowing them to be disseminated and passed on more effectively. The study’s objectives were to analyze the musical characteristics of northern Shaanxi Province’s folk songs and to propose guidelines for the dissemination of folk song literacy in northern Shaanxi Province, China. The st

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Bosman, Martjie. "Die FAK-fenomeen: populêre Afrikaanse musiek en volksliedjies." Tydskrif vir Letterkunde 41, no. 2 (2018): 21–46. http://dx.doi.org/10.4314/tvl.v41i2.29672.

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Afrikaans popular music of a variety of genres and subgenres is currently flourishing. A very productive phenomenon is the re-interpretation of older songs, in particular folk songs. This article gives a short historical overview of the collection and publication of Afrikaans folk songs, followed by a brief description of various ways in which folk songs have previously been utilised. The collection of Afrikaans folk songs known as the FAK (Federation of Afrikaans Cultural Organisations) songbook earned itself an important position in Afrikaans cultural circles, but it was also stigmatised. Si

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Sherpa, Rinju. "A Study of Folk Songs Found in Bhojpur Districts." Sahayaatra सहयात्रा 8 (July 10, 2025): 119–30. https://doi.org/10.3126/sahayaatra.v8i1.80979.

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This research article entitled " A Study of Folk Songs Found in Bhojpur District" explores the types of folk song, major themes, its importance and impact of modernity on folk Songs. The required data has been collected from all communities and gender as respondents. Mainly, the data has been collected from the field visit through interviews, questionnaires as research tools under primary source and library as secondary sources. Descriptive and analytical methods have been applied to analyze the data. Bhojpur district as study area and folk songs as content have been chosen as study area. It i

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Lin, Kang. "Folk songs in the content of general music education in China." Science and School, no. 5 (October 29, 2023): 203–10. http://dx.doi.org/10.31862/1819-463x-2023-5-203-210.

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The article is devoted to the problem of increasing the role of folk songs in the content of general musical education. This problem is relevant not only for China, but also for Russia. It is connected with the tasks of the modern state educational and cultural policy of these countries, aimed at educating the younger generations in the context of their own national and cultural traditions and spiritual and moral values. The purpose of the article is to reveal the role of Chinese folk songs in the content of modern general musical education in China. The article reveals certain aspects of the

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Bamari, Ramzan. "Brahvi Women and their Folk Songs." Pakistan Journal of Applied Social Sciences 9, no. 1 (2019): 1–13. http://dx.doi.org/10.46568/pjass.v9i1.499.

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Baluchistan is an ancient and historical land where also situated an ancient site, such as, Mahrgarh. It is a fact that before coming of Aryans in this region, it existed a great and civilized Baloch and Brahvi Civilization, the brahvis actually belong to the Baloch and like the Balochi Literature, the Brahvi literature is also divided into three periods, viz: Khalqi Adab (Creative literature), Ta’amiri Adab (Constructive literature), and Lok Adab (Folklore Literature). The women contribution in the Brahvi literature is known with the title of: ‘Zaibul’, ‘Zab Jan’, ‘Gul Jan’ , ‘Phul Jan’ , ‘Ph

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Terzioğlu, Ahmet Mutlu. "A Values Education Investigation of Folk Songs in Elementary School Music Textbooks." Shanlax International Journal of Education 10, S1-Aug (2022): 110–15. http://dx.doi.org/10.34293/education.v10is1-aug.5187.

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The aim of this descriptive study was to examine the values in Turkish Folk Music songs included in the elementary school music textbooks developed in line with 2018 curriculum in Turkey. In this sense, 44 folk songs included in elementary school music textbooks used in Turkey in the 2019-2020 academic year were investigated in order to reveal the values in these songs. Content analysis was adopted in this study. The findings showed that the textbooks generally consisted of folk songs in which the values of love, patriotism and courage were addressed. In this context, 20 folk songs with the va

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Bao, Chaoqiao, and Sayam Chuangprakhon. "Literacy Preservation of Chinese Miao Feige Folk Songs." International Journal of Education and Literacy Studies 13, no. 2 (2025): 27–35. https://doi.org/10.7575/aiac.ijels.v.13n.2p.27.

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Chinese Miao Feige folk songs, traditional musical expressions of the Miao people in Guizhou province, serve as vital cultural artifacts that preserve historical narratives, social values, and communal identity. The objective of this study is to investigate the current status of Chinese Miao Feige folk songs. The research in Qiandongnan Miao and Dong Autonomous Prefectures involved qualitative methodologies, including field observations, interviews, and document analysis. Three key informants, recognized for their expertise and contributions to Feige, provided insights into the songs' cultural

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Yan, Tingyu, Hong Yu, and Jiajun Tang. "Comparative Analysis of Folk Song Styles in The Huizhou Region." International Journal of Arts, Humanities & Social Science 05, no. 05 (2024): 104–13. http://dx.doi.org/10.56734/ijahss.v5n5a11.

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The folk songs of the Huizhou region in Guangdong Province, China, are richly diverse and embody the area's profound cultural heritage. This study examines three distinct regional folk songs: the Huiyang Jiege, Ruhu Fishing Song, and Huidong Fishermen's Song, aiming to delineate their musical styles and cultural expressions and how they mirror the local culture. Utilizing both questionnaire surveys and in-depth interviews, this research engages with 326 residents and 16 cultural experts from various counties within Huizhou City. The study methodically evaluates the artistic features of these f

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