Academic literature on the topic 'Third World cinema'

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Journal articles on the topic "Third World cinema"

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López-Díez, Jaime, and Farshad Zahedi. "World cinema in the Spanish international festivals and movie theatres (2016-2021)." Comunicación y Sociedad 2024 (March 13, 2024): 1–28. http://dx.doi.org/10.32870/cys.v2024.8614.

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In this study, we analyze the films in the world cinema category that have been screened at the two most important international film festivals in Spain: The San Sebastian International Film Festival, and the Valladolid International Film Week in the period of 2016-2021. It is also studied the output of these festivals in terms of screenings in the Spanish cinemas during the same period. The results show that nearly a third of the films at these two festivals belong to world cinema, and about a third of these films screened at the festivals have been shown in cinemas.
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Johnson, Randal. "Recent Work on Third World Cinema." Visual Anthropology Review 5, no. 2 (2010): 24–27. http://dx.doi.org/10.1525/var.1989.5.2.24.

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Yearwood, Gladstone L. "Cultural development and Third World cinema." Gazette (Leiden, Netherlands) 39, no. 1 (1987): 47–71. http://dx.doi.org/10.1177/001654928703900104.

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Cybil, K. V. "Cinema and the Political: Deleuze and the Desire of Documentation in the Third World." Deleuze and Guattari Studies 12, no. 1 (2018): 84–103. http://dx.doi.org/10.3366/dlgs.2018.0297.

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This paper attempts to analyse the images that animated a political movement called the Odessa Collective in Kerala since 1984. It produced six films – Amma Ariyan (A Report to Mother, 1986), Ithrayum Yathabhagam (Journey So Far, 2003), Vettayadapetta Manasu (Haunted Mind, 2006), Mortuary of Love (2009), Agnirekha (Line of Fire, 2011) and Holy Cow (2015). This paper tries to argue that the twenty-two years of this movement's politics can be studied as an assemblage of the man and machine in a Deleuzian framework on cinema of the Third World. It tries to conceptualise the linkages between the C
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Cancel, Robert, and Teshome H. Gabriel. "Third Cinema in the Third World: The Aesthetics of Liberation." African Arts 18, no. 4 (1985): 97. http://dx.doi.org/10.2307/3336275.

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Frodon, Jean-Michel. "Answers." Studies in World Cinema 1, no. 1 (2021): 87–91. http://dx.doi.org/10.1163/26659891-0000b0004.

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Abstract The answers below touch on three different meanings of world cinema. First, world cinema is the acknowledgement of an existing cinema originated in the diversity of geographical and cultural contexts from all over the globe and expresses the rise of multiple local cinemas on a common international scene. Second, world cinema denotes to the films that proved to be recognizable as artistically valuable through these channels (festivals, critics, niche distributors) and conveys the idea that only certain types of films would be accepted on the international scene. And third, world cinema
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Thompson, F. "Metaphors of space: polarization, dualism and Third World cinema." Screen 34, no. 1 (1993): 38–53. http://dx.doi.org/10.1093/screen/34.1.38.

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Action, Cinm. "“The Impact of ‘Third Cinema’ in the World” [1979]." Framework: The Journal of Cinema and Media 62, no. 1 (2021): 57–84. http://dx.doi.org/10.1353/frm.2021.a790371.

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Saglier, Viviane. "Decolonization, Disenchantment, and Arab Feminist Genealogies of Worldmaking." Feminist Media Histories 8, no. 1 (2022): 72–101. http://dx.doi.org/10.1525/fmh.2022.8.1.72.

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This article analyzes the intersection of Third Worldist materialism and decolonial epistemologies in the Arab world by focusing on Lebanese filmmaker Heiny Srour’s decolonial feminist cinema in the transitional period of the 1970s to 1990s. It proposes to read Srour’s disenchanted critique of masculine Third World nationalisms and Western feminism as a practice of worldmaking that is grounded within colonial-patriarchal modernity. Using Srour’s own trajectory as an entry point into larger debates, the article reflects on what affiliation to third cinema means for crafting a cinema of liberati
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Solanas and Getino. "Towards a Third Cinema: Notes and Experiences for the Development of a Cinema of Liberation in the Third World." Black Camera 13, no. 1 (2021): 378. http://dx.doi.org/10.2979/blackcamera.13.1.0378.

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Dissertations / Theses on the topic "Third World cinema"

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Mansour, Musa Ali Ibrahim. "The potential for the challenges of establishing a digital third cinema in a Third World context." Thesis, Royal Holloway, University of London, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538784.

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Crespis, Eliza. "Between Two Memories: the Nation in New Palestinian Film." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/19668.

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The decline of the nationalised film industry of the 1960s and 1970s ushered in a period of great change for Palestinian cinema. As the local infrastructure that briefly supported a flourishing Third Cinema began to diminish, the locus of film production shifted outward, forging a new Palestinian cinema that was contextually national yet structurally transnational. Yet, emerging from one of the last bastions of colonialism the political agenda that characterised Third Cinema remained pertinent for those making films for and about Palestine. Within the cinematic transformation of Palestinian ci
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Bessa, Anderson Jorge Pereira. "Por um cinema político tricontinental: a guerrilha imagética de Glauber Rocha contra o leão das sete cabeças imperiais." Universidade do Estado do Rio de Janeiro, 2008. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1176.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Engajado no exercício de uma prática cinematográfica que objetiva denunciar os males da opressão, Glauber Rocha adquiriu prestígio internacional com uma produção marcada por dimensões políticas. Analisar os atributos políticos e estéticos presentes em O leão de sete cabeças, filmado no Congo, em 1969, é a proposta deste trabalho. No filme, ao discutir a questão colonialista na África, o cineasta criticou a espoliação decorrente dos séculos de colonização e estabeleceu o elogio das lutas de libertação nacional no continente. Ademais
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Hadouchi, Olivier. "Cinéma dans les luttes de libération. Genèses, initiatives pratiques et inventions formelles autour de la Tricontinentale (1966-1975)." Thesis, Paris 3, 2012. http://www.theses.fr/2012PA030065.

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Nous étudions un corpus de films dédiés aux luttes de libération autour de la Tricontinentale de 1966 à 1975. Par l’expression "tricontinentale", nous désignons les "trois continents" du tiers-monde (l'Afrique, l'Asie et l'Amérique Latine), et surtout la Conférence de Solidarité Tricontinentale qui s’est tenue à La Havane en 1966, ainsi que l'organisation et la revue du même nom. La Tricontinentale, dont Mehdi Ben Barka avait présidé le comité préparatoire de cet événement qui devait renforcer l'unité du tiers-monde en lutte contre l'impérialisme, le colonialisme et le néo-colonialisme à l’éch
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Rezaie, Munib. "Global Playground: Mutualism, the Ethic of World Citizenship, and the Films of Dayyan Eng." 2015. http://scholarworks.gsu.edu/communication_diss/66.

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Dominant approaches in film studies reflect the deeply-rooted assumption – inherited in large part from Marx and Foucault – that human nature and human history are inherently characterized by conflict and the struggle for power. However, this normative adversarialism prevents us from acknowledging the experiences and works of individuals who operate under a different set of foundational assumptions based instead on mutualism, cooperation, and forms of power that do not engage in zero-sum struggles. This dissertation will treat adversarialism not as an essential, inevitable, or preferable aspec
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Books on the topic "Third World cinema"

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Maury, Robin Diana, and Jaffe Ira 1943-, eds. Redirecting the gaze: Gender, theory, and cinema in the Third World. State University of New York Press, 1999.

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Assaf, Flávia Celeste Martini. Boi de prata: A estreia do sertão do Seridó no cinema terceiro-mundista. Flor do Sal, 2018.

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Bishnupriya, Ghosh, and Bose Brinda, eds. Interventions: Feminist dialogues on Third World women's literature and film. Garland, 1997.

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Third Cinema, World Cinema and Marxism. Bloomsbury Publishing Plc, 2020.

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Third Cinema, World Cinema and Marxism. Bloomsbury Publishing Plc, 2022.

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Shapiro. Third World Cinema (Factfile #10). Amer Film Inst Educ Ser Pubn, 1987.

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Third Eye: Struggle for Black and Third World Cinema. GLC Race Equality Unit, 1986.

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Eye, Third. Struggle for Black and Third World cinema. GLC Race Equality Unit, 1986.

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(Editor), Diana Robin, and Ira Jaffe (Editor), eds. Redirecting the Gaze: Gender, Theory, and Cinema in the Third World (Suny Series, Cultural Studies in Cinema/Video). State University of New York Press, 1998.

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(Editor), Diana Robin, and Ira Jaffe (Editor), eds. Redirecting the Gaze: Gender, Theory, and Cinema in the Third World (Suny Series, Cultural Studies in Cinema/Video). State University of New York Press, 1998.

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Book chapters on the topic "Third World cinema"

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Rubenfeld, Sheldon, and Daniel P. Sulmasy. "Physician-Assisted Suicide, Euthanasia, and Bioethics in Nazi and Contemporary Cinema." In The International Library of Bioethics. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-01987-6_10.

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AbstractToday, physician-assisted suicide and/or euthanasia are legal in several European countries, Canada, several jurisdictions in the United States and Australia, and may soon become legal in many more jurisdictions. While traditional Hippocratic and religious medical ethics have long opposed these practices, contemporary culture and politics have slowly weakened opposition to physician-assisted suicide and euthanasia. Our chapter examines how assisted suicide and euthanasia have been presented in cinema, one of the most powerful influences on culture, by Nazi propagandists during the Germ
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Beus, Yifen. "Redemption Songs: Musical Moments in Joseph Gaï Ramaka’s Karmen Geï (2001) and Flora Gomes’s Nha Fala (2002)." In When Music Takes Over in Film. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-89155-8_9.

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Abstract One major function of musical numbers in cinema serves as utopian moments not only for the characters to temporarily step aside from the diegetic story space, but also for the audience to envision ‘what utopia would feel like’, something that may or may not be realised at the end of the film. Such a film genre has not been common in Third Cinema, a preferred style and aesthetic for many African films debuted since Ousmane Sembène, who likened the modern African filmmaker to the traditional griot: a storyteller with a movie camera, who commonly defies the mainstream commercial cinema’s
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Foster, Gwendolyn Audrey. "Third World Women’s Cinema." In Interventions. Routledge, 2019. http://dx.doi.org/10.4324/9781315050249-11.

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"Defining Third Cinema and World Cinema." In Third Cinema, World Cinema and Marxism. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781501348303.ch-00i.

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"6 "Third Cinema"." In Third World Film Making and the West. University of California Press, 1988. http://dx.doi.org/10.1525/9780520908017-011.

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"Theorizing “Third World” film spectatorship." In Rethinking Third Cinema. Routledge, 2004. http://dx.doi.org/10.4324/9780203634257-17.

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"Journeying in the Third World: From Third Cinema to Tourist Cinema?" In The Media and the Tourist Imagination. Routledge, 2005. http://dx.doi.org/10.4324/9780203139295-21.

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Rogatchevski, Andrei. "Exporting cinemarxism in the 1960s: The case of Soy Cuba." In Third Cinema, World Cinema and Marxism. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781501348303.ch-001.

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Williams, Bruce. "Brazil’s open cities: Mimicry, sexuality and class dynamics in the urban landscape of 1960s cinema." In Third Cinema, World Cinema and Marxism. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781501348303.ch-002.

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Banerjee, Koel. "‘Unreal city’: The aesthetics of commitment in Pratidwandi and Interview." In Third Cinema, World Cinema and Marxism. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781501348303.ch-003.

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Conference papers on the topic "Third World cinema"

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Bayrak Kök, Sabahat, and Esvet Mert. "Construction of Social Value in Entrepreneurship: Social Entrepreneurship." In International Conference on Eurasian Economies. Eurasian Economists Association, 2016. http://dx.doi.org/10.36880/c07.01514.

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We believe that income divide among countries due to globalization, growing poorness and increasing unemployment aroused a necessity for social values to create on economical base. In this context arising economical and social issues bring some new responsibilities upon international institutions, governments, NGO’s, and firms. Social entrepreneurship concept is among these responsibilities. This concept is particularly important for firms that are placed in intersection of private and third sector and other institutions adopting market-based methods. Social entrepreneurism that focusing on so
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Vicente, Romero de Ávila Serrano, Sarai Diaz García, Laura Asensio Sánchez, et al. "Developing speaking competences in technical English for Spanish civil engineering students." In Third International Conference on Higher Education Advances. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/head17.2017.5564.

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Traditionally, Spanish schools of civil engineering provide their students a class on “Technical English” in order to develop their language skills. However, this class does not cover all the skills that the student would need in the labor market and mainly focuses in the reading and writing skills, and in a lower degree in the speaking and listening ones. This paper proposes a series of innovative and informal training activities (cine-forum on technical civil engineering topics and role playing on real professional situations) that allow Spanish civil engineering students to develop English
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Reports on the topic "Third World cinema"

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Vargas-Herrera, Hernando, Juan Jose Ospina-Tejeiro, Carlos Alfonso Huertas-Campos, et al. Monetary Policy Report - April de 2021. Banco de la República de Colombia, 2021. http://dx.doi.org/10.32468/inf-pol-mont-eng.tr2-2021.

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1.1 Macroeconomic summary Economic recovery has consistently outperformed the technical staff’s expectations following a steep decline in activity in the second quarter of 2020. At the same time, total and core inflation rates have fallen and remain at low levels, suggesting that a significant element of the reactivation of Colombia’s economy has been related to recovery in potential GDP. This would support the technical staff’s diagnosis of weak aggregate demand and ample excess capacity. The most recently available data on 2020 growth suggests a contraction in economic activity of 6.8%, lowe
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