Academic literature on the topic 'The Secret History of Twin Peaks'

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Journal articles on the topic "The Secret History of Twin Peaks"

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Parezanović, Tijana, and Marko Lukić. "Tracing the Nowhere: Heterotopian Incursions in Twin Peaks." Journal of Popular Culture 51, no. 1 (2018): 109–28. http://dx.doi.org/10.1111/jpcu.12637.

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Gutiérrez, Laura D. "Coyotaje, Corruption, and Border Enforcement in “Ambos Nogales” in the 1930s." Pacific Historical Review 92, no. 1 (2023): 93–118. http://dx.doi.org/10.1525/phr.2023.92.1.93.

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In the 1930s, agents from Mexico’s secret intelligence agency began to investigate reports of collusion between a Mexican coyote named Ramón Preciado, U.S. border agents, and U.S. government officials. Migrants and residents of Nogales, Sonora, accused the man of extorting migrants, sexually assaulting women, and reporting migrants to the Border Patrol. In turn, Border Patrol agents would deport those migrants who refused to pay bribes to Preciado. However, U.S. consular officials described him as a friend of the government, an advisor, and a trusted partner. This article uses this case to ill
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Armijo, Alberto, and Diego Zamora-Sánchez. "Integration of Railway Bridge Structural Health Monitoring into the Internet of Things with a Digital Twin: A Case Study." Sensors 24, no. 7 (2024): 2115. http://dx.doi.org/10.3390/s24072115.

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Structural health monitoring (SHM) is critical for ensuring the safety of infrastructure such as bridges. This article presents a digital twin solution for the SHM of railway bridges using low-cost wireless accelerometers and machine learning (ML). The system architecture combines on-premises edge computing and cloud analytics to enable efficient real-time monitoring and complete storage of relevant time-history datasets. After train crossings, the accelerometers stream raw vibration data, which are processed in the frequency domain and analyzed using machine learning to detect anomalies that
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Zumalde, Imanol. "efecto Polaroid." Fotocinema. Revista Científica de Cine y Fotografía, no. 27 (July 25, 2023): 289–312. http://dx.doi.org/10.24310/fotocinema.2023.vi27.16565.

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Este artículo propone un modelo descriptivo que contempla la enorme diversidad que la teleficción contemporánea como un continuum que se abre entre el polo del modelo narrativo dominante caracterizado por el orden (cuyo ejemplo categórico sería 24 -Joel Surnow y Robert Cochran, 2001-2010) y su antípoda de entropía y desorden (cuyo paradigma sería Twin Peaks: The Return -David Lynch y Marc Frost, 2017). A partir de ahí, centran el foco en Better Call Saul (Vince Gilligan y Peter Gould, 2015-2022), teleserie que, situada en una posición de equidistancia, combina procedimientos de ambos formatos
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Kirasirova, Masha. "When the Revolutions Aligned: Soviet Documentary Films of the Aswan High Dam." International Journal of Middle East Studies 56, no. 3 (2024): 501–9. https://doi.org/10.1017/s0020743824001016.

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The Aswan High Dam was a cornerstone of two overlapping political projects. For Egypt’s President Gamal Abdel Nasser, the dam symbolized a bright future in which the decolonized Egyptian people could finally claim their destinies and triumph over the twin forces of imperialism and nature. The Soviet-assisted megaproject acquired such symbolic importance that Nasser’s security apparatus carefully policed its representations in Egyptian society, culture, and intellectual life. For the USSR, by contrast, the dam symbolized Soviet leader Nikita Khrushchev’s break with the Stalinist past, initiated
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MABEBA, Mahlatse. "RATIONALE OF FINANCIAL STABILITY IN SOUTH AFRICA: CONSTRUCTING A FINANCIAL STRESS INDEX." Oradea Journal of Business and Economics 9, no. 1 (2024): 133–43. http://dx.doi.org/10.47535/1991ojbe188.

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The need for financial stability became apparent after the devastating events of the 2008 financial crisis. It was around this time that central banks around the world started to construct and implement scientific methods to assess financial stability. This research gives a comprehensive understanding of financial stability and makes use of scientific methodology by constructing the financial stress index for South Africa from periods 2006 through 2015 to predict and attain financial stability. After the 2008 global financial crisis, South African policymakers have put in place some policies a
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Prokudin, Gleb Andreevich. "Afro-surrealism in screen arts as an experience of the Otherworldly." Культура и искусство, no. 4 (April 2024): 103–15. http://dx.doi.org/10.7256/2454-0625.2024.4.70370.

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This article is a study of such an original trend in art as "Afro-surrealism". The study contains an excursion into the history of this phenomenon, but special attention is paid to the special connection of the genre of Afro-surrealism with the realm of the otherworldly. The genre, being an offshoot of the general group of surrealist trends, tends to create images that cross the line of rational reality, in other words, Afro-surrealist works by their nature strive for knowledge of the otherworldly. Nevertheless, Afro-surrealism contains unique structural elements and techniques that make it po
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Izak, Krzysztof. "Twentieth anniversary of September 11. The plot, the events and the aftermath of the terrorist attack on the USA." Przegląd Bezpieczeństwa Wewnętrznego 13, no. 25 (2021): 341–69. http://dx.doi.org/10.4467/20801335pbw.21.033.14310.

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world, was carried out by 19 people. Among them were 15 Saudis, two UAE nationals, a Lebanese and an Egyptian. Three of the four formed the Hamburg cell, which was the backbone of the entire plot. It was led by the Egyptian Muhammad Atta el-Sayed. He flew Boeing 767 aircraft American Airlines Flight 11, which first struck the North Tower of the WTC. Marwan al-Shehhi was the pilot of Boeing 767 aircraft United Airlines Flight 175, which crashed into the South Tower of the WTC. Hani Hanjour sat at the controls of the Boeing 757 aircraft American Airlines flight 77. It was the third machine to ta
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Izak, Krzysztof. "Dwadzieścia lat od ataku z 11 września 2001 r. Przygotowania do ataku terrorystycznego na USA oraz jego przebieg i skutki." Przegląd Bezpieczeństwa Wewnętrznego 13, no. 25 (2021): 219–50. http://dx.doi.org/10.4467/20801335pbw.21.027.14304.

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Twentieth anniversary of September 11. The plot, the events and the aftermath of the terrorist attack on the USA The series of terrorist attacks on 11 September 2001 in the USA, the largest in the history of the world, was carried out by 19 people. Among them were 15 Saudis, two UAE nationals, a Lebanese and an Egyptian. Three of the four formed the Hamburg cell, which was the backbone of the entire plot. It was led by the Egyptian Muhammad Atta el-Sayed. He flew Boeing 767 aircraft American Airlines Flight 11, which first struck the North Tower of the WTC. Marwan al-Shehhi was the pilot of Bo
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Hassler-Forest, Dan. "“Two Birds with One Stone”: Transmedia Serialisation in Twin Peaks." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1364.

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It happened 27 years ago, in the autumn of 1990, but I remember it as if it were yesterday. Having set apart some of the cash I’d been given for my seventeenth birthday, I caught a train into the city with only one thing in mind: buying a copy of the newly-released book The Secret Diary of Laura Palmer. Having breathlessly devoured the eight-episode first season of Twin Peaks as it was broadcast on BBC2 from 23 October until 11 December 1990 (BBC), acquiring a copy of the “actual” diary that potentially held vital clues to the series’ central mystery—who killed Laura Palmer?—offered a temptati
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Dissertations / Theses on the topic "The Secret History of Twin Peaks"

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Herrmann, Andrew F. "Re-Discovering Kolchak: Elevating the Influence of the First Television Supernatural Drama." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/811.

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Each panelist has chosen an artifact (or type, genre, etc.) from the recent past and interrogated its role as an influence on contemporary popular culture, working to show the linkage between then and now. This type of work is underappreciated and we would like to attempt to show how informing ourselves on popular culture past can make us better critics in the present. Our hope is to inspire others to take up that cause as well. In that spirit, we would like to encourage people to come prepared to discuss ideas and share their own work in a workshop type environment.
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Books on the topic "The Secret History of Twin Peaks"

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Oakley, Lynn. San Francisco's Twin Peaks. Arcadia Publishing, 2013.

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Beaudry, Paul. Decomposing the twin-peaks in the world distribution of output-per-worker. National Bureau of Economic Research, 2002.

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Marino, Matteo. Il mio primo dizionario delle serie TV cult: Da Twin peaks a Big band theory. BeccoGiallo, 2016.

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J, Thompson Robert. Television's second golden age: From Hill Street blues to ER : Hill Street blues, Thirtysomething, St. Elsewhere, China Beach, Cagney & Lacey, Twin Peaks, Moonlighting, Northern exposure, L.A. law, Picket fences, with brief reflections on Homicide, NYPD blue & Chicago hope, and other quality dramas. Syracuse University Press, 1997.

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Frost, Mark. Secret History of Twin Peaks. Pan Macmillan, 2016.

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Frost, Mark. Secret History of Twin Peaks. Pan Macmillan, 2017.

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The secret history of Twin Peaks. 2016.

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The Secret History of Twin Peaks. MACMILLAN, 2016.

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Cariou, Len, Arthur Bishop, Mark Frost, and Michael Horse. The Secret History of Twin Peaks: Library Edition. Macmillan Audio, 2016.

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Frost, Mark. The Secret History of Twin Peaks: A Novel. Flatiron Books, 2016.

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Book chapters on the topic "The Secret History of Twin Peaks"

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Tumino, Stephen. "9. Twin Peaks." In Thinking Blue / Writing Red. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0324.09.

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Chapter Nine ("Twin Peaks"): In this chapter I address the question why Twin Peaks was "happening again" in 2017 after twenty-five years. To do so I read it against the socioeconomic and ideological background of the last quarter century. The original series first aired during the early years of the neoliberal period of global capitalism heralded by neoconservative and Reagan administration functionary Francis Fukuyama as the "end of history." What that meant in neoliberal sociology was the superiority of "free markets" over the ideological driven politics of the past. In cultural theory, clas
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Ellis, Matthew, and Tyler Theus. "Is It Happening Again? Twin Peaks and ‘The Return’ of History." In Critical Essays on Twin Peaks: The Return. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-04798-6_2.

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Hallam, Lindsay. "The Entire Mystery: Paratexts and the Ever-Expanding Twin Peaks Universe." In Twin Peaks: Fire Walk with Me. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781911325642.003.0007.

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This chapter explains how the Twin Peaks universe has expanded beyond the mediums of film and television and into the areas of literature and digital media, which inspired countless works of fan-made artwork and fiction. It reviews a brief survey of some of the key paratexts that interlock with David Lynch's Twin Peaks: Fire Walk With Me, which opens up new facets and insights into the film's narrative. It also mentions The Secret Diary of Laura Palmer, which was written by Lynch's daughter Jennifer and published in October 1990 in between airing of the first and second seasons of the Twin Pea
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Verevis, Constantine. "The W/hole David Lynch: Twin Peaks: Fire Walk with Me." In Networked David Lynch. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474497060.003.0005.

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This chapter appeals to the w/hole David Lynch – his open set of films and artworks – to argue that those who initially objected to Twin Peaks: Fire Walk with Me (1992) thought that the part (the prequel film) would close out the set (the first and second seasons of the television series) when in actuality it worked only to extend the mystery. If Twin Peaks: Fire Walk with Me frustrated its initial audience – especially its Twin Peaks fan base – then this might be because the experience of (serial) repetition is displaced from a closed set or sequence of texts – the connection and continuation
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Jordan, Randolph. "The Schizophonographic Imagination." In Acoustic Profiles. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780190226077.003.0005.

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Abstract This chapter focuses on one particular sound technology, the phonograph, as a highly visual marker of the myth of vanishing mediation at the crux of the fidelity thesis, ideal for cinematic evocations of the schizophonic condition. With David Lynch and Mark Frost’s Twin Peaks saga as a case study, the author uses the term schizophonographics to refer to cinema’s capacity to represent the split between sound and source through graphic representation of the materiality of phonographic processes. Lynch’s career-long interest in phonography inverts the fidelity thesis by fetishizing the m
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Burlingame, Jon. "“You are traveling through another dimension”Fantasy and Science Fiction." In Music for Prime Time. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780190618308.003.0005.

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Abstract Some of the most unusual and compelling scores in TV history have been written for the fantasy and science-fiction genre. Twilight Zone launched with a Bernard Herrmann theme, one that was replaced by the avant-garde French composer Marius Constant (although it was decades before he knew how his unusual musical phrases were turned into a TV theme). Jerry Goldsmith scored several Twilight Zone episodes before moving to Universal for Thriller. Herrmann later contributed to The Alfred Hitchcock Hour. The Outer Limits and Lost in Space were major entries, but the multi-decade success of S
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Conference papers on the topic "The Secret History of Twin Peaks"

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Jurković, Irena. "DAVID LYNCH’S MONOLOGUES: DISRUPTION OF NETWORK TELEVISION NORMS." In Proceeding of the Thirteenth International Conference at the Faculty of Foreign Languages. Alfa BK University Belgrade, 2024. https://doi.org/10.46793/lld24.176j.

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The paper examines David Lynch’s television series Twin Peaks (1990–1991) and its profound influence on the US television landscape, particularly during the transition to multi-channel broadcasting and the emergence of “Quality TV”. Rather than conforming to the existing aesthetic and production norms associated with prime-time American television, Lynch developed a series that reflected his auteur vision and challenged the perception of television as a commercial medium. Instead of observing Twin Peaks as a singular occurrence, this paper observes the series’ innovative narrative strategies i
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