Log in

Relevant bibliographies by topics / Theatre for all audiences / Books

To see the other types of publications on this topic, follow the link: Theatre for all audiences.

Books on the topic 'Theatre for all audiences'

Author: Grafiati

Published: 31 August 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Theatre for all audiences.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Snyder-Young, Dani, and Matt Omasta. Impacting Theatre Audiences. Routledge, 2022. http://dx.doi.org/10.4324/9781032214146.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Asiedu, Awo Mana. West African theatre audiences: A study of Ghanaian and Nigerian audiences of literary theatre in English. University of Birmingham, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

O'Toole, John, Ricci-Jane Adams, Michael Anderson, Bruce Burton, and Robyn Ewing, eds. Young Audiences, Theatre and the Cultural Conversation. Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-7609-8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Liston, Karen. An exploratory study into the attitudes of the Dublin population to theatre. UniversityCollege Dublin, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Malomo, Jide. The theatre audience in Nigeria: A survey of audience attendance at the National Arts Theatre, Lagos. Ibadan, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Freshwater, Helen. Theatre & audience. Palgrave Macmillan, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Marisa, Smith, ed. Seattle Children's Theatre: Six plays for young audiences. Smith and Kraus, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Bennett, Susan. Theatre audiences: A theory of production and reception. Routledge, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Dieleman, Cock, Ricarda Franzen, Veronika Zangl, and Henk Danner. Dramaturgy. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463724968.

Full text

Abstract:

The image of the dramaturg resembling a stuffy librarian, as opposed to the largely intuitive process of theatre making, belongs to the past. Contemporary theatre performances not only tell a story, but constantly reflect on the world in which that story takes place and is shown. As a result, dramaturgy has become part of the artistic process. Thus everybody involved in a theatre production is concerned with dramaturgical thinking, i.e. how to relate to material, process, audience and society. The dramaturg crosses borders between theory and practice, between theatre makers, performance and au

APA, Harvard, Vancouver, ISO, and other styles

10

1933-, Jennings Coleman A., ed. Theatre for young audiences: 20 great plays for children. St. Martin's Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Krauss, Kenneth. Private readings/public texts: Playreaders' constructs of theatre audiences. Fairleigh Dickinson University Press, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

author, Siebenhaar Klaus, ed. European theatre and the public: Development, orientations and evidence. B&S Siebenhaar Verlag, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Kantanen, Teuvo. Possibilities to approach theatre behaviour from the viewpoint of consumer behaviour. University of Vaasa, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Meyer-Dinkgräfe, Daniel. Boulevard Comedy Theatre in Germany. Cambridge Scholars, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Lowell, Swortzell, ed. Theatre for young audiences: Around the world in 21 plays. Applause, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Lowell, Swortzell, ed. Around the world in 21 plays: Theatre for young audiences. Applause, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Dudden, Faye E. Women in the American theatre: Actresses and audiences, 1790-1870. Yale University Press, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Emmet, Kennedy, ed. Theatre, opera, and audiences in revolutionary Paris: Analysis and repertory. Greenwood Press, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

Chansky, Dorothy. Composing ourselves: The Little Theatre movement and the American audience. Southern Illinois University Press, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Craddock, Kate, and Helen Freshwater. Theatre and its Audiences. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350339200.

Full text

Abstract:

Written in the aftermath of the Covid-19 crisis, this book brings the past, present and future of theatre-going together as it explores the nature of the relationships between performance practitioners, arts organisations and their audiences. Proposing that the pandemic forced a re-evaluation of what it means to be an audience, and combining historical and current cultural sector perspectives, the book reflects on how historical conventions have conditioned present day expectations of theatre-going in the UK. Helen Freshwater examines the ways in which developments in technology, architecture

APA, Harvard, Vancouver, ISO, and other styles

21

Bennett, Susan. Theatre Audiences. Routledge, 2013. http://dx.doi.org/10.4324/9781315005751.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Bennett, Susan. Theatre Audiences. Taylor & Francis Group, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

Bennett, Susan. Theatre Audiences. Taylor & Francis Group, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Bennett, Susan. Theatre Audiences. Taylor & Francis Group, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Bennett, Susan. Theatre Audiences. Taylor & Francis Group, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Sierz, Aleks, and Lia Ghilardi. The Time Traveller's Guide to British Theatre. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350429628.

Full text

Abstract:

British theatre is booming. But where do these beautiful buildings and exciting plays come from? And when did the story start? To find out we time travel back to the age of the first Queen Elizabeth in the 16th century, four hundred years ago when there was not a single theatre in the land. In the company of a series of well-characterized fictional guides, the eight chapters of the book explore how British theatre began, grew up and developed from the 1550s to the 1950s. The Time-Traveller's Guide to British Theatre tells the story of the movers and shakers, the buildings, the playwrights, the

APA, Harvard, Vancouver, ISO, and other styles

27

Emeljanow. London Theatre Audiences. University of Cambridge ESOL Examinations, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

Impacting Theatre Audiences. Taylor & Francis Group, 2022.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Brook, Peter. Peter Brook: Threads of Time. Methuen Drama, 1998. http://dx.doi.org/10.5040/9781350058408.

Full text

Abstract:

"First there was the master conjurer adept at musicals, farces, opera and Shakespeare. Then there was the philosopher-king … who has devoted his energies to a quest for a theatre that was simple in form and rich in meaning." - Michael Billington The theatre's greatest contemporary director tells the story of his life. Peter Brook was the modern stage's greatest inventor. For over 50 years he held audiences spellbound with his critically acclaimed productions. This is his account of his life. Born in 1925 in London, at 21 Brook became the enfant terrible of British theatre, directing major post

APA, Harvard, Vancouver, ISO, and other styles

30

Swortzell, Lowell. Theatre for Young Audiences. Applause Theatre Book Publishers,U.S., 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

Semmes, Clovis E. The Problem of Race and Chicago’s Great Tivoli Theater. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037023.003.0003.

Full text

Abstract:

This chapter historicizes the building of “the great palace theaters” of the early twentieth century, paying particular attention to real-life racial politics. Inspired by the architectural designs of the Chateau de Versailles, the Tivoli Theater was located in Washington Park with its 85 percent white population. The theater, originally built in 1921 for white neighborhood residents, employed a number of black men and women in service capacities. Due to gradual demographic shifts, Tivoli Theater management pursued a policy of separate seating for audiences for the live performances and film e

APA, Harvard, Vancouver, ISO, and other styles

32

Graham, Janet. Professional Theatre for Young Audiences. Arizona State Univ Dept of, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Theatre Double Game. University of North Carolina Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Woodruff, Paul. Staging Wisdom through Hamlet. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190698515.003.0003.

Full text

Abstract:

Hamlet illustrates how wisdom can be staged in theater. It ought to be impossible, because theater is watching, and wisdom can't be watched at all. Moreover, people spouting wisdom are rarely worth watching. Successful theater makes fun of those who spout wisdom (such as Polonius) and engages its audiences constantly with humor or emotion, leaving no space for the reflection that leads to wisdom. So how could a play present wisdom successfully in performance? Plato concluded that the playwrights of his time could put nothing but fake wisdom on stage. Plato was wrong: although divine wisdom is

APA, Harvard, Vancouver, ISO, and other styles

35

Theatre and Audience (Theatre &). Palgrave Macmillan, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Anderson, Michael, Bruce Burton, Robyn Ewing, John O'Toole, and Ricci-Jane Adams. Young Audiences, Theatre and the Cultural Conversation. Ingramcontent, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Omasta, Matt, and Dani Snyder-Young. Impacting Theatre Audiences: Methods for Studying Change. Taylor & Francis Group, 2022.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

38

Omasta, Matt, and Dani Snyder-Young. Impacting Theatre Audiences: Methods for Studying Change. Routledge, 2022.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

39

Anderson, Michael, Bruce Burton, Robyn Ewing, John O'Toole, and Ricci-Jane Adams. Young Audiences, Theatre and the Cultural Conversation. Springer London, Limited, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

Omasta, Matt, and Dani Snyder-Young. Impacting Theatre Audiences: Methods for Studying Change. Taylor & Francis Group, 2022.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Anderson, Michael, Bruce Burton, Robyn Ewing, John O'Toole, and Ricci-Jane Adams. Young Audiences, Theatre and the Cultural Conversation. Springer Netherlands, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

Maguire, Tom, and Karian Schuitema. Theatre for Young Audiences: A Critical Handbook. Institute of Education Press (IOE Press), 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

43

Omasta, Matt, and Dani Snyder-Young. Impacting Theatre Audiences: Methods for Studying Change. Taylor & Francis Group, 2022.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

44

Oily Cart Impossible Theatre For Young Audiences. Trentham Books, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

45

Guide to UK Theatre for Young Audiences. Aurora Metro Publications Limited, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

46

Theatre for Young Audiences: A Critical Handbook. Institute of Education Press (IOE Press), 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

47

Aveyard, Karina. “Our Place”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039683.003.0018.

Full text

Abstract:

This chapter examines the role of film and cinema as a force in women's lives by focusing on women as cinema audiences. More specifically, it considers the experiences of a modern-day group of women who patronize and actively support the First Avenue Cinema, a 1950s single-screen film theater located in the coastal town of Sawtell in New South Wales, Australia. The chapter first provides a brief background on the geographic and economic contours of Sawtell before turning to First Avenue Cinema and its women audiences, paying attention to how it positions itself as a social space that local wom

APA, Harvard, Vancouver, ISO, and other styles

48

Jr, Stanton B. Garner. Kinesthetic Spectatorship in the Theatre: Phenomenology, Cognition, Movement. Palgrave Macmillan, 2018.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

49

Creating Worlds: How to Make Immersive Theatre. Hern Books, Limited, Nick, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

50

Creating Worlds: How to Make Immersive Theatre. Hern Books, Limited, Nick, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!