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Dissertations / Theses on the topic 'The Brothers Karamazov'

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Published: 4 June 2021

Last updated: 25 July 2025

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1

Welsh, Robert. "Brotherly love in Dostoevsky's The Brothers Karamazov /." View online, 1989. http://repository.eiu.edu/theses/docs/32211998832126.pdf.

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2

Zolezzi, Ibárcena Lorenzo. "The law in The Brothers Karamazov." Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/116434.

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The Brothers Karamazov was the last novel of Dostoievski and for that reason is in way a sort of synthesis of his thinking. In the article there is a brief development of some key ideas as these: in matter of guilt, the attitude has more importance than action; everyone is guilty of everything before the eyes of everyone (universal guilt); suffering purifies the individual and acts as a remedy that promotes his spiritual elevation; freewill is central in human existence. But the novel is also a novel about a crime. Somebody is murdered and the readers will discover the perpetrator at the very

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3

Thompson, D. E. O. "'The Brothers Karamazov' and the poetics of memory." Thesis, University of Cambridge, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.373713.

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4

McCoubrey, Sam. "Suffering and Redemption in the Works of Fyodor Dostoevsky." Thesis, Boston College, 2004. http://hdl.handle.net/2345/449.

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Thesis advisor: Peter Kreeft<br>In The Brothers Karamazov, Ivan Karamazov was convinced it is not right that there is so much suffering in the world, and was convinced nothing could make it right. As a result he was left with no choice but to reject the ticket for this world, or to be indignant toward the world, which means he was indignant toward life in it. If we listen closely to what Fyodor Dostoevksy had to say in five of his works, The Brothers Karamazov, Crime and Punishment, The Idiot, The Insulted and Injured, and Notes from the Underground, we will find a way in which we can accept t

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5

MOTTA, CARLOS EDUARDO VARELLA PINHEIRO. "THE PATHS OF FREEDOM: POLIPHONY, SOFRIMENTO AND REDEMPTION ON THE BROTHERS KARAMAZOV." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2013. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30047@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>Este trabalho consiste em uma leitura do romance Os Irmãos Karamázov, de Fiódor Dostoiévski, mediante quatro ensaios e uma breve introdução ao universo polifônico do autor, baseada nas concepções de Mikhail Bakhtin, Nicolai Berdiaev e Luiz Felipe Pondé. Os ensaios podem ser lidos como textos autônomos, embora dialoguem com frequência entre si, e não se atêm à defesa de um argumento central, visando, sobretudo, a ampliação das possibilidades hermenêuticas oferecidas pelo objeto. Trata-se de uma escolha que leva em consideração o caráter de o

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6

Kraeger, Linda T. "Conflict in The Brothers Karamazov: Dostoevsky's Idea of the Origin of Sin." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc500919/.

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The thesis systematically explicates Dostoevsky's portrayal of the origin of human evil on earth through the novel The Brothers Karamazov. Drawing from the novel and from Augustine, Pelagius, and Luther, the explication compares and contrasts Dostoevsky's doctrine of original conflict against the three theologians' views of original sin. Following a brief summary of the three earlier theories of original sin, the thesis describes Dostoevsky's peculiar doctrine of Karamazovism and his unique account of how human evil originated. Finally, the thesis shows how suffering, love, and guilt grow out

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7

Šakinis, Vladislav. "Иван Карамазов - герой-идеолог (Ф.М. Достоевский "Братья Карамазовы")". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2008. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2008~D_20080924_180821-23033.

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Более столетия русское и зарубежное литературоведение «разгадывает загадку» творчества Федора Михайловича Достоевского. Сам писатель четко сформулировал для себя творческое задание: при полном реализме найти в человеке человека. Герой Достоевского живет не хлебом единым. Он почти всегда человек идеи, чувствует себя обязанным определить свою позицию по отношению к вечным проблемам бытия. Герой Достоевского – это человек, выведенный на орбиту вечности, хотя он всегда представляет свою эпоху. Объектом исследования нашей магистерской работы и является один из таких героев-идеологов – Иван Карамазо

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8

Schimelpfenig, Sharla J. (Sharla Jan). "A Comprehensive View of Faith in "The Brothers Karamozov" Through the Collective Personality." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc501023/.

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In examining Dostoevsky's treatment of faith in The Brothers Karamazov, critics often focus solely on "The Grand Inquisitor." Dostoevsky, however, refutes the Inquisitor's views through the movement of the three Karamazov brothers toward faith. The three Karamazov brothers, as a collective personality, represent the fundamental needs of man and the corresponding aspects of faith, each brother being an individual study of the necessity of integrating soul, heart and mind into faith. The crises that each brother faces force each one to develop a fuller dimension of faith. The final effect of int

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9

Woodcox, Barbara Lynn. "The function of carnivalization in Gogol's Dead souls and Dostoevsky's Brothers Karamazov : a comparative analysis." Connect to resource, 1993. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1229694201.

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10

Kilgore, Karen Marie. "Starets Zosima, exemplar of spiritual generation a study of the spiritual father in Dostoevsky's The brothers Karamazov /." Theological Research Exchange Network (TREN), 1995. http://www.tren.com.

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11

Schuck, Eric. "Literary chronotopes as social structures of power in "The Brothers Karamazov" and "Del amor y otros demonios"." Connect to online resource, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1456680.

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12

Ormiston, Gregory. "The Prison Worlds of Dostoevskii, Tolstoi, and Chekhov." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492685883985888.

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13

Ball, Jonathan. "Themes of Self-Laceration Towards a Modicum of Control in Nineteenth Century Russia as Expressed by Dostoevsky in The Brothers Karamazov." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2516.

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The majority of the academic discourse surrounding Dostoevsky and his epic, The Brothers Karamazov, has been directed toward the philosophic and religious implications of his characters. Largely overlooked, however, is the theme of laceration. In the greater scope of laceration stands the topic of self-laceration. Self-laceration refers to the practice of causing harm to the self in a premeditated and specifically emotionally destructive fashion. The cause of this experience is varied and expressed in as many ways as there are individuals. The struggle in the Russian psyche between viewing the

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14

Brookes, Alexander. "Non-Euclidean Geometry and Russion Literature| A Study of Fictional Truth and Ontology in Fyodor Dostoevsky's Brothers Karamazov, Vladimir Nabokov's The Gift, and Daniil Kharms's Incidents." Thesis, Yale University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3578319.

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<p> This dissertation is an investigation of a theoretical problem—the determination of truth and being in a work of literary fiction—in the context of a momentous event in the history of mathematics—the discovery of a consistent non-Euclidean geometry. Beginning with the first interpretations of the philosophical significance of non-Euclidean geometry to enter the Russian cultural sphere in the 1870s, I analyze how the works by three Russian authors—Fyodor Dostoevsky, Vladimir Nabokov, and Daniil Kharms—integrate the principles of mathematical truth into their co

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15

Gatrall, Jeff. "Word and image in Dostoevsky's The brothers Karamazov, from an analysis of the dialectic in the novel to an interpretation of Dostoevsky's confrontation with Hans Holbein the younger's The body of the dead Christ in the tomb." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ39826.pdf.

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16

Stefani, Monica. "'You are what you read' : intertextual relations in Patrick White's The solid mandala." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/32876.

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Este trabalho apresenta uma análise intertextual do romance The Solid Mandala, do escritor australiano, ganhador do prêmio Nobel, Patrick White, publicado em 1966, como parte de um esforço para estimular estudos sobre sua obra no Brasil e para investigar por que sua fortuna crítica tem passado por uma fase negativa recentemente. Primeiro, mostramos brevemente sua biografia e as condições relacionadas à produção e publicação de The Solid Mandala. Em seguida, apresentamos o contexto histórico do romance. As relações de conflito e complementação envolvendo os irmãos gêmeos Waldo e Arthur Brown na

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17

Atfield, Tom. "Reading The Brothers Karamazov in Burundi." Thesis, 2005. http://hdl.handle.net/10756/285097.

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In 1999, aged eighteen, I read 'The Brothers Karamazov' by Dostoevsky. I read this novel in Burundi, where I witnessed the suffering of others. The country's basic problem was civil war, which is best described in this terse note: "Rwanda, the sequel. Same story, different location. Nobody cares." The well-publicised problems in Rwanda in 1994 didn't end, they went next-door. The only thing separating the problems of those two countries was the most heavily landmined stretch of road on the planet. It was on this road, which was littered with the remains of vehicles and people, that I experienc

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18

Wojtusik, Jennie Denise. "The brothers Karamazov : guilt, alterity and the divine." Thesis, 2014. http://hdl.handle.net/2152/26305.

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Fyodor Dostoevsky’s novel The Brothers Karamazov continually challenges the reader with variations of this concept: “Heart of my heart, my joyful one you must know that verily each of us is guilty before everyone, for everyone and everything” (289). The challenge is twofold: how does one envision this utterance moving from the realm of philosophical abstraction to an ontology of responsibility, and what is the obligation I am failing to account for regarding everyone and everything? Contained in this utterance of guilt before all is the relationship between the individual and others; it posits

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19

Onujec, Ioan. "Iconology and hypostatics in Dostoevsky's "The Brothers Karamazov" and in the works of Augustine." 2004. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=80182&T=F.

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20

Lieber, Emma K. "On the Distinctiveness of the Russian Novel: The Brothers Karamazov and the English Tradition." Thesis, 2011. https://doi.org/10.7916/D82R3ZM1.

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This dissertation takes as its starting point Leo Tolstoy's famous contention that the works of the Russian literary canon represent "deviation[s] from European forms." It is envisioned as a response to (or an elaboration upon) critical works that address the unique rise, formation, and poetics of the Russian novel, many of which are themselves responses (or Russian corollaries) to Ian Watt's study of the rise of the novel in England; and it functions similarly under the assumption that the singularity of the Russian novel is a product of various idiosyncrasies in the Russian cultural milieu.

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21

Liu, Chein-Hang, and 劉劍航. "Evil and the Dynamics of Redemption in Dostoevsky's Crime and Punishment and The Brothers Karamazov." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/20566674445870500613.

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碩士<br>國立東華大學<br>創作與英語文學研究所<br>95<br>This thesis discusses the relations between evil and redemption in Dostoevsky’s two novels—Crime and Punishment and The Brothers Karamazov. Besides considering evil and crime through other critics, it adopts Julia Kristeva’s and William James’ notions to see that suffering is no more than a narcissistic ego being racked by an external evil, in that suffering from evil is the threshold of a process toward self-redemption. The thesis is divided into five chapters. Chapter one gives a brief introduction of the process of salvation. In accordance with Kristeva

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22

Hejdová, Ludmila. "Christologická, soteriologická a příslušná spirituální tématav v Dostojevského díle Bratři Karamazovi." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-408895.

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Thesis "The Christological, soteriological and relevant spiritual topics in the Dostoevsky Work The Brothers Karamazov" applies to the life and literary heritage of the Russian writer Fyodor Mikhailovich Dostoevsky, especially to his master piece The Brothers Karamazov. The novel summarizes the writer's life ideas which have matured throughout life. In this work, the emphasis is primarily put on finding and describing christological and soteriological features contained in the novel demonstrating the author's inner conviction and faith in Jesus Christ. The thesis also points to some spiritual

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23

Nucová, Magdalena. "Transpozice románu do divadelní a následně filmové podoby." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-350711.

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This thesis examines the semiotic rules and processes of the transfer of the original novel into a theatrical script, and then into screenplay of the film, with practical examples from the novel The Karamazov Brothers by F. M. Dostojevskij, screenplay Karamazov of author Evald Schorm and the film script by Petr Zelenka. It focuses on the processes of dramatization, shows communication models and compares mainly text form of screenplays. Keywords: Semiotics of Theatre, Semiotics of film, The Brothers Karamazov, Dostojevskij, transposition, drama

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24

Tymofeyeva, Alla. "Analýza trestněprávní terminologie v českých překladech vybraných románů F.M. Dostojevského." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-373618.

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(in English): This thesis focuses on a review of the criminal terminology in the Czech translations of five novels by F. M. Dostoevsky. The paper covers the following novels: 1) Crime and Punishment; 2) Demons; 3) Notes from the House of the Dead; 4) The Brothers Karamazov and 5) The Idiot. The main objective of the manuscript is to analyze the legal terms in these novels and to ensure accurate translations into the Czech language from a legal and linguistic perspective. These findings may be of significant assistance in future translations of these Dostoyevsky's novels into Czech. Analýza tre

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25

Netopilová, Barbora. "Sen o pozemském ráji v Dostojevského dílech." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-328135.

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The dream about an earthly paradise, rediscovery of an original, absolutely harmonic paradisal life is, in Dostoevskij's opinion, one of the deepest and the most valuable dreams of the human heart. The spiritual course of any human being has its own history, it is born from thesis (babtism), goes through antithesis (crises) and finishes in synthesis (beauty). A man comes from the Eden Paradise and aims at heaven. So, a man in course of his spiritual life is in a real split into two paradises: the Eden Paradise from which he is coming from and the Kingdom of God where he is aiming at. The midpo

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