Academic literature on the topic 'The Little Mermaid'

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Journal articles on the topic "The Little Mermaid"

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Cahya, Silviana Lintang, Afwi Madinatul Ilmi, Desvita Nuraini, Dyah Uyun Wulandari, Qirara Azamatul Aminah, and Rani Pradiva Purmitasari. "Swimming Across the World: The Portrayal of Mermaid in Mermaid and Swordsman, The Little Mermaid Live Action and Mermaid in Love 2 Dunia." EDU-KATA 11, no. 1 (2025): 48–57. https://doi.org/10.52166/kata.v11i1.9151.

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Mermaids are one of the most popular mythological creatures and are often discussed today. It's no wonder that nowadays, mermaids are featured in various media, including films. More interestingly, it turns out that each culture has a different interpretation of mermaids, especially their portrayal. This research explores the portrayal of mermaids in three cultural contexts depicted in the films Mermaid and Swordsman (China), The Little Mermaid Live Action (Denmark), and Mermaid in Love 2 Dunia (Indonesia). Using Hayward's (2018) theoretical framework, this analysis categorises these represent
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Callan, Mary Rose. "Little Mermaid." Books Ireland, no. 214 (1998): 179. http://dx.doi.org/10.2307/20623662.

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Spaar, Lisa Russ. "Little Mermaid." College English 59, no. 4 (1997): 454. http://dx.doi.org/10.2307/378843.

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Kapurch, Katie. "Once Upon a Fishtail in Aquamarine, an Ecofeminist Fairy Tale: Mermaids as Water Girls from the Nineteenth Century to Twenty-First-Century Disney." Interdisciplinary Literary Studies 26, no. 3 (2024): 320–54. http://dx.doi.org/10.5325/intelitestud.26.3.0320.

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ABSTRACT Guided by ecofeminist philosophy and fairy tale criticism, this article theorizes the metaphorical potency of mermaids via Alice Hoffman’s Aquamarine (2001). The novella narrativizes mermaids’ twined applicability to girlhood and the environment while resisting Disneyfied depictions of wish fulfillment. Although Hoffman actively distances her fishtailed water girl from Disney’s source, Hans Christian Andersen’s 1837 fairy tale, she recovers the little mermaid’s folkloric predecessors, the fairy Melusine and the water nymph Undine. Allusions to and divergences from this identifiable me
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Ana Merino and Toshiya Kamei. "The Little Mermaid." Sirena: poesia, arte y critica 2010, no. 2 (2010): 91. http://dx.doi.org/10.1353/sir.2010.0069.

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Putri, Zalfa Melanie. "Perbandingan dalam Film Animasi The Little Mermaid (1989) dan Versi Adaptasi Live-Action The Little Mermaid (2023)." Syntax Idea 5, no. 6 (2023): 612–20. http://dx.doi.org/10.46799/syntax-idea.v5i6.2374.

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Animated films are one of the most popular children's literature, various themes and genres of animated films are certainly like friends for children. This study aims to analyze the comparison in an animated film and its adaptation work qualitatively and comparative in the overall exposure of the animated film The Little Mermaid (1989) and The Little Mermaid (2023) live-action produced by Disney with the musical-fantasy genre, where this study focuses on the transformation (alih wahana). An animation that is made into a live-action certainly experiences differences in terms of addition, reduct
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Pressman, Jessica. "Hooked on Mermaids." Minnesota Review 2023, no. 101 (2023): 113–22. http://dx.doi.org/10.1215/00265667-10770219.

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This article is part reflection on how academic disciplines can stymie creative scholarship and part critical effort to break out of that orientation to reclaim the author’s personal passion for mermaids as subject for scholarly analysis. Pressman argues that contemporary mermaid literature has much to tell us about our most pressing social, cultural, and political issues. This article takes as its starting point the racist backlash over Disney’s 2019 casting announcement for its 2023 feature film and the 2020 antiracist graffiti on The Little Mermaid statue in Copenhagen as the complex site f
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Abate, Michelle Ann. "NosferatUrsula: The Little Mermaid and Vampirism." Journal of Popular Culture 54, no. 1 (2021): 165–84. http://dx.doi.org/10.1111/jpcu.12997.

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BENNETT, RACHEL. "HAJJI AND MERMAID IN LITTLE DORRIT." Review of English Studies XLVI, no. 182 (1995): 174–90. http://dx.doi.org/10.1093/res/xlvi.182.174.

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Stevenson, Deborah. "The Little Mermaid by Jerry Pinkney." Bulletin of the Center for Children's Books 74, no. 4 (2020): 187–88. http://dx.doi.org/10.1353/bcc.2020.0862.

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Dissertations / Theses on the topic "The Little Mermaid"

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Do, Rozario Rebecca-Anne Charlotte. "Disney animated and theatrical musicals : interpreting the magic from The little mermaid to The little mermaid." Monash University, Centre for Drama and Theatre Studies, 2003. http://arrow.monash.edu.au/hdl/1959.1/5660.

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Polanco, Raquel. ""He's a Human, You're a Mermaid": Narrative Performance in Disney's The Little Mermaid." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc30429/.

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Disney animation represents a powerful source of economic and cultural production. However, following the death of Walt Disney, the animation division found itself struggling to survive. It was not until the 1989 release of the hugely successful animated film The Little Mermaid that Disney would reclaim its domination among children's cultural producers. Additionally, The Little Mermaid inaugurated a shift in Disney's portrayals of gender as the company replaced the docile passive princess characteristic of its previous animated films with a physically active and strong willed ambitious heroin
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Lewis, Alicen M. "Fish Out of Water: A Transmedia Adaptation of The Little Mermaid." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/601.

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Fish Out of Water: A Transmedia Adaptation of The Little Mermaid is a critical examination of how by using transmedia approaches to storytelling we are able to make characters with less common background more relatable. In this project the story of Maria, a first generation student, is told through the mediums of vlogs, blog posts, tumblr, and twitter.
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Batchelor, Jenna Lynette. "Representations of camp in Disney's 101 Dalmatians and The little mermaid." View electronic thesis (PDF), 2009. http://dl.uncw.edu/etd/2009-1/batchelorj/jennabatchelor.pdf.

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Wang, Yi-Han. "Cinderella or Little Mermaid? : transition stories and changing identities of foreign wives in Taiwan." Thesis, University of York, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.444748.

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Lindqvist, Elias. "På egna ben : En genusvetenskaplig analys av huvudrollerna i The Little Mermaid och Kiki’s Delivery Service." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-413124.

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Synen på vad som utgör den så kallade starka kvinnliga karaktären har varit objekt för förändring, vilket kan synliggöras bland annat via filmmediet. Syftet med studien är att granska och jämföra två tecknade kvinnliga protagonister utifrån ett genusvetenskapligt perspektiv. Metoden för studien utgörs av två genusvetenskapliga modeller som kategoriserar manligt och kvinnligt beteende, samt semiotisk bildanalys. Materialet består av Disneys The Little Mermaid och Studio Ghiblis Kiki’s Delivery Service. Resultatet visade att karaktärerna uppvisar liknande personliga egenskaper, då de båda är vac
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Sharp, Ashli A. "Once Upon a Time in a Single-Parent Family: Father and Daughter Relationships in Disney's The Little Mermaid and Beauty and the Beast." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1630.pdf.

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Thesis (M.A.)--Brigham Young University. Dept. of Humanities, Classics, and Comparative Literature, 2006.<br>Colored illustrations in electronic copy only. Includes bibliographical references (p. 136-142).
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Mostert, Linda Ann. "Feminist appropriations of Hans Christian Andersen's "The little mermaid" and the ways in which stereotypes of women are subverted or sustained in selected works." Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/1371.

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According to Lewis Seifert, “Fairy tales are obsessed with femininity … These narratives are concerned above all else with defining what makes women different from men and, more precisely, what is and is not acceptable feminine behaviour” (1996: 175). This study, then, will demonstrate how certain patriarchal ideas associated with fairy tales are disseminated when fairy tale elements are reworked in film, visual art and the novel. The aim of this project, more specifically, is to show how certain stereotypical representations of women endure in works that could be read as feminist appropriatio
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Martín-Castaño, Mónica. "Translating Disney songs from The Little Mermaid (1989) to Tarzan (1999) : an analysis of translation strategies used to dub and subtitle songs into Spanish." Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/91531/.

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The area of audiovisual translation indisputably awakens a growing interest amongst scholars. However, the study of the translation of songs in an audiovisual context (AVC) has not been thoroughly explored. The purpose of this research is to offer a descriptive analysis on the area of translating songs (from English into Spanish) in an AVC. In particular, the research focuses on the translation of the songs included in nine animated Disney films from the Disney Renaissance Period (1989-1999). The study assesses how non-linguistic elements such as rhyme, rhythm, images or lip synchrony affect t
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Seller, Lori. "Why the Little Mermaid stopped singing: how oppressive social forces silence children's voices, and rob them of the opportunity to develop and exercise autonomy in the health care context." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=94946.

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The “new sociology of childhood” replaces the historical notion of children as inherently vulnerable, helpless and in need of protection, with a perception of children as capable of competent, autonomous, social participation. Although this new sociological perception underlies current children's rights literature, Canadian common law, and important Canadian pediatric health care guidelines, children's autonomy in health care contexts remains easily denied or subverted in favour of adult conceptions of their best interests. In order to try to understand why, I use a feminist, relational appro
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Books on the topic "The Little Mermaid"

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Katie, Saunders, and Andersen, H. C. (Hans Christian), 1805-1875, eds. Little mermaid. Castle Street Press/make believe ideas ltd, 2010.

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Claire, Page, Saunders Katie illustrator, and Andersen, H. C. (Hans Christian), 1805-1875, eds. Little mermaid. Make Believe Ideas, 2011.

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illustrator, Saunders Katie, and Andersen, H. C. (Hans Christian), 1805-1875, eds. Little mermaid. Make Believe Ideas, 2011.

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Larkin, Rochelle. Little Mermaid. Creative Child Press, 1993.

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ill, Lanza Barbara, and Andersen H. C. 1805-1875, eds. Little mermaid. Cartwheel Books/Scholastic, 2003.

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illustrator, Fennell Clare, ed. Little mermaid. Make Believe Ideas, 2014.

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Little Mermaid (Disney the Little Mermaid). Random House Children's Books, 2023.

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Staff, Disney. Little Mermaid. Penguin Books, Limited, 2001.

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Hans Christian Andersen. Little Mermaid. Walker & Company, 2011.

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Hans Christian Andersen. Little mermaid. Grange, 1995.

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Book chapters on the topic "The Little Mermaid"

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Rousu, Matthew C. "The Little Mermaid." In Broadway and Economics. Routledge, 2018. http://dx.doi.org/10.4324/9781315168364-79.

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Baker, Samuel. "“The Forsaken Merman,” “The Little Mermaid,” and early modernism." In The Aesthetics of the Undersea. Routledge, 2018. http://dx.doi.org/10.4324/9780429444203-8.

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Hurley, Nat. "The Little Transgender Mermaid: A Shape-Shifting Tale." In Seriality and Texts for Young People. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137356000_14.

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Wesseling, Elisabeth. "Chapter 2. Transcorporeality in 21st-century mermaid tales." In Children’s Literature, Culture, and Cognition. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.16.02wes.

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This chapter takes its cue from the dominant presence of the mermaid trope in 21st-century media culture. It opens with a sampling of contemporary mermaid figurations, which are driven by the desire to break out of the Romantic paradigm as shaped by Hans Christian Andersen’s The Little Mermaid and its various Disney adaptations. This paradigm is premised on a heteronormative love plot, with a rigid gender binary and a persistent emphasis on the superiority of humans over more-than-humans. In 21st-century adaptations, it is the other way around, but a mere reversal of a hierarchy does not suffi
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Meimaridi, Maggie. "“Et max laryngitis”: Silencing the Siren in The Little Mermaid." In The Philosophical Power of Fairy Tales from Around the World. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60373-0_8.

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Wilson, Bernard. "Mutilation, Metamorphosis, Transition, Transcendence: Revisiting Genderism and Transgenderism in The Little Mermaid Through Gake no Ue no Ponyo." In Asian Children’s Literature and Film in a Global Age. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-2631-2_6.

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Lauritsen, Thevakorn K., Delan Kasim Ali, Niklas Fruerlund Jensen, Irene Ubieto Alamillo, and Thomas Bjørner. "How to Engage Young Adults in Reading H. C. Andersen’s Fairy Tale the Little Mermaid, Through a Serious Game." In Lecture Notes in Computer Science. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-63464-3_28.

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"The Little Mermaid." In The Kiss of the Snow Queen. University of California Press, 2023. http://dx.doi.org/10.2307/jj.2430519.27.

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"THE LITTLE MERMAID." In A Fine Yellow Dust. Michigan State University Press, 2021. http://dx.doi.org/10.14321/j.ctv1qmpd9d.4.

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Clements, Ron, and John Musker. "The Little Mermaid." In 100 Animated Feature Films. British Film Institute, 2022. http://dx.doi.org/10.5040/9781839024450.0052.

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