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Dissertations / Theses on the topic 'Trumpet concerto'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Evans, Donald Earl. "Concerto for Trumpet and Chamber Ensemble." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc1038898/.

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Concerto for Trumpet and Chamber Ensemble is a three-movement work for solo trumpet and ten instruments, one player to a part, of approximately fourteen minutes in length. It is scored for flute, oboe, clarinet in B-flat, bassoon, piano, percussion, trumpet (solo) in C, violin, viola, cello, and double bass. The principal percussion instrument is xylophone with lesser parts for suspended cymbal and triangle.

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2

Lockard, Douglas Todd. "A stylistic and analytical discussion of Jean Rivier's Concerto for saxophone and trumpet and Concerto for trumpet." Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3023556.

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3

Adamson, Daniel. "A Comparative Analysis of Haydn's Horn Concerto and Trumpet Concerto." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862771/.

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Among the existing solo instrumental concertos of Joseph Haydn's oeuvre are two concertos for brass instruments. These are the Horn Concerto in D Major (Hob. VIId: 3) and Trumpet Concerto in E-flat Major (Hob. VIIe: 1). In addition to their standing as the only two concertos for solo brass instruments written by Haydn in existence, the two concertos provide a unique opportunity for insight into the history of the concerto genre and Haydn's change in compositional style. This is because of their chronological position within Haydn's oeuvre; the Horn Concerto was composed in 1762 during the earl

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4

Place, Logan. "An analysis and performance guide to William Lovelock's Concerto for trumpet and orchestra." Thesis, connect to online resource. Recital, recorded Apr. 3, 2006, in digital collections. Access restricted to the University of North Texas campus. Recital, recorded Apr. 2, 2007, in digital collections. Access restricted to the University of North Texas campus, 2008. http://digital.library.unt.edu/permalink/meta-dc-9743.

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5

Phillips, Edward. "Mozartean gesture and rhetoric in Hummel's Concerto for trumpet." Thesis, Recital, recorded June 13, 2006, in digital collections. Access restricted to the University of North Texas campus. connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-6062.

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Thesis (D.M.A.)--University of North Texas, 2008.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded June 13, 2006, Feb. 12, 2007, Nov. 8, 2007, and Mar. 5, 2008. Includes bibliographical references (p. 38-40).

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6

Reed, Marc Allen. "An historical and stylistic examination of Charles Chaynes' Concerto Pour Trompette and Deuxième Concerto Pour Trompette, with an interview of the composer." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3924/.

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Research has been conducted on prominent mid-twentieth century French trumpet concertos and their composers. Jolivet, Bozza, and Tomasi have all been the subject of research. Charles Chaynes' music is equally valuable to modern trumpet repertoire as that of Jolivet, Bozza, and Tomasi. Chaynes' exclusion from research leaves a void in resources available to future trumpet students. A study of Charles Chaynes and his trumpet concertos is essential to preserving the history of the valve trumpet's young modern repertoire. Lack of understanding of Chaynes' trumpet concertos can only lead to misconc

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7

Thompson, Joshua Ketring. "Libby Larsen's Concerto for Trumpet and Orchestra: an overview and reduction of the orchestral score for trumpet and piano." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/1093.

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Libby Larsen's Concerto for Trumpet and Orchestra was commissioned by Daniel Culver and the Quad City Youth Orchestra, in celebration of its 30th anniversary. It was written in 1987 and premiered on May 8, 1988. Daniel Culver conducted the Quad City Youth Orchestra and David Greenhoe was the trumpet soloist. Despite Libby Larsen's ongoing success as a composer, the premiere performance is the only time the concerto has been performed and it has since remained virtually-unknown to the public. This project serves as a way in which to reintroduce Libby Larsen's Trumpet Concerto to the trumpet, or

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8

Orsen, Jason A. "The Italian Double Concerto: A study of the Italian Double Concerto for Trumpet at the Basilica of San Petronio in Bologna, Italy." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367937563.

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9

Lind, James Meyer. "Lind, James Meyer the Trumpet Concertos of Anthony Plog: a Performer’s Guide." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc149631/.

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Anthony Plog (b. 1947) has contributed several notable works for brass instruments. He is known for writing extremely technically challenging works that contain angular melodies, fast rhythms and a large degree of chromaticism. Though his music is difficult, it also conveys intense emotions. His music for trumpet, specifically Concerto no. 1 for Trumpet, Brass Ensemble and Percussion and Concerto no. 2 for Trumpet and Orchestra, represents a zenith in his compositional development. This dissertation examines Concerto no. 1 and Concerto no. 2 from a performer’s perspective to better understand

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10

Samayoa, Raquel Rodriquez. "An analysis of the American Concerto by Ellen Taaffe Zwilich, identifying the use of motives, and a guide for performance preparation." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9043/.

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Ellen Taaffe Zwilich is an important figure in the compositional world, having written a diverse body of works for which she has received many accolades, including the coveted Pulitzer Prize. The second chapter examines this American composer, the commission of the American Concerto, and events leading to the piano reduction of the concerto. The America Concerto is a modern work that incorporates synthetic scales, unusual notation, and the organization of melodic material through motives. The third chapter includes an analysis that identifies the form and tonal centers as well as the primary

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11

Broberg, Elvira. "Virtuos romantik i trumpetklang : en studie om Vassily Brandts Trumpet Concerto No. 1." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2441.

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12

Haley, Matthew. "A Performance Guide to Bernd Alois Zimmermann's Trumpet Concerto, "Nobody Knows De Trouble I See"." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc271825/.

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Bernd Zimmermann's Trumpet Concerto, "Nobody Knows de Trouble I See" is an important twentieth-century work for trumpet. Despite the stature of the composition, it has rarely been performed due to its considerable musical and technical demands. Integrating these diverse demands into a coherent performance requires careful consideration of the various performance practice consequences. The study begins by exploring the historical and musical context in which the work was written. It then considers the individual musical elements of the concerto. Finally, the study examines the performance

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13

Sobieralski, Nathan James. "A performers analysis of Nicholas Francis' Concerto for trumpet and wind ensemble." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1417807701&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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14

Murray, Robert. "A Performance Guide to Tomas Svoboda's Duo Concerto for Trumpet and Organ, Op. 152." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3224/.

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The Duo Concerto Trumpet and Organ, Op.152 by Tomas Svoboda was written in memory of and commissioned by the friends of the late Richard Thornburg, second trumpet of the Oregon Symphony. Through the use of primary sources, Tomas Svoboda, composer and organist at the premiere, and Fred Sautter, principal trumpet of the Oregon Symphony and trumpeter at the premiere, the performance guide illuminates the piece with a discussion of five different topics. Chapter 2 of the guide reveals the circumstances of the commission and the initial compositional process. Chapter 3 discusses the performance hi

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15

Treybig, Joel Andrew. "An investigation and analysis of Karel Husa's Concerto for trumpet and wind orchestra /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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16

Crafton, Jason Allen. "A Trumpeter's Guide to Samuel Barber's Capricorn Concerto." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc30449/.

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Samuel Barber's Capricorn Concerto for flute, oboe and trumpet with strings is an important though seldom performed work. The concerto is teeming with performance choices that are indicative of both historical and contemporary influences. At present, there are limited resources available to performers regarding Capricorn. The first section of this study presents an historical and contextual examination of Capricorn both in terms of Barber's own compositional output and that of his influences and contemporaries. The second section includes a performance analysis of the work, while the third sec

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17

Dissenha, Fernando Luis. "Os trompetistas e o repertório da Osesp nas temporadas de concerto de 1977 a 1980." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-07072017-142440/.

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Os primeiros anos da Orquestra Sinfônica do Estado de São Paulo (Osesp) foram marcados pela instabilidade administrativa, o que impossibilitava, à época, a existência de uma programação de concertos. Com a chegada de Eleazar de Carvalho, em 1973, a Osesp inicia a estruturação de suas temporadas regulares, e uma das iniciativas foi a implementação de ciclos com obras de um mesmo compositor. Em 1977, foi apresentado o ciclo Beethoven, seguido de outros que deram destaque a Schubert, Tchaikovsky, Brahms, Wagner, culminando, em 1980, com o ciclo de obras de Gustav Mahler. A pesquisa documental nos

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Murray, Robert Patrick. "A performance guide to Tomas Svoboda's Duo concerto for trumpet and organ, op. 152." view full-text document, 2002. http://www.library.unt.edu/theses/open/20022/murray%5Frobert/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2002.<br>Accompanied by 4 recitals, recorded June 23, 1997, Nov. 17, 1997, June 19, 2001 and June 3, 2002. Includes bibliographical references (p. 41-[42]).

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19

Cernuto, Joseph Raymond. "Analytical, interpretative, and performance guides for conductors and soloists to John Mackey's Harvest: concerto for trombone, Drum music: concerto for percussion, and Antique violences: concerto for trumpet." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6071.

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20

Wacker, John Mainard. "An examination of the influence of selected works of Franz Schmidt on the Concerto for trumpet and orchestra and the Sonata for trumpet and piano by Karl Pilss." Thesis, connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-9015.

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21

Klinefelter, Katherine Lee. "An examination of Andre Jolivet’s Concertino for trumpet, Oskar Bömhe’s Concerto for trumpet in F minor, Tomoso Albinoni’s Sonata á 6 con tromba, and Manuel de Falla’s Suite of old Spanish dances." Kansas State University, 2011. http://hdl.handle.net/2097/8613.

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Master of Music<br>Department of Music<br>Gary Mortenson<br>This Master’s report focuses on analyzing the four works performed on the author’s Master’s recital on April 10, 2011, from a biographical, historical, theoretical, and technical standpoint. These works include André Jolivet’s Concertino for Trumpet, Oskar Böhme’s Concerto for Trumpet in F Minor, op. 18, Tomaso Albinoni’s Sonata á 6 con Tromba, and Manuel de Falla’s Suite of Old Spanish Dances.

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22

Bishop, James Martin. "A Performance Guide to Arvo Pärt's Concerto Piccolo Über B-A-C-H for Trumpet, Strings, Harpsichord, and Piano." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc283781/.

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Arvo Pärt's Concerto Piccolo über B-A-C-H for trumpet, strings, harpsichord, and piano is a brief yet challenging work in the trumpet repertoire. A carefully articulated performance guide is necessary to aid trumpeters in overcoming the numerous musical challenges presented in this piece. Currently, there is no resource that helps in solving performance choices and difficulties in this work. This first section of this document provides historical and contextual information on Arvo Pärt, his compositional output during his experimental period, and subsequently, Concerto Piccolo. The second

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23

Mueller, Paul Martin. "An examination of George Frideric Handel’s “Let the bright seraphim” from Samson, Franz Joseph Haydn’s Concerto for trumpet in E flat major, Karl Jenkins’ Salm o Dewi Sant, and Erik Morales’ Concerto for trumpet in C and piano." Kansas State University, 2009. http://hdl.handle.net/2097/1416.

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Master of Music<br>Department of Music<br>Gary C. Mortenson<br>This Master’s report contains biographical, historical, and theoretical analysis as well as stylistic and technical considerations for the four works performed for the author’s Master’s recital on April 29th, 2009. The works are Handel’s aria “Let the Bright Seraphim” from Samson, Franz Joseph Haydn’s Concerto for Trumpet in E Flat Major, Karl Jenkins’ Salm o Dewi Sant, and Erik Morales’ Concerto for Trumpet in C and Piano.

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Mueller, Paul Martin. "An examination of George Frideric Handel's "Let the Bright Seraphim" from Samson, Franz Joseph Haydn's Concerto for Trumpet in E Flat Major, Karl Jenkins's Salm o Dewi Sant, and Erik Morales's Concerto for Trumpet in C and Piano." Manhattan, Kan. : Kansas State University, 2009. http://hdl.handle.net/2097/1416.

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25

Monroe, Jonathan. "A Selection of Nineteenth Century Trumpet Literature for Low F Trumpet: A Performance Edition of F.G.A. Dauverné's Variations op. 3 and Amilcare Ponchielli's Concerto per Tromba e Banda op. 123." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984202/.

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This dissertation presents a performance guide of two solos for early valved trumpet, as well as an appraisal of their historical significance. The first of these solos is F. G. A. Dauverné's Variations pour trompette à pistons avec accompagnement de Piano-forte, op. 3 (1833). The second solo examined is Amilcare Ponchielli's Concerto per Tromba e Banda, op. 123 (1866). Although Ponchielli's work dates from only the middle of the century, by time of its composition the valved trumpet had already been developed enough to have attained true artistic value. This dissertation provides evidence con

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26

Dourado, André Filipe Dâmaso. "Uma aproximação estilística e histórica ao Concerto nº 1 para Trompete e Orquestra de Charles Chaynes." Master's thesis, Universidade de Évora, 2014. http://hdl.handle.net/10174/13010.

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Este trabalho projeto ocupa-se da realização de uma análise interpretativa do Concerto para Trompete e Orquestra de Câmara nº 1 do compositor Charles Chaynes , uma obra muito importante no repertório do séc. XX do trompete. Uma obra em três andamentos contrastantes entre si, no que diz respeito á sua linguagem, à métrica, ao timbre, ao lirismo, à expressividade, ao contorno, ao timbre, entre outros. O Objeto da análise interpretativa pertence a um conjunto de obras que foram compostas para o concurso do Conservatório Nacional de Paris. As composições que são utilizadas para esse concurso devem

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Locatelli, Nikola Cunha. "Concerto para trompete e orquestra de cordas de Alfredo Dias: perspectivas interpretativas." Universidade Federal da Paraíba, 2013. http://tede.biblioteca.ufpb.br:8080/handle/tede/6605.

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Made available in DSpace on 2015-05-14T12:52:32Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 7762651 bytes, checksum: fd665319950500f26eeecebc340a5a5b (MD5) Previous issue date: 2013-05-27<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The present dissertation is about the study of the Concerto para Trompete e Orquestra de Cordas Concert for Trumpet and String Orchestra by the composer Alfredo Silveira Dias Filho. This is a qualitative research with three subjects, which are important soloists, teachers and orchestral musicians in the nacional scenario. The f

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Sullivan, Michael. "A pedagogical approach for developing the endurance, technical facility and flexibility necessary to perform Anthony Plog's Concerto for Solo Trumpet, 14 Brass, and Percussion." Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1528052.

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<p> Anthony Plog's Concerto for Trumpet, 14 Brass, and Percussion offers many performance issues and there are many methodologies and pedagogical concepts that one can utilize in order to achieve the endurance, flexibility, and technical facility required. This project report outlines readings and methodologies the author used to achieve the skills listed above. The first chapter discusses the objective pedagogy of David Hickman. Hickman's pedagogy encompasses an array of opinions on common developmental exercises. Chapter 2 concentrates on the methodology of James Stamp, emphasizing range bui

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29

Caldwell, Deborah. "An analytical look at trumpet solo works by Eugène Bozza, Vincent Persichetti, Halsey Stevens, Alexander Arutunian, Eric Ewazen, and Ernest Bloch." Kansas State University, 2015. http://hdl.handle.net/2097/19072.

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Master of Music<br>Department of Music, Theatre, and Dance<br>Gary C. Mortenson<br>This report is an analysis and exploration of the following works: Eugène Bozza’s Caprice, Vincent Persichetti’s The Hollow Men, Halsey Stevens’s Sonata for Trumpet and Piano, Alexander Arutunian’s Concerto for Trumpet, Ernest Bloch’s Proclamation, and Eric Ewazen’s Grand Valley Fanfare. The purpose of this report is to aid performance preparation of these pieces by providing thematic and formal analysis as well as identifying general unifying elements for each piece. Once identified, these patterns will help

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Stoupy, Etienne Denis. "A Performance Guide to the Trumpet Repertoire of Jacques Castérède Focusing on Brêves Rencontres and Concertino for Trumpet and Trombone." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc68049/.

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Jacques Castérède's works for brass are monumental and demand extreme agility from the performers. Many brass players are familiar with the Sonata for Trombone, but Castérède's trumpet repertoire has not been as thoroughly considered. Due to the lack of scholarly works and recordings of Jacques Castérède trumpet repertoire, a study is necessary to aid its performance. The study is based on performance analysis and interviews with the composer. The first chapter provides information on the composer's life. The second and third chapters are performance analysis of Brêves Rencontres and Concertin

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Winegardner, Brian J. "A Performer's Guide to Concertos for Trumpet and Orchestra by Lowell Liebermann and John Williams." Scholarly Repository, 2011. http://scholarlyrepository.miami.edu/oa_dissertations/520.

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The purpose of this essay is to encourage the study and performance of trumpet concertos written by notable contemporary composers. The essay focuses on two outstanding trumpet concertos composed in recent years: Lowell Liebermann’s Concerto for Trumpet and Orchestra, op. 64 and John Williams’ Concerto for Trumpet and Orchestra. The essay specifically provides the following information: 1) a concise history of the concerto for trumpet, 2) a short biography of Lowell Liebermann and John Williams, 3) the history of Liebermann’s and Williams’ concertos for trumpet, 4) musical analysis of both c

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Harris, Kristine Lynn. "A collection of cadenzas for the trumpet concertos of Franz Joseph Haydn and Johann Nepomuk Hummel." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1137621.

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The Haydn Trumpet Concerto and the Hummel Trumpet Concerto are two of the most important concertos in the solo trumpet repertoire and the cadenza reflects the performer's personality and technical abilities. There have been numerous recordings of the two concertos and they are consistently used in performance and as a pedagogical tool. This document contains both published cadenzas and transcriptions of recorded cadenzas from the first and last movements of the Haydn Trumpet Concerto and the Hummel Trumpet Concerto.This study begins with an investigation of the concepts and historical informat

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33

Bogard, Rick. "The Trumpet in Selected Solo and Chamber Works of Paul Hindemith : Elements of Trumpet Technique and Their Relationship to the Gebrauchsmusik Concept, a Lecture Recital, Together with Three Recitals of Selected Works of J.N. Hummel, A. Jolivet, C. Chaynes, and Others." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278128/.

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The trumpet was one of the wind instruments Hindemith used frequently in his chamber music, and he employed it prominently in five works from 1925 to 1954. These works are the Sonate fur Trompete (1939), the Konzert fur Trompete in B und Fagott mit Streichorchester (1954), Drei Stucke (19251 the Septett fur Blasinstrumente (1949), and "Morgenmusik," from the collection Plöner Musiktag (1932). This study examines and compares Hindemith's writing for the trumpet in these selected works, noting features in his use of the instrument which determine the applicability of the works to the Gebrauchsmu

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Zanelli, Elisa. "Il concetto di "presidentialness" nell'era di Trump: un'analisi corpus-assisted." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/15364/.

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The aim of my dissertation is to study the language used by the current President of the United States, Donald J. Trump, by applying a corpus-assisted approach. Over the last two years, the President has become a permanent fixture in the news. The media have analyzed not only his political agenda, but also his appearance and his language. Oftentimes, neither has been judged “presidential enough”, although there are no established criteria to identify “presidentialness”. In the first two chapters, I provide a theoretical background to the main arguments of the dissertation. The first chapter fo

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Foster, Christopher C. "An examination of music for trumpet and marimba and the Wilder Duo with analyses of three selected works by Gordon Stout, Paul Turok, and Alec Wilder." Thesis, connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-5182.

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Thesis (D.M.A.)--University of North Texas, 2007.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded June 21, 2004, June 13, 2005, Mar. 27, 2006, and Sept. 21, 2007. Includes bibliographical references (p. 141-143).

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Moura, Junior Nivaldo Camargo de. "Agrupamento de notas: aplicação do conceito interpretativo na obra estudo para trompete em Dó, de Camargo Guarnieri." Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/7343.

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Forsstedt, Martin. "Tekniskt hantverk eller personligt uttryck : Måste man välja?" Thesis, Karlstads universitet, Musikhögskolan Ingesund, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-13441.

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Syftet med detta arbete är att öka insikten i hur fördelningen mellan hantverk och uttryck ser ut på trumsetslektioner inom genrerna rock/pop/jazz och hur olika lärare arbetar kring/med begreppen personligt uttryck och hantverk. Jag har intervjuat fyra pedagoger – tre från musikskolan och en från gymnasiet – och använt mig av kvalitativ intervju som metod. Följande forskningsfrågor ligger som grund för arbetet: Finns det en tydlig uppdelning mellan moment som fokuserar på hantverk och personligt uttryck under trumsetslektioner på gymnasieskolan och kulturskolan - och i så fall, hur ser fördeln

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Hirsch, Jameson K., Kittye K. Hirsch, Abbey Mann, et al. "Post-election Concerns About Rights and Safety are Related to the Mental Health of LGBTQ Communities: This is Not Fake News." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/703.

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Зальцман, Д. И., та D. I. Zaltsman. "Речевые портреты Дж. Байдена и Д. Трампа в ходе предвыборной кампании 2020 года : магистерская диссертация". Master's thesis, б. и, 2021. http://hdl.handle.net/10995/100862.

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Работа посвящена созданию и апробированию исследовательской модели, позволяющей описать языковую личность кандидатов Дональда Трампа и Джозефа Байдена во время предвыборной кампании 2019-2020 гг.. Материалом для исследованиями послужили транскрипты публичных выступлений Джозефа Байдена и Дональда Трампа во временном промежутке президентской кампании 2019-2020 гг. с сайта www.rev.com. Данный ресурс содержит все публичные выступления кандидатов и предоставляет полноценный корпус текстов речей. В первой части работы рассматриваются основные направления в речевом портретировании, риторической крит

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Wallace, Frank James. "Graduation recital compositions." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/42046.

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Hirsch, Jameson K., Andrea Kaniuka, Byron Brooks, Kittye K. Hirsch, Tracy J. Cohn, and Stacey L. Williams. "Postelection Distress and Resiliency in LGBTQ Communities: An Overview of Real Data, Not Alternative Facts." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/704.

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As with every U.S. election cycle, the early 2016 election season was a roller-coaster experience, with positive and negative campaign messages emerging from both parties, and with high hopes and dashed hopes for both Democratic and Republican candidates. However, as Donald J. Trump emerged as the Republican candidate to challenge Democrat Hillary R. Clinton for the Office of President, the United States appeared to be equally bemused, horrified and confident in a Democratic victory — after all, how could someone so unorthodox as Donald Trump become the next president? His divisive campaign ha

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Lockard, Douglas Todd 1965. "A stylistic and analytical discussion of Jean Rivier's Concerto for saxophone and trumpet and Concerto for trumpet." 2001. http://hdl.handle.net/2152/11341.

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Cheng-Hsiang, LEE, and 李政祥. "Alexander Arutiunian's Trumpet Concerto: Analytical and Performance Studies." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/31601186407728350438.

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碩士<br>臺北市立教育大學<br>音樂藝術研究所<br>94<br>This study on the trumpet concerto by Alexander Arutjunjan probes into its background of creation, the composer’s biography, the musical form and style. It aims to provide reference for music teachers, amateur and professional musicians alike. After an introduction to Arutjunjan’s life and the work’s genesis, aspects of musical form, structure and style, and then issues of performance and interpretation will be analyzed. Especially by comparative study of five recorded versions (Timofei Dokshitser, Maurice Murphy, Sergei Nakariakov, Arturo Sandoval and Willia

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李政祥. "Alexander Arutiunian’s Trumpet Concerto: Analytical and Performance Studies." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/80730053565988293938.

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碩士<br>臺北市立教育大學<br>音樂藝術研究所<br>94<br>This study on the trumpet concerto by Alexander Arutiunian probes into its background of creation, the composer’s biography, the musical form and style. It aims to provide reference for music teachers, amateur and professional musicians alike. After an introduction to Arutiunian’s life and the work’s genesis, aspects of musical form, structure and style, and then issues of performance and interpretation will be analyzed. Especially by comparative study of five recorded versions (Timofei Dokshitser, Maurice Murphy, Sergei Nakariakov, Arturo Sandoval and Willia

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CHEN, KANG-CHI, and 陳康棋. "The Analysis and Interpretation of Neruda Trumpet Concerto." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/vz2cmr.

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碩士<br>國立臺灣藝術大學<br>音樂學系<br>107<br>Johann Baptist Georg Neruda (1706-1780) is one of the lesser known composers between the eighteenth century Baroque era and the Classical era. Not many people do research on his only Neruda Trumpet Concerto because of the unknown compositional date and the late publication date. The author hopes to use this piece for the trumpet players and by collecting the information and the research, it can help the trumpet players greatly. And for the other trumpet works, people can single out one thing and bring out its bearing in addition to mastering the style and chara

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"Rapsodia Camaleónica: A Concerto for Piano, Trumpet and Orchestra." Doctoral diss., 2012. http://hdl.handle.net/2286/R.I.14797.

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abstract: This DMA project (in piano performance) consists of a concerto composed for trumpet and piano duo with orchestra and an analytical document that accompanies it. The text portion of this paper discusses the different compositional aspects of Rapsodia Camaleónica, including instrumentation, form, influences and the performers' perspective. The work is scored for a medium-sized orchestra: 2 flutes (flute 2 double piccolo), 2 oboes, 2 clarinets, 2 bassoons, horn, trombone, bass trombone, 4 percussionists (timpani, snare drum, crash cymbals, suspended cymbal, castanets, güiro or carrasca,

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Chun, Liu Yu, and 劉郁君. "A Performance Interpretation Of The Trumpet Concerto By Joseph Haydn." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/12479360511262587593.

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Sun, Yungshou, and 孫永守. "A study on G. Torelli's Concerto in D Major for Trumpet and Orchestra and J. Haydn's Concerto in E-flat Major for Trumpet and Orchestra." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/27893650313058808776.

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Lin, Weilun, and 林暐倫. "The Analysis and Interpretation of Hummel’s Trumpet Concerto in Eb Major." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/48598136407599711180.

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碩士<br>輔仁大學<br>音樂研究所<br>100<br>Joseph Haydn composed a trumpet concerto in the classical period. It’s a new initiative in the trumpet world. Due to the imperfections in the instrument construction, composers mostly prefer not to compose for trumpet. In that situation, Johann Nepomuk Hummel still composed a concerto for trumpet, after he had a discussion with Anton Weidinger, it’s undoubtedly a major step forward in the trumpet literature. This study explores the trumpet concerto from three directions. Chapter two surveys the literature related to the background of this music piece. The survey

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Parish, Tracy M. "A performance interpretation of the concerto in E-flat major by Joseph Haydn based on contemporaneous writings and period performance practice /." 2008. http://proquest.umi.com/pqdweb?index=0&did=1686371681&SrchMode=2&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1271698041&clientId=36305.

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Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2008.<br>Includes abstract. Vita. Adviser: John Hill. Includes bibliographical references. Available from Pro Quest Information and Learning.

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