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Dissertations / Theses on the topic 'Toe prints'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Watkins, Catherine Bailey. "Rembrandt's 1654 Life of Christ Prints: Graphic Chiaroscuro, the Northern Print Tradition, and the Question of Series." Case Western Reserve University School of Graduate Studies / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=case1302116377.

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2

Waltermire, Bradley J. "Princes, priests, and people : is Saudi Arabia the next Iran /." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2005. http://library.nps.navy.mil/uhtbin/hyperion/05Sep%5FWaltermire.pdf.

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Thesis (M.S. in Defense Analysis)--Naval Postgraduate School, September 2005.<br>Thesis Advisor(s): Glenn E. Robinson, Dorothy Denning. Includes bibliographical references (p. 91-98). Also available online.

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3

Turpijn, Saskia. "The Portrait Prints of Mehmed II." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/356.

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This thesis examines four European portrait prints of Ottoman sultan Mehmed II, dated 1470 to 1493. At the center of this study is a formal and iconographical analysis that indicated all are rooted in traditional artistic conventions of both Western princely portraiture and stereotypical imagery of evil doers. Part of a feverish textual and visual discourse that was the result of great fear for the Ottoman aggression, they all adhere to a conventionalized type for the Eastern despot. The portraits employ to varying degrees a general pictorial language of evil, based on medieval folk imagery, t

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4

Sjögren, Linn. "Tourist : An investigation of the printed Hawaii shirt." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-14887.

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The aim of this work is to explore the printed Hawaii shirt through material investigations in search of new print meetings. A vital step for this investigation was to develop the classic Hawaii- prints and motives in mixed media. Followed by exploring alternative printing techniques such as transfer printing, laser cutting and knitting in different materials to reach new expressions yet keeping a clear reference to the Hawaii shirt. The intention of this work was to investigate how the Hawaii shirt with its classic print could interact with the mind and body of the wearer. Furthermore, to que

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5

Gendre, Xavier. "L'image du prince aux XVIe et XVIIe siècles. Transformations du concept de miroir des princes." Electronic Thesis or Diss., Université Paris Cité, 2019. http://www.theses.fr/2019UNIP5111.

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Cette thèse vise à expliquer l'évolution de l'image du prince, aux XVIe et XVIIe siècles, au travers notamment des transformations du concept de « miroir des princes ». Issu du symbolisme de l'objet-miroir en morale et de sa métaphorisation en politique comme objet de représentation de l'idéal vertueux, le terme « miroir des princes » a évolué jusqu'à désigner, durant la période médiévale, un genre de littérature adressée au représentant du régime politique monarchique. Le genre littéraire des miroirs des princes - difficile à définir et à établir selon des critères fixes - s'est vu remettre e

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6

Johnston, Melinda Kelly. "Protest prints : satire and social and political commentary in the prints of James Boswell, 1906-1971." Thesis, University College London (University of London), 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.731711.

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7

Vergara, Jose, and n/a. "Conservation of intaglio prints : conservation principles applied during the printing process can improve the life span of prints." University of Canberra. Applied Science, 1989. http://erl.canberra.edu.au./public/adt-AUC20061109.172054.

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This research into intaglio printing, its materials and techniques, deals with the three main conservation problems specific to the process. They are: acidity of the paper, buckling and/or tearing along the printed edge of the plate caused by excess pressure during printing, and yellow/brown staining, or halo, around the printed image. Research done in the cause of this study reveals that these problems are not confined to contemporary printmaking practices, as believed by some conservators, but can be traced back to the historic beginnings of the Intaglio Printing. The results of the analyses

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8

Westerberg, Julia. "Gal Pals in Print." Thesis, Konstfack, Textil, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5955.

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9

Ilbeyi, Gonca. "The way to the absolute /." Online version of thesis, 1991. http://hdl.handle.net/1850/11968.

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10

Didier, Sean T. "An exploration of the chine coll�e process." Virtual Press, 1990. http://liblink.bsu.edu/uhtbin/catkey/722182.

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Chine colle has evolved from a simple process used to reinforce the oriental printmaking papers used by the 19th century French artists to a means of expanding the aesthetic range of printmaking, particularly in combination with more traditional or widely known techniques. In the author's Creative Project, chine colle was used to achieve variations in texture, color, dimension, and overall aesthetic effect, as well as adding representational content to each piece.There were a number of technical problems which needed to be overcome in the execution of these pieces. These included problems rela

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11

Melchior, Gerald P. "A canonical analysis of priest personnel norms on the assignment, and transfer of Omaha Archdiocesan priests." Theological Research Exchange Network (TREN), 2005. http://www.tren.com.

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12

Williams, Tamsyn Mary. "Polemical prints of the English Revolution 1640-1660." Thesis, Courtauld Institute of Art (University of London), 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.245386.

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13

Wardropper, Ian Bruce. "The sculpture and prints of Domenico del Barbiere /." Ann Arbor (Mich.) : University microfilms international, 1986. http://catalogue.bnf.fr/ark:/12148/cb35535384f.

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14

Phillips, Michael J. "The Role of the Autographic and Materiality in Prints." Thesis, Griffith University, 2022. http://hdl.handle.net/10072/418641.

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This research explores how the micro haptics of the (post-digital) print may re-balance and open a window to what Laura Marks identifies as “a cultural dissatisfaction with the limits of [optical] visuality” that is in step with Ruth Pelzer-Montada’s questions on the haptic qualities of prints. This research is a practice-led investigation into the potential of printmaking to address the divergent currents that inform and shape print within contemporary visual culture. It aims to identify and engage with this “dissatisfaction” through a realignment with the analogue world, where living within

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15

Ishikawa, Naoko. "The English clown : print in performance and performance in print." Thesis, University of Birmingham, 2011. http://etheses.bham.ac.uk//id/eprint/2951/.

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This thesis examines how and why the English clown emerged and declined by focusing on jest-books and comic actors such as Tarlton, Kemp and Armin. The jest-book, Tarlton’s Jests is the key publication in the development of jester-clowns in Renaissance drama. This account traces the authoring, editing, and printing of jest-book publications, along with the transmission of their copy-texts to clarify the dissemination of theories of clownery. The thesis explores the English clown tradition based on the presences of Kemp and Armin, who in their writing practices link the development of clowning

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16

Jack, Christine Elizabeth. "Visual culture, prints, pamphlets and the conjunction of 1524." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq22530.pdf.

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17

Fisher, Kylie Michelle. "Imprinting Antiquity: Reinventing the Past through Sixteenth-Century Prints." Case Western Reserve University School of Graduate Studies / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=case1585853474864203.

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18

Barry, Laura Pass. "Optical Instruments Used with Prints in the Eighteenth Century." W&M ScholarWorks, 2004. https://scholarworks.wm.edu/etd/1539626436.

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19

Brown, Steve Royston. "The physicality of print." Thesis, Royal College of Art, 2010. http://researchonline.rca.ac.uk/1134/.

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Printmaking within the applied arts is an extremely diverse practice that can extend the concept of what a print can be. Rather than the dissemination of published images and text, in this context printed information is transformed into objects and materials, ceramics, textiles, tableware, clothing. Prints such as these are not ʻreproductionʼ they are ʻproductionʼ.Process is crucial to both printmaking and the applied arts and the determining aspect of production plays a vital part in defining the qualities of a work such as print-decorated ceramic objects. To work with a printmaking process i

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20

Cameron, Erin Marie. "The Body in Print." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343775047.

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21

Moseley, P. "The performance of the print." Thesis, University of the West of England, Bristol, 2016. http://eprints.uwe.ac.uk/28693/.

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The physical presence of contemporary photographs – whether as magazine, hoarding, wet chemistry, museum displays, inkjet prints or on-screen displays – is subordinate to the content of the image. However, resurgence of interest in the autographic opportunities of nineteenth century contact-printing processes has drawn attention to the material attributes secured through the varied ‘performance’ of the print and its affective potential. This is a practice-led and practice-based project that explores the aesthetic saliency of the texture, tactility, reproductive qualities and materialities offe

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22

Tyrrell, Mark Peter. "The influence of graininess on the colour appearance of photographic prints." Thesis, University of Westminster, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303903.

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23

Davidson, Paul Scott. "Capturing the whirlwind : Paris depicted through the medium of Revolutionary Prints." Thesis, Queen Mary, University of London, 2013. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8474.

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This thesis is the product of an Arts and Humanities Research Council Collaborative Doctoral Award, the result of which was the production of a catalogue of the Tableaux de la Révolution. Made up of some 500 prints, presented in four nineteenth century bound volumes, the Tableaux de la Révolution is part of the Rothschild Collection held at Waddesdon Manor, Buckinghamshire. One of the key goals of the project was to create an online resource that is now publicly accessible by internet. The initial cataloguing was split between Claire Trévien, also a recipient of and AHRC CDA, which she held in

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24

Humphrey, Mitzi. "In Search of the Meandering Absolute: The Prints of Mitzi Humphrey." VCU Scholars Compass, 1997. http://scholarscompass.vcu.edu/etd/4083.

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Art is more than just a bridge to (or a reflection of) the natural world; it is a natural force in itself. The author is a strong advocate of "artist's prints," prints which are conceived and printed by the artist. She believes that there is a natural sequence of actions and thoughts which cannot be approximated by the substitution of an artist/printer collaboration unless the artist is truly involved with the printer or assistant in every step of the decision-making and mark-making processes. The prints of this series are not about realistic pictorial space; they are about interior space--tha

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25

McGiven, Amy Ngo Jeanne. "Interactive print : the application of synergy to restore and enhance the value of print /." Click here to view, 2009. http://digitalcommons.calpoly.edu/grcsp/3.

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Thesis (B.S.)--California Polytechnic State University, 2009.<br>Project advisor: Michael Blum. Title from PDF title page; viewed on Jan. 13, 2010. Includes bibliographical references. Also available on microfiche.

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26

Bondar, Alanna F. "As the goddess prints dancing on faded blue silk neon." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1993. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/MQ30056.pdf.

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27

Horrell, Douglas. "The engaging line: E. Mervyn Taylor's prints on Maori subjects." Thesis, University of Canterbury. Art History, 2006. http://hdl.handle.net/10092/891.

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E. Mervyn Taylor (1906-1964) was a pakeha artist whose prints drew influence from Maori culture and motif. He was one of a small number of artists who developed interest in Maori culture during the 1940s and 1950s. He expanded interest into detailed study of Maori culture, and interaction with Maori, and produced a significant body of prints on this subject during his career. Taylor's prints were acclaimed during his lifetime, but in the decades after his death, his reputation faded to the extent that he became relatively obscure. This persisted until the late 1980s, when art historical reasse

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28

Wood, C. A. "Minimum perceptible differences in the colour reproduction of photographic prints." Thesis, University of Westminster, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.383575.

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29

GALLAO, KARL GEORGES MEIRELES. "SANTINHOS: A REFLECTION BETWEEN DESIGN AND THE POPULAR RELIGIOUS PRINTS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2012. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=19963@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>Esta pesquisa tem como objetivo realizar um estudo sobre os impressos religiosos conhecidos popularmente como santinhos. Com base na configuração gráfica tradicional desse material, ao que poderíamos considerar hoje como uma estrutura gráfica radicada à cultura popular e à cultura de massa, gostaríamos de gerar uma reflexão, para que possamos, eventualmente, reavaliar nossas convicções sobre os processos projetuais e metodológicos que compõem o exercício prático dessa atividad

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30

McGee, Maria. "Men are like a chest of drawers- women are like a wardrobe : - A qualitative comparative study about gender structure within The Church of Sweden -." Thesis, Linköping University, Department of Behavioural Sciences and Learning, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-16760.

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<p> 1958 was the year women became recognized as priests in The Church of Sweden- this event formed the initial idea for the study. This is a qualitative comparative inquiry, which seeks to understand gender structures within The Church of Sweden. It has its focus on men and women’s working conditions, which includes their experience of reality and their experienced differences and similarities in their role as priests. Six priests from one concealed diocese have been interviewed and the methodological approach is induction, which has been applied to best ability. Cross-case analysis has been

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31

Giragosian, Sarah R. "At the edge of print /." Connect to online version, 2006. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2006/154.pdf.

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32

Van, Niekerk A., and M. Conradie. "Literary genres as points of interest in print advertising." Journal for New Generation Sciences, Vol 12, Issue 2: Central University of Technology, Free State, Bloemfontein, 2014. http://hdl.handle.net/11462/665.

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Published Article<br>The article focuses on the interplay between print advertisements and literary genres such as poetry, drama, folklore, etc. This interplay may be used to develop an advertisement's point of interest to attract attention from a specific target audience. Based on previous research we hypothesise that literary genres are exploited as a means to engage audiences. The study aims to give a description of the typical genre characteristics of modern literary genres in SA print advertising. It also endeavours to do a pragmatic analysis of these advertisements against the background

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33

Green, Peter Wright. "Architecture and the tectonics of printmaking." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/24005.

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34

Muckart, Heather Diane. "The face of death : prints, personifications and the great plague of London." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/5103.

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This thesis examines a mass-produced broadsheet printed during the Great Plague of London (1664-1666), which unites the textual modes of poetry and medical prescription with imagery and statistical tabulation, titled Londons Lord Have Mercy Upon Us. The central woodcut on the broadsheet presents a view of London as a bounded expansion, and relegates the images of death, particularly registered in the personification of Death, to the outskirts of the city. This visual separation of the city from the plague sick (and the plague dead) is most profoundly registered on the border of the broadsheet,

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35

Wehn, James R. III. "Inventing the Market: Authenticity, Replication, and the Prints of Israhel van Meckenem." Case Western Reserve University School of Graduate Studies / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=case155428951539756.

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36

Itabashi, Miya. "The Reception of Japanese Prints and Printmaking in Britain, 1890s - 1930s." Thesis, Royal College of Art, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503039.

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37

Moore, R. "Paper cuts : the production of knowledge in early modern anatomical prints." Thesis, University College London (University of London), 2016. http://discovery.ucl.ac.uk/1507845/.

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This thesis examines how cutting altered and reshaped the relation between image and body in early modern anatomical print. At the beginning of the sixteenth century renewed interest in anatomy brought about new visual conventions for representing the human body, and crucially it was through the cut that knowledge was constructed, disseminated and challenged. The engraver's burin could be seen to mimic the anatomist's knife, revealing new knowledge as the exterior surface of the plate or body was gouged away. The first chapter examines the anatomical fugitive sheets produced during the sixteen

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38

McCreery, Cindy. "The satirical gaze : prints of women in late eighteenth-century England /." Oxford : Clarendon press, 2004. http://catalogue.bnf.fr/ark:/12148/cb40031786t.

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39

Oguibe, Oluchukwu Olu. "The paintings and prints of Uzo Egonu, 20th century Nigerian artist." Thesis, SOAS, University of London, 1992. http://eprints.soas.ac.uk/29692/.

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This work is as much about ways of looking at 20th century African art as it is a study of one artist and his work. The central thesis is that 20th century African art cannot be fully comprehended using deterministic frames and rigid categories. It begins by tracing the emergence of new art forms in Africa - Nigeria in particular - especially from the turn of the 19th century, a process underlined not by a capitulation to the cultural domination of colonialism but by a nationalist determination to undermine its ideological bases by disproving the artistic superiority of the white man. It then

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40

Puetz, Anne-Elisabeth. "The emergence of a print genre : the production and dissemination of the British design print 1730s-1830s." Thesis, Manchester Metropolitan University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.440237.

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41

Preston, Jennifer Louise. "Nishikawa Sukenobu : the engagement of popular art in socio-political discourse." Thesis, SOAS, University of London, 2012. http://eprints.soas.ac.uk/25578/.

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Nishikawa Sukenobu was a popular artist working in Kyoto in the first half of the eighteenth century. He was principally known as the author of popular 'ehon', or illustrated books. Between 1710 and 1722, he published some fifty erotic works, including a work detailing sexual mores at court which Baba Bunkô, amongst others, believed responsible for prompting the ban on erotica that came with the Kyôhô reform package of 1722. Thereafter, he produced works generally categorized as 'fûzoku ehon': versions of canonical texts, poems and riddles, executed in a contemporary idiom. This thesis foc

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42

Holton, Adalaine B. "The practices of black radical print /." Diss., Digital Dissertations Database. Restricted to UC campuses, 2005. http://uclibs.org/PID/11984.

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43

Fahlcrantz, Carl-Magnus. "On the evaluation of print mottle." Doctoral thesis, Stockholm : School of Computer Science and Communication, KTH, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-533.

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44

Okumura, Mirella Kiyo. "Números primos e criptografia RSA." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/55/55136/tde-04042014-101744/.

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Estudamos a criptografia RSA como uma importante aplicação dos números primos e da aritmética modular. Apresentamos algumas sugestões de atividades relacionadas ao tema a serem desenvolvidas em sala de aula nas séries finais do ensino fundamental<br>We studied RSA cryptography as an important application to prime numbers and modular arithmetic. We present some suggestions of activities related to the subject to be developed in classrooms of the final years of elementary school vii

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45

Valmiro, Robson. "Antenas para sistemas RFID impressas em substrato flexível." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/3/3140/tde-20072016-141658/.

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Identificação de Dispositivos por Radiofrequência, do inglês, Radio Frequency Identification Device (RFID), é uma tecnologia para identificação, rastreamento e gerenciamento de produtos, animais e até mesmo pessoas sem a necessidade de um campo visual. Com o objetivo de alcançar custos menores e a utilização de processos de fabricação menos agressivo ao meio ambiente, tornou-se importante o desenvolvimento de novos tipos de etiquetas (tags). Em vista disso, a fabricação de antenas impressas compactas usando tinta condutiva, representa uma boa opção. O objetivo dessa pesquisa é o projeto e fabr

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Johnston, Melinda Kelly. "Upon Reflection: parody, satire and irony in the prints of Barry Cleavin." Thesis, University of Canterbury. Art History, 2005. http://hdl.handle.net/10092/1017.

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This thesis considers the ways in which the prints of Barry Cleavin utilise parody, satire and irony in a myriad of complex and inter-related ways. Cleavin understands the possibility of alternative interpretations, and by presenting this in his art he encourages his viewers to actively participate in the forming of questions. This can for reflection relates to our understanding of pictorial conventions and art historical traditions, as well as to contemporary society, our use of language and the incongruities ofthe human condition. In considering parody, satire and irony in Cleavin's prints,

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47

Meyer, Irvine Alfred Caleb. "The life and cost of inkjet prints compared with traditional photographic processes." Thesis, Peninsula Technikon, 2004. http://hdl.handle.net/20.500.11838/1318.

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A DISSERTATION PRESENTED TO THE HIGHER DEGREES COMMITTEE OF PENINSULA TECHNIKON IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE MASTER OF TECHNOLOGY: GRAPHIC DESIGN, 2004<br>Inkjet printers have evolved in recent years to the extent that many are capable of making prints of a quality closely approximating traditional colour photographs. These printers cost a fraction of the capital outlay needed to equip a traditional colour darkroom and have brought high quality colour printing within the reach of a broad spectrum of users. As they are capable of printing on a wide range of material

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48

Terjesen, Lori Ann Martin. "Collecting the Brücke: Their Prints in Three American Museums, A Case Study." Case Western Reserve University School of Graduate Studies / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=case1291164225.

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49

Lawson, John D. "A Study of the History of the Office of High Priest." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1468.pdf.

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50

Haudenschield, Heather. "The Nothing." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/123.

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This thesis is a description and analysis of work that I produced during my Graduate studies at The University of New Orleans. The central theme of these work is the end of the world. Through prints, sculpture and painting I explore this idea.

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