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Journal articles on the topic 'The Little Mermaid'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Cahya, Silviana Lintang, Afwi Madinatul Ilmi, Desvita Nuraini, Dyah Uyun Wulandari, Qirara Azamatul Aminah, and Rani Pradiva Purmitasari. "Swimming Across the World: The Portrayal of Mermaid in Mermaid and Swordsman, The Little Mermaid Live Action and Mermaid in Love 2 Dunia." EDU-KATA 11, no. 1 (2025): 48–57. https://doi.org/10.52166/kata.v11i1.9151.

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Mermaids are one of the most popular mythological creatures and are often discussed today. It's no wonder that nowadays, mermaids are featured in various media, including films. More interestingly, it turns out that each culture has a different interpretation of mermaids, especially their portrayal. This research explores the portrayal of mermaids in three cultural contexts depicted in the films Mermaid and Swordsman (China), The Little Mermaid Live Action (Denmark), and Mermaid in Love 2 Dunia (Indonesia). Using Hayward's (2018) theoretical framework, this analysis categorises these represent

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Callan, Mary Rose. "Little Mermaid." Books Ireland, no. 214 (1998): 179. http://dx.doi.org/10.2307/20623662.

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Spaar, Lisa Russ. "Little Mermaid." College English 59, no. 4 (1997): 454. http://dx.doi.org/10.2307/378843.

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Kapurch, Katie. "Once Upon a Fishtail in Aquamarine, an Ecofeminist Fairy Tale: Mermaids as Water Girls from the Nineteenth Century to Twenty-First-Century Disney." Interdisciplinary Literary Studies 26, no. 3 (2024): 320–54. http://dx.doi.org/10.5325/intelitestud.26.3.0320.

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ABSTRACT Guided by ecofeminist philosophy and fairy tale criticism, this article theorizes the metaphorical potency of mermaids via Alice Hoffman’s Aquamarine (2001). The novella narrativizes mermaids’ twined applicability to girlhood and the environment while resisting Disneyfied depictions of wish fulfillment. Although Hoffman actively distances her fishtailed water girl from Disney’s source, Hans Christian Andersen’s 1837 fairy tale, she recovers the little mermaid’s folkloric predecessors, the fairy Melusine and the water nymph Undine. Allusions to and divergences from this identifiable me

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5

Ana Merino and Toshiya Kamei. "The Little Mermaid." Sirena: poesia, arte y critica 2010, no. 2 (2010): 91. http://dx.doi.org/10.1353/sir.2010.0069.

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Putri, Zalfa Melanie. "Perbandingan dalam Film Animasi The Little Mermaid (1989) dan Versi Adaptasi Live-Action The Little Mermaid (2023)." Syntax Idea 5, no. 6 (2023): 612–20. http://dx.doi.org/10.46799/syntax-idea.v5i6.2374.

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Animated films are one of the most popular children's literature, various themes and genres of animated films are certainly like friends for children. This study aims to analyze the comparison in an animated film and its adaptation work qualitatively and comparative in the overall exposure of the animated film The Little Mermaid (1989) and The Little Mermaid (2023) live-action produced by Disney with the musical-fantasy genre, where this study focuses on the transformation (alih wahana). An animation that is made into a live-action certainly experiences differences in terms of addition, reduct

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Pressman, Jessica. "Hooked on Mermaids." Minnesota Review 2023, no. 101 (2023): 113–22. http://dx.doi.org/10.1215/00265667-10770219.

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This article is part reflection on how academic disciplines can stymie creative scholarship and part critical effort to break out of that orientation to reclaim the author’s personal passion for mermaids as subject for scholarly analysis. Pressman argues that contemporary mermaid literature has much to tell us about our most pressing social, cultural, and political issues. This article takes as its starting point the racist backlash over Disney’s 2019 casting announcement for its 2023 feature film and the 2020 antiracist graffiti on The Little Mermaid statue in Copenhagen as the complex site f

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Abate, Michelle Ann. "NosferatUrsula: The Little Mermaid and Vampirism." Journal of Popular Culture 54, no. 1 (2021): 165–84. http://dx.doi.org/10.1111/jpcu.12997.

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BENNETT, RACHEL. "HAJJI AND MERMAID IN LITTLE DORRIT." Review of English Studies XLVI, no. 182 (1995): 174–90. http://dx.doi.org/10.1093/res/xlvi.182.174.

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10

Stevenson, Deborah. "The Little Mermaid by Jerry Pinkney." Bulletin of the Center for Children's Books 74, no. 4 (2020): 187–88. http://dx.doi.org/10.1353/bcc.2020.0862.

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11

Marcelino, Ariel, and Dorien Kartikawangi. "ANALISIS SEMIOTIKA PADA REAKSI WARGANET TENTANG PERBEDAAN REPRESENTASI ARIEL TERHADAP CITRA DISNEY DAN FILM THE LITTLE MERMAID." Prosiding Konferensi Linguistik Tahunan Atma Jaya (KOLITA) 21, no. 21 (2023): 24–38. http://dx.doi.org/10.25170/kolita.21.4830.

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Dengan perkembangan teknologi yang pesat, saat ini pengguna media sosial khususnya warganet bisa aktif berinteraksi dengan menanggapi informasi atau konten yang mereka dapatkan di media sosial. Disney mengunggah video official teaser trailer film The Little Mermaid di media sosial resmi mereka yakni YouTube, Instagram dan Twitter. Unggahan tersebut memunculkan berbagai reaksi dari warganet hingga menimbulkan kontroversi di kalangan warganet. Hal tersebut dikarenakan oleh perbedaan representasi Ariel di film The Little Mermaid versi live action (2023) dengan versi kartun atau orisinal (1989). T

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Jayanti, Elvira Eka, Nova Indriani, Vera Febrianti, An’nisa Purnama, and M. Afifulloh. "Racism in the film The Little Mermaid: Assessing its impact on social media." Loquēla (Journal of Linguistics, Literature, and Education) 2, no. 1 (2024): 22–28. http://dx.doi.org/10.61276/loqula.v2i1.29.

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The controversy surrounding the casting of Halle Bailey, a black actress, as Ariel in the live-action adaptation of "The Little Mermaid" has sparked discussions about racism and representation in the media. Some people have rejected the idea of a black actress playing the role of a character who was initially depicted as white. The controversy highlights the ongoing struggle for representation and diversity in the entertainment industry. This research aims to see how people respond to the film The Little Mermaid in real life with a black main character. The Little Mermaid, a Disney classic, ha

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Richardson, Niall. "Part of whose world? How The Little Mermaid (2023) attempts to revise the racist tropes of the 1989 animated film musical." Alphaville: journal of film and screen media, no. 27 (July 2, 2024): 94–109. http://dx.doi.org/10.33178/alpha.27.08.

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The Little Mermaid (1989) has been the subject of much critical discussion but there has been little attention paid to its representation of race. Utilising textual analysis and drawing upon relevant critical paradigms from Disney studies and scholarship of film musicals, this article argues that The Little Mermaid was an implicitly racist narrative. Through analysis of the musical sequences this article shows how The Little Mermaid created a dichotomy between an exclusively white land life that is coded as superior to multiethnic Mer life. While white society on land is represented as postind

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Avissar, Ariel. "Under the sea." Teknokultura. Revista de Cultura Digital y Movimientos Sociales 21, no. 1 (2024): 95–96. http://dx.doi.org/10.5209/tekn.90515.

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This video applies a deformative logic to images taken from Disney’s The Little Mermaid (1989), connecting them intertextually with the film Under the skin (2013), which provides the music for the piece. It thus highlights and accentuates the violent, rageful gender dynamics of The Little Mermaid, reimagining it as a nightmarish scene of body horror and female subjugation.

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15

Collins, Emily. "Nabokovis Lolita and Andersen's The Little Mermaid." Nabokov Studies 9, no. 1 (2005): 77–100. http://dx.doi.org/10.1353/nab.2005.0007.

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Ue, Tom. "The Little Mermaid, Rob Marshall (dir.) (2023), USA: Walt Disney Pictures." Studies in Musical Theatre 18, no. 1 (2024): 78–81. http://dx.doi.org/10.1386/smt_00151_5.

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17

Ross. "Miyazaki's Little Mermaid: A Goldfish Out of Water." Journal of Film and Video 66, no. 3 (2014): 18. http://dx.doi.org/10.5406/jfilmvideo.66.3.0018.

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18

Zuk, Rhoda. "The Little Mermaid: Three Political Fables." Children's Literature Association Quarterly 22, no. 4 (1997): 166–74. http://dx.doi.org/10.1353/chq.0.1181.

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Ryu, Hee-jeong. "The Little Mermaid: Development of the Conscious Feminine." Journal of Symbols & Sandplay Therapy 3, no. 2 (2012): 83–102. http://dx.doi.org/10.12964/jsst.120015.

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20

Trites, Roberta. "Disney’s Sub/Version of Andersen’s “The Little Mermaid”." Journal of Popular Film and Television 18, no. 4 (1991): 145–52. http://dx.doi.org/10.1080/01956051.1991.10662028.

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21

Sawitri, Dwi, and Ni Made Verayanti Utami. "ChatGPT Translation Product Analysis in 'The Little Mermaid'." Lingua Cultura 18, no. 2 (2025): 225–31. https://doi.org/10.21512/lc.v18i2.12203.

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This resesarch aimed to analyze the translation techniques used in the translation of the movie The Little Mermaid (2023) from English to Indonesian by ChatGPT. The research applied a direct observation approach by collecting data from the Scraps From The Loft website, translating the text of the movie The Little Mermaid (2023) from English to Indonesian by using ChatGPT, and analyzing it through translation theory and thematic categories to see the accuracy and effectiveness of the translation. Data were collected from the movie dialog excerpts and their translations provided by ChatGPT. The

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22

Nur Iman, Asrul, Dzakiyyah Dzikraa Paokuma, Elsa Hidayati, and Silvi Ramawati. "The Little Mermaid: Equality of Race and Skin Color to Criticism of Disney Film Fans on Twitter." Dinasti International Journal of Education Management And Social Science 5, no. 6 (2024): 2430–38. https://doi.org/10.38035/dijemss.v5i6.3225.

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The animated film The Little Mermaid, adapted by Walt Disney in 1989, is a heartwarming tale about a mermaid named Ariel who falls in love with a prince. Social media users, mainly young adults, have noticed that the film touches on issues related to race and ethnicity. This study utilizes a content analysis method with a qualitative approach to explore the messages of equality that Disney conveys through the film. By examining fan comments, scenes, dialogue, and various forms of media such as images and text, we tried to uncover how Disney promotes equality in The Little Mermaid. Based on fin

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23

Lee, Seungyeon. "The Lightness of the Sexual Being: A Short Reflection on Hans Christian Andersen’s “The Little Mermaid”." Societies 8, no. 4 (2018): 116. http://dx.doi.org/10.3390/soc8040116.

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Hans Christian Andersen’s tale, “The Little Mermaid,” has been adored by both children and parents for decades. The tale shows an astonishingly different quality to Andersen’s early genre of fairy tales, which allows the reader to sense his keenness on the meaning of human sexuality. The author used the short narrative form, becoming more conservative, cautious, and concise in his ideological compromise between religiosity and human nature. “The Little Mermaid” is a tale that draws the reader in about “universal preoccupations” of femininity, self-concept, and self-actualization. Andersen’s in

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Frasl, Beatrice. "Bright young women, sick of swimmin’, ready to … consume? The construction of postfeminist femininity in Disney’s The Little Mermaid." European Journal of Women's Studies 25, no. 3 (2018): 341–54. http://dx.doi.org/10.1177/1350506818767709.

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This study assesses how Disney’s The Little Mermaid can be read as a ‘postfeminist text’. It uses Gill’s concept of ‘postfeminist sensibility’ and McRobbie’s understanding of postfeminism as a ‘double entanglement’ of feminist and antifeminist discourses in analysing the text. Furthermore it aims at contributing to the understanding of postfeminism as a pop cultural discursive mode by focusing on the ways heteronormativity structures and presupposes it. In this sense, this reading of The Little Mermaid can be understood as a case study on the heteronormativity of postfeminist discourses and re

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Shkurskaya, E. A. "THE IMAGE OF A MERMAID IN THE DANISH ROMANTIC PROSE OF THE FIRST HALF OF THE XIX CENTURY." EurasianUnionScientists 7, no. 6(75) (2020): 58–61. http://dx.doi.org/10.31618/esu.2413-9335.2020.7.75.879.

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The purpose of this work is to study the image of the mermaid in Danish romantic prose of the first half of the XIX century. In accordance with this goal, the following tasks are formulated: to study the elements of romantic poetics that make up the structure of the image of the mermaid; consider the features of the functioning of the image of the mermaid in the Danish literature of the romantic era. To achieve this goal, we used descriptive, comparative, and contextual analysis methods. The image of the little Mermaid in the Danish romantic tradition combines the functioning of mythological,

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Lailiah, Alfia Rismatul. "Positive Gender Responses to Hate Speech of ‘The Little Mermaid’ on Twitter." Language Horizon: Journal of Language Studies 11, no. 2 (2023): 19–26. http://dx.doi.org/10.26740/lh.v11n2.p19-26.

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Hate speech indicates hatred, prejudice, or discrimination toward individuals or groups due to appearance, race, religion, etc. Hate speech quickly occurs on social media; everyone can be the victim, like Disney posted about Little Mermaid on Twitter. People filling the comment section of Disney posted with the reactions, including hate speech and positive responses toward Halle as the character of Ariel. This study aims to find the different positive responses of women and men toward hate speech using women's and men's language features, stereotyped language that appears in a positive respons

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Trisnawati, Ni Kadek Dian, Desak Putu Eka Pratiwi, and I. Putu Andri Permana. "Expressive Illocutionary Act in The Little Mermaid 1989 Movie." e-Journal of Linguistics 16, no. 2 (2022): 274. http://dx.doi.org/10.24843/e-jl.2022.v16.i02.p12.

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This article discusses about expressive illocutionary act in The Little Mermaid 1989 Movie. This article analyzing the data used descriptive qualitative method. The aims of this article are to identify the types of expressive illocutionary act and the context of situation in the movie. This article used theory by Searle (1979) to identify the types of expressive illocutionary act and theory by Halliday and Hasan (1985) to analyze the context of situation. The result of this article showed 22 utterances which are produced by the characters.

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Hastings, A. Waller. "Moral Simplification in Disney's The Little Mermaid." Lion and the Unicorn 17, no. 1 (1993): 83–92. http://dx.doi.org/10.1353/uni.0.0281.

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Lori Yamato. "Surgical Humanization in H. C. Andersen's “The Little Mermaid”." Marvels & Tales 31, no. 2 (2017): 295. http://dx.doi.org/10.13110/marvelstales.31.2.0295.

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Jull Sørensen, Marie. "The Unfairness Test: From Sleeping Beauty to Little Mermaid." European Review of Private Law 32, Issue 3 (2024): 387–422. http://dx.doi.org/10.54648/erpl2024019.

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Abstract: The article analyses how the ECJ has applied the Unfair Terms Directive in its 30 years of existence, focusing on the unfairness evaluation. First, it discusses the exceptions regarding the main subject matter and the adequacy of price/quality to the unfairness test in relation to the market of lemons rationale. Thus, it is analysed which terms are exempted, and it is discussed how these exceptions seem to try to balance the considerations of freedom and fairness. Second, the article analyses how the ECJ applies different tests to evaluate whether a term is unfair. These tests are id

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Trisnawati, Ni Kadek Dian, Desak Putu Eka Pratiwi, and I. Putu Andri Permana. "Expressive Illocutionary Act in the Little Mermaid 1989 Movie." e-Journal of Linguistics 17, no. 1 (2022): 44. http://dx.doi.org/10.24843/e-jl.2023.v17.i01.p06.

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This article discusses about expressive illocutionary act in The Little Mermaid 1989 Movie. This article analyzing the data used descriptive qualitative method. The aims of this article are to identify the types of expressive illocutionary act and the context of situation in the movie. This article used theory by Searle (1979) to identify the types of expressive illocutionary act and theory by Halliday and Hasan (1985) to analyze the context of situation. The result of this article showed 22 utterances which are produced by the characters.

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Blomqvist, Jørgen, Morten Rosenmeier, and Jens Schovsbo. "Parody in Danish Copyright Law – The Little Mermaid Judgment." IIC - International Review of Intellectual Property and Competition Law 54, no. 10 (2023): 1632–39. http://dx.doi.org/10.1007/s40319-023-01406-8.

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Awwali, Jasmine Nadira, and Tajudin Nur. "Conceptual Metaphors in The Little Mermaid: Cognitive Semantic Analysis." English Journal Literacy Utama 7, no. 1 (2022): 631–39. http://dx.doi.org/10.33197/ejlutama.v7i1.163.

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This study describes the embodiment of conceptual metaphors and image schemes according to Cruse and Croft (2004) in the fairy tale The Little Mermaid by Hans Christian Andersen. The approach used in this research is descriptive qualitative as a methodological approach and a cognitive semantic approach as a theoretical approach. The use of figurative language is widely used in writing to add to the impression, emphasis, and beautify an expression outlined by the author, one of which is in a fairy tale. Based on the results of the research that has been carried out, there are 14 pieces of metap

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Masnikosa, Marija. "The Little Mermaid: By Goran Kapetanović as a postmodernist tragedy." New Sound, no. 50-2 (2017): 50–69. http://dx.doi.org/10.5937/newso1750050m.

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The article is a discussion of Goran Kapetanović's work Sažeti prikaz neumitnog i tragičnog toka sudbine koji je krhko biće Male Sirene odveo u potpunu propast (A Brief Account of the Inexorable and Tragic Course of Destiny that Led the Fragile Being of the Little Mermaid to Total Disaster). This multilayered postmodernist work from the closing decade of the 20th century is discussed here from several perspectives: as a postmodernist intertext, as a drama (tragedy), and as hypertext in relation to Stravinsky's Petrushka, which Kapetanović used as the model and hypotext for his own piece.

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Spencer, Leland G. "Performing Transgender Identity inThe Little Mermaid: From Andersen to Disney." Communication Studies 65, no. 1 (2013): 112–27. http://dx.doi.org/10.1080/10510974.2013.832691.

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Bom, Anne Klara. "When heritage tourism goes glocal – The Little Mermaid in Shanghai." Journal of Heritage Tourism 7, no. 4 (2012): 341–57. http://dx.doi.org/10.1080/1743873x.2012.722641.

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Bendix, Regina. "Seashell Bra and Happy EndDisney's transformations of "The Little Mermaid"." Fabula 34, no. 3-4 (1993): 280–90. http://dx.doi.org/10.1515/fabl.1993.34.3-4.280.

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Wicaksono, Lanang Dwi, and Nungki Heriyati. "Semiotic Analysis of the Little Mermaid Movie Poster Using Peirce (1996)." Mahadaya: Jurnal Bahasa, Sastra, Dan Budaya 3, no. 2 (2023): 167–74. http://dx.doi.org/10.34010/mhd.v3i2.10567.

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Movie poster has a commercial value and is used to advertise the movie. This research is conducted to analyze the sign depicted as well as the meaning from the Little Mermaid movie poster. This research used qualitative descriptive analysis method to explain the sign and its meaning. Furthermore, Semiotic from Charles Sander Peirce is used to analyze the sign and its meaning. To support the analysis, various journals and books are used as the reference. The result of this study indicated that there are two types of signs found in movie posters, namely qualisign and sinsign. The Little Mermaid

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Hong, Young-Mi. "A Text Mining-Based Comparative Study on the Box Office Success Factors of the Films “Heartsping : Teenineping of Love” and “The Little Mermaid”." K Association of Education Research 9, no. 4 (2024): 325–45. https://doi.org/10.48033/jss.9.4.18.

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This study utilized text mining techniques to compare and analyze the box officefactors of the movies Heartsping: Teenineping of Love and The Little Mermaid. Through keyword frequency analysis, TF-IDF, sentiment analysis, and keyword centrality analysis, thedifferences in target audience and marketing strategies between the two films were identified. Heartsping: Teenineping of Love achieved a clear target audience (children and families) byfocusing on character-driven narratives and emotional messaging (“love,” “children”), resultingin positive reactions and stable audience numbers. Sentiment

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Arwansyah, OK Dedi, Muhammad Rasyad Ghazali Saraan, Armansyah Matondang, and Eka Fatmawati. "Hegemony and Representation of Black Actresses in The Little Mermaid (2023)." Journal of Education, Humaniora and Social Sciences (JEHSS) 7, no. 3 (2025): 924–29. https://doi.org/10.34007/jehss.v7i3.2438.

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This article reviews the debate and impact of Halle Bailey's selection as Ariel in the live-action film "The Little Mermaid" (2023) on racial representation and inclusivity in the Hollywood film industry. Motivated by the growing attention to the representation of minority groups in mass media, this analysis explores the hegemony of white culture and the way racial representation is manifested in film production. Based on Antonio Gramsci's theory of hegemony and the concept of representation, this study explores the public response to Bailey's casting, as well as its impact on traditional narr

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Alfirah, Syarifa, Mardiyanah Nasta, and Auliyanti Sahril Nurfadhilah. "HATE SPEECH ON SOCIAL MEDIA AGAINST HALLE BAILEY “THE LITTLE MERMAID”." ELITERATE : Journal of English Linguistics and Literature Studies 3, no. 3 (2024): 97. https://doi.org/10.26858/eliterate.v3i3.64790.

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This research aims to analyze the types of hate speech and the dominant types of hate speech on social media against actress Halle Bailey who played the character Ariel in the movie The Little Mermaid on social media using Mainack Mondal's theory (2017). The researcher used descriptive qualitative method as an approach. The data source of this research are Instagram and Twitter platforms. The results of this study found five types of hate speech that are physical, behavior, racial, ethnicity, and social class. Physical and racial which were the most widely used of all cases.

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Barzut, Jadranka. "Approach to Andersen's fairy tale "The Little Mermaid" through The Actantial Model of Anne Ubersfeld." Metodicka praksa 26, m. br. (2023): 43–59. http://dx.doi.org/10.5937/metpra2301043b.

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In the light of Propp's analysis of the structure of fairy tales and the linguisticsemantic research of Anne Ubersfeld, this paper deals with the interpretation of the H. K. Andersen's fairy tale The Little Mermaid through The Actantial Model of Anne Ubersfeld, revealing the meaning richness of this fairy tale on the one hand and showing how The Actantial Model is equally applicable and useful in in-depth analyzes of non-dramatic texts. In the paper, The Little Mermaid is analyzed through several different actantial models, which will allow us to show how the very understanding of the fairy ta

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Huang, Zhenqi. "Disney's Approach to Racial Representation: Superficial Changes or Genuine Cultural Engagement?" International Journal of Education and Humanities 15, no. 1 (2024): 200–202. http://dx.doi.org/10.54097/7c6xc606.

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This paper explores Disney's approach to racial representation in its films, focusing on whether changes are superficial or reflect genuine cultural engagement. Using Stuart Hall's theory of encoding and decoding, this study examines the impact of character changes in "The Little Mermaid" (2023) on cultural representation.

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Dinda julia maudy suryalina, Naufal Arafah, and M. Tavip. "Transformation of the Seven Seas Characters from The Little Mermaid into Carnival Costume Design." PANTUN: Jurnal Ilmiah Seni Budaya 10, no. 1 (2025): 14–27. https://doi.org/10.26742/pantun.v10i1.4182.

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This costume design project aims to present an imaginative visual interpretation of the Seven Seas characters from The Little Mermaid, while highlighting the potential of fantasy narratives as a source of inspiration in costume design development. The primary inspiration is drawn from the book The Little Mermaid: Guide to Merfolk, which details the unique characteristics of each character and the seas they originate from. Carnival costumes were chosen as the medium of expression due to their fusion of aesthetic, cultural, and imaginative elements. The main issue addressed in this study is how

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Reglińska-Jemioł, Anna. "Kulturowy przekaz syreningu – zarys definicji oraz perspektywy dalszych badań tego zjawiska." Media Biznes Kultura, no. 1 (16) (July 11, 2024): 191–201. http://dx.doi.org/10.4467/25442554.mbk.24.012.19949.

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The aim of the presented article is to familiarize the reader with the relatively new and still little studied phenomenon of mermaiding (diving in a mermaid tail, an activity that combines sport with a form of art and entertainment) in Polish research. The text is primarily an attempt to categorize topics relating to the cultural narrative (mainly in media) focused around this phenomenon, taking into account the concept of choreography understood as an element of the “spectacle text” (Patrice Pavis). The idea of such a comparison results from the desire to view the points of intersection of sh

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Aron, S. "The little mermaid hosts the 2010 IUSSI World Congress on social interactions." Insectes Sociaux 57, no. 4 (2010): 367–70. http://dx.doi.org/10.1007/s00040-010-0119-9.

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Sebring and Greenhill. "The Body Binary: Compulsory Able-bodiedness and Desirably Disabled Futures in Disney's The Little Mermaid and The Little Mermaid II: Return to the Sea." Marvels & Tales 34, no. 2 (2020): 256. http://dx.doi.org/10.13110/marvelstales.34.2.0256.

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Myisha, Nabila, Dinda Sabila, Dinera Qurrotul Aini, Mayang Anggun Febrianti, and Farah Malaika Putri. "Representation of Diversity in <i>The Little Mermaid<i> (2023)." Cultural Narratives 2, no. 1 (2024): 1–13. https://doi.org/10.59066/cn.v2i1.856.

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Abstract:

As a cultural product of one of the world’s most influential media corporations, the film represents a significant departure from the Eurocentric depictions traditionally associated with Disney princesses. This research aims to identify inclusion and diversity in representing multiculturalism in the movie adaptation of Hans Christian Andersen’s work “The Little Mermaid”. This study employs descriptive qualitative research to explore and analyze the representation of diversity and multiculturalism in the film adaptation of “The Little Mermaid 2023.” Descriptive qualitative research is chosen fo

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Sun, Chyng Feng, and Erica Scharrer. "Staying True to Disney: College Students' Resistance to Criticism of The Little Mermaid." Communication Review 7, no. 1 (2004): 35–55. http://dx.doi.org/10.1080/714856593.

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Sun, CHYNG FENG, and ERICA SCHARRER. "Staying True to Disney: College Students’ Resistance to Criticism of The Little Mermaid." Communication Review 7, no. 1 (2004): 35–55. http://dx.doi.org/10.1080/10714420490280189.

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