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Journal articles on the topic 'Thematic painting'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Lin, Shuxin. "A Comparative Study of Yuanti Flower-and-bird Paintings and Western Classical Still-life Paintings: A Formal and Thematic Analysis of Li Song’s “Basket of Flowers” and Caravaggio’s “Basket of Fruit”." World Journal of Education and Humanities 6, no. 4 (2024): p95. http://dx.doi.org/10.22158/wjeh.v6n4p95.

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In the context of globalization, cultural exchange between the East and West is becoming increasingly frequent, and painting serves as a unique perspective for exploring cultural differences. In particular, flower-and-bird paintings and still-life paintings, as two major traditional painting genres, share similarities in selecting the subject and pursuing realism while maintaining their artistic characteristics, which both act as effective research models for cross-cultural comparative studies. This paper selects Li Song’s “Basket of Flowers”, a representative of Yuanti flower-and-bird paintin

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Fu, Hanmeng. "Design and Implementation of Interdisciplinary Thematic Learning in Middle School Art Supported by Digital Technology." Journal of Education and Educational Research 10, no. 1 (2024): 354–56. http://dx.doi.org/10.54097/28xcst20.

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Digital technology is helpful to the interdisciplinary subject learning and practice. In junior high school art "painting road of eternal life" project learning process, "how to better save and show paintings" as the essential problem, "painting the road of eternal life", relying on art, history and information technology learning field, fusion of multidisciplinary methods and means, design data investigation, analysis, experimental exploration, creative practice, materialized achievements and display interdisciplinary series of learning activities, realize high order thinking package low orde

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Wango, Kamau. "Thematic Approach and Derivation of Subject Matter as an Avenue for Expression and Expressiveness in Painting: Analysis of Selected Paintings by Kenyan Contemporary Artists in Nairobi, Kenya." East African Journal of Arts and Social Sciences 3, no. 1 (2021): 92–120. http://dx.doi.org/10.37284/eajass.3.1.356.

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In painting, just like in other disciplines of art, a thematic approach is often applied by artists in their work because themes define all aspects of human endeavour. A thematic approach is also important in the derivation of subject matter that artists ultimately pursue in their work. It can be said that any painting that is executed can be compartmentalised to fit within a given thematic pattern. Artists often, but not always, actively consider the essence of the theme itself; at times, they instinctively or spontaneously express something on canvas. It is presumed that the ‘intent of the a

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Olugbenga, Oladeji ABOKEDE1* Olatubosun Morakinyo OYEYODE2 Ayodeji Samuel OLUYEMI.3. "THEMATIC EXAMINATION OF PAINTING AND GRAPHIC ILLUSTRATIONS ON SELECTED SCHOOLS MURAL IN ILORIN, NIGERIA." ISRG Journal of Arts Humanities & Social Sciences (ISRGJAHSS) I, no. VI (2023): 291–99. https://doi.org/10.5281/zenodo.14909287.

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<strong>Abstract</strong> <em>The elements, sun and rain, has constituted threats to murals due to its transient and ephemeral nature. The obvious damages observed include cracks, disintegration of paint layers, swelling of the paint film, detachment of portions of painted layers and disintegration of the underlying ground. The murals are deteriorating and reducing fast in quality and quantity. It perhaps led to reduction in the number of mural paintings in Ilorin public places. This constitute rationale why the murals should be studied before they are destroyed. It also necessitates this urge

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Zolotukhina, Natal'ya Anatol'evna. "The peculiarities of modern religious painting in the Crimean temple architecture of (on the example of Alexander Nevsky Cathedral in Simferopol and Saint Vladimir Cathedral in Chersonesos)." Культура и искусство, no. 12 (December 2021): 14–26. http://dx.doi.org/10.7256/2454-0625.2021.12.36988.

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The traditions followed by people throughout history underlie the development of the culture of monumental art, forming the continuity of generations, memory and traditions of temple architecture of the Crimea. The topic of religious monumental painting draws interest of the researchers. The object of this article is the Crimean religious monumental and decorative art; while the subject is the peculiarities of modern religious painting in Alexander Nevsky Cathedral in Simferopol and Saint Vladimir Cathedral in Chersonesos. The goal is determine the modern artistic-aesthetic form of temple pain

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Huang, Yuanpeng, Galina Alekseeva, and Tingting Qin. "Analysis of the Influence of Tibetan Culture of the Yellow River Basin on Contemporary Chinese Painting." Bulletin of Baikal State University 30, no. 3 (2020): 479–83. http://dx.doi.org/10.17150/2500-2759.2020.30(3).479-483.

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The market economy reform, which began in China in the 1990s, changed people’s lifestyle, brought them freedom and diversity. It inevitably gave an impetus to the development of painting in the country of the new era. Thematic paintings were wide-spread in visual arts, which contributed to renewal of painting. Artists were greatly attracted by the Tibetan regions at the source of the Yellow River and tried to convey the spirit, rituals, and national costumes of its inhabitants. They depicted the sacred beauty of the plateau on their canvas, spread the values typical for the area at the source

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SHPAK, L. YU. "COMPARATIVE ANTHROPOLOGICAL CHARACTERISTICS OF ATTIC WHITE-GROUND VASE PAINTING." Moscow University Anthropology Bulletin (Vestnik Moskovskogo Universiteta Seria XXIII Antropologia), no. 1/2024 (April 12, 2024): 134–45. http://dx.doi.org/10.55959/msu2074-8132-24-1-12.

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Introduction. Of the numerous ceramic production centers of ancient Greece, the Attica region is notable for its continuous development of vase painting styles. Compared to the black-figure and red-figure painting techniques, the polychrome painting of Attic vases on a white-ground may indicate polymorphism in the pigmentation of the ancient Greeks. Materials and methods. The material was collected in digitized museum collections and thematic literature. The color and nature of the characters' hair were studied from vase painting and funerary painting. Anthroposcopic method and simple statisti

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Bolyukh, Mykola, and Oleksii Sobolevskyi. "Subject painting and its study with art students taking the external assessment tests in easel composition classes." Bulletin of Luhansk Taras Shevchenko National University. Pedagogical Sciences, no. 1 (2025): 38–43. https://doi.org/10.12958/3083-6514-2025-1-38-43.

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The article analyzes the methods, techniques and elements of composition, identifies various creative and expressive techniques in the process of creating a plot-thematic painting. Taking into account the traditions of world and domestic fine arts, the experience of painting by masters, the authors explore in theory and practice the methods and formal techniques of creating a composition, artistic stylization of form, coordination of parts of composition elements, use of color, tone, etc. to achieve maximum results in creating a work of art, writing a plot-thematic painting. The article examin

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Nabiyev, Bobur Abdug'ani o'g'li Soataliyeva Dilnoza Oybek qizi. "THE IMPORTANCE OF WATERCOLOR TECHNOLOGY IN THEMATIC STILL LIFE WORK." INTERNATIONAL BULLETIN OF APPLIED SCIENCE AND TECHNOLOGY 3, no. 3 (2023): 436–39. https://doi.org/10.5281/zenodo.7783746.

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Brenyuk, Alla. "Basics of analyzing works of painting for students of artistic specialties." Pedagogical Education:Theory and Practice 34 (June 1, 2023): 188–200. https://doi.org/10.32626/2309-9763.2023-34-188-200.

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The analysis of paintings is based on the main characteristics of painting as an art form, such as color, composition, genre, subject, technique, type, style, etc. Due to the wide range of color modeling, the spectacular potential of light, the synthesis of genres, techniques and styles, and the limitless variability of form, painting has the maximum number of artistic possibilities. According to its functional purpose, painting is divided into the following fields, namely monumental, easel, decorative, iconography, and miniature. The functional purpose of a painting defines not only its size,

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Liu, Hui, Ritika Bansal, and Jinglin Liang. "Generative AI in Artistic Enterprises." International Journal on Semantic Web and Information Systems 21, no. 1 (2025): 1–24. https://doi.org/10.4018/ijswis.367444.

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Generative AI has revolutionized the field of digital art by enabling automated image creation that mimics human artistry. Traditional approaches often need more thematic coherence and help to capture complex styles in artistic domains. In order to overcome these constraints, we present a Generative Adversarial Network (GAN) model integrated with a Semantic Web architecture, therefore providing automated painting creation for creative businesses. Our strategy guarantees thematic and stylistic congruence by using Semantic Web methods to include contextual information and GANs to create high-qua

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Rahiminejat, Rahim. "COFFEEHOUSE PAINTING: ART, FAITH, AND SOCIETY." Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference 4 (December 22, 2024): 159–69. https://doi.org/10.31091/bbwp.v4i1.580.

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Coffeehouse (Qahveh-Khaneh) painting, a vibrant Iranian folk art form flourishing during the Qajar era (18th-20th centuries), has been primarily studied through its aesthetic or sociological aspects. This research uniquely investigates its multimedia nature, revealing a dynamic interplay with the oral storytelling tradition of Naqqali and the theatrical performances of Ta'zieh. To analyze the historical development, artistic characteristics, social functions, and cultural impact of Coffeehouse painting within the Iranian context, highlighting its multimedia character and its relationship with

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Weinberg, Robert. "The Awakening of Spirit: Artistic and Thematic Influences on the Evolution of Mark Tobey’s ‘White Writing’." Baha'i Studies Review 21, no. 1 (2015): 87–99. http://dx.doi.org/10.1386/bsr.21.1.87_1.

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This paper is a distillation of the author’s dissertation submitted for the Degree of Master of Arts by Research in History of Art: Renaissance to Modernism to the School of Humanities at the University of Buckingham in September 2016. The dissertation sought to answer the question, ‘What were the artistic and thematic influences on the evolution of the “white writing” style of the American painter, Mark Tobey?’ Tobey’s distinctive approach to abstraction brought him great acclaim and considerable success in the middle decades of the 20th century but today barely receives a footnote or a few b

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Pollock, Griselda. "Staging Subjectivity: Love and Loneliness in the Scene of Painting with Charlotte Salomon and Edvard Munch." Text Matters, no. 7 (October 16, 2017): 114–44. http://dx.doi.org/10.1515/texmat-2017-0007.

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This paper proposes a conversation between Charlotte Salomon (1917–43) and Edvard Munch that is premised on a reading of Charlotte Salomon’s monumental project of 784 paintings forming a single work Leben? oder Theater? (1941–42) as itself a reading of potentialities for painting, as a staging of subjectivity in the work of Edvard Munch, notably in his assembling paintings to form the Frieze of Life. Drawing on both Mieke Bal’s critical concept of “preposterous history” and my own project of “the virtual feminist museum” as a framework for tracing resonances that are never influences or descen

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Babunych, Yulia. "National identity and regional features of expressionism in the context of artistic and stylistic features of Ukrainian painting of the first third of the twentieth century." Bulletin of Lviv National Academy of Arts 48, no. 48 (2022): 4–10. http://dx.doi.org/10.37131/2524-0943-2022-48-1-1.

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The article considers the problem of national specificity of expressionism in Ukrainian painting of the first third of the XX century. In this regard, the works of leading representatives of this trend in Ukrainian avant-garde painting are analyzed. The issue of regional features of expressionism in the context of artistic and stylistic features of Ukrainian painting of the first third of the twentieth century is also raised. Based on the analysis of paintings, it was determined that Western Ukrainian artists often used the synthesis of secession (often borrowed while studying at the Krakiw or

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Hutchison, Jane Campbell, and Wayne Franits. "Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution." Sixteenth Century Journal 37, no. 2 (2006): 640. http://dx.doi.org/10.2307/20477979.

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Dimitrova, Denitsa. "Postmodern Aesthetics and Mythological Imagery in the Late Works of Yavor Tsanev." Visual Studies 8, no. 3 (2024): 391–97. https://doi.org/10.54664/nwme9165.

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The article considers the art of Yavor Tsanev as personal, clothed in silence, even aristocratic. He has a very clean, laconic, synthetic language in his painting. He is a minimalist who achieves a very strong and deep spiritual stillness and drama in his art. His works visually leave an impression of hypnotic and metaphysical impact, with accumulated spiritual experience. In them, freedom was achieved in the thematic-mythological interpretation of the soul and spiritualization of the material. The paintings of Yavor Tsanev are conceived as fascinating narratives, filled with fantasy in the co

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Vojvodic, Dragan. "Wall paintings of the Davidovica monastery: Additions to the thematical programme and dating." Zograf, no. 39 (2015): 177–92. http://dx.doi.org/10.2298/zog1539177v.

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Owing to old photographic plates that recorded those segments of the mural decoration of Davidovica on the Lim which were later destroyed or considerably damaged, it is possible to put forward a more complete reconstruction of its thematic program. The programmatic and iconographic features of both the destroyed frescoes and the surviving ones correspond to the solutions that can be found in Post-Byzantine painting. The palaeographic analysis of inscriptions and the analysis of the style of the murals in the dome, the area under the dome and both chapels in Davidovica clearly indicate that we

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Саргсян, Лилит Грачьяевна. "Оттепель и армянская живопись: страницы художественной критики 1950-х годов". Actual Problems of Theory and History of Art 14 (11 жовтня 2024): 510–21. https://doi.org/10.18688/aa2414-7-40.

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The article is the first to examine the significance and characteristics of the Khrushchev Thaw transformations in Armenian painting. The main source material is derived from the press of the period under investigation. The author draws attention to the formation of a new conjuncture in Soviet painting and art criticism during the 1950s, which corresponded to the Khrushchev’s reforms and their associated propaganda, as well as the opposition of Armenian artists to this conjuncture. A special attention is paid to totalitarian methods of art management and their criticism, which became possible

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Józef Szykulski, Beata Miazga, and Jakub Wanot. "ROCK PAINTING WITHIN SOUTHERN PERU IN THE CONTEXT OF PHYSICOCHEMICAL ANALYSIS OF PIGMENTS." Rock Art Research 41, no. 1 (2024): 5–27. http://dx.doi.org/10.56801/rar.v41i1.276.

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The article pertains to rock paintings recorded during studies conducted in 2017 and 2019 by an international archaeological expedition at numerous sheltered sites in the Río Atico basin and Vilavilani region in the Río Caplina catchment area within southern Peru. During the research, archaeological sites with rock art were registered, the state of preservation of the paintings was documented, and it was determined what factors were causing their destruction/degradation. The form and thematic scope of the paintings were also determined while defining four styles/stylistic conventions (styles 1

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Deng, Xiaoying, and Xingmei Xu. "Analysis of the Formal Language in Contemporary Minority Nationality-Themed Fine Brushwork Figure Painting." Economic Society and Humanities 1, no. 1 (2024): 61–65. http://dx.doi.org/10.62381/e244111.

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Minority nationality-themed fine brushwork figure paintings, focusing on the portrayal of ethnic minority people, represent a unique genre dedicated to depicting the spirit of ethnic minority people. It occupies a distinctive niche within the broader continuum of Chinese art, carrying forward the creative passion and artistic pursuit of each generation of fine brushwork artists towards minority culture. With the progress and development of the times, classic works have always been the treasure of artistic creation in this genre. These thematic paintings manifest profound artistic expression an

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Wan, Xiaokang, Jamarul Imran, Bin Wan, and Abdullah Thani. "The Rise and Development of Hunan Gong Bi Painting from 1980 to 2000: Expressing Life Through Tradition." Journal of Social Science Humanities and Literature 7, no. 4 (2024): 87–92. http://dx.doi.org/10.53469/jsshl.2024.07(04).15.

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Gong Bi painting, one of China's most influential traditional art forms, evolved significantly in the 20th century, transforming into modern Gong Bi painting. Hunan Gong Bi Painting (HGP) experienced a resurgence in the 1980s, becoming a prominent force in the field. This resurgence introduced a new style, "using tradition to express contemporary life," which blended classical techniques with modern themes. During this period, Hunan Gong Bi painting achieved significant accomplishments, becoming a major influence in the national Gong Bi painting scene. This paper aims to analyze the specific c

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Cahyadi, Berlyn Valerie, Deddi Duto Hartanto, and Mendy Hosana Malkisedek. "Perancangan Thematic Fashion dengan Pemanfaatan Teknik Fabric Manipulation Dyeing dan Painting." Jurnal Desain 11, no. 2 (2024): 355. http://dx.doi.org/10.30998/jd.v11i2.17675.

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Helytovych, Mariia. "Icons of the 17th Century from the Church of the Prophet Elijah in the Village of Sarny in the Context of the Work of Vyshnia Masters." Bulletin of Lviv National Academy of Arts, no. 53 (December 27, 2024): 14–23. https://doi.org/10.37131/2524-0943-2024-53-2.

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The research problem addresses one of the leading painting centers in Western Ukraine that operated in the 17th century in the town of Sudova Vyshnia. Using a complex of icons from one church—the Church of St. Prophet Elijah in the village of Sarny—this study analyzes thematic, iconographic, and artistic-image characteristics of these icons, tracing the roots and continuity of local traditions as well as innovative features influenced by the challenges of that historical period. An attempt is made to systematize the icons from Sarny based on the individual styles of the masters and to attribut

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Світлана, Лупій. "Живописні образи Володимира Овраха". ВІСНИК Львівської національної академії мистецтв, № 34 (10 лютого 2018): 140–47. https://doi.org/10.5281/zenodo.1170618.

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The article is devoted to the Honored Artist of Ukraine Volodymyr Ovrakh, who lives and works in Vinnitsa. V. Ovrakh graduated from Department of Art Ceramics of the Lviv State Institute of Applied and Decorative Arts. The artist works in the field of monumental and decorative art, decorative easel pottery for the interior. In the article one more facet of V. Ovrakha's artistic talent is considered – painting of the end of the XX – beginning of the XXI century. The peculiarities of creative manners, the thematic variety of his paintings are analyzed. In 2017 the artis

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Lu, Sa. "The role of the "plum blossom" in the development of traditional landscape painting in China." Философия и культура, no. 7 (July 2022): 139–47. http://dx.doi.org/10.7256/2454-0757.2022.7.38534.

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The article analyzes the works of Chinese artists of various historical eras who used a stylistic and thematic direction with the image of a plum blossom. The artists' appeal to images of nature to convey feelings and experiences contributed to the emergence of this image and its formation as a symbol of steadfastness and inflexibility of character. Thus, the subject of the proposed study is Chinese painting, the object is the formation of such a common motif as a plum blossom. The purpose of this publication is to determine the main types of images of this image in Chinese traditional paintin

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Uçar, Asya Sakine. "Rediscovering Bruegel: Art and History in Michael Frayn’s Headlong." Gaziantep University Journal of Social Sciences 23, no. 3 (2024): 972–84. http://dx.doi.org/10.21547/jss.1395091.

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British playwright and novelist Michael Frayn’s 1999 novel Headlong centers on an art historian’s discovery of the lost sixth painting from the collection Months or Seasons that Flemish painter, Pieter Bruegel is believed to have painted in 1565. Throughout the novel, driven by a quest to authenticate and possess the painting, the protagonist Martin Clay is engrossed in a thoughtful and thorough examination of Bruegel’s art renowned for busy tableaus of peasants, harvesters, hunters engaged in daily and rural activities. From religious conflicts, biblical conventions to allegorical landscapes,

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Eyvas, L. F. "Drawing from nature as a factor in the development of creative imagination of schoolchildren in the process of artistic activity." Educational Dimension 16, no. 1 (2006): 190–96. http://dx.doi.org/10.31812/educdim.6091.

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Influencing of painting is explored from nature on development of creative imagination of shoolbays in the conditions of educational lesson and groups of the decoratively-applied creation. The way's of surmounting obstacles of graphic activity are determined (thematic and decoratively drawing).

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Akhmedova, Zaripat Abdullaevna. "GENRE PAINTING IN THE WORKS OF MUETDIN-ARABI DZHEMAL." Herald of the G. Tsadasa Institute of Language, Literature and Art, no. 24 (December 16, 2020): 108–11. http://dx.doi.org/10.31029/vestiyali24/16.

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The article examines one of the varieties of the creativity of M.-A. Dzhemal – a genre painting. The author analyzes several significant works of the artist of this genre and comes to conclusions about his place in the creativity of M.-A. Dzhemal, his stylistic and thematic influence on subsequent generations of painters.

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Wango, Kamau. "‘Painting with my students’ – Development of Subject Matter and Refinement of Personal Styles in Selected Paintings among Fine Art Students at Kenyatta University." East African Journal of Interdisciplinary Studies 2, no. 1 (2020): 180–206. http://dx.doi.org/10.37284/eajis.2.1.247.

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Students of Fine Art at the University level embark on many artistic undertakings within their semester durations as a requirement of their programme. In painting, a major objective is the development of a personal style that occurs over a period of time as each student works through the respective painting units spread out across the academic years. As they work through the units, they consolidate and refine their individual styles in readiness to begin their artistic careers in earnest, as well as enhancing their individual growth. This means that they spend a significant amount of time refi

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Ямаш, Юрій. "ЖИВОПИСНИЙ ОБРАЗ СОСНИ І ПЕРСОНІФІКОВАНА ДОЛЯ ХУДОЖНИКА". European Science, sge21-02 (30 червня 2023): 106–31. http://dx.doi.org/10.30890/2709-2313.2023-21-02-027.

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The scientific material is dedicated to Ivan Trush's thematic painting cycle "In the arms of the snow", the artist's creation of a personified image of a pine tree. The results and conclusions of the research are based on the study and analysis of the art

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Cupchik, Gerald C., and Robert J. Gebotys. "Interest and Pleasure as Dimensions of Aesthetic Response." Empirical Studies of the Arts 8, no. 1 (1990): 1–14. http://dx.doi.org/10.2190/l789-tppy-bd2q-t7tw.

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A study was conducted comparing cognitive and affective responses to a set of twelve paintings. Forty subjects, including an equal number of naive and trained males and females, rated the paintings individually on a series of scales including: simple-complex, warm-cold, unemotional-emotional, not at all meaningful-meaningful, and familiar-unfamiliar. They also made comparative judgments of relative “interest” and “pleasure” between all possible pairs (66) of the paintings. “Interest” judgments were made under an objective and analytical task set, while “pleasing” judgments were made from a sub

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HUANG, Zhangbin. "Dialogue between poetry and painting: interaction across art forms." Region - Educational Research and Reviews 6, no. 9 (2024): 107. https://doi.org/10.32629/rerr.v6i9.2863.

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This thesis explores the intersection of poetry and painting, focusing on their thematic, expressive, and emotional parallels. It begins with an analysis of the foundational aspects and historical backgrounds of both art forms, highlighting their mutual influence in artistic creation. The study then delves into the impact of poetry on painting and vice versa, using examples from classical works. It also touches on the role of modern technology and the potential of interdisciplinary collaboration in the evolution of contemporary art. Ultimately, the thesis underscores the importance for artists

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Agbeshie, Abraham. "Vintage elements: Sourcing an aesthetic inspiration for contemporary Ghanaian painting." Journal of African Art Education 3, no. 1 (2023): 23–47. http://dx.doi.org/10.59739/jaae.v3i1.062302.

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This study identified and discussed how some contemporary Ghanaian painters have so much interest in vintage elements. The descriptive research method was used as a qualitative inquiry for this study. The expert type of purposive sampling method was employed to select five contemporary Ghanaian painters (Brother Owusu-Ankomah, Patrick Tagoe-Turkson, Elijah Sofo, Emmanuel Adiamah, and Papa Kofi Kum-Essoun) whose artworks focused on vintage elements in material content and subject matter. The study used direct observation and unstructured interviews to collect data. Thus, the data were analysed

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Zeynalov, Khazar. "THEME OF TURKEY IN AZERBAIJAN FINE ARTS." Problems of Arts and Culture / İncəsənət və mədəniyyət problemləri 17, no. 4 (2023): 46–54. https://doi.org/10.5281/zenodo.10464313.

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The article deals with Turkey in the fine arts of Azerbaijan. The author points out that this theme is quite widespread in both classical and modern painting. This theme is more pronounced in landscape, portrait and thematic genres. The theme of Turkey stands out for its popularity in modern Azerbaijani fine art. Many Azerbaijani artists representing different generations addressed this topic. Some artists have created a series of works on Turkey. The theme of Turkey is more widely represented in the works of Ogtay Sadigzadeh, Jamil Mufidzadeh, Sakit Mammadov, Gunay Mehdizadeh and others. This

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Tyurina, Nadya, and Olga Sokolova. "Training manuals focused on people with visual impairments for students of defectology." ARPHA Proceedings 4 (May 31, 2021): 1018–28. https://doi.org/10.3897/ap.e4.e1018.

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This article examines the possibility of using paintings that reflect the image of a blind person as educational content for the training of teachers of special and inclusive school. Foreign research, as well as sociological, cultural and historical analysis of literary sources and content analysis of thematic works of painting and graphics allow us to admit the possibility and significance of using this approach in the educational process. Most of the visual arts depicting the blind reflect the current attitude of society towards them and can influence society, creating both positive and nega

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Hiiop, Hilkka, Alar Läänelaid, and Hannes Vinnal. "DATING THE NEWLY DISCOVERED CEILING PAINTING IN THE HOUSE OF ESTLAND’S NOBILITY IN TALLINN." Baltic Journal of Art History 25 (October 25, 2023): 9–41. http://dx.doi.org/10.12697/bjah.2023.25.02.

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In the course of renovating the Estonian Knighthood (Ritterschaft)House in the autumn of 2022, a magnificent find came to light in theceiling of a first floor room – a figural plafond painting on a canvasattached to the ceiling. This find is sensational since it adds to thenumber of rare and fragile canvas plafonds, only a few of whichsurvive in Estonia. This article demonstrates how archival researchand dendrochronology can work together hand in hand. Accordingto historical documents, this part of the Knighthood House was builtaround the year 1690, because it was described as nearly finishedi

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Reznik, Carolina. "The Decoration of the Oinochoe at the Metropolitan Museum of Art: A Theatrical Painting?" Athens Journal of Humanities & Arts 12, no. 2 (2025): 225–52. https://doi.org/10.30958/ajha.12-2-5.

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The oinochoe displayed at the Metropolitan Museum of Art in New York City is a prime example of the analytical challenges posed by the ceramic iconography that decorates Greek vases. There is currently no agreement about its interpretation, nor is there a defined thematic scope. Even though there are different ways in which ancient iconography is linked with theatre, all of them are circumscribed to the theatrical realm. But what happens when we note theatrical elements in paintings that are also related to other realms? This article aims at providing an alternative interpretation of the artif

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Tomashevskiy, V. V. "USING MUSIC IN LESSONS FINE ARTS IN PRIMARY SCHOOL." Educational Dimension 1 (May 19, 2022): 65–72. http://dx.doi.org/10.31812/educdim.5011.

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Article is dedicated to the questions of the practical work with the music on the lessons of painting art in the beginning forms of the school. She is about the problem of the development of emotional side in the childish creativity and the role o f music, which is foundation of the formation of emotions and creating of art active the atmosphere. This experimental method was approbated in one of schools of the town of Kryvyi Rih and he is introduced our in this article. In the text, there's thematic planning for the first form of the school in the learning of the founds of painting art,

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Arya, Rina. "The Influence of Roy de Maistre on Francis Bacon." Religion and the Arts 21, no. 5 (2017): 607–22. http://dx.doi.org/10.1163/15685292-02105001.

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Very little is said about the Australian artist Roy de Maistre in scholarship on Francis Bacon, apart from the fact that he provided guidance about painting processes and other technical issues. There are a number of reasons for this and this article seeks to look at the relationship between de Maistre and Bacon. Although their period of overlap was short-lived, lasting less than a decade, de Maistre was an important figure in Bacon’s early career and significant in his transition from design to painting. Since De Maistre aided Bacon both in his development as a painter and also in his career

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Ковальова, М. М., та Цю Чжуанюй. "ІМПРЕСІОНІСТИЧНІ ТЕНДЕНЦІЇ В КИТАЙСЬКОМУ ОЛІЙНОМУ ЖИВОПИСУ ПЕРШОЇ ПОЛОВИНИ XX СТОЛІТТЯ". Art and Design, № 3 (13 листопада 2020): 55–65. http://dx.doi.org/10.30857/2617-0272.2020.3.4.

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The purpose of the article is to reveal the impressionistic trends in the fine arts of China, determining the originality of the Chinese oil painting development of the 20th century. Methodology. Historical and cultural, comparative, iconographic and iconological methods are used in the study. Results. The study examines the underinvestigated aspects of Chinese painting development in the first half of the 20th century. The retrospective analysis of the pictural art enables tracing the traditions and innovations in the formation of oil painting in China, which prevails at this historical stage

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Vostrikova, Ekaterina. "Patriotism as a System-forming Principle in the Genre-thematic Paradigm of Fine Arts in North Korea." Scientific and analytical journal Burganov House. The space of culture 20, no. 6 (2024): 135–55. https://doi.org/10.36340/2071-6818-2024-20-6-135-155.

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The article considers the theme of patriotism in the fine arts of the DPRK. It is argued that North Korean artists, working within the strict framework of Juche realism, strive to convey the idea of patriotism no matter what they depict and no matter what genre they turn to. The comprehensive direction of “ideological painting”, chujehwa, which forms the aesthetic and content side of the creative process in the DPRK, often levels out the genre division. It is reduced to key plots and motifs, the main task of which is the propaganda of patriotism. The images of North Korean leaders, presented

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Собкович Ольга. "ТВОРИ ПЕТРА ХОЛОДНОГО-СТАРШОГО З ПРИВАТНИХ КОЛЕКЦІЙ. НОВІ ШТРИХИ ДО ДОСЛІДЖЕННЯ МИСТЕЦЬКОЇ СПАДЩИНИ". International Journal of Innovative Technologies in Social Science, № 2(23) (28 лютого 2020): 3–9. http://dx.doi.org/10.31435/rsglobal_ijitss/28022020/6942.

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   This publication analyses the artwork by Petro Kholodny Sr., the distinguished artist of the first third of the XX century, from private collections, that gives an opportunity to better comprise and study the artist's searches in different periods of his creative work in the visual-stylistic and genre-thematic spheres. The Moscow collection of easel paintings by the Kholodny family is analysed, showing a range of artistic interests up to 1917. Landscapes and sketches from this collection testify his fascination with plein-airism and, at the same time, with heritage of impr

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Berberian, Marygrace, Melissa S. Walker, and Girija Kaimal. "‘Master My Demons’: art therapy montage paintings by active-duty military service members with traumatic brain injury and post-traumatic stress." Medical Humanities 45, no. 4 (2018): 353–60. http://dx.doi.org/10.1136/medhum-2018-011493.

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This study involved a thematic analysis of montage paintings and of related clinical records of 240 active-duty military service members collected during their art therapy treatment for traumatic brain injury and underlying psychological health concerns, including post-traumatic stress, at the National Intrepid Center of Excellence, Walter Reed National Military Medical Center, Bethesda, Maryland, USA. Congruent with other research findings, the qualitative analyses of this study suggest that the group art therapy experiences fostered improvement in interpersonal relatedness, hopefulness and g

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Yurong, Tang, and Mohammad Khizal Mohamed Saat. "Dynamic Forces in Xu Beihong’s “Ba Ren Ji Shui”: Analyzing the Aesthetics of Shi in Republic of China Literati Painting." Asian Culture and History 16, no. 2 (2024): 27. http://dx.doi.org/10.5539/ach.v16n2p27.

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This study explores the artistic qualities of shi (internal energy) within Xu Beihong&rsquo;s depiction of the working class, guided by the principles of traditional Chinese aesthetics. Focusing on the painting Ba Ren Ji Shui (Sichuan Folks Drawing Water from the River), the analysis examines how shi&mdash;alongside elements of nature, qi (vital energy), and emotion&mdash;interacts within the structural and thematic composition of the artwork. Xu Beihong&rsquo;s application of shi not only reveals deep emotional resonance but also integrates qi into the broader Chinese aestheti

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Martz, Louis L. "Sidney and Shakespeare at Sonnets." Moreana 35 (Number 135-, no. 3-4 (1998): 151–70. http://dx.doi.org/10.3366/more.1998.35.3-4.10.

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The contrast between the sonnet cycles of Sidney and Shakespeare may be seen as analogous to the movement from High Renaissance to Mannerist styles of painting in the late sixteenth century. Harmony and symmetry, both thematic and stylistic, characterize Sidney’s “Astrophil and Stella.” Shakespeare’s sonnets, as a whole and in each unit, reveal a darker mood and a Jess settled poetics: ideal forms have been corroded and dissolved.

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Balash, A. N. "Image of art collections: experience of interpretation." Vestnik of Saint Petersburg State University of Culture, no. 2 (31) (June 2017): 100–103. http://dx.doi.org/10.30725/2619-0303-2017-2-100-103.

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The image of art collections – the special thematic direction in the European painting, – is considered as a reflection form over the institutional and symbolical issues of peace of art. Analysis of the novel of Georges Perec «A Gallery Portrait» («Un cabinet d’amateur. Histoire d`un tableau», 1979) allows to present «rooms for art» allows to raise a question of authenticity in the context of traditions of art collecting.

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Pomorov, Sergey B., Sergey A. Prokhorov, Alexander V. Shadurin, and Nikita S. Prokhorov. "ARCHITECTURE AND DESIGN: SUBSTITUTION IN ART TRANING OF DECORATIVE DISCIPLINES IN PROJECT FIELD." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 42 (2021): 204–13. http://dx.doi.org/10.17223/22220836/42/17.

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The purpose of our exploration is to investigate the computer technology impact on the development of art component in the modern design and engineering education. This is a case in the first instance of traditional arts such as Drawing, Painting and Sculpture. The thematic justification there is to analyse transformation trends of art image creation in a changing development context in the design area. The evolving methodological modern concept requires preservation and development the evolution way of things from its realistic perception (image) to its usage in the capacity of artistic tools

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Tassadduq, Sobia, Sadia Sulaiman, and S. Adnan A. Shah Bukhari. "Chronology of societal and Afro-American art evolution in pre (1619-1865) and post (1865-1965) civil war in the US." Liberal Arts and Social Sciences International Journal (LASSIJ) 6, no. 2 (2022): 1–31. http://dx.doi.org/10.47264/idea.lassij/6.2.1.

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This study explores the relationship between the societal integration of African Americans and its influences on the group's art of painting in the pre-and-post-Civil War periods, i.e., from 1619-1865 and 1865-1965, in the United States of America. It seeks to explore a relationship between greater social integration and influences on the artwork of African Americans over time - themes and elements of art, i.e., lines and colours. It draws upon John Dewey’s theory of art as experience and Erwin Panofsky's Thematic analysis (Iconography). The study findings suggest the oppression and exclusion

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Lin, Panli, and Sharul Azim Bin Sharudin. "Application of Hmong Painting Patterns to Batik Motifs Design in Anshun, Guizhou, China." South Asian Journal of Social Sciences and Humanities 5, no. 3 (2024): 176–95. http://dx.doi.org/10.48165/sajssh.2024.5310.

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Purpose/Background: The Hmong ethnic minority in Anshun, China has a rich cultural heritage of embroidery handicrafts used in traditional rituals and festivities. This study aimed to examine the cultural significance and creative applications of traditional Hmong embroidery painting patterns. Methods: A qualitative approach was used involving semi-structured interviews with Hmong artisans in Anshun. Interviews explored cultural meanings of Hmong patterns and the process of adapting them into batik motifs. Detailed notes were taken during the interviews and later analyzed. Findings: These artis

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