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Journal articles on the topic 'Ukrainian symbolism'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Malychenko, Yuliia S., and Olena A. Voytseva. "SYMBOLISM OF ZOOMETAPHOR IN UKRAINIAN AND POLISH LINGUOCULTURES." Мова, no. 41 (May 28, 2024): 82–85. http://dx.doi.org/10.18524/2307-4558.2024.41.311214.

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The purpose of the article is to determine the features of zoometaphors in the Ukrainian and Polish linguocultures and the role of these features in the formation of national, cultural and ethnic specifics of language pictures of the world of Ukrainians and Poles. The object of the analysis is zoometaphors, which are used to refer to people by certain characteristics in the Ukrainian and Polish languages. The subject of this research is a comparative characteristic of the semantics, functioning and symbolic load of zoometaphors in Ukrainian and Polish linguocultures, in particular, their role

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OSTASHCHUK, Ivan, Keyan LIANG, Svitlana KHRYPKO, et al. "Floral Symbolism in Ukrainian Temple Art." WISDOM 28, no. 4 (2023): 70–78. http://dx.doi.org/10.24234/wisdom.v28i4.1042.

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The origins of the formation of plant symbolism in Christian temple art have been investigated, particularly on the example of the texts of the Holy Bible. The primary connotations of the garden’s symbolism in Christian sacral art are analyzed as an expression of the idea of a lost paradise, contemplation of the images of which is possible in the space of temples. Plant symbolism is revealed in the holistic art systems of the Sophia of Kyiv and St. Cyril’s Church in Kyiv. The fundamental values of plant symbolism in St. Sophia’s Cathedral and St. Cyril’s Church are highlighted by the idea of t

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Vlasevych, Tetiana. "Home-Field-Temple as Existentials of Ukrainian Culture." Journal of Education Culture and Society 13, no. 2 (2022): 55–64. http://dx.doi.org/10.15503/jecs2022.2.55.64.

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Aim. To analyse the spiritual and mental existentials of Ukrainian culture, which allows identifying the immanent features of Ukrainian culture itself through the symbolic-thematic series Home-Field-Temple and examine the symbolism of the concepts “Home,” “Field,” and “Temple.” Results. The thesis that spiritual and mental existentials, in particular the Home-Field-Temple, reveal the mentality of the Ukrainian people, its spiritual and cultural identity has been further developed. Conclusion. The essence of the mentality of the Ukrainian people is revealed with the help of spiritual and mental

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Mingze, Gao. "Ukrainian Symbolism: From Emergence to Revival in the Contemporary Wartime Reality." ARTISTIC CULTURE. TOPICAL ISSUES, no. 20(2) (November 28, 2024): 99–104. https://doi.org/10.31500/1992-5514.20(2).2024.318257.

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Ukrainian symbolism emerged at the turn of the century, and its took its definite theoretical shape in the early twentieth century. Intuitively sensing the forthcoming changes, the symbolists transformed the system of cognition of the world, building it on the basis of creativity, where the latter was interpreted as subconsciously intuitive contemplation of secret meanings accessible only to the artist-creator. The symbol became the central aesthetic category of the new movement and the main means of storing and transmitting the contemplative secret meaning. In their artistic work, Ukrainian s

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Stoian, S. P. "EUROPEAN CODES OF CONTEMPORARY UKRAINIAN SYMBOLISM." UKRAINIAN CULTURAL STUDIES, no. 1 (6) (2020): 94–98. http://dx.doi.org/10.17721/ucs.2020.1(6).18.

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The article analyzes the specifics of contemporary Ukrainian symbolism in visual art in the context of a relationship with the European tradition. By drawing parallels between contemporary works by Ukrainian authors and symbolic images created in different historical periods of European culture from ancient times to nowadays, their deep kinship in their motives and meanings is demonstrated. This indicates that modern Ukrainian symbolism, on the one hand, is organically included in the European tradition, and on the other hand, contains unique, authentic features inherent in Ukrainian culture.

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6

Nabok, Maryna. "ARTISTIC AND AESTHETIC EXPRESSION OF NATIONAL RESILIENCEIN UKRAINIAN FOLK DUMAS." Fìlologìčnì traktati 15, no. 1 (2023): 129–44. http://dx.doi.org/10.21272/ftrk.2023.15(1)-13.

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The article examines the artistic and aesthetic image and expression of the national resilience of the Ukrainian people based on the material of the dumas epic. Attention is focused on the symbolism of national opinions as a concept that reflects the levelof national consciousness and resilience of Ukrainians. Symbolism, as an ethnogenetic phenomenon, in folklore works helps to understand the way of thinking of our ancestors, their moral, spiritual, ethical and aesthetic ideals. It is emphasized that the verbal symbolism of the people is an important factor in creating the national and cultura

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7

Vakulenko, Daryna. "Ukrainian Symbolism in the Design of Stage Projects of the War Period." Demiurge: Ideas, Technologies, Perspectives of Design 6, no. 1 (2023): 131–41. http://dx.doi.org/10.31866/2617-7951.6.1.2023.279069.

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The purpose of the article is to clarify the peculiarities of the use of Ukrainian symbols in the design of modern stage projects of a patriotic direction, in particular those that have taken place during the armed aggression of the Russian Federation in Ukraine since 2014. The research methodology involves the use of semiotic analysis to determine the semantics of images based on Ukrainian symbols; as well as art historical analysis to identify design techniques and tools that achieve the transformation of the symbolic content of a stage project. The scientific novelty of the article is to id

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Ilnytzkyj, Oleh S. "Ukrainian Symbolism and the Problem of Modernism." Canadian Slavonic Papers 34, no. 1-2 (1992): 113–30. http://dx.doi.org/10.1080/00085006.1992.11091980.

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Vakulenko, Daryna. "Ukrainian Symbolism in the Design of Stage Projects of the War Period." Demiurge: Ideas, Technologies, Perspectives of Design 6, no. 1 (2023): 131–41. https://doi.org/10.31866/2617-7951.6.1.2023.279069.

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The purpose of the article is to clarify the peculiarities of the use of Ukrainian symbols in the design of modern stage projects of a patriotic direction, in particular those that have taken place during the armed aggression of the Russian Federation in Ukraine since 2014. The research methodology involves the use of semiotic analysis to determine the semantics of images based on Ukrainian symbols; as well as art historical analysis to identify design techniques and tools that achieve the transformation of the symbolic content of a stage project. The scientific novelty&nbs

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10

ANDRIANOV, Dmytro. "SYMBOLISM IN LITERATURE AS A TOOL FOR RESILIENCE: CULTURAL NARRATIVES OF TRAUMA AND HOPE IN TIMES OF CRISIS." Проблеми гуманітарних наук Серія Філологія, no. 60 (March 12, 2025): 9–16. https://doi.org/10.24919/2522-4565.2024.60.1.

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Summary. Symbolism in literature during wars and crises preserves national identity, restores psychological balance, and facilitates collective trauma processing. The study explores symbolism in literature as a tool for shaping cultural narratives and addressing collective trauma during wartime. Focusing on Korean poetry during Japanese occupation (1910–1945), the works of Han Yong-un and Kim Sowol are examined as forms of resistance, hope, and resilience. Parallels are drawn to contemporary Ukrainian literary practices amidst ongoing conflict. The research employs literary analysis, comparati

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Syvak, V. "THE DEVELOPMENT OF THE EUCHARISTIC THEME IN UKRAINIAN CULTURE IN THE BAROQUE PERIOD AT THE END OF THE 17th - 18th CENTURIES: EASTERN CHRISTIAN TRADITION AND INFLUENCE OF WESTERN EUROPEAN ART." POLISH JOURNAL OF SCIENCE, no. 63 (June 16, 2023): 7–11. https://doi.org/10.5281/zenodo.8046030.

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The article highlights the influence of Western European cinema art. XVII - XVIII centuries on Ukrainian sacred art, the basis of which is icon painting. Attention is focused on Eucharistic iconography in Ukrainian church art of the given period. The complex of components of the Baroque style, which permeated Ukrainian culture and expressed its worldview basis, was considered, and what is important, the role of Eucharistic symbolism and its use in various sections of sacred art in general, as well as the role of symbolism in Ukrainian sacred art, were outlined. The figurative essence and indiv

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Panok, T. "H. Skovoroda in the Works of Ukrainian Artists." New Collegium 4, no. 109 (2022): 14–22. http://dx.doi.org/10.30837/nc.2022.4.14.

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This paper analyzes the creative heritage of H. Skovoroda, his literary pronouncements on the role of art in the cultural heritage of the reference period. Along with dialectics of philosophical thought of H. Skovoroda, an important principle of his work, namely symbolism, which was inherent not only in Baroque emblematic poetry, but also in the visual art in general at the time, is revealed. Philosophical reflections and symbols of H. Skovoroda were understandable and highly sought not only in the Baroque period, but also throughout the time. It is thus with good reason that philosophical and

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13

Kharchenko, K. S., T. O. Grebinnyk, and D. D. Kaplenko. "SYMBOLISM IN THE ARCHITECTURAL ENVIRONMENT." Ukrainian Journal of Civil Engineering and Architecture, no. 5 (023) (November 22, 2024): 151–59. http://dx.doi.org/10.30838/ujcea.2312.301024.151.1104.

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Statement of the problem: symbolism in the architectural environment is used to express abstract ideas and create images that carry ideological meaning. The relevance of the study of symbolism in the architectural environment is justified by the need to deepen the understanding of its role and significance in the formation of the aesthetic and ideological content of architectural objects. The purpose of the work: to investigate the history of the emergence and features of the use of symbolism in the architectural environment. Tasks of the research: 1. To consider the essence and history of the

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Denkovych, Vasyl. "REPRESENTATION AND SYMBOLISM OF FOLK MUSICAL INSTRUMENTS IN CONTEMPORARY UKRAINIAN NATIONAL CULTURE." UKRAINIAN CULTURAL STUDIES, no. 1(12) (2023): 84–87. http://dx.doi.org/10.17721/ucs.2023.1(12).18.

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The article examines the issue of representation of Ukrainian folk instruments. The symbolic meaning of folk instruments is revealed, the connotations that demonstrate their deep implementation in the practice of creating national culture are highlighted. Such instruments as kobza, bandura, pipe, bugai, trembita are associated with the formation of the ethnic folk complex, which demonstrates the ability to be reincarnated in modern artistic practices. During their existence, they underwent changes in design, gained use in various musical stylistic directions. At the same time, they retained th

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Rachkovska, Iryna. "BREAD AS A FORM OF METEMPSYCHOSIS IN THE RELIGIOUS IDEAS OF UKRAINIANS." Educational Discourse: collection of scientific papers, no. 51(10-12) (January 3, 2025): 101–11. https://doi.org/10.33930/ed.2019.5007.51(10-12)-11.

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The research objective. The main task of the article is to highlight the issue of the idea of metempsychosis in the religious worldview of the Ukrainian people, which was reflected in folk beliefs, and hence in the cultural and social symbols of the ethnos, its philosophy and values, in particular, in the role of bread as a separate national paradigm. The statement of basic materials. Ukrainians attach an extremely deep meaning to bread: first of all, bread is a philosophy that includes many aspects of a civilized society - religious, economic, historical, political and cultural. Most of the c

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Tychinina, Alyona. "The Lost Five Years Poet: Dmytro Zahul as a Member of the Modernist Group “Muzaget”." Pitannâ lìteraturoznavstva, no. 109 (June 28, 2024): 173–203. http://dx.doi.org/10.31861/pytlit2024.109.173.

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The study delved into the epistemological specificity of Ukrainian modernism, shaped by numerous bifurcation shifts during the late 19th and early 20th centuries. It focused on the creative potential of modernism as a result of poetic transgressions during the “lost five-year” period (1917–1922). The main aim was to fill historiographical gaps in understanding Ukrainian modernism and analyse the activities of literary and artistic societies. A personalised examination of poet-innovator Dmytro Zahul (1890–1944) was conducted, highlighting his early (“Bukovyna”) and symbolist (“Kyiv”) stages of

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TITOR, Dmytro, and Viktor SHOSTAK. "EVOLUTION OF FORMS AND SYMBOLISM OF UKRAINIAN EMBROIDERY ORNAMENTS." Humanities science current issues 2, no. 68 (2023): 125–33. http://dx.doi.org/10.24919/2308-4863/68-2-18.

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18

Shuliak, S. A., and H. H. Volokh. "SYMBOLISM OF DENDROLEXEMES IN THE TEXTS OF UKRAINIAN FOLKLORE." Тrаnscarpathian Philological Studies, no. 38 (2024): 92–95. https://doi.org/10.32782/tps2663-4880/2024.38.16.

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19

Sosnytskyi, Yuriy. "VISUAL STRATEGIES OF THE SOCIAL POSTER IN UKRAINE." Baltic Journal of Legal and Social Sciences, no. 4 (December 30, 2024): 187–94. https://doi.org/10.30525/2592-8813-2024-4-18.

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This article explores the visual strategies employed in Ukrainian social posters, with a focus on the use of metaphor and symbolism to convey socio-political messages. Through a detailed analysis, the study identifies three primary categories of metaphors: natural, social-domestic, and cultural-historical. The research methodology involves a visual content analysis of selected posters, examining how these metaphorical and symbolic elements function within the broader context of visual storytelling. The findings indicate that metaphor and symbolism are essential tools in the design of Ukrainian

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20

Ivashko, Yulia, Aneta Pawłowska, Serhii Belinskyi, and Andrii Dmytrenko. "Conveying the Tragedy of War Through Unconventional Photography Methods." Faces of War, no. 2 (December 31, 2024): 121–40. https://doi.org/10.18778/3071-7779.2024.2.08.

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This article analyses the specificity of conveying the tragedy of war through artistic photography. Comparing photos from the Vietnam War and the contemporary Russian-Ukrainian war illustrates how the range of figurative means has expanded. Photography of the Vietnam War had a narrow range of topics and limited methods of conveying content. In contrast, Ukrainian frontline photography is more diverse, with unconventional techniques emerging in military artistic photography. Many romantic photographs depicting landscapes and animals have surfaced, and the role of symbolism in photographic image

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21

Demydenko, Maksym. "National images and symbols of visual Ukrainian cinematography in the works of foreign scholars." CONTEMPORARY ART, no. 18 (November 29, 2022): 141–50. http://dx.doi.org/10.31500/2309-8813.18.2022.269722.

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The article is devoted to the problem of historical symbolism in the visual language of Ukrainian cinema. The focus is on the foreign historiography of the problem, which today is one of the most relevant areas in the general scientific discourse of the problem. The author notes that at present, the understanding of national imagery and symbolism in cinematography continues within the framework of two parallel strategies: 1) as the still active deconstruction of existing historical images and visual narratives (especially in cinematography and in general within the framework of audiovisual art

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Babunych, Yulia. "National-romantic manifestations of secession in the Ukrainian painting of modernism." Bulletin of Lviv National Academy of Arts, no. 43 (February 25, 2020): 20–25. http://dx.doi.org/10.37131/2524-0943-2020-43-3.

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Background. The article highlights the stylistic search for secession (modern) in the context of formative principles in Ukrainian painting of modernism. Objectives. The work reveals the features of modern, stylistic, pictorial, ideological search of a number of Ukrainian artists of the first third of the twentieth century. The genre differences of the principles of secession in Ukrainian painting and their synthesis by other stylistic tendencies are highlighted. The philosophical and ideological-aesthetic basis of secession in the art of the first third of the XX century is studied. The decor

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Tsurkan, Ivan. "SYMBOLISM IN POETRY OF OLEKSANDR OLES AND CREATIVITY OF POLISH MODERNISTS." Polish Studies of Kyiv, no. 35 (2019): 389–96. http://dx.doi.org/10.17721/psk.2019.35.389-396.

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This article has investigated the development of Ukrainian symbolism, argued the reception of the aesthetic and conceptual foundations of the Polish symbolists in Oleksandr Oles’s works. Oleksandr Oles, as well as Polish symbolists, was affected with emotionally unstable atmosphere of national and revo- lutionary renaissance, which explains the pessimism, feeling of weakness and helplessness in their philosophy – on one hand, and vital, extremely optimistic point of view – on the other. This article is devoted to analyze an aesthetic heritage of European symbolists and it’s reflection in Oleks

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Nazarenko, O. "NATIONAL CULTURAL CONTEXT OF COLOR SYMBOLISM IN UKRAINIAN PHRASEOLOGICAL UNITS." International Humanitarian University Herald. Philology 2, no. 46 (2020): 43–46. http://dx.doi.org/10.32841/2409-1154.2020.46-2.10.

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Nabok, M. M. "NOMINATIVE AND IDENTIFICATION FUNCTIONS OF SYMBOLISM IN UKRAINIAN FOLK DUMAS." Academic Studies. Series “Humanities”, no. 1 (2022): 215–21. http://dx.doi.org/10.52726/as.humanities/2022.1.33.

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Dobroliozha, Halyna. "The ethnoconcept of horses in the worldview picture of Ukrainians (on the example of the phraseology of the Middle Polissia)." Linguistics, no. 2 (50) (2024): 19–29. https://doi.org/10.12958/2227-2631-2024-2-50-19-29.

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An urgent task in the field of modern phraseology is the linguistic and cultural analysis of concepts symbolic of the Ukrainian people. The ethno-concept of horses, which is among the basic ones in the Ukrainian ethno-cultural space, was chosen for consideration. The importance of the image of a horse in Ukrainian culture is demonstrated through the prism of folk diversity, but the symbolism is best revealed in phraseological units, because it is in the semantics and structure of fixed sayings that information about traditional methods of farming, customs and beliefs, family relationships and

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Dobroliozha, Halyna. "The ethnoconcept of horses in the worldview picture of Ukrainians (on the example of the phraseology of the Middle Polissia)." Linguistics, no. 2 (50) (2024): 19–28. https://doi.org/10.12958/2227-2631-2024-2-50-19-28.

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An urgent task in the field of modern phraseology is the linguistic and cultural analysis of concepts symbolic of the Ukrainian people. The ethno-concept of horses, which is among the basic ones in the Ukrainian ethno-cultural space, was chosen for consideration. The importance of the image of a horse in Ukrainian culture is demonstrated through the prism of folk diversity, but the symbolism is best revealed in phraseological units, because it is in the semantics and structure of fixed sayings that information about traditional methods of farming, customs and beliefs, family relationships and

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Mushyrovska, N. V. "COGNITIVE STRUCTURE OF THE CONCEPT “SOUL” IN EARLY UKRAINIAN SYMBOLISM POETRY." Тrаnscarpathian Philological Studies, no. 18 (2021): 61–69. http://dx.doi.org/10.32782/tps2663-4880/2021.18.10.

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Smerchko, A. A., I. F. Budz, and D. A. Kochmar. "DENDRO-SYMBOLISM AND ITS REALIZATION IN POLISH AND UKRAINIAN PHRASEOLOGY SYSTEMS." Тrаnscarpathian Philological Studies 2, no. 29 (2023): 193–200. http://dx.doi.org/10.32782/tps2663-4880/2023.29.2.36.

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Shevchuk, Lesya, Iryna Siliutina, Olha Kositska, and Yaroslava Mozghova. "STYLISTIC ANALYSIS AND WAYS OF REPRODUCING EMOTIVE EXPRESSION IN TRANSLATIONS OF UKRAINIAN LYRICS: INTERPRETATION OF THE IMAGE OF UKRAINE." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 13(81) (2022): 120–25. http://dx.doi.org/10.25264/2519-2558-2022-13(81)-120-125.

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The article reflects the results of scientific and philological research, which made it possible to analyze the ways of translating the image of Ukraine in English translations of Ukrainian poetry. Based on the generalization of the research results of scientific sources, the concept of literary translation as a linguistic problem is revealed. A special connection between the artistic image and the linguistic category on the basis of which it is formed is noted. The main requirements for the translation of works of art are highlighted, among them: accuracy, conciseness, clarity and literacy. I

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Karbashevska, O. V. "THE ORNITHOLOGICAL IMAGE-SYMBOL «EAGLE» IN LITERARY AND FOLK POETRY: BRITISH-UKRAINIAN CONTEXT." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 2(54) (January 22, 2019): 265–74. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-265-274.

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The article makes an attempt of the overall analysis of the peculiarities of symbolism of the bird «eagle» in author’s and folk poetry in the context of ethnic cultures of the United Kingdom, the USA and Ukraine, classical and Ukrainian mythology, as well as British history. It traces the continuity of established dominant features of this ornithological image-symbol.

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Yermolenko, S. S. "MYTHOPOETICAL SYMBOLISM IN THE INNER FORM OF SOVIET UKRAINIAN SENSATIONAL FICTION TEXTS." Movoznavstvo 305 (2019): 33–44. http://dx.doi.org/10.33190/0027-2833-305-2019-2-002.

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BASHUK, Natalia. "SEMANTICS AND SYMBOLISM OF THE PHYTONYM ROSE IN GERMAN AND UKRAINIAN ETHNOCULTURES." Humanities science current issues 1, no. 85 (2025): 182–87. https://doi.org/10.24919/2308-4863/85-1-28.

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Dovhan, Liudmyla. "SYMBOLISM OF IMAGES IN THE OPERAS OF MYKOLA LYSENKO “TARAS BULBA” AND “NOKTURN”." Scientific Issues of Ternopil National Pedagogical Volodymyr Hnatiuk University. Specialization: Art Studies, no. 2 (May 23, 2023): 72–79. http://dx.doi.org/10.25128/2411-3271.19.2.10.

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Artists of the early 21st century, unlike previous time intervals, are attracted to those stylistic trends that were characteristic of a century ago. Despite the non-symbolist manifestations in Postmodernism, which have almost completely exhausted their resources in the first decade of the 21st century, they are once again attracting the attention of not so many representatives of the art circles as art analytics, in particular, musicologists. After all, in the previous Soviet period, there was no talk of European style trends. The creativity of the founder of Ukrainian classical music Mykola

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Serko, Olena. "Communication in the Ukrainian Korovay Rite." Tautosakos darbai 59 (June 2, 2020): 165–76. http://dx.doi.org/10.51554/td.2020.28373.

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In the rites, ritual sphere, and worldview of the Ukrainian people, the idea of exalting bread takes on a special significance. Bread acquires its greatest symbolism in wedding ceremonies, where it was called a korovay, and personified the birth of a new family, procreation, welfare, and prosperity.The article is devoted to the study of the korovay rite as performed in the village of Klintsy, Dubno district, Rivne region. The author explores the communicative specificity of the korovay rite as a symbolic form of social interaction. The focus is on determining the participants in the ritual act

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Vasylenko, Olha, Lilіia Mudretska, and Irene Okner. "The Subject of Holodomor in the Ukrainian Artistic Space." Musicological Annual 57, no. 2 (2021): 105–26. http://dx.doi.org/10.4312/mz.57.2.105-126.

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The Great Famine (Holodomor) is man-made famine that convulsed the Soviet republic of Ukraine in the 1930s. Since 2006, the Holodomor has been recognized as a genocide of the Ukrainian people carried out by the Soviet government. The article aims to highlight specific historical, cultural and social conditions that contributed to the dynamics of the Holodomor theme in music. It focuses especially on the musical compositions of this historical tragedy performed at the Kyiv Music Fest Competition. We can observe the linguistic and musical semantics of the opus of tragic imagery, along with the e

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Sheremeta, Borys. "The symbolism of the image of Christ in the Passion cycles of Olena Kulchytska, Osip Sorohtei, Ostap Lozynskyi." Bulletin of Lviv National Academy of Arts, no. 52 (July 11, 2024): 88–104. http://dx.doi.org/10.37131/2524-0943-2024-52-9.

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The article deals with the symbolism of the image of Christ in the Passion cycles of three artists Olena Kulchytska, Osyp Sorokhtei, and Ostap Lozynskyi. The attention is focused on how they interpreted the image of Christ and what idea they put into the Passion theme. The relevance of the study is due to the constant interest of society in religious themes, in particular, in the passionate image of Christ as one of the most eloquent examples of sacrifice and sacrifice. The study of the image of the Savior in the Passion cycle is conducted through the prism of the concepts of E. Levinas, Raymo

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Sosnytskyi, Yu. "Principles of Expressiveness in Modern Ukrainian Social Posters: The Visual Language of an Era of Change." Visnyk of Kharkiv State Academy of Culture, no. 66 (December 26, 2024): 42–58. https://doi.org/10.31516/2410-5333.066.04.

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The article studies the principles of expressiveness in modern Ukrainian social posters, which serve as a powerful communication tool amidst social and cultural transformations. Special attention is paid to analyzing the visual language of posters that effectively convey socially significant messages. Key principles, such as conciseness, symbolism, emotional intensity, and cultural relevance, are examined, highlighting their role in achieving a high impact on the audience. The article addresses contemporary challenges for Ukrainian social posters, including the need to adapt to global trends a

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Gudmanian, Artur, and Andriana Ivanova. "The Coming of Age Novel in Ukrainian Translation: Challenges and Solutions." Translation Studies: Theory and Practice 4, no. 2(8) (2024): 5–13. https://doi.org/10.46991/tstp/2024.4.2.005.

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The present paper makes at attemp to analyse the genre of the coming of age novel in the light of modern translation studies. The research is based on the Ukrainian translation of the coming of age novel “The Queen’s Gambit” by Walter Tevis. The dominant genre peculairities such as the issue of upbringing, symbolism realized in the depiction of chess game and the author`s peculiarities of character portrayal have been analyzed. Contextual substitution, transposition, concretization, omission, addition, antonymic translation are considered to be the dominant translation transformations used by

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Pidburtna, Diana. "Symbolism of Space in Artem Chekh’s Novel «District “D”»." LITERARY PROCESS: methodology, names, trends, no. 24 (2024): 85–90. https://doi.org/10.28925/2412-2475.2024.24.8.

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The study of space is extremely relevant for post-Soviet literature, because, according to Yaroslav Polishchuk, virtual topography, which is carried out, in particular, through the means of fiction, is important for the consolidation of the population, because ethnic groups and territories are first born in the mind and then marked on maps. The article focuses on the spatial symbolism of Artem Chekh’s novel «District “D”». The subject is the elements of space, their meaning and influence on the characters of the novel. The problem is to classify spatial images through which the author conveys

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Bazyk, Dmytro V. "Ukrainian Religion and Neo-Paganism: Problems of Differentiation and Self-Identification." Ukrainian Religious Studies, no. 50 (March 10, 2009): 223–29. http://dx.doi.org/10.32420/2009.50.2055.

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The emergence and spread of various non-pagan religious movements can be called one of the global trends of today. This process is also characteristic of individual religious manifestations in Ukrainian society. On the territory of Ukraine, the revival and activation of non-pagan movements has its own specificity. We highlight some aspects of the phenomenon of revival of the Ukrainian denomination not only in its general confessional expressions, but also from the standpoint of scientific determination and investigation of the problems of self-identification of representatives of different cur

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Odrekhivskyj, Roman. "Iconostases of Galicia: History and Features of Design." Artistic Culture. Topical Issues, no. 17(1) (June 8, 2021): 49–58. http://dx.doi.org/10.31500/1992-5514.17(1).2021.235127.

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The meaning of sacral art in the spiritual culture of Ukrainian people is scarcely explored. Analytic review of iconostases in Galicia during 19th and the first half of the 20th cnturies as a phenomenon of Ukrainian artistic culture may be used during the restoration of ancient religious buildings, as well as in construction of new ones. The aim of the research is a historical comparison as well as artistic and culturological analysis. A series of iconostases have been introduced into scientific circulation. The meaning of carved décor in Galician Ukrainians’ sacral culture has been outlined.

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Opalko, Olga, Nataliia Derev'ianko, and Anatoly Opalko. "Bird Cherry (Prunus padus L.) in history and culture of Ukrainian and other ethnicities." Journal of Native and Alien Plant Studies, no. 17 (December 22, 2021): 176–87. http://dx.doi.org/10.37555/2707-3114.17.2021.248352.

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Aim. Decorative and confectionery-pharmaceutical value of bird cherry (Prunus padus L.), the complex history of the phytonyms’ formation, the transcendent symbolism and poetics of its image, ideas about bird cherry in different ethnic groups, and the pragmatic need to modernize the traditions they have preserved led to the need for necessitated research. Methods. The authors conducted the retrospective analysis of the formation of the bird cherry’s folklore image; revealed the formation of its modern scientific terminology and botanical nomenclature, attempts to preserve the symbolism of the b

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Т., М. Мішеніна. "ФІТОНІМНИЙ КОД ІДІОСТИЛЮ МИКОЛИ ВІНГРАНОВСЬКОГО (на матеріалі макролокусів ліс, степ, сад, поле)". Лінгвістичні дослідження, № 45 (19 червня 2017): 30–39. https://doi.org/10.5281/zenodo.814018.

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<em>The article is devoted to the studying of the structural and semantic peculiarities of phytonymical vocabulary as a writing stylistic feature of the representative of Ukrainian Literature – the man of the sixties MykolaVinhranovskyi. An artistic depiction of plants as indigenous environmental signs is considered to be a traditional description of landscape where trees act as artistic details, reproducing the times of the seasons, and to some extent indirectly - a natural phenomenon. Parallelism is conventional as it meets folk tradition, the meaning of which is that trees reflect the inter

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Kolesnyk, Natalija. "Назви релігійних свят як невід’ємний складник української народнопісенної онімії". Studia Ucrainica Varsoviensia 6 (20 квітня 2018): 111–28. http://dx.doi.org/10.5604/01.3001.0011.7876.

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The article is one of the series of author’s publications dedicated to sacral space in Ukrainian song folklore. An analysis of names of religious holidays used in Ukrainian popular poetic creative works was carried out in the present paper. Despite the fact that the names are Christian onyms and a part of them is Biblical names, both semantically and structurally, another part is the names that reveal in their Christianized sound form pagan images, preserving their Pre-Christian symbolism and functional characteristics, and according to their semantic meaning, connotations quite often correlat

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PAVLOVA, Tetiana. "UKRAINIAN AVANGARD IN THE COVERS OF VASYL YERMILOV." HUDPROM: The Ukrainian Art and Design Journal 2023, no. 1 (2023): 16–26. http://dx.doi.org/10.33625/hudprom2023.01.016.

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Vasyl Yermilov played a significant role in Valerian Polishchuk’s literary and artistic group Avangard, which was part of the Ukrainian artistic avant-garde. A series of covers for publications of the Avangard group, designed by Yermilov in the second half of the 1920s, is highlighted as a turning point in the development of modernism in Ukraine. Yermilov’s design style is characterized by constructivism, a movement that emphasizes geometric forms and rationality, and at the same time is distinguished by unconventional polychromy. The article emphasizes the geometric dominant in Yermilov’s typ

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Zhelezniak, Mykola, and Oleksandr Ishchenko. "THE ENTRY "EMBROIDERED CLOTHING" IN ENCYCLOPEDIAS OF UKRAINE AND WORLDWIDE." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 2(34) (2023): 42–47. http://dx.doi.org/10.17721/1728-2659.2023.34.08.

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In the article, the nature of the information about Ukrainian embroidered clothing (like embroidered shirts) from encyclopedias is researched. The encyclopedic aspect of the study of embroidery is proposed for the first time. Encyclopedias are an important source base that preserves and disseminates knowledge about the people, their history, culture, language, etc. And at a time when the information space is full of misinformation, encyclopedias assembled by professional editorial teams are considered as a reliable source base. But whether these ones are able to attract the attention of a mass

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Bielik-Zolotariova, N. A. "Choral dramaturgy of the opera «The Way of Taras» by O. Rudianskyi: symbolism of chronotope." Aspects of Historical Musicology 18, no. 18 (2019): 25–39. http://dx.doi.org/10.34064/khnum2-18.02.

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Background. The last quarter of the 20th century – the beginning of the 21st century, marked in Ukraine by significant social changes, actualized the necessity to turn to eternal spiritual values of national culture, among which Taras Shevchenko’s creativity takes leading positions. During this time, a number of works appeared in Ukrainian musical and stage art that supplemented the domestic “Shevchenkiana” (a total of the works devoted to Shevchenko): the operas by O. Zlotnik, V. Gubarenko, H. Maiboroda, L. Kolodub). The tradition of embodying the image of T. Shevchenko was creatively develop

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VUSATIUK, Nataliia. "Between Ukrainian Modernism and Socialist Realism: an intellectual biography of Mykhailo Drai-Khmara (1889–1939)." New Europe College Yearbook 2023-2024, no. 2 (2025): 305–48. https://doi.org/10.58367/necy.2025.3.9.305-348.

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The article reconstructs the main periods and facts in the biography of the Ukrainian intellectual Mykhailo Drai‑Khmara in the historical and cultural context of the 1910s–1930s, focusing on his poetic, critical, translation‑related, and linguistic achievements. Drai‑Khmara’s poetic activity is analyzed from the perspective of the transformation of his individual style, which went through the stages of symbolism, neoclassicism, and socialist realism. In the field of literary history, Drai‑Khmara specialized in Slavic studies, especially Croatian, Polish, Belarusian, and Ukrainian literature of

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Mykytenko, Oksana. "My Small Apple Has Rolled Away: Poetic Peculiarities of Funeral Laments for Children in Ukrainian and South Slavic Folklore Traditions." Tautosakos darbai 59 (June 2, 2020): 85–99. http://dx.doi.org/10.51554/td.2020.28368.

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Traditional notions about death at a young age shape the special character of funeral rituals for children and are reflected in associated funeral lamentations. These funerals are generally subject to the most mournful sympathy and sincere grieving owing to the emotional basis of the texts. At the same time, it was not common to mourn after the death of a baby or the first child. It is evident that there is a tendency to enhance the social status and the age of the dead child through ritual, e.g. by using specific vestments. The motif of the death-wedding seems to be the most relevant in this

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