Relevant bibliographies by topics / Ukrainian poetry of the XX–XXI centuries

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Ukrainian poetry of the XX–XXI centuries'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Ukrainian poetry of the XX–XXI centuries"

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YERMOLENKO, Svitlana. "«LINGUISTIC AND AESTHETIC SIGN WORD IN UKRAINIAN POETRY OF THE XIX – XX CENTURIES»." Culture of the Word, no. 92 (2020): 7–21. http://dx.doi.org/10.37919/0201-419x-2020.92.1.

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The ambiguity of the token word is evidenced by the explanatory dictionaries of the Ukrainian language, as well as the linguistic and artistic discourse of the XIX – XXI centuries. In the explanatory dictionary of the Ukrainian language there is an unmotivated separation of lexical and semantic variants, which are actually shades of one of the meanings of the word. Instead, the dictionary does not capture the lexical-semantic variant “instrument of linguistic creativity” actualized in artistic discourse. Compared with the dictionary interpretation, poetic language more widely represents lexica
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Berestova, A. "Text application as a marker of intertext links in modern Ukrainian poetry." Science and Education a New Dimension IX(257), no. 75 (2021): 12–16. http://dx.doi.org/10.31174/send-ph2021-257ix75-02.

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In the article proposed, the researcher tries to characterize the main manifestations of text applications on the basis of Ukrainian poetry of the late XX - early XXI centuries. The author of the research concludes that the text application is actively used in modern Ukrainian poetry as a marker of intertextual interaction and an actualizer of precedent texts of religious content, various genres of Ukrainian folk art, as well as Ukrainian and world literature. The text applications found in the processed poetic works play an important role in the creation of poetic text and perform the functio
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Радько, Оксана Григорівна. "ЕТНОКУЛЬТУРНІ КОНЦЕПТИ В СЕМАНТИЧНІЙ СТРУКТУРІ ІНДИВІДУАЛЬНО-АВТОРСЬКИХ ПРИКМЕТНИКІВ (на матеріалі української поезії ХХ–ХХI сторіч)". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 40 (28 жовтня 2015): 123–30. https://doi.org/10.5281/zenodo.32835.

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<em>Lexically-semantic analysis of a significant amount of authorial adjective neologisms (5124 units) in Ukrainian poetry of XX&ndash;XXI centuries indicates, that semantic formations, specified by ethno-cultural specific &ndash; socalled cultural concepts, are widespread in structure of described units. However, a holistic study of concepts as quantum of the national cultural consciousness of Ukrainians on the example of neologism lexis is not carried out still, that determines the urgency of the subject of the proposed research. Therefore, the main purpose of the article is to analyze speci
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SHCHERBANSKA, M., and Yu KUPCHYSHYNA. "COGNITIVE METAPHORIZATION OF THE CONCEPTS OF LIFE AND DEATH IN ENGLISH POETRY OF THE XIX – XX CENTURIES." Current issues of linguistics and translations studies, no. 24 (June 30, 2022): 59–62. http://dx.doi.org/10.31891/2415-7929-2022-24-12.

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In the article the content and specifics of students’ work with Ukrainian historical dictionaries in the context of the educational paradigm of future lecturers of the Ukrainian language are clarified. This topic is covered in the context of the analysis of educational and professional programs developed and implemented in the educational process by the lecturers of the Department of Ukrainian Philology of Khmelnytsky National University. The presentation of theoretical positions in diachronic linguistics should be based on illustrative material of historical dictionaries of the Ukrainian lang
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Мартакова, Анна Валеріївна. "КАЛІГРАМА ЯК ГРАФІЧНИЙ ВИЯВ МОВНОЇ ГРИ В ПОЕЗІЇ УКРАЇНСЬКОГО ПОСТМОДЕРНУ". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 43 (6 квітня 2016): 202–7. https://doi.org/10.5281/zenodo.49229.

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The renewal process on the formalistic and notional levels of the artistic paradigm in the Ukrainian Postmodern consept of the end of the XX &ndash; beginning of the XXI centuries is commented in the article, also it is noticed the transformations, which consist in the language poetry text creation level, where the language games are in the dominant condition. The attention of this article is concentrated on the visual postmodern poetry, particularly &ndash; on the caligrama. The object of the article is in the analyzing the graphical method of the language game realization as the dominant fac
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KOBETS, Natalia. "The image of Slovakia and Slovakians in the Ukrainian poetry of the XIX–XX centuries." Problems of Slavonic studies 66 (2017): 152–64. http://dx.doi.org/10.30970/sls.2017.66.2077.

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Shumeyko, Оlena, and Tetiana Berest. "THEORETICAL BACKGROUND OF THE LINGUISTIC STUDIES OF COMIC IN UKRAINIAN POETRY AT THE END OF XX AND THE BEGINNING OF XXI CENTURIES." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 17(85) (2023): 155–58. http://dx.doi.org/10.25264/2519-2558-2023-17(85)-155-158.

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The article reveals and investigates the peculiarities of modern poetic language and its differential features. Attention is primarily focused on those features of the poetic language that reflect its historical dynamics and allow us to classify the poetic language as one that, while preserving its universal typological features (expressive richness, aesthetic significance, etc.), at the same time appears as a specific historical phenomenon. The article is devoted to the analysis of poetic language as a linguistic and aesthetic object that needs to be studied in all its inherent complexity, he
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Vaskiv, Mykola. "Pavlo Movchan as an art researcher: word, image, sign." Synopsis: Text Context Media 28, no. 2 (2022): 62–70. http://dx.doi.org/10.28925/2311-259x.2022.2.3.

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The subject of the research in the article is the peculiarities of theoretical-literary and art-scientific publications of the outstanding Ukrainian poet Pavlo Movchan, as well as his historical-literary and historical-artistic works. The main problem of the article was the need to reduce these features into a single concept, to determine the scientific basis of this concept. To do this, a large array of (more than fifty) articles, reviews, and essays of the research poet for the period from the mid-1970s to the second decade of the XXI century was collected from various sources and processed.
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Vaskiv, Mykola. "Spontaneous materialism, information (memory) and man in the poetry of Pavlo Movchan Part two." Synopsis: Text Context Media 29, no. 4 (2023): 256–63. http://dx.doi.org/10.28925/2311-259x.2023.4.3.

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The relevance of the article is due to the need to determine the philosophical basis of the worldview and poetic world of the Ukrainian literature classic of the XX–XXI centuries Pavlo Movchan (born in 1939) — ancient Greek spontaneous materialism — as the basis of universal and national memory, the continuity of history. The peculiarities of Movchan’s spontaneous materialism are the subject of research. The main problem of the article is the connection of each specific existence with the million-year history of the material world, humanity and a specific — Ukrainian — nation, reproduced in P.
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Vaskiv, Mykola. "Spontaneous materialism, information (memory) and man in the poetry of Pavlo Movchan Part one." Synopsis: Text Context Media 29, no. 3 (2023): 191–99. http://dx.doi.org/10.28925/2311-259x.2023.3.5.

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The relevance of the article is due to the need to determine the philosophical basis of the worldview and poetic world of the Ukrainian literature classic of the XX–XXI centuries Pavlo Movchan (born in 1939) — ancient Greek spontaneous materialism — as the basis of universal and national memory, the continuity of history. The peculiarities of Movchan’s spontaneous materialism are the subject of research. The main problem of the article is the connection of each specific existence with the million-year history of the material world, humanity and a specific — Ukrainian — nation, reproduced in P.
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Dissertations / Theses on the topic "Ukrainian poetry of the XX–XXI centuries"

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RAMO', MONICA. "L'universo poetico di Giuseppe Conte." Doctoral thesis, Università degli studi di Genova, 2022. http://hdl.handle.net/11567/1083499.

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Thesis title The poetic universe of Giuseppe Conte Abstract The main object of our research is the poetic work of Giuseppe Conte. His entire poetic production, although differentiated, reveals a continuity in stylistic research and philosophy of existence. Conte's poetry collections are an attempt to express in artistic form his personal vision of literature, the world, society, man and different cultures. Our study explores a poetics that expresses Conte's relationship with poets and writers of the past and present. For Conte, poetry is necessary and fundamental to contemporary civil
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Books on the topic "Ukrainian poetry of the XX–XXI centuries"

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Vseukraïnsʹka virshoznavcha konferent︠s︡ii︠a︡ (1st 2009 Kiev, Ukraine). Virshoznavchi studiï: Zbirnyk naukovykh prat︠s︡ʹ konferent︠s︡iï "Ukraïnsʹke virshoznavstvo XX--pochatku XXI stolitʹ--zdobutky i perspektyvy rozvytku". Vydavnychyĭ Dim Dmytra Buraho, 2010.

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Radʹko, O. H. (Oksana Hryhorivna), author, ред. Indyvidualʹno-avtorsʹki prykmetnyky v ukraïnsʹkomu poetychnomu dyskursi XX-XXI storich (leksykohrafichnyĭ aspekt): Monohrafii︠a︡. Teren, 2017.

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Chugunov, Dmitrii. The history of German literature at the turn of the XX–XXI centuries. Prose and poetry. INFRA-M Academic Publishing LLC., 2024. http://dx.doi.org/10.12737/1898403.

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The textbook contains theoretical, practical and reference material on the history of German literature of the late XX – early XXI century, including quotations from fiction and journalistic literature, shows the ideological and artistic transformations taking place in the literary process of Germany after the fall of the Berlin Wall, identifies the main themes and problems of modern literature of Germany. The manual includes materials and tasks for conducting practical classes, tasks for self-checking what has been passed.&#x0D; The content of the manual meets the requirements of the federal
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Nova ukraïnsʹka ikona XX i pochatku XXI stolitʹ: Tradyt͡siĭna ikonohrafii͡a ta nova stylistyka = New Ukrainian icon of XX and early XXI centuries : traditional iconography and new stylistics. Misioner, 2012.

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Bogdanova, Olga A., ed. The phenomenon of the Russian literary estate: from Chekhov to Sorokin+. A.M. Gorky Institute of World literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0627-7.

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The book offers panoramic and at the same time systemic coverage of the Russian literary estate and summer house from the end of the XIX to the beginning of the XXI century. The publication combines the articles of 24 authors, distributed in three sections. The first two are devoted to the estate- dacha theme in Russian literature at the turn of the XIX–XX centuries and divided into prose, poetry and drama. The third is devoted to aspects of the image of the estate in the literature of the Soviet decades and in the modern era. Inside the sections, the material is placed according to the chrono
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Book chapters on the topic "Ukrainian poetry of the XX–XXI centuries"

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Sinenko, Oksana. "THE TOPIC OF WAR IN WESTERN EUROPEAN MUSIC ART OF THE XX–XXI CENTURIES." In Modernization of research area: national prospects and European practices. Publishing House “Baltija Publishing”, 2022. http://dx.doi.org/10.30525/978-9934-26-221-0-28.

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Wars are destructive events that, despite their destructive nature, occur with a certain frequency in the history of human existence. The course of wars, their nature and causes are different, but the impact of military events on human consciousness is inevitable. The problem of the destructive nature of war, its ability to integrate and differentiate human communities often received not only scientific coverage, but also became the subject of works of art. Art is a sphere of human life that flexibly responds to all events that occur in the socio-cultural space. There are many literary, pictor
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Fedorniak, Nataliia. "UKRAINIAN MUSICAL FOLKLORE DISCOGRAPHY AS A PRESERVING FACTOR IN UKRAINIAN DIASPORA NATIONAL SPIRITUAL EXPERIENCE." In Art Spiritual Dimensions of Ukrainian Diaspora. Primedia eLaunch LLC, 2020. http://dx.doi.org/10.36074/art-sdoud.2020.chapter-9.

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The presented material studies one of the important forms of transmission of the musical folklore tradition of Ukrainians in the United States and Canada during the XX – the beginning of the XXI centuries – sound recording, which is a component of the national spiritual experience of emigrants. Founded in the 1920s, the recording industry has been actively developed and has become a form of preservation and promotion of the traditional musical culture of Ukrainians in North America. Sound recordings created an opportunity to determine the features of its main genres, the evolution of forms, th
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Zinkiv, Iryna. "THE UKRAINIAN KOBZA AND BANDURA IN ORGANOLOGISTS’ WORKS OF THE SECOND HALF XX – EARLY XXI CENTURIES." In CULTURE AND ART PANORAMA OF UKRAINE. Liha-Pres, 2019. http://dx.doi.org/10.36059/978-966-397-186-5/138-158.

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Dutchak, V. H. "SOUND RECORDING DYNAMICS IN BANDURA ART OF UKRAINIAN DIASPORA IN THE XX – THE BEGINNING OF XXI CENTURIES." In CULTURE AND ARTS IN THE EDUCATIONAL PROCESS OF THE MODERNITY. Liha-Pres, 2019. http://dx.doi.org/10.36059/978-966-397-143-8/17-37.

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Duda, Larysa. "THEORETICAL AND PRACTICAL FUNDAMENTALS OF MUSICAL FOLKLORE PROCESSING IN THE WORKS OF DIASPORA ARTISTS." In Art Spiritual Dimensions of Ukrainian Diaspora. Primedia eLaunch LLC, 2020. http://dx.doi.org/10.36074/art-sdoud.2020.chapter-8.

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The article analyzes the theoretical and practical principles of processing samples of folk music. Musical folklore is transformed in composition and performance, including for bandura, by arrangement and its varieties (harmonization, transposition, arrangement, improvisation, etc.). Musical folklore is an integral part of the bandura’s repertoire, presented in the form of vocal-instrumental and instrumental arrangements, as well as instrumental works for solo and ensemble performance. Authentic, classical and modern methods of music processing, as well as creative (author ‘s) and complex appr
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Kyzylova, V. V. "SYNTHETIC GENRE VARIETIES OF UKRAINIAN PROSE LITERARY TALE OF THE SECOND HALF OF THE XX – BEGINNING OF THE XXI CENTURIES." In INNOVATIVE PATHWAY FOR THE DEVELOPMENT OF MODERN PHILOLOGICAL SCIENCES IN UKRAINE AND EU COUNTRIES. Izdevnieciba “Baltija Publishing”, 2021. http://dx.doi.org/10.30525/978-9934-26-031-5-16.

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Artymyshyn, P. I., and V. I. Ilnytskyi. "CREATORS OF CHANGE. UKRAINIAN REVOLUTIONS OF THE LATE XX – EARLY XXI CENTURIES AND THEIR CONSEQUENCES FOR THE DEVELOPMENT OF A NEW DEMOCRATIC STATE." In CENTRAL EASTERN EUROPE UNDER 1989–2022 SOCIO-ECONOMIC, POLITICAL, AND CULTURAL-EDUCATIONAL TRANSFORMATIONS. Izdevnieciba “Baltija Publishing”, 2022. http://dx.doi.org/10.30525/978-9934-26-211-1-1.

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Tyshchyk, Vadym, Ruslan Zhoga, and Oleksandr Spivak. "COMPONENTS OF BUTTON ACCORDION ART IN THE SYSTEM OF PROFESSIONAL MUSICAL AND PEDAGOGICAL EDUCATION (BASED ON THE WORKS OF UKRAINIAN COMPOSERS)." In Enrichment of the pedagogical cluster of educational services. OKTAN PRINT, 2023. http://dx.doi.org/10.46489/eotpcoes-17-22.

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The article analyzes the new possibilities of the button accordion as a musical instrument with a new sound, able to meet the today’s «challenges» in higher educational institutions. The authors emphasized the importance and role in general of such a concept as «components of accordion art in the system of professional music-pedagogical education». Button accordion art for young button accordionists as a component of Ukrainian folk-instrumental performance at the turn of the XX–XXI centuries found new forms, preserving the traditional ones in concert practice. Without the education of button a
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Lisina, Svitlana. "UKRAINIAN REFERENCE EDITION IN THE SYSTEM OF SOCIAL INTERCOURSE: CONDITION AND PROSPECTS OF RESEARCH." In Theoretical and practical aspects of the development of modern scientific research. Publishing House “Baltija Publishing”, 2022. http://dx.doi.org/10.30525/978-9934-26-195-4-20.

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At the stage of state formation, the end of the XX – beginning of XXI centuries, Ukrainian science and culture actively entered a world globalization process. To determine the direction of development, each kind of science must periodically summarize what has been achieved and objectively evaluate its achievements. The level of education, science, and culture of any state is largely reflected in the state of the encyclopedic discipline. In the context of globalization of social development, the role of reference books, such as encyclopedias, dictionaries, and other reference books, extremely i
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Conference papers on the topic "Ukrainian poetry of the XX–XXI centuries"

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Liakh, T. O. "Freedom in the communicative field of the Ukrainian short story genre at the end of XX – the beginning of XXI centuries." In CURRENT ISSUES OF THE WORLD ECONOMY, INTERNATIONAL ECONOMIC RELATIONS AND INTERNATIONAL COMMUNICATIONS AMIDST THE FORMATION OF A NEW WORLD ORDER AND POLARIZATION OF THE WORLD. Volume 1. Baltija Publishing, 2025. https://doi.org/10.30525/978-9934-26-534-1-64.

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Kalmykova, V. "DIALOGUE, INTERTEXT(UALITY), SUBTEXT: RECEPTION OF O.E. MANDELSTAM'S CREATIVITY IN MODERN POETRY." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3705.rus_lit_20-21/111-117.

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One of the basic ideas for literary studies of the XXI century was M.M. Bakhtin's idea of dialogue, intercultural and intertextual, without which humanitarian activity is impossible. Yu. Kristeva, developing Bakhtin's teaching, formulated the concept of intertext and intertextuality, discovering them at the dawn of literature. Among Russian poets, O.E. Mandelstam stands out for his penchant for the intertextual method, who addressed other people's texts in different ways - from direct quoting to barely perceptible following someone else's motive - but consciously and even with a theoretical ju
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Cojuhari, Ecaterina. "Spring ritual calendar of the ukrainians of the Republic of Moldova: source study and historiographic analysis." In Ethnology Symposium "Ethnic traditions and processes", Edition II. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975333788.04.

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The carried out source analysis revealed that during the XIX, XX, and the early XXI centuries there was a gradual accumulation of the source base about the spring calendar of Moldovan Ukrainians. Articles, monographs, folklore collections, archival records, local periodicals, Internet portals, sites, as well as the author’s self-collected field materials are an important source for studying the problem of spring calendar holidays of the Ukrainian population of the Republic and allow them to be considered from a historical retrospective, to trace the connection with the mother Ukrainian culture
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Gogiashvili, Nino. "Feminism, Post-feminism and Postmodern Feminism Reflections in Contemporary Georgian Poetry." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9038.

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The purpose of this study is to consider the manifestations and signs of feminism, post-feminism and postmodernist feminism in current Georgian poetry. In addition, according to the analysis of the viewpoints of Georgian classicists, feminism is confirmed as an ideology of the women’s rights and equality with the men, generally regarded as an issue for most of the Georgian scholars. Therefore, feminism declared in the current poetic texts, with its changes, is a kind of reflection, as referring to the same item and self-determination. Literature is the best space for reflecting and provoking a
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