Relevant bibliographies by topics / Transe – Au cinéma

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Transe – Au cinéma'

Author: Grafiati
Published: 25 May 2024
Last updated: 31 July 2025

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Journal articles on the topic "Transe – Au cinéma"

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Mota, Thiago. "O Cinema terceiro em Gilles Deleuze e Glauber Rocha." Artefilosofia 19, no. 34 (2023): 23. http://dx.doi.org/10.69640/raf.v19i34.4704.

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Este artigo analisa a concepção de um cinema terceiro (cinéma tiers), que pode ser encontrada, por exemplo, em Gilles Deleuze e Glauber Rocha. Seu objetivo é reconstruir a estética desse cineasta brasileiro, à luz do pensamento do filósofo francês mencionado. Nosso problema é antes de tudo o da superação do niilismo que marca a modernidade. No entanto, durante o nosso desenvolvimento, esse problema assume a forma da pergunta: como inventar um povo? Pode-se dizer que com filmes como Deus e o diabo na terra do sol (1964) e Terra em transe (1967), Glauber mostrou que o choque, o transe e até a vi
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Berton, Mireille. "Cinéma et sciences du psychisme en 1900: la névrose, la paramnésie, la transe." Gesnerus 66, no. 1 (2009): 103–20. http://dx.doi.org/10.1163/22977953-06601006.

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In this article, conceived of in an epistemological perspective, film history and history of psychology intersect in order to show how subject models are circulating around 1900 which are impregnated with scientific culture and social modernity.These models have the special quality of being defined first in pathological terms because they result from a diagnosis of the evils caused by the new industrial and capitalist society. However, the position required by the cinematic apparatus produces a spectator who is described as a subject-machine with the particular psychophysiological states that
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Hossaert, Clément. "Shimmer et Chimère. Genre, transe et rimes à l’ère de l’anthropocène dans Annihilation de Jeff Vandermeer et Alex Garland." Articles avec comité de lecture, spécial (October 7, 2021): 29–48. http://dx.doi.org/10.7202/1082342ar.

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L’ambition de cet article est de proposer une lecture d’Annihilation à l’orée des théories féministes, et sur la science-fiction populaire, Donna Haraway, Christine Cornea et Vivian Sobchack parmi d’autres, ainsi que d’utiliser la « rime » comme nouvel outil de conceptualisation de la référence au cinéma. Le film d’Alex Garland propose un épissage à la fois de créatures et de thèmes chers aux films à la croisée de la science-fiction et de l’horreur, tels qu’Alien et The Thing. Une lecture de ces références et leur nature unique nous permet de dégager une définition singulière de la science-fic
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Guimarães Dias Pimentel, Artur. "Autoria e pensamento cinematográfico brasileiro em Terra em Transe (1967), de Glauber Rocha." Arquivos do CMD 9, no. 1 (2022): 180–206. http://dx.doi.org/10.26512/cmd.v9i1.44413.

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Este artigo pretende investigar as bases sócio-históricas do cinema moderno brasileiro para entender a constituição de uma matriz de pensamento cinematográfico no Brasil. Para isso, o filme Terra em Transe (1967), de Glauber Rocha, será tomado como objeto de análise para explorar as seguintes questões: Que tipo de noção de autoria se inscreve nesse filme? Como esse cineasta pode ser o responsável por um trabalho de conversão coletiva nos modos de percepção e compreensão acerca do tipo de cinema produzido no país? Tendo essas questões iniciais como ponto de partida, esse trabalho visa compreend
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Alexandre, Gabriel Bandeira. "Para trás e entre transes: o Brasil entre Iracemas e cabras marcados à morte ou sobre uma análise fílmica de obras censuradas no decurso da ditadura militar." Epígrafe 9, no. 1 (2020): 216–48. http://dx.doi.org/10.11606/issn.2318-8855.v9i1p216-248.

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A importância do cinema para os estudos históricos foi, e ainda é, objeto de discussão entre os historiadores, especialmente os que o reconhecem como uma fonte histórica. Considerando tal relevância à História, o objetivo deste artigo é realizar uma análise fílmica de obras que foram submetidas ao exame censório no decurso da ditadura militar brasileira, a saber: i) Terra em Transe (1967), de Glauber Rocha; ii) Iracema, uma Transa Amazônica (1976), de Jorge Bodanzky e Orlando Senna; iii) Pra Frente, Brasil (1982), de Roberto Farias; e iv) Cabra Marcado Para Morrer (1984), de Eduardo Coutinho.
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Barrenha, Natalia Christofoletti. "Em transe-to." Latin American and Latinx Visual Culture 2, no. 1 (2020): 32–55. http://dx.doi.org/10.1525/lavc.2020.210004.

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This text seeks to explore the Argentine films Castro (Alejo Moguillansky, 2009) and El asaltante (Pablo Fendrik, 2007) from within the displacement of their characters through the city. This transit configures the organising element of the plots, determining the direction and rhythm of events. The escape motto will structure the film analyses, which are also twinned by the sensory apprehension that comes from the spaces they travel through. The notion of escape, as explored by Esteban Dipaola in Argentine cinema of the 1990s, continues to throb in mid-to-late 2000s production, and in these fi
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A. Henn, Paula. "Identidade nacional e o discurso estétyco em Glauber Rocha." DAPesquisa 2, no. 4 (2019): 423–31. http://dx.doi.org/10.5965/1808312902042007423.

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Discussão da relação entre o discurso estético de Glauber Rocha em dois filmes do Cinema Novo - Terra em transe e Deus e o Diabo na Terra do sol – e sua contribuição no pensar cinematográfico e na busca de uma identidade nacional.
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de, Alencar Pires Antonia, Gustavo Tanus, and Filipe Schettini. "Textualidades do contemporâneo em Manhã cinzenta, de Olney São Paulo e Ser tão cinzento, de Henrique Dantas / Textualities of the Contemporary: Olney São Paulo's Manhã cinzenta and Henrique Dantas's Ser tão cinzento." Amoxtli http://amoxtli.cl/ 1, no. 1 (2018): 63–81. https://doi.org/10.5281/zenodo.1412640.

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Diferentes são os modos como os textos se configuram e se relacionam uns com os outros, através de movimentos pertencentes a conceitos, de dialogismo/polifonia, de Bakhtin (1ª ed. 1929; 1997), de intertextualidade, de Julia Kristeva (1974), e pelas conexões intermidiáticas, estudadas por Irina Rajewsky (2012) e Clüver (2006). Nesse sentido, pretendemos analisar o conto “Manhã cinzenta”, escrito em 1966, que compõe o livro A antevéspera e O canto do sol (1ª ed. 1969; 2016) e o filme homônimo (1969), ambos de Olney
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Mendonça, Joabe França. "“Precisamos resistir, resistir! Eu preciso cantar”: Terra em Transe e seu contexto histórico." Humanidades em diálogo 8 (June 14, 2017): 133–40. http://dx.doi.org/10.11606/issn.1982-7547.hd.2017.140543.

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Glauber Rocha se destacou no cenário cinematográfico participando do movimento Cinema Novo. Desde então, o cinema brasileiro produziu milhares de filmes, porém esse diretor continua chamando a atenção de espectadores e estudiosos de diversos campos. Foi a partir de experiências com o filme Terra em Transe, em pleno século XXI, que começamos a deslindar o papel que a produção ocupou em nossa história, em aspectos tanto políticos como estéticos e técnicos. Portanto, neste artigo, analisaremos o filme a partir de uma perspectiva histórica.
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Pereira, Maria Antonieta. "Imagens contemporâneas: poesia e cinema." Aletria: Revista de Estudos de Literatura 6 (December 31, 1998): 33–44. http://dx.doi.org/10.17851/2317-2096.6..33-44.

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O cinema de Glauber Rocha pode ser pensado como um precursor da vídeopoesia e dos espetáculos poéticos multimídia que, como fruto do mercado e das tecnologias finisseculares, preferem estimular uma sensibilidade baseada na recepção coletiva, crítica e reflexiva do discurso poético. Pertencentes à linhagem barroca brasileira, o ceneasta e seus pares da poesia investem na composição de obras que circulam no transe das nações e das linguagens. Nesse trajeto, inventam novos gêneros e formas, e demonstram que há uma relação direta entre a produtividade da tradição literária brasileira e sua abertur
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Dissertations / Theses on the topic "Transe – Au cinéma"

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Davila, Andrés. "Les formes de la transe dans le cinéma expérimental ethnographique contemporain." Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030026.

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Cette recherche se concentre sur le travail de cinéastes contemporains dont la pratique artistique reprend l'un des thèmes centraux du cinéma ethnographique : le phénomène de la transe. Des artistes tels que Marc et Éric Hurtado (Jajouka, quelque chose de bon vient vers toi, 2012), Tiane Doan na Champassak et Jean Dubrel (Natpwe, le festin des esprits, 2013), Vincent Moon (Collection Petites Planètes), Soundwalk Collective et Patti Smith (Illuminations, 2018) ou Susana de Sousa Dias (Fordlandia Malaise, 2019), explorent de nouvelles voies de recherche ethnographique à travers le cinéma expérim
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Nova, Cristiane Carvalho da. "L'histoire en transe : le temps et l'histoire dans l'oeuvre de Glauber Rocha." Paris 3, 2003. http://www.theses.fr/2003PA030121.

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Figueirôa, Ferreira Alexandre. "La Vague du Cinema Novo en France fut-elle une invention de la critique ?" Paris 3, 1999. http://www.theses.fr/1999PA030034.

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Dans les annees 60 le cinema novo bresilien a occupe en france une place particuliere parmi les nouveaux cinemas. Cela fut rendu possible par la promotion de ce mouvement accomplie par certains critiques des revues cinematographiques specialisees. Les revues rendirent possible l'attribution d'une valeur culturelle aux oeuvres du cinema novo, permettant ainsi sa reconnaissance en tant qu'invention d'une conception originale du cinema. Les interpretations du cinema novo ont ete reperees a travers les textes parus dans les revues. L'orientation du travail est surtout historique et socioculturelle
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Steel, Roderick Peter. "Entre o corpo ritual e o corpo digital: mediações da imagem sagrada no candomblé." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-26112015-125349/.

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Esta dissertação se limita a registros de experiências e relatos documentais para evidenciar como as novas tecnologias alteram a prática religiosa, e refletir sobre a ressignificação de imagens sagradas do candomblé quando transitam entre meios audiovisuais e seus processos. A pesquisa objetiva seguir por trajetórias de registros do corpo humano em transe por diferentes dispositivos em diversos meios eletrônicos, para reuni-los em uma exposição de fotografias, vídeo e documentário expandido em múltiplas telas e diversos espaços dentro de uma série de instalações. O estudo amplia fronteiras ent
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Nakagawa, Iki. "Cinem-a-crobatic : trans-active cinema production in search of urban schizophrenia." Thesis, Massachusetts Institute of Technology, 1997. http://hdl.handle.net/1721.1/69371.

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Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1997.<br>Includes bibliographical references (p. 42-45).<br>On December 15, 1996, from 1:30 to 4:30, cinem-a-crobatic was formally presented at Columbus Park, New York City. The park is located at the intersection of China town and the Federal Court district. cinem-a-crobatic attempts to amplify the complex and shifting relationship between the urban landscape and the experience of its inhabitants, through the introduction of a new form of urban cinema production. Unlike most conventional cinematic productions, ci
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Ferreira, Bruna Machado. "Invenção em trânsito/transe." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/107402.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2013.<br>Made available in DSpace on 2013-12-06T00:01:39Z (GMT). No. of bitstreams: 1 320028.pdf: 954143 bytes, checksum: 1200835bc9033604c7f1adaf80f9e3cb (MD5) Previous issue date: 2013<br>Terra em Transe, Tropicália. É já conhecida a relação criadora, propulsora entre o filme e a canção. Em retrospectivas tropicalistas, é oficial esta associação: o longa-metragem de Glauber Rocha ? a música que desencadeou o tropicalismo ? a instalação
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Silva, Caio Ramos da. "Corpos (trans)formados no cinema." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2018. http://hdl.handle.net/10183/178447.

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A presente pesquisa busca empreender um mapeamento de produções cinematográficas, nacionais e internacionais, que abordam a transgeneridade. A partir desse procedimento, observamos as regularidades que emergiram desse conjunto de produções. Objetivamos traçar um percurso que inscreve esse esforço num plano micropolítico, uma vez que interroga criticamente as práticas comunicacionais e discursivas do cinema hegemônico. Para tanto, exploramos aproximações e tensionamentos provocados pelos estudos queer considerando, aqui, que é esse conjunto de noções que melhor dá conta de pensar a condição tra
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Miras, José-Louis de. "Entre cinéma et jeu vidéo : la fiction actable : sur les traces d'une forme filmique interactive en devenir." Thesis, Bordeaux 3, 2020. http://www.theses.fr/2020BOR30030.

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Cinéma interactif, film jouable, actable : toutes ces désignations sont le reflet de tentatives visant à définir un cinéma où le spectateur aurait la possibilité d’intervenir sur le déroulement de l’histoire à partir d’alternatives proposées. Un cinéma où le spectateur serait capable de corriger et de modifier le déroulement du récit en fonction de ses choix et des conséquences de ses choix. Depuis son officialisation en 1967, le cinéma interactif n’a cessé de se chercher une forme stable, en épousant respectivement celle du cinéma, celle d’Internet et enfin celle du jeu vidéo où ce dernier se
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El-Horr, Dima. "Le cinéma libanais après la guerre civile. Un cinéma mélancolique et urbain (de 1990 à nos jours)." Thesis, Paris Est, 2014. http://www.theses.fr/2014PEST0029.

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Depuis la fin de la guerre civile libanaise en 1991, le cinéma libanais décline le mal existentiel et le sentiment de mélancolie d’une génération dont les personnages étrangers au monde comme à eux mêmes, sans repères, font face à la répétition des violences, la séparation, le deuil, ou l’exil, trainent leur mal-être dans une ville en éternel chantier et où les morts tels des fantômes réapparaissent d’entre les ruines. Entre un monde qui s’effondre et un passé qui s’efface, la mélancolie habite ces films dont les récits fragmentés et éclatés ne s’achèvent jamais. Avec Ghassan Salhab, Michel Ka
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Dias, Filho Cláudio Aurélio Leal. "Iracema na Transa Amazônica." Universidade Federal de Mato Grosso, 2013. http://ri.ufmt.br/handle/1/580.

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Submitted by Valquíria Barbieri (kikibarbi@hotmail.com) on 2018-02-01T21:09:08Z No. of bitstreams: 1 DISS_2013_Claudio Aurelio Leal Dias Filho.pdf: 1109774 bytes, checksum: 363e1ecc5724ba085859933e6e0fbc15 (MD5)<br>Approved for entry into archive by Jordan (jordanbiblio@gmail.com) on 2018-02-02T14:20:23Z (GMT) No. of bitstreams: 1 DISS_2013_Claudio Aurelio Leal Dias Filho.pdf: 1109774 bytes, checksum: 363e1ecc5724ba085859933e6e0fbc15 (MD5)<br>Made available in DSpace on 2018-02-02T14:20:23Z (GMT). No. of bitstreams: 1 DISS_2013_Claudio Aurelio Leal Dias Filho.pdf: 1109774 bytes, checksum: 363
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Books on the topic "Transe – Au cinéma"

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Germany) CineFest (7th 2010 Hamburg. Cinema trans-alpino: Deutsch-italienische Filmbeziehungen. CineGraph, 2010.

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Corrado, Andrea. Cinema e autori sulle tracce delle migrazioni. Ediesse, 2013.

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Gianni, Canova, ed. Nirvana: Sulle tracce del cinema di Gabriele Salvatores. Zelig, 1996.

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Carla, Ceresa, and Pesenti Campagnoni Donata, eds. Tracce: Documenti del cinema muto torinese nelle collezioni del Museo nazionale del cinema. Museo nazionale del cinema, Fondazione Maria Adriana Prolo, 2007.

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Lebrun, Dominique. Trans Europe Hollywood: Les Européens du cinéma américain. Bordas, 1992.

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Kim, Soyoung. Korean Cinema in Global Contexts. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463729147.

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Offering the most comprehensive analysis of Korean cinema from its early history to the present, and including the films of Park Chan-wook, Bong Joon-ho and Kim Ki-young, Korean Cinema in Global Contexts: Postcolonial Phantom, Blockbuster and Trans-Cinema situates itself in the local, Inter-Asian, and transnational contexts by mobilizing the critical frameworks of feminism, postcolonial critique and comparative film studies. It is attentive to an enmeshment of the cinematic, aesthetics, politics and cultural history.
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Paola, Nannicini Maria, ed. Il cinema e la matematica: Sulle tracce di una promettente amicizia. Erickson, 2010.

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Česálková, Lucie, Johannes Praetorius-Rhein, Perrine Val, and Paolo Villa. Non-Fiction Cinema in Postwar Europe. Amsterdam University Press, 2024. https://doi.org/10.5117/9789463725583.

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After WWII, cinema was everywhere: in movie theatres, public squares, factories, schools, trial courts, trains, museums, and political meetings. Seen today, documentaries and newsreels, as well as the amateur production, show the kaleidoscopic portrait of a changing Europe. How did these cinematic images contribute to shaping the new societies emerging from the ashes of war, both in the Western and in the Eastern bloc? Why were they so crucial in framing and regulating new places and practices, political systems, economic dynamics, educational frameworks, and memory communities? This edited vo
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Tang, Pao-chen. The Animist Imagination in East Asian Cinema. Amsterdam University Press, 2025. https://doi.org/10.5117/9789048563999.

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Whispering winds, speeding trains, wandering balloons, and swirling snowflakes—these are the living entities that humans find themselves enmeshed with in their ecological co-flourishing in contemporary East Asian cinema. Pao-chen Tang theorizes and analyzes this animist imagination—a new mode of filmmaking that delves into both the definition of the cinematic medium and how to live with the nonhuman. Moving images are animate beings and the animism of cinema further compels an eye-opening vision to examine East Asian history and ecological anxieties of our times. The shamanic protagonists of t
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Özgen, Aslı. The Aesthetics and Politics of Cinematic Pedestrianism. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463724753.

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The Aesthetics and Politics of Cinematic Pedestrianism: Walking in Films offers a rich exploration of the cinematic aesthetics that filmmakers devised to reflect the corporeal and affective experience of walking in the city. Drawing from literature in urban studies, film theory, and aesthetic philosophy, it is the first monograph to approach the history of cinema from the perspective of walking. A series of case studies providing nuanced analyses of widely referenced figures, such as the flaneur/flâneuse, vagabond, and nomad, reveal how filmmakers articulated their objection to repressive stru
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Book chapters on the topic "Transe – Au cinéma"

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Näripea, Eva. "National Space, (Trans)National Cinema." In A Companion to Eastern European Cinemas. John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118294376.ch13.

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Richardson, Niall, and Frances Smith. "Heritage Cinema." In Trans Representations in Contemporary, Popular Cinema. Routledge, 2022. http://dx.doi.org/10.4324/9781003039426-3.

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Hunter, I. Q. "British Trash Cinema." In British Trash Cinema. British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92610-7_1.

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Epps, Brad. "Echoes and Traces." In A Companion to Spanish Cinema. Blackwell Publishing Ltd, 2012. http://dx.doi.org/10.1002/9781118322765.ch3.

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Stam, Robert. "Toward a “Trans” Methodology." In World Literature, Transnational Cinema, and Global Media. Routledge, 2019. http://dx.doi.org/10.4324/9780429428579-34.

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Ingle, Hrishikesh Sudhakar. "Experimental Traces in a Televisual Ecology." In Contemporary Marathi Cinema. Routledge India, 2024. http://dx.doi.org/10.4324/9781003544180-6.

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Herrschner, Irina, and Kirsten Stevens. "Trans-National Encounters at the Berlinale: A Look from the Inside." In Transnational German Cinema. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72917-2_1.

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Hunter, I. Q. "What Fresh Hell is this?" In British Trash Cinema. British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92610-7_10.

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Hunter, I. Q. "British Trash Cinephilia." In British Trash Cinema. British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92610-7_2.

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Hunter, I. Q. "Taste the Blood of England." In British Trash Cinema. British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92610-7_3.

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Conference papers on the topic "Transe – Au cinéma"

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Ferrer, Charles P., Michelle Gaudett Koul, Brian J. Connolly, and Angela L. Moran. "Utilization of Low Temperature Retrogression and Re-Aging (RRA) Heat Treatments to Improve Strength/SCC Properties for Thick Section Components of Aluminum Alloy 7075 for Aging Aircraft Refurbishment." In CORROSION 2002. NACE International, 2002. https://doi.org/10.5006/c2002-02159.

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Abstract Aluminum alloy 7075, a common material in the aerospace industry, is susceptible to intergranular stress-corrosion cracking (SCC) in the T6, or peak-aged temper. The susceptibility of this temper to SCC is alleviated through the use of the T73, or overaged temper that provides SCC resistance, but at a 10-15% strength loss compared to the T6 temper. Experimental test results by Cina and Ranish indicated that retrogress and re-aging (RRA) heat treatments with retrogression performed at 200-280°C for less than 10 minutes reduce the traditional trade-off between T6 strength and T73 SCC re
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Durán Guerrero, Enrique, Ignacio de Ory, Maria Dolores Perea, Juan Ramon Portela, and Maria Carmen Rodríguez-Dodero. "FACULTY OF CINEMA: TRAINEE STUDENTS’ INNOVATION ACTIVITIES." In 10th International Conference on Education and New Learning Technologies. IATED, 2018. http://dx.doi.org/10.21125/edulearn.2018.2754.

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Barros Amate, Elisson Tiago. "Em trânsito de linguagens: afrontas à dançalidade e à arte panfletária na interseção dança-cinema." In TRANS-IN-CORPORADOS: CONSTRUINDO REDES PARA A INTERNACIONALIZAÇÃO DA PESQUISA EM DANÇA. LABCRÍTICA e Galoá, 2017. http://dx.doi.org/10.17648/trans-2017-90402.

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Real, Elizabeth Maria Mendonça. "Câncer: um diálogo entre o cinema e as artes visuais." In Encontro da História da Arte. Universidade Estadual de Campinas, 2010. http://dx.doi.org/10.20396/eha.6.2010.3814.

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Câncer, terceiro longa-metragem dirigido por Glauber Rocha, foi rodado em poucos dias em agosto de 1968, no Rio de Janeiro. Filmado na bitola 16mm, não chegou a ser exibido em circuito comercial. Até então, o diretor havia lançado dois filmes considerados marcos da produção cultural brasileira e que tiveram ressonância no panorama do cinema internacional: Deus e o diabo na terra do sol, de 1964, e Terra em transe, de 1967.
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Vargau, Marina. "The New Man and his films: a glance at how contemporary Romanian cinema traces the recent past." In ARA 40th Congress. American Romanian Academy of Arts and Sciences, 2016. http://dx.doi.org/10.14510/40ara2016.4009.

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González Cubero, Josefina. "Mirada objetiva y dimensión subjetiva del cine en Le Corbusier." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.803.

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Resumen: Los contactos de Le Corbusier con el mundo cinematográfico se dilatan a lo largo de su trayectoria profesional y recorren un amplio espectro. Se concretan en la concepción y construcción de salas dedicadas a la proyección del cine, la participación en proyectos y realización de películas, así como la publicación de un esporádico escrito monográfico titulado "Esprit de vérité" (1933). Este trabajo aborda la singularidad de su pensamiento cinematográfico frente al de otros insignes arquitectos coetáneos y pone de relieve el cambio que experimenta éste entre la película L’Architecture d’
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Bortolotto, Susanna, Cristiana Achille, Elisabetta Ciocchini, and Maria Cristina Palo. "The rural founding villages of the Italian Agrarian Reform in Basilicata (1950-1970): urban planning and 'modern' vernacular architecture to the test of contemporaneity. The case of Borgo Taccone (MT)." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15113.

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The contribution aims at providing an overview on urban planning and on 'modern' vernacular architecture of the rural founding villages built during the Agrarian Reform (1950-1970) in Italy, in the inland areas of Basilicata Region. In particular there are settlements not yet sufficiently known, in which the important of inventorying the considerable built heritage must be the objective of a necessary, urgent safeguarding. With the 'Agrarian Reform' (Law 841/1950), the Italian government carried out a redistribution to settlers of the lands of uncultivated or abandoned large estates. The purpo
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Mitello, Carmine, and Giovanna Muscatello. "La cinta muraria ed i fossati della città di Otranto. Il rilievo tridimensionale integrato per la conoscenza delle evidenze architettoniche ed archeologiche." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11356.

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The walls and moats of the city of Otranto. An integrated three-dimensional survey for studying the architectural and archaeological evidenceThe system of fortifications that rings the old town of the city of Otranto (Puglia, Italy) conserves the still visible traces of structures belonging to various historical periods, attesting to the evolution of the settlement’s defensive system from the Messapian period (fifth century BC) to the Aragonese period (sixteenth century). As part of a recent urban renewal project targeting the area of the moats, new archaeological, historic and architectural i
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Bachtiar, Adang. "Effectiveness of Material Using CT Scan and MRI After Use of Picture Archiving and Commucating System and Radiology Information System at Radiological Installation of Bukit Tinggi National Hospital, West Sumatra." In The 7th International Conference on Public Health 2020. Masters Program in Public Health, Universitas Sebelas Maret, 2020. http://dx.doi.org/10.26911/the7thicph.05.23.

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ABSTRACT Background: Efficiency while paying attention to service quality is the top priority of the hospital. The efficiency in radiology installations has also not gone unnoticed. The implementation of Picture Archiving and Commucating System (PACS) and Radiology Information System (RIS) is one of the efforts to control costs in radiology installations, especially in consumables’ efficiency (BHP). Bukittinggi National Stroke Hospital (RSSN), as one of the vertical hospitals located in the City of Bukittinggi, West Sumatra, has become a precursor to the implementation of PACS and RIS in this
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Reports on the topic "Transe – Au cinéma"

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Bauer, Andrew, Jennifer Abras, and Nathan Hariharan. In situ and post-processing volume rendering with with Cinema. Engineer Research and Development Center (U.S.), 2021. http://dx.doi.org/10.21079/11681/40502.

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We present a new batch volume rendering technique which alleviates the time and expertise needed by the domain scientist in order to produce quality volume rendered results. This process can be done both in situ and as a post-processing step. The advantage of performing this as an in situ process is that the user is not required to have a priori knowledge of the exact physics and how best to create a transfer function to volume render that physics during the in situ run. For the post-processing use case, the user has the ability to easily examine a wide variety of transfer functions without th
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Fernández de la Reguera Ahedo, Alethia. Working paper PUEAA No. 17. Asylum seeking African families in transit through Mexico: between border controls and international protection. Universidad Nacional Autónoma de México, Programa Universitario de Estudios sobre Asia y África, 2023. http://dx.doi.org/10.22201/pueaa.002r.2023.

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African migrants in Mexico are migratory flows that have been less studied than migration from Latin America (Cinta Cruz, 2020). In the last five years, migrants from 35 different African countries were detained in Mexico. Although arrests of African persons are much lower than in the case of Central American countries, on average, between 6 and 19 African persons are detained per day. It is essential to know their mobility patterns, identify their international protection needs, and the main obstacles they face, whether to cross into the United States or to remain in Mexico as refugees (Narvá
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Vargas-Herrera, Hernando, Juan Jose Ospina-Tejeiro, Carlos Alfonso Huertas-Campos, et al. Monetary Policy Report - April de 2021. Banco de la República de Colombia, 2021. http://dx.doi.org/10.32468/inf-pol-mont-eng.tr2-2021.

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1.1 Macroeconomic summary Economic recovery has consistently outperformed the technical staff’s expectations following a steep decline in activity in the second quarter of 2020. At the same time, total and core inflation rates have fallen and remain at low levels, suggesting that a significant element of the reactivation of Colombia’s economy has been related to recovery in potential GDP. This would support the technical staff’s diagnosis of weak aggregate demand and ample excess capacity. The most recently available data on 2020 growth suggests a contraction in economic activity of 6.8%, lowe
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