Log in

Relevant bibliographies by topics / Thematic painting / Books

To see the other types of publications on this topic, follow the link: Thematic painting.

Books on the topic 'Thematic painting'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 15 books for your research on the topic 'Thematic painting.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Elizabeth II, Queen of Great Britain, 1926-, Charles, Prince of Wales, 1948-, and Lloyd Christopher 1945-, eds. The paintings in the Royal Collection: A thematic exploration. The Collection, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Stouphē-Poulēmenou, Iōanna. Apo tous Nazarēnous ston Ph. Kontoglou: Themata neoellēnikēs ekklēsiastikēs zōgraphikēs. Ekdoseis Harmos, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Thomas, Troy. Poussin's Women. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463721844.

Full text

Abstract:

Poussin’s Women: Sex and Gender in the Artist’s Works examines the paintings and drawings of the well-known seventeenth-century French painter Nicolas Poussin (1594-1665) from a gender studies perspective, focusing on a critical analysis of his representations of women. The book’s thematic chapters investigate Poussin’s women in their roles as predators, as lustful or the objects of lust, as lovers, killers, victims, heroines, or models of virtue. Poussin’s paintings reflect issues of gender within his social situation as he consciously or unconsciously articulated its conflicts and assumption

APA, Harvard, Vancouver, ISO, and other styles

4

Maria, Olivieri Luca, Bruneau Laurianne, Ferrandi Marco, Fondation Carlo Leone et Mariena Montandon, and Istituto italiano per l'Africa e l'Oriente, eds. Pictures in transformation: Rock art research between central Asia and the subcontinent : thematic symposium (special sessions) XIX International Conference on South Asian Archaeology, Ravenna, 6 July 2007. Archaeopress, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Franits, Wayne. Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution. Yale University Press, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution. Yale University Press, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution. Yale University Press, 2004. http://dx.doi.org/10.37862/aaeportal.00040.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Kikakuten, yomitsugareta Genji monogatari: Thematic exhibition, reading and re-envisioning the Tale of Genji through the ages. Tokugawa Bijutsukan, 2020.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Christopher, Lloyd. The Paintings Of The Royal Collection: A Thematic Exploration. Royal Collection, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Thematic study of rock art: Latin America & the Caribbean = Étude thématique de l'art rupestre : Amérique Latine et Les Caraïbes. International Council on Monuments and Sites, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

The Royal Collection: A Thematic Exploration of the Paintings in the Collection of Her Majesty the Queen. ABC Books, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Petho, Ágnes, ed. Caught In-Between. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474435499.001.0001.

Full text

Abstract:

This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern Bloc. As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina, and Russia demonstrate that intermediality can be

APA, Harvard, Vancouver, ISO, and other styles

13

Thomas, Troy. Poussin’s Women. Amsterdam University Press, 2020. http://dx.doi.org/10.5040/9789048566846.

Full text

Abstract:

Poussin’s Women: Sex and Gender in the Artist’s Works examines the paintings and drawings of the well-known seventeenth-century French painter Nicolas Poussin (1594-1665) from a gender studies perspective, focusing on a critical analysis of his representations of women. The book’s thematic chapters investigate Poussin’s women in their roles as predators, as lustful or the objects of lust, as lovers, killers, victims, heroines, or models of virtue. Poussin’s paintings reflect issues of gender within his social situation as he consciously or unconsciously articulated its conflicts and assumption

APA, Harvard, Vancouver, ISO, and other styles

14

undifferentiated, Mark O'Connell. Symbols, Signs & Visual Codes: An Illustrated Encyclopedia of Cultural Signifiers & Graphic Icons: A comprehensive thematic analysis of the way universal ... including fine art paintings, photographs. Southwater, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Kollnitz, Andrea. Becoming Leonor Fini. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350212626.

Full text

Abstract:

Italian-Argentine artist Leonor Fini (1907-1996) can be seen as the original artist-celebrity; her self-mythologization was promulgated by some of the 20th century’s most prominent photographers, from Henri Cartier-Bresson to Dora Maar. Exploring her self-fashioning and dressing-up practices in light of recent theories of performativity, this book highlights how Fini’s extension of artistic creative practices, from painted artworks to her self-creation through costumes, masks and fashion, allowed her to become a living artwork to be created and recreated on daily basis. Applying a multisensory

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!