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Journal articles on the topic 'The Brothers Karamazov'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Iniesta, I. "The Brothers Karamazov." BMJ 338, may20 1 (2009): b1999. http://dx.doi.org/10.1136/bmj.b1999.

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2

Sciarrini, Marco. "Degeneration Theory and Dostoevsky’s The Brothers Karamazov." International Journal of Literature Studies 4, no. 1 (2024): 64–75. http://dx.doi.org/10.32996/ijts.2024.4.1.8.

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I am here interested in presenting a comparative analysis between the strand of thought known as ‘Degeneration Theory’ and Dostoevsky’s last major novel, The Brothers Karamazov. I will provide a brief contextualization about the influence of Degeneration Theory on Russian thought, postulating that the principal Russian preoccupation concerning degenerate attitudes – above all in Dostoevsky - consists in the disease of moral nihilism. I proceed by outlining the criminal type in The Brothers Karamazov by focalizing my inquiry around the figure of the illegitimate epileptic brother Smerdjakov. My

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3

Stoeber, Michael. "Mysticism inThe Brothers Karamazov." Toronto Journal of Theology 31, no. 2 (2015): 249–71. http://dx.doi.org/10.3138/tjt.3530.

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4

BERMAN, ANNA A. "Siblings inThe Brothers Karamazov." Russian Review 68, no. 2 (2009): 263–82. http://dx.doi.org/10.1111/j.1467-9434.2009.00524.x.

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5

Flath, Carol A. "The Passion of Dmitrii Karamazov." Slavic Review 58, no. 3 (1999): 584–99. http://dx.doi.org/10.2307/2697569.

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What is the word of Christ without an example?—Zosima, PSS, 14:267Do not believe the empty and mendacious crowd, Forget your doubts…—Dmitrii, via Nekrasov, PSS, 14:96In Brat'ia Karamazovy (The brothers Karamazov), Fedor Dostoevskii suggests the impossibility of earthly justice but compensates for this harsh truth through a vision of transcendent joy. His message of Christian belief, inexpressible in the indicative, infuses every word of the novel on a poetic level and becomes manifest in the unfolding of the plot.

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6

Kasatkina, Tatiana A., and Yulia V. Yukhnovich. "Round Table, Devoted to the Discussion of the Museum Exposition on the Novel The Brothers Karamazov in Staraya Russa, Held on May 24th, 2021 during the 36th International Readings in Staraya Russa “Dostoevsky and Contemporary Age”, titled “The Novel The Brothers Karamazov in the 21st Century:Interpretations, Resonances, Comparisons”." Dostoevsky and World Culture. Philological journal, no. 4 (2021): 220–61. http://dx.doi.org/10.22455/2619-0311-2021-4-220-261.

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The publication contains the record of the round table discussion “The Novel The Brothers Karamazov in the 21st Century: Interpretations, Resonances, Comparisons”, focused on the discussion of the Museum exposition dedicated to the novel The Brothers Karamazov in Staraya Russa, which took place on May 24th, 2021, in the framework of the 36th International Dostoevsky Readings “Dostoevsky and Contemporary Age”.

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7

Mikhnovets, N. G. "Epic Reversal of the Plot of Guilt from Prokharchin’s Dream to Dmitry Karamazov’s Dream." Nauchnyi dialog, no. 9 (September 30, 2020): 265–83. http://dx.doi.org/10.24224/2227-1295-2020-9-265-283.

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The article examines the plot of guilt in refraction to the event of a dream from the early story of Fedor Dostoevsky “Mister Prokharchin” to “Brothers Karamazov”. The author of the article proceeds from the idea of the specific features of the writer’s work, characterized by the dynamics of comprehending the main problems for him and the relative stability of their figurative, motivational, plot-plot expression. It is emphasized that the development of the plot was determined by the increased in the 1840–1870s. public interest in the problems of the correlation of the general as a national an

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8

Peace, R. A., and W. J. Leatherbarrow. "Fyodor Dostoyevsky: 'The Brothers Karamazov'." Modern Language Review 89, no. 3 (1994): 811. http://dx.doi.org/10.2307/3735227.

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9

Il'chenko, Sergey Nikolaevich, and Sergei Nikolayevich Ilchenko. ""The Karamazov Brothers" as intellectualgames." Journal of Flm Arts and Film Studies 2, no. 4 (2010): 94–99. http://dx.doi.org/10.17816/vgik2494-99.

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The article analizes the television version of EM. ПойоуелгекуЪ "The Karamazov Brothers". The author treats the TV series in question as a typical screen production possessing all the techniques characteristic of Russian television, as an adaptation of me classic text's philosophic and artistic richness in accordance with the laws of mass perseption. The artical gives a consise history of the novel's adaptations in the world cinema.

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10

Oh Jong-Woo. "Divine Comedy, The Brothers Karamazov." 러시아연구 17, no. 1 (2007): 89–109. http://dx.doi.org/10.22414/rusins.2007.17.1.89.

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11

Whitcomb, Curt, and W. J. Leatherbarrow. "Fyodor Dostoevsky: The Brothers Karamazov." Slavic and East European Journal 38, no. 1 (1994): 172. http://dx.doi.org/10.2307/308557.

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12

Stepanian, Karen. "The Brothers Karamazov: Dostoevskij’s Hosanna." Studies in East European Thought 59, no. 1-2 (2007): 87–99. http://dx.doi.org/10.1007/s11212-007-9015-x.

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13

Namli, Elena. "The Brothers Karamazov and the theology of suffering." Studies in East European Thought 74, no. 1 (2022): 19–36. http://dx.doi.org/10.1007/s11212-021-09454-x.

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AbstractThis article offers a reflection upon The Brothers Karamazov, interpreted as a theological and philosophical contribution to the debate over humanity’s practical relationship to suffering and vulnerability. The relationship is practical insofar as the questions with which Dostoevsky struggles all relate to human agency: How should we live in the continual presence of suffering? The article reconstructs a theology of suffering in The Brothers Karamazov as a form of anti-theodicy. Further, the theology of suffering in The Brothers Karamazov is counterposed to Leo Tolstoy’s novella Hadji

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14

Sokolov, Boris V. "Fyodor Dostoevsky vs. Nikolai Kostomarov: genesis of Smerdyakov's сharacter in The Brothers Karamazov". RUDN Journal of Studies in Literature and Journalism 28, № 1 (2023): 21–29. http://dx.doi.org/10.22363/2312-9220-2023-28-1-21-29.

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The author examines one of the episodes of N.I. Kostomarov's Autobiography - the circumstances of his father's murder as the main source of Smerdyakov's image in F.M. Dostoevsky's novel The Brothers Karamazov and its correlation with Dostoevsky's criticism of the idea “If there is no God, then everything is allowed!”. It is proved that Dostoevsky could have learned this episode in an oral transmission either personally from Kostomarov, or through mutual acquaintances with him. The connection is traced through the common Turkic origin of the surnames Kostomarov and Karamazov. It is proved that

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15

Petersen, Anders Klostergaard. "Paulus er ikke død – han lugter bare grimt: Den aksiale værdiomkalfatrings betydning for tidlig Kristusreligion." Religionsvidenskabeligt Tidsskrift, no. 69 (March 5, 2019): 63–88. http://dx.doi.org/10.7146/rt.v0i69.112743.

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ENGLISH ABSTRACT: Through a discussion of Dostoevsky’s depiction of the death of the staret in Brothers Karamazov I discuss the olfactory channel of communication in religion with the aim in mind to tease apart the underlying ontology pertaining to different forms of religion. The focus is on impurity related to putrefaction in death. Contrary to the understanding represented by the ironic voice of the narrator in Brothers Karamazov, I explore the view holding the saintly person to undergo an olfactory transformation in death changing into a pleasurable aroma and thereby becoming an indexical

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16

Whitlock, Sara Elizabeth. "Bowing for Forgiveness in The Brothers Karamazov." Journal of Student Research 5, no. 1 (2016): 1–3. http://dx.doi.org/10.47611/jsr.v5i1.275.

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The Eastern Orthodox tradition of bowing heavily influences the work of Fyodor Dostoyevsky, and his final novel, The Brothers Karamazov, contains many instances of bowing at developmental moments for protagonists. By setting the novel’s action during the Lenten season, Dostoyevsky allows the characters to participate vicariously in the Sunday of Forgiveness, an Orthodox service of bowing and forgiveness. When viewed in light of the book’s narrative timeline and the Sunday of Forgiveness traditions, the major bows in The Brothers Karamazov can be interpreted as requests for forgiveness.

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17

Yu, Sang-Baek. "Active Love as Principle of Education: Dilemma of Freedom from Dostoevsky’s Perspective." Korean Society for the Study of Moral Education 36, no. 2 (2024): 115–44. http://dx.doi.org/10.17715/jme.2024.6.36.2.115.

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The ideological connection between Kant and Dostoevsky is confirmed by the fact that both men were interested in establishing the ideas of ‘freedom,’ ‘immortality of the soul,’ and ‘God’ as conditions of human existence and morality. In particular, both are identical in that they seek to rescue the Idee of ‘immortality of the soul’ and ‘God’ using ‘freedom’ as the foundation. However, while Kant emphasizes ‘transcendental freedom’ and ‘practical freedom’ established through philosophical demonstration, Dostoevsky emphasizes ‘freedom of the beginning’ and ‘freedom of the end’ revealed through n

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18

Genet, Jean, and Arthur Goldhammer. "A Reading of "The Brothers Karamazov"." Grand Street, no. 47 (1993): 172. http://dx.doi.org/10.2307/25007712.

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19

Earnest, Steve. "The Brothers Karamazov by Fyodor Dostoyevsky." Theatre Journal 68, no. 3 (2016): 468–69. http://dx.doi.org/10.1353/tj.2016.0087.

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20

JENS, BENJAMIN. "Silence and Confession inThe Brothers Karamazov." Russian Review 75, no. 1 (2016): 51–66. http://dx.doi.org/10.1111/russ.12061.

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21

Vladiv-Glover, Slobodanka. "Speechand Being in the Brothers Karamazov." Dostoevsky Journal 3-4, no. 1 (2003): 93–112. http://dx.doi.org/10.1163/23752122-00301007.

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22

Fuller, Michael. "The Brothers Karamazov as Christian Apologetic." Theology 98, no. 785 (1995): 344–50. http://dx.doi.org/10.1177/0040571x9509800503.

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23

Burry, Alexander, and Yuri Ilyich Marmeladov. "The Brothers Karamazov...An Unorthodox Guide." Slavic and East European Journal 47, no. 4 (2003): 683. http://dx.doi.org/10.2307/3220255.

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24

Manukyan, Gretta V. "The Theme of Spirituality in F.M. Dostoevsky’s Novel “The Brothers Karamazov”." Общество: философия, история, культура, no. 7 (July 24, 2024): 151–55. http://dx.doi.org/10.24158/fik.2024.7.20.

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The article explores the theme of spirituality in Fyodor Dostoevsky’s novel “The Brothers Karamazov”, employ-ing hermeneutic, contextual, comparative, and other research methods. The duality in the portrayal of the divine is noteworthy. On the one hand, it is a completely positive image, which is expressed by the characters of the novel, the elder Zosimas and Alexei Karamazov; on the other hand, the novel’s complex philosophical and psychological composition justifies Dostoevsky’s exploration of the truthfulness of divine representation of God and the entire religious in the general eventualit

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25

Dryakhlova, Anastasiya Andreevna, and Yuliya Aleksandrovna Gun'ko. "The communicative and pragmatic level of Dmitry Karamazov's linguistic personality." Филология: научные исследования, no. 9 (September 2022): 12–21. http://dx.doi.org/10.7256/2454-0749.2022.9.38385.

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The article presents the results of the analysis of the pragmatic level of the linguistic personality of the hero of the novel by F.M. Dostoevsky Dmitry Karamazov. The relevance of the research is due to the fact that it is carried out within the framework of the anthropocentric paradigm of modern linguistics. The object of the study is the speech parts of the hero of the novel in the aspect of communicative activity. The subject of the study is the communicative strategies and tactics in the speech behavior of Dmitry Karamazov. The aim of the study is to describe the pragmatic level of the li

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26

Boulogne, Pieter. "Retranslation as an (un)successful counter-narrative: Les frères Karamazov versus Les frères Karamazov." Slovo.ru: Baltic accent 13, no. 1 (2022): 129–43. http://dx.doi.org/10.5922/2225-5346-2022-1-8.

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Drawing on Narrative Theory, this article analyses the second French translation of The Brothers Karamazov as a counter-narrative for the novel’s first translation into French. In the mid-1880s, the critic Vogüé blocked the introduction of Dostoevsky’s narrative by predicting a clash with the French taste. Taking this warning into account, the first French translators Halpérine-Kaminsky and Morice in 1888 framed the source narrative by means of selective appropriation and repositioning of the characters. Being accused of mutilation, Halpérine-Kaminsky reacted with the logic of good reasons

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27

Abbotson, Susan. "The Influence of Dostoyevsky's The Brothers Karamazov on the Plays of Arthur Miller." Arthur Miller Journal 13, no. 1 (2018): 1–11. http://dx.doi.org/10.5325/arthmillj.13.1.001.

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Abstract One of the most consistent thematic elements we find in Miller's plays, from his early student writings to Mr. Peters' Connections, is his exploration of the love and rivalry to be found between brothers. Many have viewed this concern as being rooted in Miller's personal feelings of both admiration and resentment toward his older brother Kermit. But while this may have allowed Miller to create his dramatic siblings with more authenticity, might not this fascination with loving brothers at odds have another, more literary source? And more than that, what if this book also contained man

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28

Shrayer, Maxim D. "Metamorphoses of ‘Bezobrazie’ in Dostoevskij's The Brothers Karamazov: Maksimov—Von Sohn—Karamazov." Russian Literature 37, no. 1 (1995): 93–107. http://dx.doi.org/10.1016/0304-3479(95)91129-d.

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29

Hudspith, Sarah, and Robert Louis Jackson. "A New Word on 'The Brothers Karamazov'." Modern Language Review 101, no. 2 (2006): 615. http://dx.doi.org/10.2307/20466889.

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30

Sharakov, Sergei Leonidovich. "THEOPHANIES IN THE NOVEL “THE BROTHERS KARAMAZOV”." Philological Sciences. Issues of Theory and Practice, no. 4-2 (April 2018): 297–300. http://dx.doi.org/10.30853/filnauki.2018-4-2.19.

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31

Rosenshield, Gary, and Robin Feuer Miller. "The Brothers Karamazov: Worlds of the Novel." Russian Review 53, no. 1 (1994): 130. http://dx.doi.org/10.2307/131309.

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32

Meerson, Olga, and Robin Feuer Miller. "The Brothers Karamazov. Worlds of the Novel." Slavic and East European Journal 38, no. 2 (1994): 368. http://dx.doi.org/10.2307/308821.

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33

Fitzgerald, Gene, and Robert Louis Jackson. "A New Word on "The Brothers Karamazov"." Slavic and East European Journal 49, no. 2 (2005): 314. http://dx.doi.org/10.2307/20058269.

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34

Kanevskaya, Marina. "Smerdiakov and Ivan: Dostoevsky’s The Brothers Karamazov." Russian Review 61, no. 3 (2002): 358–76. http://dx.doi.org/10.1111/0036-0341.00232.

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35

Wreen, Michael. "Monadology of The Brothers Karamazov." Philosophy and Literature 10, no. 2 (1986): 318–24. http://dx.doi.org/10.1353/phl.1986.0003.

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36

Tucker, Janet. "Ivan’s Dramatized Childhood in the Brothers Karamazov." Dostoevsky Journal 8-9, no. 1 (2010): 45–52. http://dx.doi.org/10.1163/23752122-00801003.

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37

Roberts, Peter. "Love, attention and teaching: Dostoevsky'sThe Brothers Karamazov." Open Review of Educational Research 5, no. 1 (2017): 1–15. http://dx.doi.org/10.1080/23265507.2017.1404434.

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38

Auweele, Dennis Vanden. "Existential struggles in Dostoevsky’s the Brothers Karamazov." International Journal for Philosophy of Religion 80, no. 3 (2016): 279–96. http://dx.doi.org/10.1007/s11153-016-9561-6.

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39

Hwang, Hoonsung. "The Brothers Karamazov: A Pilgrimage to Spirituality." Journal of East-West Comparative Literature 70 (December 31, 2024): 361–99. https://doi.org/10.29324/jewcl.2024.12.70.361.

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40

Shultz, Sergei. "Machiavelli – Turgenev – Dostoevsky: transformation of the tragicomic motif («Cletia», «The First Love», «The Brothers Karamazov»)." Literaturovedcheskii Zhurnal, no. 1 (2021): 9–20. http://dx.doi.org/10.31249/litzhur/2021.51.01.

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The Renaissance comedy of N. Machiavelli «Cletia» (1525), the story by I.S. Turgenev’s «First Love» (1860), the novel by F.M. Dostoevsky’s «The Brothers Karamazov» (1879-1880) reveals related plot situations and motives. All three texts depict the situations of love rivalry for one woman between two applicants - a father and a son. These situations, having the pathos of a tragicomic paradox, are resolved, however, in several different semantic registers and in several different pretentious fillings. Machiavelli is edifying. Turgenev remains closed in the chamber, private sphere of the personal

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41

Soboleva, Maja. "Kant und Dostoevskij über Gott." Zeitschrift für Slawistik 69, no. 1 (2024): 83–100. http://dx.doi.org/10.1515/slaw-2024-0005.

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Summary There is a widespread opinion among Russian literary scholars and philosophers that Dostoevsky was an irreconcilable anti-Kantian, and in his novels, first of all in The Brothers Karamazov, he conducted polemics against Kant on the issues of moral and religion. In my paper, I analyze the problem of the relationship between moral and religion in Kant and Dostoevsky. In this regard, I consider the question of what is primary as the basis of moral believes – moral or religion, as well as the question of autonomy in matters of religion. A parallel reading of the Critique of Pure Reason and

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42

Montgommery-Anderson, Brad. "The Tyranny of Bread: Utopian Visions in Dostoevsky's "The Grand Inquisitor" and Zola's Germinal." Rocky Mountain Review 77, no. 2 (2023): 174–89. http://dx.doi.org/10.1353/rmr.2023.a921587.

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Abstract: This study examines the treatment of socialism in Zola's Germinal and Dostoevsky's The Brothers Karamazov . Their views towards socialism represent a striking contrast: Dostoevsky condemned the utopian vision of a perfected and scientifically organized humanity, while Zola increasingly supported socialist ideals through both his novels and his activism. One point of contact, however, occurs in the symbolic use of bread. The role of bread in Germinal echoes its meaning in the story of the Grand Inquisitor, the most famous episode within The Brothers Karamazov . Zola portrays hunger an

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43

Kibalnik, Kibalnik S. A. "Andrey Bely’s novel Petersburg as Dostoevsky’s hybrid hypertext." Solov’evskie issledovaniya, no. 4 (December 15, 2021): 147–62. http://dx.doi.org/10.17588/2076-9210.2021.4.147-162.

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Andrei Bely’s “Petersburg” has been analyzed primarily with respect to its intertextual connections with Dostoevsky’s novel “The Brothers Karamazov”. This essay offers a comparative analysis of Nikolai Apollonovich Ableukhov, the main character in A. Bely’s novel, and Nikolai Vsevolodovich Stavrogin, the main character of Dostoevsky's novel “Demons”. We see that, in reality, the “Stavrogin genealogy” of the younger Ableukhov begins already with his name and appearance and continues with extravagant acts committed or only conceived by him. In the context of intertextual connections, other chara

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44

Khalikov, М. М. "INTERTEXTUALITY IN FAMILY CONTEXT: KARAMAYOV’S CITING SHILLER." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 24, no. 86 (2022): 105–13. http://dx.doi.org/10.37313/2413-9645-2022-24-86-105-113.

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The article is devoted to the discursive-linguistic analysis of the phenomenon of intertextuality on the example of the functioning of quotation and allusive borrowings from the works of F. Schiller in the artistic space of F.M. Dostoevsky's novel "The Brothers Karamazov". When reading the work, it is easy to find that all four Karamazovs show interest in the work of the classic of German romanticism and sporadically include extracts from his works in their speech parts. On the basis of this empirical observation, a hypothesis is expressed about the non-accidental nature of the appearance of S

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45

Kovalev, Boris V., and Fyodor N. Dviniatin. "Red and Black: On the Semantic Invariant in Fyodor Dostoevsky’s The Brothers Karamaz." Вопросы Ономастики 21, no. 1 (2024): 169–86. http://dx.doi.org/10.15826/vopr_onom.2024.21.1.008.

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The article examines the onomastic aspects of the Karamazov surname in Fyodor Dostoevsky’s novel The Brothers Karamazov, reviewing its primary interpretations. The majority of studies on this subject suggest a Turkic origin, associating the surname with the word qara ‘black’. Existing interpretations of the anthroponym are categorized based on two criteria: the way they interpret the method of encoding information into a literary name and the approach to tracing its transtextual connections. This analytical framework facilitates a novel interpretation of the surname Karamazov, revealing its em

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46

Woźniak, Adam. "Sokrates, Meursault i Karamazowowie – proces sądowy jako medium filozoficzne." Wielogłos, no. 3 (45) (2020): 137–59. http://dx.doi.org/10.4467/2084395xwi.20.025.12833.

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Socrates, Meursault, and The Brothers Karamazov: The Court Trial as a Philosophical Medium The aim of this study is to characterise the way that literary accounts of court trials shape the space for philosophical considerations. In the first part of the text, Marshall McLuhan’s concept of the medium is introduced and interpreted within the context of Martin Heidegger’s notion of technology. The second part of the paper, meanwhile, concerns the opposition between language and reality, which is crucial for the philosophical implications of courtroom space. This study includes also the “law and l

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47

Khanmokhtari, Parham, and Lali Koptonashvili. "Fyodor Dostoevsky’s Epilepsy: In Connection with His Novel." European Scientific Journal, ESJ 18, no. 26 (2022): 87. http://dx.doi.org/10.19044/esj.2022.v18n26p87.

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Fyodor Dostoevsky, aside from his intelligent structure use of epilepsy by combining it into his novels, essential idea "a moment of happiness is worth a lifetime" was perhaps stimulated by his epileptic aura. As mentioned in the article, he presented the first signs of epilepsy in early adulthood, but he was only diagnosed a decade later. For diagnosis, even Sigmund Freud, the father of psychoanalysis, theorized and wrote a book precisely for Fyodor's condition. Later, in the modern era with the new prognosis for epileptic types, so many neurologists with constant referral on his books and no

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48

Ou, Menglian. "Non-Euclidean Geometries as a Source of Faith in God for F.M. Dostoevsky and His Characters (on the Example of Ivan Karamazov)." Litera, no. 7 (July 2023): 139–50. http://dx.doi.org/10.25136/2409-8698.2023.7.41030.

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Ivan Karamazov's nightmare reflects his deep ideological crisis. In the story of Ivan Karamazov's "rebellion" against God, his arguments about recently discovered non-Euclidean geometries play a major role. Confessing that he cannot understand and accept the idea of non-Euclidean geometry and the idea of worlds arranged according to different laws than our world, Ivan therefore denies the possibility for himself to sincerely believe in God. The strange connection between non-Euclidean geometry and belief in God is confirmed by an episode in The Brothers Karamazov, in which Ivan has a vision of

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49

Yeleussizova, Meruert B. "Motives of Home and Homelessness in the Novel by F.M. Dostoevsky “The Brothers Karamazov”." Polylinguality and Transcultural Practices 17, no. 2 (2020): 231–44. http://dx.doi.org/10.22363/2618-897x-2019-17-2-231-244.

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The article is devoted to the study of the complex motive home-antidome in the work of F. Dostoevsky The Brothers Karamazov. Studying the motive as a key unit of narratology, the author comes to the conclusion that in Dostoevskys poetry a special role is played by antinomic motives, the multidirectional semantic potential of which contributes to the complexity of the poetic dialectic of the writer. Thus, the motive of the home in Dostoevskys novel is inextricably linked with the motives of homelessness, wandering, the search for the place in the world by the heroes of the novel. Each of the he

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50

Yeleussizova, Meruert B. "Motives of Home and Homelessness in the Novel by F.M. Dostoevsky “The Brothers Karamazov”." Polylinguality and Transcultural Practices 17, no. 2 (2020): 231–44. http://dx.doi.org/10.22363/2618-897x-2020-17-2-231-244.

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The article is devoted to the study of the complex motive home-antidome in the work of F. Dostoevsky The Brothers Karamazov. Studying the motive as a key unit of narratology, the author comes to the conclusion that in Dostoevskys poetry a special role is played by antinomic motives, the multidirectional semantic potential of which contributes to the complexity of the poetic dialectic of the writer. Thus, the motive of the home in Dostoevskys novel is inextricably linked with the motives of homelessness, wandering, the search for the place in the world by the heroes of the novel. Each of the he

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