Academic literature on the topic 'Turkmen jewelry'

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Journal articles on the topic "Turkmen jewelry"

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Kudaibergenova, Dilfuza A. "Jewelry collection of I.V. Savitsky State Museum of Arts of the Republic of Karakalpakstan." Historical Ethnology 8, no. 2 (2023): 234–44. http://dx.doi.org/10.22378/he.2023-8-2.234-244.

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This article provides information about the jewelry of the Karakalpak people in the collection of I.V. Savitsky State Museum of Arts of the Republic of Karakalpakstan. Karakalpak jewelry art is one of the brightest manifestations of the artistic culture of the people. Judging by the specimen preserved in the museum collections, they have much in common with the art of neighboring peoples in terms of names, pattern and form. Simultaneously, some Karakalpak jewelry has original ethnic and artistic features. The article presents all types of traditional Karakalpak jewelry dating back to the 19th
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Abdrakhmanova, Kulsyn, Nazym Konkabayeva, and Vedi Aşkaroğlu. "THE NAMES OF JEWELRY IN THE MEDIEVAL MANUSCRIPT “AT-TUKHFA”." KAZAKHSTAN ORIENTAL STUDIES 12, no. 4 (2024): 229–38. https://doi.org/10.63051/kos.2024.4.229.

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The authors used the original manuscript of «at-Tuhfa az-zakiyya fil lugatit turkiyya» preserved in Turkey. The main goal of the article is to describe the language units given in the "at-Tuhfa" manuscript, task is to make a comparative analysis of the names of jewelry items that express national uniqueness, and to provide research results. The article examines the lexical part of the manuscript "At-Tuhfa" written in the countries of Egypt and Syria during the rule of the Mamluks in the Middle Ages, around the 15th-16th centuries. There are translations of the At-Tuhfa manuscript into French,
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Madu, Maria do Carmo, and Ana Cláudia Castilho Barone. "Dona Folô’s clothing: a non-free Creole, who carried jewelry and fine fabrics." Res Mobilis 12, no. 16 (2023): 137–51. http://dx.doi.org/10.17811/rm.13.16.2023.137-151.

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This article addresses the discussion presented to the Design, History and Society Annual Conference 2022 with the theme Design and Transience that took place in September 8th-10th 2022 at the Izmir Technological Institute, in Turkey. The objective was to present the transience of the social role occupied by Dona Folô in the period of Imperial Brazil, by carrying the Crioula Jewelry and wearing clothes made in fine fabrics – although she, as a slave, did not have possession of her freedom. With this research in progress, we aim to give visibility to the story of Dona Folô, while also wanting t
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Mukhamadeyeva, Railya, and Yerzhan Akinov. "The creation of objects of the Kazakh culture with the use of additive technologies." MATEC Web of Conferences 329 (2020): 03022. http://dx.doi.org/10.1051/matecconf/202032903022.

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The article presents material about the main prospects for the introduction and operation of new additive technology in the Republic of Kazakhstan. Additive technology (3D printing) is a global phenomenon that contributes to the development of new industries that use digital technologies. 3D printing is necessary for the production of quality products. Kazakhstan, the world’s fifteenth largest gold producer, does not actively promote the jewellery industry. Jewellery is an obligatory attribute of a family celebration and an element of the national culture of Kazakhstan. Jewellery products purc
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Kaya, Fatih Hakan, Musa Albayrak, Martin Henig, and Ergün Lafli. "Earrings from Nicaea in Bithynia (south-eastern Marmara)." Cercetări Arheologice 31, no. 1 (2024): 179–204. http://dx.doi.org/10.46535/ca.31.1.11.

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In this brief paper 34 earrings are presented, all of which are curated in the Archaeological Museum of İznik in south-western Marmara region of Turkey. They are significant, as very few items of jewellery from Bithynia have been published.
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Yazıcı, Erhan, Gülçin Büyüközkan, and Murat Baskak. "A New Extended MILP MRP Approach to Production Planning and Its Application in the Jewelry Industry." Mathematical Problems in Engineering 2016 (2016): 1–18. http://dx.doi.org/10.1155/2016/7915673.

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It is important to manage reverse material flows such as recycling, reusing, and remanufacturing in a production environment. This paper addresses a production planning problem which involves reusing of scrap and recycling of waste that occur in the various stages of the production process and remanufacturing/recycling of returns in a closed-loop supply chain environment. An extended material requirement planning (MRP) is proposed as a mixed integer linear programming (MILP) model which includes—beside forward—these reverse material flows. The proposed model is developed for the jewelry indust
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Lafli, Ergün, and Martin Henig. "Hellenistic and Roman gems and jewellery from south-western Turkey." Materiale şi cercetãri arheologice (Serie nouã) 20, no. 1 (2024): 147–70. https://doi.org/10.3406/mcarh.2024.2328.

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In this paper, 19 Hellenistic and Roman engraved gemstones are discussed, all of which are in the collections of local museums at Aydın and Marmaris in south‑western Turkey. They are significant, as very few gemstones have been published from southern Ionia and from the whole of Caria. Following the listing of the gems in Aydın, the next section describes six gold finger rings and earrings with plain gem or glass settings, as well as a ring which has lost its gem. In addition, a rock‑crystal cabochon, probably of Roman date, from Aydın is illustrated. The final two parts of the paper describe
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Boucherf, Kamel, and Razika Medjoub. "Gold Sellers in the Streets of Bachdjerrah: El Houma: Community Identity and Globalised Economic Territory." Youth and Globalization 3, no. 2 (2022): 332–58. http://dx.doi.org/10.1163/25895745-bja10016.

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Abstract In Algeria, the informal dynamic experienced by the gold sector since the 1980s was accompanied by the creation of informal trading spaces, the most important of which are in Algiers and Oran. These markets play the role of intermediary between the various actors in the informal gold sector, in particular transnational networks for the supply and marketing of the precious metal. The latter is part of this non-hegemonic economic globalization which relies on adventurers of the new market capitalism. Its network spans from Italy, Dubai to Turkey, in particular the Grand Bazaar in Istanb
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Cebeci, Haci Hüseyin. "First record of the jewel beetle Anthaxia midas midas (Coleoptera, Buprestidae) in Anatolia (Turkey, Asia)." Revista Colombiana de Entomología 44, no. 1 (2018): 135. http://dx.doi.org/10.25100/socolen.v44i1.6552.

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The jewel beetle, Anthaxia midas midas, is reported here for the first time on Acer undulatum. There is no previous evidence of its occurrence in Asia. The present study now adds this subspecies to both the entomofauna of Anatolia region of Turkey and Asia.
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Tanrıverdi, Raziye, Mehmet Gökoğlu, and Jale Korun. "Allometric relationship and meat yield of Chama pacifica broderip, 1835 from the Gulf of Antalya, Turkey." Acta Aquatica: Aquatic Sciences Journal 7, no. 1 (2020): 46. http://dx.doi.org/10.29103/aa.v7i1.2199.

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In this study, the allometric relationship and the meat yield of the large Pacific jewel-box Chama pacifica Broderip, 1835 were investigated. C. pacifica samples were by scuba diving at depths of 3-8 m in the Gulf of Antalya. The relationship of total shell length and total shell weight was determined as TW = 2.2693*TSL 2.5327 (R2= 0.69). The mean flesh weight and mean meat yield were determined to be 11,07±0.445 g and 6.84±0.18%, respectively. This research revealed the meat yield data of C. pacifica and its potential importance as a food source.Keywords: Chama pacifica; Pacific jewel-box; fl
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Dissertations / Theses on the topic "Turkmen jewelry"

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Тубол, Наталія Олексіївна, Наталия Алексеевна Тубол, Nataliia Oleksiivna Tubol та К. Анамуратов. "Этнические особенности туркменских национальных украшений". Thesis, Сумский государственный университет, 2017. http://essuir.sumdu.edu.ua/handle/123456789/65138.

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Традиционные украшения являются одним из наиболее ярких элементов национальной культуры, в них заключен социокультурный опыт этноса, который бережно хранится и передается от поколения к поколению. Национальные туркменские украшения – явление древнее, уникальное и многогранное, изучение которого в историкоэтнографическом аспекте представляет интерес для понимания процессов культурогенеза и этногенеза данного народа.
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Books on the topic "Turkmen jewelry"

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New York. Turkmen jewelry: Silver ornaments from the Marshall and Marilyn R. Wolf collection. Metropolitan Museum of Art, 2011.

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O'Bannon, George W. From desert and oasis: Arts of the people of Central Asia. Georgia Museum of Art, University of Georgia, 1998.

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Bultman, Fritz. Fritz Bultman: Collages. Georgia Museum of Art, University of Georgia, 1997.

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Bultman, Fritz. Fritz Bultman: A retrospective. New Orleans Museum of Art, 1993.

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S, Amstey Marvin, Amstey Frederica, O'Bannon George W, and Rochester Museum and Science Center., eds. Vanishing jewels: Central Asian tribal weavings : a catalog of an exhibition by the Rochester Museum & Science Center, September 14, 1990 to March 17, 1991 from the collection of Marvin and Frederica Amstey. The Center, 1990.

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Orlandi, Ayşe Coşkun, and Yonca Erkan. Kapalıçarşı ustalarının izinde cevher ve zanaat: Gem and craft : in pursuit of the artisans of Grand Bazaar. Rezan Has Müzesi, 2017.

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Ambler, Eric. Topkapi: La nuit d'Istanbul. Seuil, 1992.

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Ambler, Eric. The light of day. Vintage Books, 2004.

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Ambler, Eric. Topkapi: La nuit d'Istanbul. Éditions du Seuil, 1992.

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Camcigil, Oytun. Eastern Treasures: Ottoman Oman Yemen and Turkoman Jewellery. Gilgamesh Publishing, 2020.

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Book chapters on the topic "Turkmen jewelry"

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Zimmermann, Thomas. "Ancient Jewelry in Turkey." In Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures. Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-3934-5_10188-1.

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Zimmermann, Thomas. "Ancient Jewelry in Turkey." In Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures. Springer Netherlands, 2016. http://dx.doi.org/10.1007/978-94-007-7747-7_10188.

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Thompson, Becky. "Our Bodies in the World." In Teaching with Tenderness. University of Illinois Press, 2017. http://dx.doi.org/10.5622/illinois/9780252041167.003.0007.

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What might bringing tenderness into the world look like? Student activism and willingness to explore historical memory from their own families often illuminate lived examples of tenderness. The life changing experience Thompson had as a first responder during the refugee crisis in Lesvos, Greece (2015-2016), as I met Syrian, Afghan, Palestinian, and Pakistani families coming on rafts from Turkey, taught her much about tenderness as a quality of being with each other. Refugee families modeled tenderness for her as they risked their lives to save their lives. While militarism, colonialism, racis
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Fant, Clyde E., and Mitchell G. Reddish. "Patmos." In A Guide to Biblical Sites in Greece and Turkey. Oxford University Press, 2003. http://dx.doi.org/10.1093/oso/9780195139174.003.0019.

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Famous for being the location for the writing of the book of Revelation (the Apocalypse), the island of Patmos is a jewel in the Aegean. This small island combines the charm and beauty of a typical Greek island with the tranquility and reverence of a sacred space. Visitors today might very well wish that they, like John, could be sentenced to exile on this island so rich with tradition, faith, and wonder. The northernmost island of the Dodecanese Islands (part of the Southern Sporades chain) in the Aegean Sea, Patmos, a part of the country of Greece, is 22 miles southwest of the island of Samo
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Conference papers on the topic "Turkmen jewelry"

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Gurcum, Banu, and Özge Özturk. "Colours and motifs of the traditional handknitted socks of Ağri province of Turkey." In 7th International Scientific Conference Contemporary Trends and Innovations in Textile Industry – CT&ITI 2024. Union of Engineers and Technicians of Serbia, Belgrade, 2024. http://dx.doi.org/10.5937/ct_iti24033g.

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The sacred land Anatolia, the cradle of many civilizations, covers many crafting traditions as clothing, kitchen tools, dowry items, carpets, rugs, socks, booties, jewellery works, pottery, or wooden products. These products, which people use daily from past to present, reflect the experience and knowledge accumulated over a long period of time, and carry historical values within themselves, ensuring cultural continuity. In this sense, it can be said that handicrafts are a part of life with their production and have a great value in terms of cultural history. Ethnography with a deeper understa
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