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Journal articles on the topic 'The Secret History of Twin Peaks'

Author: Grafiati

Published: 24 April 2022

Last updated: 30 July 2025

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1

Parezanović, Tijana, and Marko Lukić. "Tracing the Nowhere: Heterotopian Incursions in Twin Peaks." Journal of Popular Culture 51, no. 1 (2018): 109–28. http://dx.doi.org/10.1111/jpcu.12637.

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2

Gutiérrez, Laura D. "Coyotaje, Corruption, and Border Enforcement in “Ambos Nogales” in the 1930s." Pacific Historical Review 92, no. 1 (2023): 93–118. http://dx.doi.org/10.1525/phr.2023.92.1.93.

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In the 1930s, agents from Mexico’s secret intelligence agency began to investigate reports of collusion between a Mexican coyote named Ramón Preciado, U.S. border agents, and U.S. government officials. Migrants and residents of Nogales, Sonora, accused the man of extorting migrants, sexually assaulting women, and reporting migrants to the Border Patrol. In turn, Border Patrol agents would deport those migrants who refused to pay bribes to Preciado. However, U.S. consular officials described him as a friend of the government, an advisor, and a trusted partner. This article uses this case to ill

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3

Armijo, Alberto, and Diego Zamora-Sánchez. "Integration of Railway Bridge Structural Health Monitoring into the Internet of Things with a Digital Twin: A Case Study." Sensors 24, no. 7 (2024): 2115. http://dx.doi.org/10.3390/s24072115.

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Structural health monitoring (SHM) is critical for ensuring the safety of infrastructure such as bridges. This article presents a digital twin solution for the SHM of railway bridges using low-cost wireless accelerometers and machine learning (ML). The system architecture combines on-premises edge computing and cloud analytics to enable efficient real-time monitoring and complete storage of relevant time-history datasets. After train crossings, the accelerometers stream raw vibration data, which are processed in the frequency domain and analyzed using machine learning to detect anomalies that

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4

Zumalde, Imanol. "efecto Polaroid." Fotocinema. Revista Científica de Cine y Fotografía, no. 27 (July 25, 2023): 289–312. http://dx.doi.org/10.24310/fotocinema.2023.vi27.16565.

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Este artículo propone un modelo descriptivo que contempla la enorme diversidad que la teleficción contemporánea como un continuum que se abre entre el polo del modelo narrativo dominante caracterizado por el orden (cuyo ejemplo categórico sería 24 -Joel Surnow y Robert Cochran, 2001-2010) y su antípoda de entropía y desorden (cuyo paradigma sería Twin Peaks: The Return -David Lynch y Marc Frost, 2017). A partir de ahí, centran el foco en Better Call Saul (Vince Gilligan y Peter Gould, 2015-2022), teleserie que, situada en una posición de equidistancia, combina procedimientos de ambos formatos

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Kirasirova, Masha. "When the Revolutions Aligned: Soviet Documentary Films of the Aswan High Dam." International Journal of Middle East Studies 56, no. 3 (2024): 501–9. https://doi.org/10.1017/s0020743824001016.

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The Aswan High Dam was a cornerstone of two overlapping political projects. For Egypt’s President Gamal Abdel Nasser, the dam symbolized a bright future in which the decolonized Egyptian people could finally claim their destinies and triumph over the twin forces of imperialism and nature. The Soviet-assisted megaproject acquired such symbolic importance that Nasser’s security apparatus carefully policed its representations in Egyptian society, culture, and intellectual life. For the USSR, by contrast, the dam symbolized Soviet leader Nikita Khrushchev’s break with the Stalinist past, initiated

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MABEBA, Mahlatse. "RATIONALE OF FINANCIAL STABILITY IN SOUTH AFRICA: CONSTRUCTING A FINANCIAL STRESS INDEX." Oradea Journal of Business and Economics 9, no. 1 (2024): 133–43. http://dx.doi.org/10.47535/1991ojbe188.

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The need for financial stability became apparent after the devastating events of the 2008 financial crisis. It was around this time that central banks around the world started to construct and implement scientific methods to assess financial stability. This research gives a comprehensive understanding of financial stability and makes use of scientific methodology by constructing the financial stress index for South Africa from periods 2006 through 2015 to predict and attain financial stability. After the 2008 global financial crisis, South African policymakers have put in place some policies a

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7

Prokudin, Gleb Andreevich. "Afro-surrealism in screen arts as an experience of the Otherworldly." Культура и искусство, no. 4 (April 2024): 103–15. http://dx.doi.org/10.7256/2454-0625.2024.4.70370.

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This article is a study of such an original trend in art as "Afro-surrealism". The study contains an excursion into the history of this phenomenon, but special attention is paid to the special connection of the genre of Afro-surrealism with the realm of the otherworldly. The genre, being an offshoot of the general group of surrealist trends, tends to create images that cross the line of rational reality, in other words, Afro-surrealist works by their nature strive for knowledge of the otherworldly. Nevertheless, Afro-surrealism contains unique structural elements and techniques that make it po

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8

Izak, Krzysztof. "Twentieth anniversary of September 11. The plot, the events and the aftermath of the terrorist attack on the USA." Przegląd Bezpieczeństwa Wewnętrznego 13, no. 25 (2021): 341–69. http://dx.doi.org/10.4467/20801335pbw.21.033.14310.

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world, was carried out by 19 people. Among them were 15 Saudis, two UAE nationals, a Lebanese and an Egyptian. Three of the four formed the Hamburg cell, which was the backbone of the entire plot. It was led by the Egyptian Muhammad Atta el-Sayed. He flew Boeing 767 aircraft American Airlines Flight 11, which first struck the North Tower of the WTC. Marwan al-Shehhi was the pilot of Boeing 767 aircraft United Airlines Flight 175, which crashed into the South Tower of the WTC. Hani Hanjour sat at the controls of the Boeing 757 aircraft American Airlines flight 77. It was the third machine to ta

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9

Izak, Krzysztof. "Dwadzieścia lat od ataku z 11 września 2001 r. Przygotowania do ataku terrorystycznego na USA oraz jego przebieg i skutki." Przegląd Bezpieczeństwa Wewnętrznego 13, no. 25 (2021): 219–50. http://dx.doi.org/10.4467/20801335pbw.21.027.14304.

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Twentieth anniversary of September 11. The plot, the events and the aftermath of the terrorist attack on the USA The series of terrorist attacks on 11 September 2001 in the USA, the largest in the history of the world, was carried out by 19 people. Among them were 15 Saudis, two UAE nationals, a Lebanese and an Egyptian. Three of the four formed the Hamburg cell, which was the backbone of the entire plot. It was led by the Egyptian Muhammad Atta el-Sayed. He flew Boeing 767 aircraft American Airlines Flight 11, which first struck the North Tower of the WTC. Marwan al-Shehhi was the pilot of Bo

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10

Hassler-Forest, Dan. "“Two Birds with One Stone”: Transmedia Serialisation in Twin Peaks." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1364.

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It happened 27 years ago, in the autumn of 1990, but I remember it as if it were yesterday. Having set apart some of the cash I’d been given for my seventeenth birthday, I caught a train into the city with only one thing in mind: buying a copy of the newly-released book The Secret Diary of Laura Palmer. Having breathlessly devoured the eight-episode first season of Twin Peaks as it was broadcast on BBC2 from 23 October until 11 December 1990 (BBC), acquiring a copy of the “actual” diary that potentially held vital clues to the series’ central mystery—who killed Laura Palmer?—offered a temptati

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11

Siljak, Harun. "Networks of Twin Peaks: The Dale Cooper Effect." Mathematical Intelligencer, June 1, 2022. http://dx.doi.org/10.1007/s00283-022-10187-w.

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12

Campanioni, Chris. "How Bizarre: The Glitch of the Nineties as a Fantasy of New Authorship." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1463.

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As the ball dropped on 1999, is it any wonder that No Doubt played, “It’s the End of the World as We Know It” by R.E.M. live on MTV? Any discussion of the Nineties—and its pinnacle moment, Y2K—requires a discussion of both the cover and the glitch, two performative and technological enactments that fomented the collapse between author-reader and user-machine that has, twenty years later, become normalised in today’s Post Internet culture. By staging failure and inviting the audience to participate, the glitch and the cover call into question the original and the origin story. This breakdown of

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13

Kosmina, Brydie. "“It’s Not a Natural Thing”: Situating Twin Peaks: The Return within the Anthropocene." Journal of Popular Culture, September 8, 2021. http://dx.doi.org/10.1111/jpcu.13058.

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14

Ding, Liang, Ruyi Zhou, Tianyi Yu, et al. "Lunar rock investigation and tri-aspect characterization of lunar farside regolith by a digital twin." Nature Communications 15, no. 1 (2024). http://dx.doi.org/10.1038/s41467-024-46233-8.

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AbstractYutu-2 rover conducted an exciting expedition on the 41st lunar day to investigate a fin-shaped rock at Longji site (45.44°S, 177.56°E) by extending its locomotion margin on perilous peaks. The varied locomotion encountered, especially multi-form wheel slippage, during the journey to the target rock, established unique conditions for a fin-grained lunar regolith analysis regarding bearing, shear and lateral properties based on terramechanics. Here, we show a tri-aspect characterization of lunar regolith and infer the rock’s origin using a digital twin. We estimate internal friction ang

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15

Leung, Colette. "The Beautiful and the Cursed by P. Morgan." Deakin Review of Children's Literature 6, no. 1 (2016). http://dx.doi.org/10.20361/g27618.

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Morgan, Page. The Beautiful and the Cursed. Toronto: Doubleday Canada, 2013. Print.This young adult fantasy novel tells the story of a young woman named Ingrid Waverly. Ingrid is a seventeen-year-old living in London, England at the end of the 19th century. She is the daughter of a wealthy man. However, after becoming the heart of a scandal involving a mysterious fire, Ingrid moves with her mother and little sister to Paris, France. Ingrid’s twin brother Grayson has already purchased an old abbey there for the family to settle into. Ingrid’s mother intends to restore the abbey, and turn it int

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16

Ricardo, Gustavo Piech, Murilo Marques Naldi, Camila Ricci Calasans, et al. "MON-918 Familial Paraganglioma: Familiar Case Report." Journal of the Endocrine Society 4, Supplement_1 (2020). http://dx.doi.org/10.1210/jendso/bvaa046.1150.

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Abstract Introduction: Pheochromocytomas and Paragangliomas (PGL) are rare tumors originating from chromaffin cells. They may be sporadic or associated with familial inherited genetic syndromes around 50-80%. There are several PGL syndromes, the most common being PGL 1 (SDHD mutations), PGL 2 (SDHAF), PGL 3 (SDHC), PGL 4 (SDHB), PGL 5 (SDHA), PGL 6 (SLC25A11) and PGL 7 (DLST). SDHB mutations generate a higher probability of malignant PGL, as well as risk of renal, GIST and pituitary neoplasms. We report the case of a patient with a positive family history for the autosomal dominant SDHB mutati

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17

Hagedorn-Hansen, Yolande, Grietjie Verhoef, and Gideon Els. "Regulatory changes in South Africa and their impact on the short-term insurance environment, 1960–1980." Journal of Economic and Financial Sciences 12, no. 1 (2019). http://dx.doi.org/10.4102/jef.v12i1.458.

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Orientation: The South African Insurance Act 18 of 2017 became effective on 01 July 2018 as part of the new Twin Peaks regulatory system. The often stated reason for the new regulatory regime is the 2008 global financial crisis. Regulatory changes in the local environment took place during two distinct periods in history following the Sharpeville and Soweto uprisings in 1960 and 1976. International sanctions combined with an outflow of capital ultimately saw government amending the regulatory framework through new ownership requirements for all insurers in order to secure funds locally.Researc

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18

Brammer, Rebekah. "Dark Laughs." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3152.

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Introduction: From Classic Noir Parody to Aussie Comedy Noir However you choose to identify noir – as a genre, style, or cycle – over its 80 years from classic American film noir to neo-noir, neon-noir, national noirs, and television noir, it has undeniably seeped into popular culture. Exemplary of this is the way noir has hybridised with other genres and styles, true of comedy as much as its more serious pairings with science fiction, Western, and Gothic. This is not a new phenomenon: Sue Short points out that pastiche noir began appearing at the end of the classic cycle, citing Kiss Me Deadl

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19

Kustritz, Anne. "Transmedia Serial Narration: Crossroads of Media, Story, and Time." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1388.

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The concept of transmedia storyworlds unfolding across complex serial narrative structures has become increasingly important to the study of modern media industries and audience communities. Yet, the precise connections between transmedia networks, serial structures, and narrative processes often remain underdeveloped. The dispersion of potential story elements across a diverse collection of media platforms and technologies prompts questions concerning the function of seriality in the absence of fixed instalments, the meaning of narrative when plot is largely a personal construction of each au

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20

Higley, Sarah L. "Audience, Uglossia, and CONLANG." M/C Journal 3, no. 1 (2000). http://dx.doi.org/10.5204/mcj.1827.

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Could we also imagine a language in which a person could write down or give vocal expression to his inner experiences -- his feelings, moods, and the rest -- for his private use? Well, can't we do so in our ordinary language? -- But that is not what I mean. The individual words of this language are to refer to what can only be known to the person speaking; to his immediate private sensations. So another person cannot understand the language. -- Ludwig Wittgenstein, Philosophical Investigations par. 243 I will be using 'audience' in two ways in the following essay: as a phenomenon that produces

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21

Bourdaa, Mélanie. "From One Medium to the Next: How Comic Books Create Richer Storylines." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1355.

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Transmedia storytelling, as defined by Henry Jenkins in 2006 in his book Convergence Culture, highlights a production strategy that aims to augment the narration of a cultural work by scattering it across several media platforms—digital or non-digital. The term is certainly quite recent, but the practices are not new and allow us to understand the evolution of the cultural industries and the creation of a new media ecosystem. As Matthew Freeman states, transmedia storytelling always relies on industrial changes, the narration adapting itself to new media synergies and novelties to create engag

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22

Tofts, Darren, and Lisa Gye. "Cool Beats and Timely Accents." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.632.

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Ever since I tripped over Tiddles while I was carrying a pile of discs into the studio, I’ve known it was possible to get a laugh out of gramophone records!Max Bygraves In 1978 the music critic Lester Bangs published a typically pugnacious essay with the fighting title, “The Ten Most Ridiculous Albums of the Seventies.” Before deliciously launching into his execution of Uri Geller’s self-titled album or Rick Dees’ The Original Disco Duck, Bangs asserts that because that decade was history’s silliest, it stands to reason “that ridiculous records should become the norm instead of anomalies,” tha

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23

Muntean, Nick, and Anne Helen Petersen. "Celebrity Twitter: Strategies of Intrusion and Disclosure in the Age of Technoculture." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.194.

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Being a celebrity sure ain’t what it used to be. Or, perhaps more accurately, the process of maintaining a stable star persona isn’t what it used to be. With the rise of new media technologies—including digital photography and video production, gossip blogging, social networking sites, and streaming video—there has been a rapid proliferation of voices which serve to articulate stars’ personae. This panoply of sanctioned and unsanctioned discourses has brought the coherence and stability of the star’s image into crisis, with an evermore-heightened loop forming recursively between celebrity goss

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24

Seale, Kirsten. "Doubling." M/C Journal 8, no. 3 (2005). http://dx.doi.org/10.5204/mcj.2372.

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   ‘Artists are replicants who have found the secret of their obsolescence.’ (Brian Massumi)   The critical reception to British writer Iain Sinclair’s most recent novel Dining on Stones (or, the Middle Ground) frequently focused on the British writer’s predilection for intertextual quotation and allusion, and more specifically, on his proclivity for integrating material from his own backlist. A survey of Dining on Stones reveals the following textual duplication: an entire short story, “View from My Window”, which was published in 2003; excerpts from a 2002

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25

Kaspi, Niva. "Bill Lawton by Any Other Name: Language Games and Terror in Falling Man." M/C Journal 15, no. 1 (2012). http://dx.doi.org/10.5204/mcj.457.

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“Language is inseparable from the world that provokes it”-- Don DeLillo, “In the Ruins of the Future”The attacks of 9/11 generated a public discourse of suspicion, with Osama bin Laden occupying the role of the quintessential “most wanted” for nearly a decade, before being captured and killed in May 2011. In the novel, Falling Man (DeLillo), set shortly after the attacks of September 11, Justin, the protagonist’s son, and his friends, the two Siblings, spend much of their time at the window of the Siblings’ New York apartment, “searching the skies for Bill Lawton” (74). Mishearing bin Laden’s

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26

Taylor, Alison. "“There’s Suspicion, Nothing More” — Suspicious Readings of Michael Haneke’s Caché (Hidden, 2005)." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.384.

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Michael Haneke’s film Caché tells the story of a bourgeois family in peril. The comfortable lives of the Laurents—husband Georges (Daniel Auteuil), wife Anne (Juliette Binoche), and teenage son Pierrot (Lester Makedonsky)—are disrupted when surveillance tapes of their home and private conversations are delivered to them anonymously. Ostensibly Caché sits in a familiar generic framework: the thriller narrative of a family under threat is reminiscent of films such as The Desperate Hours (1955), Cape Fear (1962), and Straw Dogs (1971). The weight of outside forces causes tension within the family

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27

Franks, Rachel. "A Taste for Murder: The Curious Case of Crime Fiction." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.770.

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Introduction Crime fiction is one of the world’s most popular genres. Indeed, it has been estimated that as many as one in every three new novels, published in English, is classified within the crime fiction category (Knight xi). These new entrants to the market are forced to jostle for space on bookstore and library shelves with reprints of classic crime novels; such works placed in, often fierce, competition against their contemporaries as well as many of their predecessors. Raymond Chandler, in his well-known essay The Simple Art of Murder, noted Ernest Hemingway’s observation that “the goo

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28

Rodriguez, Mario George. "“Long Gone Hippies in the Desert”: Counterculture and “Radical Self-Reliance” at Burning Man." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.909.

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Introduction Burning Man (BM) is a festival of art and music that materialises for one week each year in the Nevada desert. It is considered by many to be the world’s largest countercultural event. But what is BM, really? With record attendance of 69,613 in 2013 (Griffith) (the original event in 1986 had twenty), and recent event themes that have engaged with mainstream political themes such as “Green Man” (2007) and “American Dream” (2008), can BM still be considered countercultural? Was it ever? In the first part of this article, we define counterculture as a subculture that originates in th

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