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Books on the topic 'Toe prints'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Zimler, Nancy. The view from here: Issues of cultural identity and perspective in contemporary Russian and American art = Lichnyĭ vzgli︠a︡d : kulʹturnai︠a︡ samobytnostʹ v sovremennom rossiĭskom i amerikanskom iskusstve. Редактор Hand Print Workshop International. Hand Print Workshop International, 2000.

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2

Society, Montreal Print Collectors'. Du privé au public: Gravures du québec provenant des membres de la société des Collectionneurs d'Estampes de Montréal = from private to public : prints by Quebec artists from the collections of the Montreal Print Collectors' Society. The Society, 2004.

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3

(Firm), Elizabeth Harvey-Lee. Prints of the night: From the 16th to the 20th century. E. Harvey-Lee, 1998.

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4

(Firm), Elizabeth Harvey-Lee. Prints of the night: From the 16th to the 20th century : offered for sale Spring 1998. Elizabeth Harvey-Lee, 1998.

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5

Denner Wallace German Print Collection. German expressionist prints: A selection from the Denner Wallace German Print Collection, McMaster University, Hamilton, Ontario. McMaster University Art Gallery, 1989.

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6

Madar, Heather, ed. Prints as Agents of Global Exchange. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462987906.

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The significance of the media and communications revolution occasioned by printmaking was profound. Less a part of the standard narrative of printmaking’s significance is recognition of the frequency with which the widespread dissemination of printed works also occurred beyond the borders of Europe and consideration of the impact of this broader movement of printed objects. Within a decade of the invention of the printing press, European prints began to move globally. Over the course of the fifteenth to the eighteenth centuries, numerous prints produced in Europe traveled to areas as varied as

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7

Museum of Fine Arts, Boston., ed. Printmaking: The evolving image : an exhibition on the occasion of the 100th anniversary of the founding of the Museum's Print Department. Museum of Fine Arts, 1987.

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8

Arts, Royal Academy of, Redfern Gallery, and London Original PrintFair, eds. Modern master prints at the London Original Print Fair. Redfern Gallery, 1987.

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9

Royal Academy of Arts (Great Britain), Redfern Gallery, and London Original Print Fair, eds. Modern master prints at the London Original Print Fair. Redfern Gallery, 1987.

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10

Ordeman, John T. The Derrydale prints. Sporting Gallery, 2005.

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11

Washington Print Club. Biennial Members' Exhibition. Figure prints: The Washington Print Club 11th Biennial Members' Exhibition. National Museum of American Art, Smithsonian Institution, 1986.

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12

Belgique, Bibliothèque royale de, ed. Early prints: The print collection of the Royal Library of Belgium. Harvey Miller Publishers, 2002.

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13

1897-1983, Scheiwe Theodor, and Christie, Manson & Woods International Inc., eds. Japanese prints, paintings, illustrated books and drawings from the collection of the late Theodor Scheiwe. Christie's, 1989.

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14

Barrett, Buckley Barry. The Barstow printer: A personal name and subject index to the years 1910-1920. Borgo Press, 1985.

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15

Québec, Musée du. Images of the French revolution. Musée du Quebec, 1989.

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16

Sotheby's (Firm). Prints: Including the Mexican print collection of Reba and Dave Williams. Sotheby's, 2001.

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17

Tallinna graafikatriennaal (10th 1995 Tallinna, Estonia). Kümnse Tallinna graafikatriennaal =: The tenth Tallinn print triennial. Eesti Vabagraafikute Ühendus, 1995.

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18

Lane, Christopher W. Prints of Philadelphia: At the Philadelphia Print Shop, featuring the Wohl Collection. Philadelphia Print Shop, 1990.

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19

Art of the Print (Organization), ed. Art of the prints. Art of the Print], 2003.

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20

Schor, Gabriele. The prints of Barnett Newman, 1961-1969. Verlag Gerd Hatje, 1996.

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21

Reisfeld, Randi. Prince William: The boy who will be king : an unauthorized biography. Pocket Books, 1997.

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22

Graham, F. Lanier. The spontaneous gesture: Prints and books of the abstract expressionist era. Australian National Gallery, 1987.

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23

Lincoln, Evelyn. The invention of the Italian Renaissance printmaker. Yale University Press, 2000.

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24

Olsen, Sandra Haller. A survey of American printmaking from the collection of the Memorial Art Gallery of the University of Rochester. [Memorial Art Gallery?], 1987.

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25

1948-, Butler Roger, and National Gallery of Australia, eds. Islands in the sun: Prints by indigenous artists of Australia and the Australasian region. National Gallery of Australia, 2001.

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26

Darragh, Thomas A. The establishment and development of engraving and lithography in Melbourne to the time of the gold rush. Garravembi, 1990.

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27

Bijutsukan, Fukuoka Kenritsu, ed. Honoruru Bijutsukan shozōhin ni yoru Yōroppa, Amerika no hangaten: 19th- and 20th-century European and American prints from the collection of the Honolulu Academy of Arts. Fukuoka Kenritsu Bijutsukan, 1990.

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28

Gallery, Hunterian Art. The Italian Renaissance print. Hunterian Art Gallery, 1994.

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29

Allan, Lois. Contemporary printmaking in the Northwest. Craftsman House, 1997.

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30

Martin, Judy. The encyclopedia of printmaking techniques. Running Press, 1993.

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31

Bartelik, Marek. Polish prints from the eighties. American Center for Polish Art, 1990.

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32

1947-, Silver Larry, Mary and Leigh Block Gallery., and Ackland Art Museum, eds. Graven images: The rise of professional printmakers in Antwerp and Haarlem, 1540-1640. Mary and Leigh Block Gallery, Northwestern University, 1993.

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33

Museum, British. The print in Germany: 1880-1933 : the age of expressionism : prints from the Department of Prints and drawings in the British Museum. 2nd ed. Published for the Trustees of the British Museum by British Museum Press, 1993.

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34

Lubbock, Joseph Guy. From the snows to the seas: Original prints andtext. Bertram Rota, 1986.

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35

Lubbock, Joseph Guy. From the snows to the seas: Original prints and text. Bertram Rota, 1986.

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36

Weishaupt, Atelier, and Institut für Auslandsbeziehungen, eds. Graphics of the 70s: Federal Republic of Germany. The Institute, 1985.

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37

Ltd, Tyler Graphics, and Gendai Gurafikku Āto Sentā, eds. The graphics of James Rosenquist: Jēmuzu Rōzenkuisuto ten. Gendai Gurafikku Āto Sentā, 1997.

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38

Richmond, Susan. The new spirit: Pop prints and their legacy. University of Texas], 1996.

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39

Butts, Barbara. Men, women, and God: German Renaissance prints from St. Louis collections : the Saint Louis Art Museum, February 25-April 27, 1997. The Museum, 1997.

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40

Faberman, Hilarie. The art of collaborative printmaking: Smith Andersen Editions. Nevada Museum of Art, 1998.

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41

Powell, David. Printing the toy theatre. Pollock's Toy Museum Trust, 2009.

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42

Holtz, Neal E. The guide: The complete guide to marketing your remanufactured cartridge & laser service business. Ramblewood Pub. Co., 1993.

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43

Woods, Louise. The printmaking handbook: Simple techniques and step-by-step projects. Search Press, 2008.

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44

Sargent Noyes, Ruth. Reassessing Epistemic Images in the Early Modern World. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463723350.

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This edited collection of papers explores from an interdisciplinary perspective the role of images and objects in early modern knowledge-making practices with an emphasis on mapping methodological approaches against printed pictures and things. The volume brings together work across diverse printed images, objects, and materials produced c. 1500-1700, as well as well as works in the ambit of early modern print culture, to reframe a comparative history of the rise of the ‘epistemic imprint’ as a new visual genre at the onset of the scientific revolution. The book includes contributions from the

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45

Blair, Dorothy. Modern Japanese prints: Printed from a photographic reproduction of two exhibition catalogues of modern Japanese prints published by the Toledo Museum of Art in 1930 and 1936. Toledo Museum of Art, 1997.

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46

Rothschild, Collection Edmond de. Un collectionneur pendant la Révolution: Jean Louis Soulavie, 1752-1813, gravures et dessins : XVe exposition de la Collection Edmond de Rothschild, Musée du Louvre, 20 avril-24 juillet 1989. Ministère de la culture, de la communication, des grands travaux et du bicentenaire, Editions de la Réunion des musées nationaux, 1989.

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47

artist, Stella Frank, and National Gallery of Australia, eds. Frank Stella: The Kenneth Tyler collection. National Gallery of Australia, 2016.

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48

Sarvis, Alva Taylor. The collected art of Alva Taylor Sarvis. Lushan Press, 2005.

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49

Stadtlander, Becca. Style Guide : Fashion from Head to Toe: 35 Prints to Colour. Quarto Publishing Group UK, 2015.

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50

Printing images in Antwerp: The introduction of printmaking in a city : fifteenth century to 1585. Sound & Vision Interactive, 1998.

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