Relevant bibliographies by topics / The Monk by Matthew Lewis

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  1. Dissertations / Theses

Academic literature on the topic 'The Monk by Matthew Lewis'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Dissertations / Theses on the topic "The Monk by Matthew Lewis"

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Fennell, Jarad. "REPRESENTATIONS OF THE CATHOLIC INQUISITION IN TWO EIGHTEENTH-CENTURY GOTHIC NOVELS: PUNISHMENT AND REHABILITATION IN MATTHEW LE." Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4324.

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The purpose of this thesis is to determine how guilt and shame act as engines of social control in two Gothic narratives of the 1790s, how they tie into the terror and horror modes of the genre, and how they give rise to two distinct narrative models, one centered on punishment and the other on rehabilitation. The premise of the paper is that both Matthew G. Lewis's The Monk and Ann Radcliffe's The Italian harness radically different emotional responses, one that demands the punishment of the aberrant individual and the other that reveres the reformative power of domestic felicity. The purpose
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Nasri, Chourouq. "L'héroi͏̈ne gothique chez Ann Radcliffe et Matthew Lewis dans The mysteryies [mysteries] of Udolpho, The monk et The Italian." Paris 3, 2003. http://www.theses.fr/2003PA030153.

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Kearley, Miranda S. "Traumatic desire in three gothic texts : The Monk, Dracula, and Lost." Honors in the Major Thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1096.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>English Literature
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4

Gao, Dodo Yun. "Terror' and 'horror' in the 'masculine' and 'feminine' Gothic : Matthew Lewis's The Monk ( 1796) and Ann Radcliffe's The Italian (1797)." Thesis, University of Macau, 2012. http://umaclib3.umac.mo/record=b2586630.

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Hallberg, Therese. ""Awful apprehension" och "sickening realization" : Om begreppen "terror" och "horror" i den gotiska litteraturen." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-22834.

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Gothic literature has a tradition of dealing with dark subjects, themes and motifs, as well as depicting fear in different shapes and forms. Dani Cavallaro describes dark fiction in terms of the "aesthetic of the unwelcome". The philosopher Edmund Burke separates the beautiful from the sublime and writes that everything that is capable of producing a terror of pain and death is a source of the sublime. In her essay "On the Supernatural in Poetry", Ann Radcliffe draws a clear line between the concepts of terror and horror and distinguished them as fundamentally different. In this essay, I defin
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Jacobson, Laura Anne. "Exploring the perverse body the Monk and Melmoth the Wanderer /." Diss., Connect to the thesis, 2004. http://hdl.handle.net/10066/641.

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Leblanc, Virginie. "Désirs d'enfance : le corps et ses avatars chez Lewis Carroll et James Matthew Barrie : les Alice et Peter Pan." Paris 10, 2005. http://www.theses.fr/2005PA100043.

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Dans les Alice et Peter Pan, Lewis Carroll et James Matthew Barrie reconstituent leur objet de désir, étudient le corps en métamorphose, le développement du monstrueux, jusqu’à l’altération des enveloppes corporelles de leurs enfants rêvés qui se fragmentent et créent des doubles. Les auteurs, mus par leur désir de soumission, imposent au lecteur une vision unique de leurs œuvres, manipulent le héros en tentant de diriger la progression de sa vie et en mettant inlassablement en scène sa mort. Alice et Peter s’évertuent à accéder à l’incorporel pour oublier matérialité et mortalité, et leurs cr
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8

Hause, Marie. "The figure of the nun and the gothic construction of femininity in Matthew Lewis's The Monk, Ann Radcliffe's The Italian, and Charlotte Brontë's Villette /." Full-text of dissertation on the Internet (759.23 KB), 2010. http://www.lib.jmu.edu/general/etd/2010/masters/hauseme/hauseme_masters_04-28-2010.pdf.

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9

Panopoulou, Maria. "Reconsidering the relationship between early Gothic literature and the Greek classics : the cases of William Beckford and Matthew G. Lewis." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7733/.

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The view that Gothic literature emerged as a reaction against the prominence of the Greek classics, and that, as a result, it bears no trace of their influence, is a commonplace in Gothic studies. This thesis re-examines this view, arguing that the Gothic and the Classical were not in opposition to one another, and that Greek tragic poetry and myth should be counted among the literary sources that inspired early Gothic writers. The discussion is organised in three parts. Part I focuses on evidence which suggests that the Gothic and the Hellenic were closely associated in the minds of several B
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10

Lewis, Matthew [Verfasser], and Michael [Akademischer Betreuer] Lanzer. "An investigation into the pre-erythrocytic immune responses that modulate Plasmodium berghei immunopathology and protect against experimental cererbal malaria / Matthew Lewis ; Betreuer: Michael Lanzer." Heidelberg : Universitätsbibliothek Heidelberg, 2013. http://d-nb.info/1177381176/34.

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