Academic literature on the topic 'The Malazan Book of the Fallen (series)'

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Journal articles on the topic "The Malazan Book of the Fallen (series)"

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Marini, Anna Marta. "The Fantasmical Gothic Heterotopia in Rhode Montijo’s Pablo’s Inferno." Camino Real. Estudios de las Hispanidades Norteamericanas 13, no. 16 (2021): 85–101. https://doi.org/10.37536/cr.2021.16.2981.

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Rhode Montijo’s work is characterized by a distinctive blend of diverse elements converging in his “fantasmical world”. As comic book artist, he is the author of the limited series Pablo’s Inferno (1999-2000), narrating a little Mexican American boy’s travel through the underworld. Accompanied by fallen demi-god Quetzal, Pablo embarks in a quest to (re)discover his cultural roots and commit to them. Like most of Montijo’s work, the comic book series holds an intrinsic gothic mode exploiting the playful nature of the comic medium and interrogating Mexican American heritage, by means of absorpti
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Paek, Jung-Sook. "A Study on the Publishing Culture of Comic Books in the Liberation Period Starting with the Korean comic book “Ahyeop Picture Story Book”." Modern Bibiography Review Society 31 (June 30, 2025): 667–717. https://doi.org/10.56640/mbr.2025.31.667.

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In Korea, the social perception of comic books has been rejected in the realm of culture and art to the extent that modifiers such as “rogue,” “cultivation,” “thousand,” “cold,” “back alley culture,” “children’s viewing,” and “quasi-crime” have been added for a long time through the days of military dictatorship. The cause of this perception may be social, but the publishing culture of cartoons is also a factor. Cartoon publishing, which has rapidly grown in the market since the Korean War, has fallen in productivity compared to exploding demand, creating a cartoon production system like a fac
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Brown, Cedric C. "The Story of the Mordaunt Letter-book of 1660 in the Rylands Library." Bulletin of the John Rylands Library 94, no. 2 (2018): 51–71. http://dx.doi.org/10.7227/bjrl.94.2.2.

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This article gives new information on the so-called Letter-book of John, Viscount Mordaunt (Rylands MS GB 133) beyond that in RHS Camden Series LXIX, identifies the likely scribe, and dates the transcription to late 1660. It shows how the large format book was created to record the heroic role played by Mordaunt and his wife Elizabeth (née Carey) in the achievement of Restoration, and how the unfinished state of the textual project adds to our knowledge of the social and political difficulties experienced by Mordaunt, a client of Clarendon. Beyond its historiographical value for understanding
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Maltby, Judith. "‘The Good Old Way’: Prayer Book Protestantism in the 1640s and 1650s." Studies in Church History 38 (2004): 233–56. http://dx.doi.org/10.1017/s0424208400015850.

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Between 1640 and 1642 the Church of England collapsed, its leaders reviled and discredited, its structures paralysed, its practices if not yet proscribed, at least inhibited. In the years that followed, yet worse was to befall it. And yet in every year of its persecution after 1646, new shoots sprang up out of the fallen timber: bereft of episcopal leadership, lacking any power of coercion, its observances illegal, anglicanism thrived. As memories of the 1630s faded and were overlaid by the tyrannies of the 1640s … the deeper rhythms of the Kalendar and the ingrained perfections of Cranmer’s l
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Whitehouse, Ruth D. "Siticulosa Apulia revisited." Antiquity 60, no. 228 (1986): 36–44. http://dx.doi.org/10.1017/s0003598x00057604.

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In recognition of the significance of these sites, and those of the classical and medieval periods also revealed by aerial photography, the Apulia Committee was set up under the auspices of the Society of Antiquaries to organize a systematic programme of research. Unhappily this enterprise, begun with great intentions, became an early victim of tragic illness and accident of the chief protagonists and latterly has fallen into the malaise characteristic of old archaeological projects that have lost their initial momentum. All that is available in print is three preliminary reports in ANTIQUITY
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Lamonova, Oksana. "Ecological Projects of Hanna Myronova." Folk art and ethnology, no. 1 (March 30, 2025): 76–80. https://doi.org/10.15407/nte2025.01.076.

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Hanna Myronova (creative pseudonym is Anna Myronova, Eng. – Anna Mironova) is one of the most active modern Ukrainian young artists. She works as a graphic (mainly in the technique of pencil drawing), painter, sculptor, but foremost as an authoress of cohesive artistic projects. In the works of the 2000s the artist has developed actively the topics to which she does not actually return: City, History, Memories/Memory. The Sprouted Past (2010) is the first one among the projects with ecological themes and issues. Then the Grass Shadow project is completed (2012, “Ya Gallery”, Kyiv). Since then
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Lazăr Zăvăleanu, Laura. "« Renouvelons l’homme interieur ». Un modele de politique sociale et culturelle : l’humanisme hesychaste." Swedish Journal of Romanian Studies 8, no. 2 (2025): 95–108. https://doi.org/10.35824/sjrs.v8i2.27752.

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This article is part of a cycle of three articles[1] dedicated to Neagoe Basarab and his cultural contribution in the transition from the Middle Ages to the Romanian Renaissance and Humanism, a mutation carried out under the auspices of Hesychasm. Focusing on the Romanian prince’s parenetic book, it comes in the continuation of the study “De l’Hésychasme Politique et Militant à la Renaissance”, published in Annales Universitatis Apulensis: Seria Historica, vol.28/2025, which analyzes Neagoe’s activity as a patron and political and cultural founder and will in turn be continued by a third study
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Klink, Edward W. "The Beginning and End of All Things: A Biblical Theology of Creation and New Creation." Perspectives on Science and Christian Faith 76, no. 3 (2024): 231–32. https://doi.org/10.56315/pscf12-24klink.

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THE BEGINNING AND END OF ALL THINGS: A Biblical Theology of Creation and New Creation by Edward W. Klink III. Downers Grove, IL: IVP Academic, 2023. 208 pages, including discussion questions and in-dices. Paperback; $24.00. ISBN: 9780830855223. *Whereas many people tend to associate the doctrine of creation with the origins of the world, Edward Klink is concerned to form a theology of creation that envelops all of scripture. Klink is senior pastor of Hope Church, Roscoe, IL, and formerly on the faculty of Talbot School of Theology, Biola University. *Throughout the introduction and ten chapter
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Iqbal, Basit Kareem. "Religion as Critique: Islamic Critical Thinking from Mecca to the Marketplace." American Journal of Islamic Social Sciences 35, no. 3 (2018): 93–98. http://dx.doi.org/10.35632/ajiss.v35i3.488.

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Christianity was the religion of spirit (and freedom), and critiqued Islam as a religion of flesh (and slavery); later, Christianity was the religion of reason, and critiqued Islam as the religion of fideism; later still, Christianity was the religion of the critique of religion, and critiqued Islam as the most atavistic of religions. Even now, when the West has critiqued its own Chris- tianity enough to be properly secular (because free, rational, and critical), it continues to critique Islam for being not secular enough. In contrast to Christianity or post-Christian secularism, then, and des
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Yarema, Nataliya, Pawel Kowalski, Dmytro Marchenko, Yuliia Holubinka, and Ivan Herych. "Development of an interactive memory map of the heroes of the russian-ukrainian war." Geodesy, Cartography, and Aerial Photography, December 2024, 25–32. https://doi.org/10.23939/istcgcap2024.100.025.

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The purpose of this work is to develop a series of interactive maps of the memory of the heroes of the Russian-Ukrainian war, which will provide information about the fallen soldiers in the battle for the independence of Ukraine. Methodology. To compile web maps of the memory of the fallen heroes of the Russian-Ukrainian war, the appropriate ArcGIS-Online software was used. The data was collected from open sources, particularly from the “Book of Memory of the Fallen for Ukraine” and “Memorial. Platform of Memory”. The database was created in MS Excel and exported to the ArcGIS-Online cartograp
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Books on the topic "The Malazan Book of the Fallen (series)"

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Erikson, Steven. Memories of ice: A tale of the Malazan book of the fallen. Bantam, 2001.

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Erikson, Steven. Bonehunters: A tale of the Malazan book of the fallen. Tor, 2007.

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Erikson, Steven. Gardens of the moon: Book one of the Malazan book of the fallen. Tor, 2005.

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Erikson, Steven. Midnight tides: A tale of the Malazan book of the fallen. Tor, 2006.

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ERICKSON, STEVEN. DEADHOUSE GATES: A tale of the Malazan Book of the Fallen. BANTAM BOOKS, 2001.

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Erikson, Steven. Deadhouse gates: A tale of the Malazan book of the fallen. Bantam Books, 2001.

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Erikson, Steven. Deadhouse gates: A tale of the Malazan book of the fallen. Bantam, 2000.

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Erikson, Steven. Memories of ice: A tale of the Malazan book of the fallen. Bantam, 2002.

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Erikson, Steven. Gardens of the moon: A tale of the Malazan book of the fallen. Bantam Press, 1999.

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Erikson, Steven. Malazan book of Fallen 3. Penguin Random House, 2009.

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Book chapters on the topic "The Malazan Book of the Fallen (series)"

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Carstens, Tjorven. "The Ritual of Tellann: Immortality and Its Refusal in Steven Erikson’s 'Malazan Book of the Fallen'." In Dem Tode zum Trotz: Unsterblichkeit und Wiedergeburt in der Phantastik / Defying Death: Immortality and Rebirth in the Fantastic (Symposium 2023 in Magdeburg). Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2025. https://doi.org/10.32784/libaac-3463.

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While Tolkien presents his immortal people, the Elves, as naturally long-lived paragons of culture and community, Canadian fantasy author Steven Erikson follows a different approach to immortality in his Malazan Book of the Fallen (1999–2010), in which he conceptualizes his T’lan Imass as teleologically rather than naturally immortal, becoming so at the cost of social cohesion but supposedly for the benefit of others. Constructing a Nietzschean-Adlerian framework for power relations, this paper examines the narrative rhetoric Erikson employs to communicate his vision of the challenges their te
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"Isabella Whitney (c.1540-after 1580)." In Early Modern Women Poets (1520-1700), edited by Jane Stevenson Peter Davidson, Meg Bateman, Kate Chedgzoy, and Julie Saunders. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198184263.003.0022.

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Abstract Isabella was probably The sister of Geoffrey Whitney, author of A Choice of Emhlemes (1586), and may have been born in Cheshire at Coole Pilate near Nantwich, where The Whitneys were an old gentry family. She was, however, ‘bred’ at London and she tells us that her parents had lived at Smithfield, outside The City walls. She is described as ‘a yonge Gentil woman’ in The title of her first publication, but it is evident that her immediate family had fallen through The floor of gentry status. Although Isabella was a woman of some education (she knew, for example, The classical myths), t
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Harrison, Rodney, and John Schofield. "Discussion and Conclusion." In After Modernity. Oxford University Press, 2010. http://dx.doi.org/10.1093/oso/9780199548071.003.0016.

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This book has been written at a time when late modern societies are experiencing a period of enormous social and economic upheaval. Some commentators have suggested that late modern societies should be seen as defunct, or at best in decline. This forecast of the end of late modern societies looms larger than it has ever done before. But, in what ways will this influence the archaeology of the contemporary past as a discipline, and its agenda as we have charted it in this book? In many ways, the need for an archaeology of the late modern period has become even more urgent in the light of these
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