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Dissertations / Theses on the topic 'Urbino (Italy) in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Mattozzi, Louisa Parker. "The feminine art of politics and diplomacy : the roles of duchesses in early modern Italy /." Full text available, 2004. http://images.lib.monash.edu.au/ts/theses/mattozzi.pdf.

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2

Haskell, Diane. "Preparing the Way: Confraternal Art in the Oratory of San Giovanni Battista in Urbino, 1390-1440." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17648.

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This dissertation examines the decorative program in the Oratory of San Giovanni Battista in Urbino, the meeting place of a homonymous flagellant confraternity founded in 1350. The Urbino oratory, built in the late fourteenth century, is an early instance of an independent confraternal meeting house, and one of an even smaller number that has survived with large portions of its pictorial decoration intact. This cycle was completed between 1390 and 1440 in a series of interventions by different artists, including celebrated Marchigian painters Lorenzo and Jacopo Salimbeni. Scholarship to date h

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3

Laudiero, Angelo. "Art-based third sector organizations and urban regeneration in depressed neighbourhoods: the case of Naples, Italy." Doctoral thesis, Università degli studi di Trento, 2020. http://hdl.handle.net/11572/256289.

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The importance of the creative and cultural capital in the economic development of post-industrial inner cities has been widely demonstrated by urban development literature as it interacts with the physical environment and sustains regeneration processes. However, also in depressed and peripheral neighbourhoods, creative firms, museums, art-based nonprofit organizations, cultural associations, and independent artists can be identified as actors of substantial urban revitalization. The main purpose of this contribution is to understand the potential of third sector organizations related to the

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4

Laudiero, Angelo. "Art-based third sector organizations and urban regeneration in depressed neighbourhoods: the case of Naples, Italy." Doctoral thesis, Università degli studi di Trento, 2020. http://hdl.handle.net/11572/256289.

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The importance of the creative and cultural capital in the economic development of post-industrial inner cities has been widely demonstrated by urban development literature as it interacts with the physical environment and sustains regeneration processes. However, also in depressed and peripheral neighbourhoods, creative firms, museums, art-based nonprofit organizations, cultural associations, and independent artists can be identified as actors of substantial urban revitalization. The main purpose of this contribution is to understand the potential of third sector organizations related to the

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5

Kirkbride, Robert. "The renaissance studioli of Federico da Montefeltro and the architecture of memory /." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82902.

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This investigation of the studioli, small contemplation chambers in the ducal palaces of Urbino and Gubbio, considers their position in the western tradition of the memory arts. Drawing upon select images in the studioli, as well as text sources readily available to Duke Federico da Montefeltro (1422--82) and the members of his court, this inquiry examines how the discipline of architecture equipped the late quattrocento mind with a bridge between the mathematical arts, which lend themselves to mechanical practices, and the art of rhetoric, a discipline central to the cultivation of mem

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6

Delzant, Jean-Baptiste. "Magnificus dominus. Pouvoir, art et culture dans les seigneuries d’Italie centrale à la fin du Moyen Âge." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040178.

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Aux XIVe et XVe siècles, la plupart des villes d’Italie centrale expérimente des gouvernements seigneuriaux. Camerino passe sous la domination des da Varano, Fabriano des Chiavelli et Foligno des Trinci. Ces familles obtiennent de la commune la reconnaissance de leur pouvoir et du pape d’importantes délégations d’autorité. À côté de ces piliers de leur légitimité, elles en construisent un troisième ne dépendant que d’elles-mêmes. Le pouvoir devient dynastique, il repose sur des qualités individuelles et familiales. Les seigneuries développent une véritable politique de communication. L’urbanis

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7

Petiot, Damien. ""Templum [...] maximum et primarium est urbis ornamentum". Architecture et cadre urbain des églises dans les traités, les villes neuves et les aménagements urbains de l'Italie de la Renaissance (1450-1615)." Thesis, Tours, 2018. http://www.theses.fr/2018TOUR2028.

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Édifice emblématique de la Renaissance, l’église fut au coeur des réflexions théoriques des architectes italiens. Leur pensée, émanant directement du De architectura de Vitruve et de ses nombreuses éditions renaissantes, accorde également à la ville un rôle majeur dans l’élaboration d’une communauté humaine idéale. Il n’est donc guère étonnant que les deux thèmes, architecture religieuse et art urbain, se rencontrent dans la théorie comme dans la pratique pour magnifier la demeure divine. Toutefois, loin d’être mis à l’écart, le lieu de culte s’insère au sein d’un réseau viaire dense et comple

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8

Moore, Ede Minna. "Religious art and Catholic reform in Italy, 1527-1546." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395234.

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9

Kittler, T. "Living art and the art of living : remaking home in Italy in the 1960s." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1435866/.

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This thesis focuses on the social, material, and aesthetic engagement with the image of home by artists in Italy in the 1960s to offer new perspectives on this period that have not been accounted for in the literature. It considers the way in which the shift toward environment, installation and process-based practices mapped onto the domestic at a time when Italy had become synonymous with the design of environments. Over four chapters I explore the idea of living-space as the mise-en-scène, and conceptual framework, for a range of artists working across Italy in ways that both anticipate and

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10

Aguirre, Mariana G. "Artistic collaboration in Fascist Italy : Ardengo Soffici and Giorgio Morandi." View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3318288.

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11

Labor, Alice. "The promotion of contemporary art in Italy: an institutional perspective." Thesis, IMT Alti Studi Lucca, 2020. http://e-theses.imtlucca.it/325/1/Labor_phdthesis.pdf.

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The aim of the research is to trace a critical history of the organization and tools of the Ministry of Cultural Heritage for the promotion of contemporary art between its establishment in 1974 and today. The study of the ministerial support to the contemporary in Italy opens up a series of crucial dilemmas that do not solely concern the administration of contemporary art, but have a more wide-reaching impact regarding the whole administration of cultural heritage. The research is based on the study of the archival documents related to ministerial activities and policies towards contemporary

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12

Geddes, Helen Louise. "The marble altarpiece in Italy C. 1330 - C. 1420." Thesis, University of Warwick, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367964.

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13

Howard, Rebecca Marie. "Movements of the Mind: Beyond the Mimetic Likeness in Early Modern Italy." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492175533714909.

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14

Dahlin, Brittany. "Caroline Murat: Powerful Patron of Napoleonic France and Italy." BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/4224.

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Caroline Bonaparte Murat created an identity for herself through the art that she collected during the time of her reign as queen of Naples as directed by her brother, Napoleon, from 1808-1814. Through the art that she both commissioned and purchased, she developed an identity as powerful politically, nurturing, educated, fashionable, and Italianate. Through this patronage, Caroline became influential on stylish, female patronage in both Italy and France. Caroline purchased and commissioned works from artists such as Jean-August-Domonique Ingres, François Gérard, Elizabeth Vigée LeBrun, Antoni

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15

Sandford-Couch, Clare. "Images of justice in northern Italy, 1250-1400." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/9566.

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This thesis considers some of the ways in which images of justice were used to express and in some cases promote certain aims and aspirations of those who commissioned them, in northern Italy between c.1250-1400, and whether and to what extent this impacted upon their depiction. It explores the question of a sacred/secular distinction in relation to the use and depiction of images of justice, and proposes that certain changes in such images can be read as responses to developments in the law and in the secular justice system. An introduction defines the essential elements of the subject and th

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16

Vallesi, Alessandra <1987&gt. "Dalla corte di Urbino alla città di Verona: Claudio Ridolfi e la pala di San Tomio, un'opera e il suo contesto nella Verona del Seicento." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2425.

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La mia tesi si sviluppa intorno ad un'opera, la "Circoncisione" di Claudio Ridolfi, eseguita nel 1617 a Verona,la quale viene analizzata all'interno del suo contesto storico - artistico e attraverso lo studio dei documenti reperiti in archivio.

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17

Emanuel, Angela. "Julia Cartwright, 1851-1924, art critic and historian of Renaissance Italy." Thesis, University College London (University of London), 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327552.

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18

Berzal, Javier. "The Spectacle of Space: Visual Experiences in the Early Modern Scenography of Italy." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397156627.

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19

Jacobus, Laura Sara. "Gesture in the art, drama and social life of late medieval Italy." Thesis, Online version, 1994. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.363474.

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20

SALVI, GRETA. "CULTURA TEATRALE E SCENARI URBANI NELLA MILANO DEL TRIENNIO CISALPINO (1796 - 1799): TRA IMPIANTI TRADIZIONALI E INFLUENZE FRANCESI." Doctoral thesis, Università Cattolica del Sacro Cuore, 2013. http://hdl.handle.net/10280/2030.

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Nel Triennio 1796-1799, si svolge la breve parabola della Repubblica Cisalpina, una delle unità politiche fondate da Napoleone Bonaparte nel corso della Campagna d’Italia. Il presente lavoro studia la cultura teatrale e gli aspetti performativi che caratterizzano la Cisalpina e soprattutto la sua capitale, Milano, in questa congiuntura storica. La tesi che si vuole sostenere riguarda l’uso delle pratiche performative come strumento di educazione popolare e di diffusione dei principi della Rivoluzione del 1789. Un intento perseguito, con differenti finalità, tanto dalle autorità francesi quanto

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21

SALVI, GRETA. "CULTURA TEATRALE E SCENARI URBANI NELLA MILANO DEL TRIENNIO CISALPINO (1796 - 1799): TRA IMPIANTI TRADIZIONALI E INFLUENZE FRANCESI." Doctoral thesis, Università Cattolica del Sacro Cuore, 2013. http://hdl.handle.net/10280/2030.

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Nel Triennio 1796-1799, si svolge la breve parabola della Repubblica Cisalpina, una delle unità politiche fondate da Napoleone Bonaparte nel corso della Campagna d’Italia. Il presente lavoro studia la cultura teatrale e gli aspetti performativi che caratterizzano la Cisalpina e soprattutto la sua capitale, Milano, in questa congiuntura storica. La tesi che si vuole sostenere riguarda l’uso delle pratiche performative come strumento di educazione popolare e di diffusione dei principi della Rivoluzione del 1789. Un intento perseguito, con differenti finalità, tanto dalle autorità francesi quanto

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22

Currie, Morgan. "Sanctified Presence: Sculpture and Sainthood in Early Modern Italy." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:14226067.

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This dissertation examines the memorialization of dramatic action in seventeenth-century sculpture, and its implications for the representation of sanctity. Illusions of transformation and animation enhanced the human tendency to respond to three-dimensional images in interpersonal terms, vivifying the commemorative connotations that predominate in contemporary writing on the medium. The first chapter introduces the concept of seeming actuality, a juxtaposition of the affective appeal of real presence and the ideality of the classical statua that appeared in the work of Stefano Maderno, and wa

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23

Andronikou, Anthi A. "Italy and Cyprus : cross-currents in visual culture (thirteenth and fourteenth centuries)." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/7861.

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This thesis sets out to probe the complex artistic contacts between Italy and Cyprus in the visual arts during the High and Late Middle Ages. The Introduction provides a critical review of the subject. Chapter I maps out the various types of links (with respect to trade, religion, warfare, art, culture) between Italy and Cyprus in the thirteenth and fourteenth centuries. Chapters II and III examine the multifaceted artistic negotiations between southern Italy (mainly Apulia) and Cyprus in the thirteenth century, by closely examining a cluster of frescoes and panel paintings. Through a set of h

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24

Richards, John Corley. "Altichiero and humanist patronage at the courts of Verona and Padua 1360-1390." Thesis, University of Glasgow, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.257190.

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25

Vernon, Clare Mary. "Visual culture in Norman Puglia c.1030-1130." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708775.

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26

Woodall, Dena Marie. "SHARING SPACE: DOUBLE PORTRAITURE IN RENAISSANCE ITALY." online version, 2008. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=case1214411123.

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27

Bottinelli, Giorgia. "The art of dissent in fascist Italy : the Bottai years, 1936-1943." Thesis, Courtauld Institute of Art (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.548087.

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28

Gatti, Luca. "The art of freedom : meaning, civic identity and devotion in Early Renaissance Florence." Thesis, Birkbeck (University of London), 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283367.

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29

Bryan, Katie Jane. "A reassessment of Donatello's and Titian's Penitent Magdalens and the perspectives they offer on women and religion in Italian Renaissance art and society." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B45143626.

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30

Groom, Simon. "An art autre. Michel Tapie and the informel adventure in France Japan and Italy." Thesis, Courtauld Institute of Art (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251675.

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31

Corry, Maya. "Masculinity and spirituality in Renaissance Milan : the role of the beautiful body in the art of Leonardo da Vinci and Leonardeschi." Thesis, University of Oxford, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669816.

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Norris, R. Mae. "Beyond the battlefield : Venice's Condottieri families and artistic patronage : the Colleoni of Bergamo, Martinengo di Padernello of Brescia and the Savorgnan del Monte of Udine (1450-1600)." Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708397.

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33

Dyshlyuk, Liubov <1987&gt. "Soviet Cinema in Italy in the Post-War Period (1950-1970)." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amsdottorato.unibo.it/8226/1/dyshlyuk_liubov_tesi.pdf.

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The doctoral dissertation develops the Italian-Soviet relations in cinema in the post-war years and the history of the Soviet cinema presence in Italy. Interdisciplinary character of the research united history and cinema in that period of the XXth century when culture totally depended on the geopolitical situation. The object of the work was the historical material connected with the presence of Soviet cinema in Italy that have not yet been studied and united in one work. There was done an archival work in order to find out all the Soviet cinema festivals that appeared in Italy in the mention

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34

Andreotti, Libero. "Art and politics in Fascist Italy : the Exhibition of the Fascist Revolution (1932)." Thesis, Massachusetts Institute of Technology, 1989. http://hdl.handle.net/1721.1/14179.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 1989.<br>Title as it appeared in M.I.T. Graduate List, Sept. 1989: Art and politics in Italy; the Exhibition of the Fascist Revolution.<br>Includes bibliographical references.<br>by Libero Andreotti.<br>Ph.D.

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35

Pazzaglia, Nicoletta. "Madness Apparatus: Gender Politics, Art and the Asylum in Fin-de-Siècle Italy." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/18729.

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My dissertation focuses on literary and photographic representations of female madness as a means of exposing the material violence that notions of normality and of national identity produced in Italian society during the fin-de-siècle. Although many studies explore the exclusion of minorities in the project of nation-making, the mentally ill have rarely been discussed. Those studies that focus on literary representations of madness usually treat it as a metaphor or literary expedient and leave unexplored the material violence that psychiatric institutions inflicted on the mentally ill body. I

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36

Haug, Annette. "Die Stadt als Lebensraum : eine kulturhistorische Analyse zum spätantiken Stadtleben in Norditalien /." Radhen/Westfalen : M. Leidorf, 2003. http://catalogue.bnf.fr/ark:/12148/cb39276201r.

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Texte remanié de: Diss.--Fakultät für Orientalistik und Altertumswissenschaften--Heidelberg--Ruprecht-Karls-Universität, 2003. Texte remanié de: Th. univ.--École doctorale Histoire de l'art et archéologie--Paris--Université Paris-Sorbonne (Paris IV), 2003.<br>Bibliogr. p. [490]-544. Index. Résumé en français et en anglais.

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37

Tamboer, Kimberly Jean. "Artistic Achievements of Convent Women in Renaissance Italy: with case studies in Venice and Prato." Master's thesis, Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/327335.

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Art History<br>M.A.<br>This thesis evaluates the artistic contributions of convent women in Renaissance Italy during the period c. 1450-1550 with individual case studies in Venice and Prato. As the cost of the traditional marriage dowry inflated markedly over the course of the fifteenth century, an increasing number of girls from affluent family backgrounds were sent to the convent in an effort to spare their families the financial burden of marrying them off. Convent vocations were not only financially convenient for families with daughters but offered a socially respectable alternative to ma

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38

Greeley, Anne Lindsey. "Being and theatricality : the staging of the metaphysical in Giorgio de Chirico's 'Pittura Metafisica'. 1910-1914." Thesis, University of Oxford, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.724965.

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39

Nuttall, Paula. "Early Netherlandish painting in Florence : acquisition, ownership and influence c.1435-1500." Thesis, University of London, 1989. http://books.google.com/books?id=AurVAAAAMAAJ.

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Vülser, Ingrid. "The theme of death in Italian art : the triumph of death." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33944.

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This paper focuses on the evolution of the theme the Triumph of Death, the representation of the personification of death and the dead in the late Middle Ages. The first part of this thesis represents different points of view of art historians and historians concerning the death and the afterlife. There follows a short description and analysis of the cultural environment especially regarding literature which closely relates to the visual art and the representation of death. The last part describes three themes of death and the most important representations in frescoes, panels, bas-reliefs of

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41

Mariani, Irene. "Vespucci family in context : art patrons in late fifteenth-century Florence." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/15740.

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The study of Florentine artistic patronage has attracted several approaches over the last three decades, including the exploration of patron-‐client structures and how the use of art in private and public spheres contributed to shape families’s identity. Building on past research, this work focuses on the art patronage of a prominent, yet overlooked, family, the Vespucci, to whom Amerigo, the navigator who reached the coasts of America in the late fifteenth century, belonged. Although the family’s importance was achieved through a synergy of political, religious and intellectual forces, atten

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42

Querard, Alexandra Eurith. "On the art of historia : the restoration and extension of the Casa del Mantegna." Thesis, Georgia Institute of Technology, 1997. http://hdl.handle.net/1853/23733.

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West, Priscilla S. "Text into art : the Chronica Dominicana and Tomaso de Modena's Chapter House frescoes at San Nicolò in Treviso /." view abstract or download file of text, 2002. http://wwwlib.umi.com/cr/uoregon/fullcit?p3045098.

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Thesis (Ph. D.)--University of Oregon, 2002.<br>" ... Scotti's engraving of S. Nicolò Chapter House frescoes" ([1] folded leaf) inserted in pocket. Typescript. Includes vita and abstract. Includes bibliographical references (leaves 485-501). Also available for download via the World Wide Web; free to University of Oregon users.

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Kuhn, Maria Diane. "Mother Mary Comes to Me: The Stylistic Shift in Portrayals of Mary and her Adoration in Medieval Italy." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619455685665479.

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Groom, Simon. "An art autre : Michel Tapié and the informal adventure in France, Japan and Italy." Thesis, Courtauld Institute of Art (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496200.

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46

Tal, Guy. "Witches on top : magic, power, and imagination in the art of early modern Italy /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3230548.

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Thesis (Ph.D.)--Indiana University, Dept. of the History of Art, 2006.<br>Title from PDF t.p. (viewed Dec. 4, 2008). Source: Dissertation Abstracts International, Volume: 67-08, Section: A, page: 2790. Adviser: Bruce Cole.

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Huldt, Sofia. "Urban form, public life and social capital : a case study of how the concepts are related in Calabria, Italy." Thesis, KTH, Urbana och regionala studier, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-244440.

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The aim of this thesis isto investigate the urban structure of two Italian towns based upon physicalstructure and social function. The towns are Bova and Bova Marina in theancient Greek part of Calabria, Area Grecanica. This is done by answering theresearch questions about how the urban structures are and what preconditionsthere are for public life and in extension social capital. This is alsocompared to the discourse in research about Calabria as a region lacking behindas well as the Greek cultural heritage. The thesis was conducted during onesemester spent in the area and based upon qualitat

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48

Brummer, Esther Elliott. "The development of the Nuptial Allegory in early modern Venice." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609942.

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49

Marfella, Claudia. "Art, industrial design, science and popular culture : modernism and cross-disciplinarity in Italy and Great Britain, 1948-1963." Thesis, Kingston University, 2015. http://eprints.kingston.ac.uk/33746/.

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Conceived inside a chronological frame, which starts in 1948, the year the Institute of Contemporary Arts in London founded, and ends in 1963, when Gillo Dorfles wrote a crucial essay on industrial design, concluding more than a decade of discussions, the thesis aims to examine some artistic and cultural phenomena identified in Italy and Great Britain, and seen as the acknowledgement or as the reaction to modernity. Topics and fields taken in consideration within the thesis are technology, science (fact and fiction), vision of the future, the relationship between arts and the awareness of indu

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Wehmeier, Jennifer ML. "Constructing a pantheon of allies princely portraits and all'antica palace decorations in Renaissance Italy during the reign of Holy Roman Emperor Charles V /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1610113721&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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