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Journal articles on the topic 'The relationship between literature and cinema'

Author: Grafiati

Published: 24 April 2022

Last updated: 30 July 2025

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1

Agrawal, Deepika. "Influential Relationship Between Indian Cinema, Literature, and Society." EXPRESSIO: BSSS Journal of English Language and Literature, no. 01 (June 30, 2024): 104–11. http://dx.doi.org/10.51767/jen020108.

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Literature and Cinema are among the best means of communicating with people. Literature is believed to be the mirror of society. Literature and Cinema are artistic expressions of human experience and mind. It is said whatever occurs in society is reflected in cinema and literature. Literature exists with the existence of humanity. It is the consequential fusion of substance, style, meaning, and medium. Literature consists of sundry genera like Poetry, Prose, drama short stories, novels, and many more. Cinema is one of the most noteworthy innovations of the nineteenth century. It’s a wonderful

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Ahmed, Samah Rizk. "The Relationship between literature, Cinema, and Film Adaptation." مجلة کلیة الآداب.بنها 59, no. 2 (2023): 57–77. http://dx.doi.org/10.21608/jfab.2023.297126.

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Karácsonyi, Judit. "Shifting Frontiers across Cinema and Literature." AMERICANA E-journal of American Studies in Hungary 20, no. 1 (2024): 17–25. https://doi.org/10.14232/americana.2024.1.17-25.

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Reflections on the relationship between film and literature seem to focus on film adaptations, while the transformation of a film into a novel remains a less known practice. In my paper, I propose to address some of the questions raised by Nathalie Léger’s contemporary literary novelisation, Suite for Barbara Loden. While examining how this type of adaptation establishes an intermedial dialogue between cinema and literature, I intend to explore how the operation of modulation allows the filmic narrative to become more than a simple “mould for the novelistic hypotext”, to become the pre/text fo

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Cornelsen, Elcio Loureiro. "O conceito de Kinostil e o princípio da montagem no romance Berlim Alexanderplatz, de Alfred Döblin." Aletria: Revista de Estudos de Literatura 8 (March 2, 2018): 194–210. http://dx.doi.org/10.17851/2317-2096.8..194-210.

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Resumo: O objetivo do presente artigo é apresentar alguns aspectos teóricos postulados pelo escritor alemão Alfred Döblin ao desenvolver sua própria concepção da obra épica na “era da técnica”. Tais aspectos contribuem para uma melhor compreensão da relação entre literatura e cinema nas primeiras décadas do século XX.Palavras-chave: literatura alemã; montagem e cinema; montagem e literatura; literatura e cinema; romance da grande cidade.Abstract: The aim of this article is to present some theoretical aspects developed by the German writer Alfred Döblin in his own conception of the epic work in

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Jardim, Alex Fabiano Correia, and Adhemar Santos de Oliveira. "Um olhar histórico-filosófico do encontro do cinema com a educação e sua utilização nas salas de aulas." Educação e Filosofia 38 (July 19, 2024): 1–31. http://dx.doi.org/10.14393/revedfil.v38a2024-68790.

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Resumo: A proposta deste trabalho é problematizar a relação entre cinema e educação. Percebemos que o cinema é, geralmente, tratado apenas como plataforma ilustrativa nas aulas, ocupando papel secundário, inferior ao texto escrito ou à explicação oral. No entanto, a partir da perspectiva filosófica de Gilles Deleuze e Félix Guattari, entendemos que o encontro entre a filosofia e o cinema oferece ao aluno-espectador um novo campo de experimentação, visto que esse pode ser um potente instrumento de formação, não só cultural, mas também educacional, tanto quanto é a Literatura, a Filosofia e a So

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Baron, Christine. "Performativité du droit. Efficacité de la littérature et de l image." Çédille, no. 18 (2020): 267–87. http://dx.doi.org/10.25145/j.cedille.2020.18.11.

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French literature seems to have abandoned the field of fiction to turn to investigation and testimony.Legal narratives are an important part of this, and the role of these narratives and movies in our perception of law might not be underestimated.There are several ways of conceiving the relationship between law and literature (or cinema).Literature and cinema embody the characters of a trial. To a certain extend, they also impose their interpretation of the facts.Finally, some trials havebecome symbols through literature and cinema;thus,the writer has sometimes the power to shape our conceptio

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Syed Khurram Bukhari and Dr. Mamuna Subhani. "The Relationship Between Fiction And Film: Research And Critical Perspective." Dareecha-e-Tahqeeq 4, no. 1 (2023): 85–90. http://dx.doi.org/10.58760/dareechaetahqeeq.v4i1.108.

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Fiction and films are largely about a narrative that tells a story, both reflect social reality. Since the inception of cinema, fiction has attracted directors. The creative exchange between literature and cinema began in the last decade of the 19th century. The key difference between the two is the perception of the visual image and the concept of the mental image. Film is considered a branch of literature. In fiction we have the word, sentence, paragraph, chapter, and all the fiction. In the film we have the frame, scene shot, and sequence. The word in fiction and the image in the film are s

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Călina, Nicoleta, and Cristiana Călina. "When cinema draws its inspiration from literature: Marcello Mastroianni and his literary characters’ embodiment." AVANCA | CINEMA, no. 14 (January 5, 2024): 165–70. http://dx.doi.org/10.37390/avancacinema.2023.a489.

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It is since the dawn of cinema that the relationship between literature and cinema exists. Despite the profound transformations taking place in production and consumption, cinema continues to draw inspiration from literature. The increasingly important role that new technologies have in the production of spectacular effects has not eliminated the need to have subjects of proven effectiveness: the recourse to works of both classical and contemporary literature. One of the film careers that has crossed paths on many occasions with the major Italian and foreign fiction, contemporary and classic,

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Khan, Afsheen, and Dr Mona Dandwate. "Relation Between Indian Diaspora and Bollywood Cinema in The Context of Globalization." International Journal of Multidisciplinary Research Configuration 2, no. 2 (2022): 41–44. http://dx.doi.org/10.52984/ijomrc2207.

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Diaspora are those human groups who have history and experiences of migration and the attendant anxiety of displacement, homelessness and a wish to return to homeland.The term diaspora is derived from the Greek composite verb dia(through) and Speirein( infinitive) literally meaning ‘to scatter’ or ‘ to spread’ or ‘ to disperse’. Before exploring the inter relationship between Cinema and Indian diaspora, it should be known that how effectively it works on the life of diasporic people. Actually Cinema or Bollywood is unique confluence of literature and art. Bollywood as a globally successful phe

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Ivanov, Ivan. "Literature and Cinema in the Age of Globalization – Fragments of the XXI Century Cultural Hybridization Debate." Chuzhdoezikovo Obuchenie-Foreign Language Teaching 50, no. 5 (2023): 482–89. http://dx.doi.org/10.53656/for23.531lite.

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The article examines the globalization of the 21st century, which is driven by the postmodernist processes of decanonization that create a hybrid cultural environment in the present. The main focus of the text is the film-literature relationship, which is both synergistic and competitive in the market of cultural products. The article presents key postmodern novels from the 80s and 90s of the last century and their film adaptations, which even in the 21st century reproduce with the techniques of cinema a common, archetypal, futuristic, fictional model. Cinema and literature in the third millen

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Borlido, Tiago, and Elisabeth Kastenholz. "Word-of-art: The relationship between destination image and art." European Journal of Tourism Research 33 (January 20, 2023): 3312. http://dx.doi.org/10.54055/ejtr.v33i.2422.

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Destination image is a prominent topic in tourism research. While art’s importance in marketing has been highlighted by some authors ever since Gartner (1994) included it in his taxonomy of image formation agents, a systematic literature review on the relationship between art and destination image is still lacking. This paper thus explores this relationship through a qualitative systematic literature review of Scopus-indexed research published between 1960 and 2020 concerning this theme, discussing the main findings and methodologies utilized. Results show that different art forms have been th

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Kavut, İsmail Emre, and Elifnaz Olgaç. "The Technology of Fictional Space Designs in Dune Movies Investigation of Change in Time with Its Effect." Journal of Interior Design and Academy 3, no. 1 (2023): 1–25. http://dx.doi.org/10.53463/inda.20230166.

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Cinema has been advancing continuously since its formation and intertwined with many disciplines. Technology also acts as a bridge between these disciplines, especially between science fiction cinema and architecture, the place of technology is undeniable. In this study, the change of fictional space designs over time with the effect of technology is discussed and how these developments affect cinema and fictional space designs are examined as "Dune 1984" and "Dune 2021" produced from the same novel from science fiction cinema. The interior spaces and structures in these films were determined

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Jozef, Bella. "A crítica cinematográfica: de Jorge Luis Borges." Aletria: Revista de Estudos de Literatura 8 (March 2, 2018): 277–84. http://dx.doi.org/10.17851/2317-2096.8..277-284.

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Resumo: As múltiplas relações de Jorge Luis Borges com o cinema. Críticas, resenhas e técnicas cinematográficas incorporadas a sua obra. Adaptações de contos e roteiros originais. Considerações sobre propriedades específicas de cinema e literatura.Palavras-chave: Jorge Luis Borges; adaptação; cinema e literatura.Abstract: Jorge Luis Borges’s numerous relationship with film. Criticism, notes and film’s techniques incorporated in his works. Adaptation from short stories and original scripts. Considerations about specific properties between film and literature.Keywords: Jorge Luis Borges; adaptat

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Jessy, Mathew, and P.Teja Dr. "Deciphering Deserts and Dreams: A Narrative Interplay between Literature and Cinema in Benyamin's Aadujeevitham." Literary Enigma 1, no. 1 (2025): 76–83. https://doi.org/10.5281/zenodo.15109004.

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AbstractAdapting literature into films often faces many challenges in portraying thecomplexities of themes of the novel with the same intensity. Film is a form ofart, the same as a work of literature,and adaptation bridges a gap betweenliterature and cinema that creates a mutual relationship between these twospheres. This paper explores the interplay between the literary and cinematicnarratives in the Malayalam film Aadujeevitham (2024), directed by therenowned filmmaker Blessy, which is an adaptation of Benyamin’s acclaimednovel of the same name. Both the novel and the film Aadujeevitha

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Moroncini, Ambra. "Cinema, literature and looking at the world from Naples." Journal of Italian Cinema & Media Studies 12, no. 4 (2024): 599–612. http://dx.doi.org/10.1386/jicms_00287_7.

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This interview focuses on first-hand insights into Mario Martone’s cinematographic work. It presents the accurate transcription of an engaging conversation with the filmmaker held at the University of Sussex on 8 December 2023. By discussing the inspiration behind some of his most successful films – specifically L’amore molesto (Troubling Love) (1995), Il giovane favoloso (Leopardi) (2014), Nostalgia (2022) and the docufilm Laggiù qualcuno mi ama (Massimo Troisi: Somedody Down There Likes Me) (2023) – the reader will feel captivatingly guided by Martone into the fascinating relationship betwee

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Escobar, Armando. "“Jacob y el otro”: a la luz del cine (Apolo)." Catedral Tomada. Revista de crítica literaria latinoamericana 5, no. 9 (2018): 253–73. http://dx.doi.org/10.5195/ct/2017.256.

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The relationship between Uruguayan writer Juan Carlos Onetti and the cinema is extensive and. When we analyze one of the many adaptations of his work, we have to consider that it is a relationship of double influence, since our author has also take from the cinema to develop one of the most extensive and essential works of Latin American literature. For this reason, it is increasingly common to find interpretations that propose a cinematic reading of Onetti's work. As part of a similar exercise, we propose to read the story "Jacob and the Other" (1961) in the light of his adaptation to the cin

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Pokulevska, A. I. "RESEARCH OF INTERACTIVITY OF CINEMA LANGUAGE AND FICTION POETICS IN THE ASPECT OF VISUALITY." INTELLIGENCE. PERSONALITY. CIVILIZATION, no. 1 (24) (June 30, 2022): 85–92. http://dx.doi.org/10.33274/2079-4835-2022-24-1-85-92.

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Objective. The objective of the article is to investigate the most effective method of analyzing the relationship between cinema and fiction, as well as analyze their interaction and stages of development. Methods. The need to consider the formation of interactive relations between literature and cinema has led to recourse to the methods of historical and literary approach, as well as analysis and generalization of scientific literature on the problems of film poetics. Results. In the process of researching the connections between cinema and fiction, it becomes clear that the most effective me

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Karbalaeetaher, Hossein Shahin. "Cinema And Society In The Light Of Emile Zola’s Naturalism." CINEJ Cinema Journal 8, no. 1 (2020): 141–55. http://dx.doi.org/10.5195/cinej.2020.244.

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This study will seek to discuss the essential impact of Emile Zola’s naturalism regarding the role of cinema in projecting social issues. To be clear on how cinema has got involved with social issues and has become an effective art form for distributing social messages and encouraging social changes, this study first will give a detailed historical background on the relationship between cinema itself and society. Then, it will elaborate on Emile Zola's naturalistic literature role as the first serious endeavors to raise social awareness through art and literature in the late nineteenth century

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Katsantonis, Georgios. "From the Geographical Dimension to the Ecological Perspective in Pasolini’s Literature and Film." Caietele Echinox 47 (December 1, 2024): 179–89. https://doi.org/10.24193/cechinox.2024.47.11.

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The environmental aspects in Pasolini’s work go far beyond Pasolini’s famous L’articolo delle lucciole (Firefly Article) (1975). These aspects take shape, above all, in his interest in the transformation of the space, that is of the Italian environment controlled by a new, permissive fascism, a power without a face that is the worst kind of totalitarianism. The poet and writer focuses on the period of the so-called economic boom, which hit Italy after World War II. This article examines the potential contributions of Pasolini's intellectual agenda to contemporary ecocritical thought, built on

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Yılmaz, Muzaffer Musab. "Ousmane Sembene's Camp De Thiaroye in the Context of Anticolonial African Literature." İnsan ve Toplum Bilimleri Araştırmaları Dergisi 13, no. 2 (2024): 630–43. http://dx.doi.org/10.15869/itobiad.1442420.

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Almost all of the countries on the African continent have been under the domination of European powers for a certain period of time throughout their history. As a result, many books have been written on the continent, adopting an anti-colonial rhetoric. Numerous authors have analyzed European colonialism and offered suggestions for getting rid of it. Senegalese Ousmane Sembene is an anti-colonial writer and director. In a way, his films can be considered as a version of anticolonial literature transferred to the movie screen. Sembene is an extremely important name for African cinema. He is the

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P., Ana Fitriana, and Atika Rosyada. "Hubungan Antara Tayangan Iklan dalam Sinetron Anak Langit dengan Pengetahuan Siswa-Siswi SMKN 2 Karawang terhadap Produk Pop Mie Pedes Dower." Jurnal Politikom Indonesiana 3, no. 2 (2018): 246–56. http://dx.doi.org/10.35706/jpi.v3i2.1672.

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This study aims to determine the relationship between Ads Impressions in cinema Anak Langit with Knowledge of Vocational High School 2 Karawang Students towards Pop Mie Pedes Dower Product. This research uses Quantitative method. Respondents in this study were the students of Vocational High School 2 Karawang. Data collection techniques used in this study using questionnaires / questionnaires and literature study. The results of the research show that the relationship of ad impressions in cinema Anak Langit has a strong relationship with knowledge of Vocational High School 2 Karawangstudents t

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Berberyan, Asya S., and Anahit O. Oganesyan. "INTERRELATION OF PSYCHO-EMOTIONAL CHARACTERISTICS AND VALUE ORIENTATIONS OF STUDENTS IN THE PERCEPTION OF CINEMA IN A PANDEMIC." RSUH/RGGU Bulletin. Series Psychology. Pedagogics. Education, no. 1 (2022): 148–65. http://dx.doi.org/10.28995/2073-6398-2022-1-148-165.

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The issues of psycho-emotional characteristics and value orientations of students in the perception of cinema in a pandemic are presented in the article. The authors focused on psycho-emotional characteristics, value system of orientations and perception of cinema in a pandemic. Purpose of the research: to study the relationship between psycho-emotional characteristics and value orientations of students, taking into account the preference for a certain genre of film in a pandemic. Student age opens up opportunities for identifying the direction of value orientations and the realization of pers

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Elicher, Maria Jaqueline, and Carla C. L. Fraga. "Literary Cinematic Tourism: New clues of the Brazilian Literature influences on Film Tourism development in Brazil." PASOS. Revista de Turismo y Patrimonio Cultural 20, no. 4 (2022): 1011–22. http://dx.doi.org/10.25145/j.pasos.2022.20.067.

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The relationship between cinema and literature is permanent from film’s beginnings, with film adaptations stealing fire from great works. This paper analyses the relationship between film and tourism, focusing on the role of Brazilian literature’s influences in this context. Storytelling as a tool and the relevance of “travel with a purpose” are additional subjects discussed in relation to this type of tourism. This is an exploratory study that uses textual analysis (word clouds and similarity analysis). The textual corpus is formed by the synopsis of films based on Brazilian literature (n=25)

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Stine, Kyle. "Nonhuman Cinema and the Logistical Sublime." October, no. 177 (2021): 114–44. http://dx.doi.org/10.1162/octo_a_00435.

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Abstract Erika Magnusson and Daniel Andersson's Logistics (2012) is the longest film ever made, at over thirty-five days in duration. The film endeavors to make the world-spanning network of global logistics perceptible through an experience of the slow journey of the Dutch container-ship Elly Maersk from Gothenburg, Sweden, to Shenzhen, China. Following this document of an oceanic passage that coincided with—and was at one point halted by—the events of the Arab Spring, this article explores how extreme durational cinema raises questions about the position of the spectator and the limits of re

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Sidorova, Svetlana. "In search of beauty: Anticipating the ‘new Renaissance’ of Italian cinema: Interview with Lora Guerra." Journal of Italian Cinema & Media Studies 11, no. 3 (2023): 667–77. http://dx.doi.org/10.1386/jicms_00204_7.

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Lora Guerra (Eleonora Yablochkina) was an Italian writer and screenwriter Tonino Guerra’s wife and collaborator. She worked as a translator for a few films produced by her husband with Russian filmmakers, and today she is the curator of Tonino Guerra’s Memorial House in Pennabilli (Rimini). In this interview, she discusses the problems of cinema during the COVID-19 pandemic, the relationship between Italian and Russian cinema, the historical role of Italian cinema and the future of film festivals in Italy. She also reflects on the connection of neorealism with the Italian artistic tradition in

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Matarín Rodríguez-Peral, Eva, Tomás Gómez-Franco, and Ernesto Taborda-Hernández. "Exploring the Intersection of Film, City, and Tourism." Street Art & Urban Creativity 10, no. 2 (2024): 8–19. https://doi.org/10.25765/sauc.v10i2.951.

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Tourism is a social phenomenon that has global economic impact. Similarly, cinema has the ability to influence tourism through its representation of different spaces and cities. This representation shapes the public’s perception of these places, making them potential tourist destinations. Cinema can transform unfamiliar spaces into new attractions, whether through romantic narratives or by showcasing locations and scenes that subsequently inspire the audience to recreate them, feeling like protagonists in their own stories. Given its potential impact on tourism, this research poses the followi

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Marie, Laurent. "The Oak That Wished It Were a Reed: Georges Sadoul and André Bazin." Paragraph 36, no. 1 (2013): 101–17. http://dx.doi.org/10.3366/para.2013.0080.

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The two leading French film writers and critics of the post-war period were André Bazin and Georges Sadoul. Their relationship has often been reduced to the controversy that followed the publication of Bazin's article on ‘Soviet Cinema and the Myth of Stalin’ in 1950. While the ensuing polemic undeniably drove them apart, the prevailing critical emphasis on this episode fails to do justice to either their critical work or its wider context. Indeed, the heartfelt tribute Sadoul paid to Bazin after the latter's death testifies to a much richer and more complex relationship between the two critic

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Khatib, Lina. "The Politics of Iranian Cinema." American Journal of Islam and Society 27, no. 3 (2010): 117–19. http://dx.doi.org/10.35632/ajis.v27i3.1315.

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If there is one element of the politics of Iranian cinema that is understudied,it is that of the relationship between Iranian films and the Iranian film audience.Saeed Zeydabadi-Nejad’s book, The Politics of Iranian Cinema: Filmand Society in the Islamic Republic, fills this glaring gap by providing aunique insight into how Iranian films are received in Iran; what political andsocial debates they spark; and how they form part of a larger nexus of powernegotiations between the state, artists, and film viewers. The book takes anexpansive approach to “politics,” not favoring hard politics over so

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Chirumbolo, Paolo. "CONTAMINAZIONI INTERMEDIATICHE E IBRIDAZIONI POSTMODERNE: LE COMMEDIE DI ALDO, GIOVANNI E GIACOMO TRA TEATRO, TELEVISIONE E CINEMA." Forum Italicum: A Journal of Italian Studies 42, no. 1 (2008): 114–28. http://dx.doi.org/10.1177/001458580804200107.

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The essay examines the works of Aldo, Giovanni and Giacomo, one of the most popular comic trios in contemporary Italy. After a brilliant career spent between theater and television, in 1997 the three comedians made their first feature film, Tre uomini e una gamba, and were immediately blessed with huge commercial success. The film was followed by five more equally successful productions: Così è la vita (1998), Chiedimi se sono felice, (2000), La leggenda di Al, Jack e John, (2002), Tu la conosci Claudia? (2004), and Anplagghed al cinema (2006). Although I make several references to these films

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Parente Vieira, Amanda, and Cláudio Augusto Carvalho Moura. "Cinematic Desire and Fantasy in Adolfo Bioy Casares’ La Invención De Morel (1940)." Cadernos Cajuína 9, no. 5 (2024): e249522. http://dx.doi.org/10.52641/cadcajv9i5.617.

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This paper aims to analyze the relationship between the concepts of desire and fantasy, as understood by Lacanian theory, and their manifestation in cinema. In order to do so, it explores and discusses cinema’s influence over literature, focusing on how this relationship is reflected in the novel La Invención de Morel ([1940] 1953), written by Argentinian author Adolfo Bioy Casares. The analysis employs scholarship from film critics McGowan (2007), Metz (1982), Zizek (1989, 2006), Mulvey (1975, 1989), and others through the lens of Psychoanalytic Film Theory.

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Fedorenko, Viktoriia, and Nataliia Sulima. "Screen Adaptation in Modern Audiovisual Production." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 6, no. 2 (2023): 213–23. http://dx.doi.org/10.31866/2617-2674.6.2.2023.289308.

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The purpose of the article is to analyze the peculiarities of transferring a literary work to the screen; to determine the place of film adaptation in contemporary cinema; to explore the ways of screen adaptation and film adaptation of a literary work; to prove the importance of the process of intermedial reading of a literary work, to analyze the semiotic systems of literature and cinema to scientifically comprehend such a type of interaction between the arts as a screen adaptation; to reconsider the conventions, abstractness and homogeneity of literary signs and their opposite realism, concr

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Medvedieva, Alla, and Anastasiia Babych. "Specific Features of Implementing a Director’s Vision in the Adaptation of Literary Works, Operas, and Theatrical Performances." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 8, no. 1 (2025): 106–17. https://doi.org/10.31866/2617-2674.8.1.2025.332416.

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The purpose of the article is to explore the interaction of screen and stage activities, to study the influence of theatre performances on cinema, to identify the emergence of new genres in cinema through the combination of different art forms, and to outline the significance of screen adaptations of literary works. Research methodology. The analysis of theoretical materials and scientific works was used to determine the influence of different types of art on each other, the role of the transformation of a literary work into a screen one and the emergence of new artistic genres, which includes

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Türkmen, Anday. "Representation of space in pre-cinema moving image devices." JOURNAL OF ARTS 7, no. 3 (2024): 109–24. http://dx.doi.org/10.31566/arts.2391.

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The aim of this research is to establish a dialogue between moving image devices, considered as precursors of cinema, and the representation of space in order to evaluate the physical orientations of inventors who transformed their spatial searches into cinematic organisation. This study examines the experimental environment created by cinema art for space through moving image devices. It is focused on two research questions: ‘The integration of space representation in pre-cinema moving image devices’ and ‘The effect of space representation on visual narrative in pre-cinema moving image device

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Montenegro Bonilla, Joe. "Film and Literature: A History of Sibling Rivalry." LETRAS, no. 55 (June 27, 2014): 129–45. http://dx.doi.org/10.15359/rl.1-55.7.

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   El análisis organiza algunas ideas que durante el siglo xx se desarrollaron en torno a la relación entre la literatura y el cine como artes narrativas. Desde una perspectiva histórica, se expone cómo estas disciplinas se han enfrentado y han aprendido a coexistir bajo la cobertura de la semántica como reguladora de los procesos de significación que tanto el cine como la literatura estimulan. Además, se explican las diferencias entre ambas formas artísticas, como «materias de expresión», señalando los puntos de conexión que existen entre ellas para potenciar su análisis com

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Silveira, Vanilson Pereira, and Maria Luiza Cardinale Baptista. "Tourism and Cinema: Cinematographic Production and Tourist Attractivity In Garibaldi-RS, Brazil." Revista Rosa dos Ventos - Turismo e Hospitalidade 12, no. 4 (2020): 982–96. http://dx.doi.org/10.18226/21789061.v12i4p982.

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This paper aims to discuss the relationship between cinema and tourism, taking as its analysis the municipality of Garibaldi, located in Rio Grande do Sul, Brazil. Theoretically, it’s a transdisciplinary approach Tourism – Communication with a literature review to approach the theme and to identify locations contained in audiovisual productions. It’s possible to point movies as a resource to promote and disseminate tourist destinations. The cinematographic productions that take place in Garibaldi represent a differential strategy to reaffirm the region's vocation to tourism and cinematography.

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Martin, Florence, and Laura Mason. "Film and History." French Historical Studies 46, no. 2 (2023): 159–76. http://dx.doi.org/10.1215/00161071-10350033.

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Abstract The long, rich history of Francophone cinematic culture has been largely absent from the pages of French Historical Studies. The current issue offers a corrective by initiating dialogue between historians and film studies specialists, and this introduction lays a groundwork by briefly sketching intellectual and cultural contexts for the articles that follow. Brett Bowles, Christian Delage, and Thibault Guichard examine films that recover voices silenced by abuses of state power or antistate terror, adding to existing work on how visual media preserves evidence of violence and so broad

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Fedorenko, Viktoriia, and Nataliia Sulima. "Screen Adaptation in Modern Audiovisual Production." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 6, no. 2 (2023): 213–23. https://doi.org/10.31866/2617-2674.6.2.2023.289308.

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<strong>The purpose of the article </strong>is to analyze the peculiarities of transferring a literary work to the screen; to determine the place of film adaptation in contemporary cinema; to explore the ways of screen adaptation and film adaptation of a literary work; to prove the importance of the process of intermedial reading of a literary work, to analyze the semiotic systems of literature and cinema to scientifically comprehend such a type of interaction between the arts as a screen adaptation; to reconsider the conventions, abstractness and homogeneity of literary signs and their opposi

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N, Rathinakumar. "Dravidian Narratives constructed by Mudiyarasan's Poems." International Research Journal of Tamil 4, S-5 (2022): 290–300. http://dx.doi.org/10.34256/irjt22s545.

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The relationship between literature and movements is close. One depends on the other. Both have a system of giving and receiving. The new ones are the desired ones. Making major changes possible in society. Various movements have played a role in the creation of modern Tamil literature. Movements use works of art as a tool to bring about change in the social and political sphere. Dravidian ideologies have spread their ideologies in many spheres, such as short stories, novels, poetry, drama, and cinema. Countless people joined the movement and helped to expand the works of art. The role of the

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Khamroevna, Tursunova Nasiba. "Mythopoetic Image In Uzbek Folklore And Cinematography." American Journal of Social Science and Education Innovations 02, no. 11 (2020): 187–92. http://dx.doi.org/10.37547/tajssei/volume02issue11-34.

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It is known that the use of traditions of folklore in stylistic and transformational methods in various forms and manifestations of dramatic art has given rise to new types of folklore. Consequently, in recent years, mythological archetypes and images have been widely used not only in various genres of written literature, but also in cinematography. The question of the relationship between folklore and the art of cinema has long attracted the attention of researchers. In this article, I will discuss mythopoetic image in Uzbek folklore and cinematography.

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Wells, Sarah Ann. "Brazil’s Deferred 1968." South Atlantic Quarterly 119, no. 3 (2020): 493–509. http://dx.doi.org/10.1215/00382876-8601362.

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The consignment of industrial wage labor and its central figures to the status of ruins has become something of a cliché in contemporary scholarship and artistic practice. On this view, its demise first became apparent in the 1970s, the precise moment when Brazilian labor movements experienced their first significant gains. This article identifies, describes, and analyzes the emergence of a cinema-labor cycle in São Paulo (1977–82) that constitutes a key instance of Brazil’s “deferred 1968”: a complex response to the distinct pressures of a repressive military regime, entrenched paternalistic

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Yeung, Jessica Siu-yin. "Hong Kong Literature and the Taiwanese Encounter: Literary Magazines, Popular Literature and Shih Shu-Ching's Hong Kong Stories." Cultural History 12, no. 2 (2023): 224–50. http://dx.doi.org/10.3366/cult.2023.0288.

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This article examines the ways literary adaptations between Hong Kong and Taiwanese writers shape literary cultures in both places during the Cold War period. The 1950s and 1960s were the time when Hong Kong and Taiwan literary cultures were starting to thrive. An influx of literati into both places collaborated with each other and the locals to experiment with literary forms in literary magazines. The 1950s and 1960s were also the time when Hong Kong and Taiwan cinema experienced the first waves of adapting literary works into film in the postwar period. After the literary magazine culture dw

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Casini, Silvia. "Phantasmata of Dance: Time and Memory within Choreographic Constraints." Forum for Modern Language Studies 55, no. 3 (2019): 325–38. http://dx.doi.org/10.1093/fmls/cqz028.

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Abstract This article contributes to the scholarly discussion of the relationship between cinema and dance using Giorgio Agamben’s understanding of dance as gesture. To render Agamben’s critical framework operative, however, one needs to consider his reference to the concept of phantasmata (images) taken from Domenico da Piacenza’s Renaissance treatise on choreography. Agamben returns to this treatise to support his argument that dance is concerned first and foremost with time and memory rather than space and the present. To notate dance as a sequence of moving images is not simply to make vis

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Isaacs, Rico, and Abel Polese. "Between “imagined” and “real” nation-building: identities and nationhood in post-Soviet Central Asia." Nationalities Papers 43, no. 3 (2015): 371–82. http://dx.doi.org/10.1080/00905992.2015.1029044.

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Much of the existing literature on nation-building in Central Asia offers a statist top-down approach which focuses on how the nation and nationhood is “imagined” by political elites. In this special issue the contributors provide an analysis which seeks to explore the process of nation-building in Central Asia by addressing the other side of the state-society relationship. The case studies in this collection examine the “grey zone” between “imagined” and “real” differences between state-led policies and discourses related to nationhood and identity and how they are received by different audie

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Plana, Marc. "The deliberated decision in children’s mainstream cinema: On socialization in the discourse of freedom." Journal of Screenwriting 12, no. 3 (2021): 307–24. http://dx.doi.org/10.1386/josc_00069_1.

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The purpose of this article is to highlight a trend in the narrative use of decisions that reinforces a widely accepted discourse of freedom. Through a discursive analysis focusing on contemporary mainstream screenwriting, it explores the relationship between the protagonist’s decision and the climax of the story. This relationship is shaped by the need for a change between the darkest moment and the climax, and causality between the events and the conflict that triggers them. The decision is a standardized possibility compatible with these principles, reproducing a discourse of freedom upheld

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Al- Muqdadi, Dalal Ahmed Burhan, and Pabiyah Toklubok. "The Employment of the Technique of Cinematography in Modern Poetry: (The Three Rivers) (Saadi Yusuf Case Study)." Dirasat: Human and Social Sciences 49, no. 5 (2022): 252–62. http://dx.doi.org/10.35516/hum.v49i5.2754.

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The employment of the Technique of Cinematography in modern poetry is one of the new, contemporary, and unexplored topics that were not paid enough attention in research and analysis. Researching such topics will highlight the impact of the new technologies, such as the cinema, on developing the poetic language production. This study attempted to fill this gap in the literature by revealing the role of the cinematic techniques in developing modern poetry. This study aimed at clarifying the relationship between the modern poetry and the art of cinema, highlighting the most important artistic fe

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García-Manso, Angélica. "La leyenda de Gösta Berling: una propuesta didáctica desde la interrelación Literatura/Cine / Gösta Berlings Saga: a teaching proposal from the interaction Literature / Cinema." TEJUELO. Didáctica de la Lengua y la Literatura. Educación 26 (July 25, 2017): 193–212. http://dx.doi.org/10.17398/1988-8430.26.193.

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Resumen: El presente estudio tiene como objetivo trazar una estrategia didáctica para potenciar la lectura de los grandes clásicos de la Literatura Universal en el aula de enseñanza obligatoria. La propuesta se concretiza en la aproximación a la novelista sueca Selma Lagerlöff –la primera mujer Premio Nobel de Literatura– a través de la película La leyenda de Gösta Berling (Gösta Berlings Saga, 1924), dirigida por Mauritz Stiller y considerada una de las obras maestras del cine silente nórdico. Mediante esta guía de lectura-visionado, los alumnos pueden analizar un aspecto tan inédito como es

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Keppy, Peter. "Southeast Asia in the age of jazz: Locating popular culture in the colonial Philippines and Indonesia." Journal of Southeast Asian Studies 44, no. 3 (2013): 444–64. http://dx.doi.org/10.1017/s0022463413000350.

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Referencing insights from Cultural Studies and taking a jazz-age perspective, this essay aims to historicise and ‘locate the popular’ in colonial Indonesia and the Philippines. A new cultural era dawned in the 1920s urban hubs of Southeast Asia, associated with the creation of novel forms of vernacular literature, theatre, music and their consumption via the print press, gramophone, radio broadcasting and cinema. By investigating the complex relationship between the elusive phenomena of modernity, cosmopolitanism and nationalism as articulated by two pioneering artists active in commercial mus

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Montenegro Bonilla, Joe. "The Diegesis of Benjamin Button: A Method for Comparing Literature and Film." LETRAS, no. 53 (April 7, 2013): 181–99. http://dx.doi.org/10.15359/rl.1-53.8.

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This article proposes a specific structuralist methodology that may help organize the analysis of the relationship between literature and cinema. Through the instance of F. Scott Fitzgerald’s short story “The Curious Case of Benjamin Button” and David Fincher’s film adaptation of it, a focus on the comparable diegetic structures of a narrative cinematic text and the literary work on which it is based is offered, along with an exploration of the semiotic codes that support their comparative textual analyses. Este artículo propone una metodología estructuralista específica que posibilita organiz

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Michelle, dos Santos, and Ramos de Lima Sandro. "A Falecida – da peça ao filme: um roteiro como meio e caminho entre Nelson Rodrigues e Leon Hirszman." Via Litterae [ISSN 2176-6800]: Revista de Linguística e Teoria Literária 13, no. 1 (2021): 194–211. https://doi.org/10.5281/zenodo.5592474.

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<strong>Resumo</strong>: O propósito do cinema e da literatura ao olhar o mundo é contar histórias. Um encontro que permite adentrar a vida em seu interior mais intrínseco e cotidiano; uma penetração a fundo em tudo o que existe e, mais ainda, em tudo que ainda não existe. O <em>corpus</em> dessa incursão é a imaginação. No presente artigo, o escopo é perscrutar a trajetória de uma adaptação entre um texto dramatúrgico – no caso, a peça teatral de Nelson Rodrigues intitu

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Honcharuk, Serhii, and Oleksii Provolovskyi. "The Staged Reality of Documentary Films: Manifestations and Meanings." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 3, no. 1 (2020): 83–91. https://doi.org/10.31866/2617-2674.3.1.2020.202664.

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The aim of the study is to examine the staged reality that is being formed in documentary films. The research methodology is based on the implementation of the search method, which allows us to study the basic theoretical aspects of the reflection of reality in cinema. A comparative analysis of existing concepts related to the mechanisms of reality manifestation in documentary cinema. Also, the study used a descriptive method to detail existing modern mechanisms of reality in documentary cinema in the 21st century. The scientific novelty is that the presented materials

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