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Journal articles on the topic 'Urbino (Italy) in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Mandolesi, Serena, Danilo Gambelli, Simona Naspetti, and Raffaele Zanoli. "Exploring Visitors’ Visual Behavior Using Eye-Tracking: The Case of the “Studiolo Del Duca”." Journal of Imaging 8, no. 1 (2022): 8. http://dx.doi.org/10.3390/jimaging8010008.

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Although the understanding of cognitive disciplines has progressed, we know relatively little about how the human brain perceives art. Thanks to the growing interest in visual perception, eye-tracking technology has been increasingly used for studying the interaction between individuals and artworks. In this study, eye-tracking was used to provide insights into non-expert visitors’ visual behaviour as they move freely in the historical room of the “Studiolo del Duca” of the Ducal Palace in Urbino, Italy. Visitors looked for an average of almost two minutes. This study revealed which parts of t

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Nesci, Olivia, Rosetta Borchia, and Laura Valentini. "The Backgrounds of Renaissance Paintings in the Ancient Duchy of Urbino (Central Italy): Exploring New Forms of Valorization of Geoheritage through Their Inclusion in UNESCO Cultural Landscapes." Geosciences 14, no. 3 (2024): 76. http://dx.doi.org/10.3390/geosciences14030076.

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The ancient Duchy of Urbino (Marche and Emilia-Romagna Regions, Italy) is known for its spectacular landscapes linked to a unique geological history. This area owns an unexpected cultural resource, which concerns using its landscapes in art. Some great Renaissance artists, including Piero della Francesca, Raphael, and Leonardo, were so impressed by the landscapes that they reproduced them in their most famous paintings. This paper summarizes research concerned with their identification, employing a multidisciplinary method that has enabled the recognition of many morphologies. This contributio

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Conte, Veronica, and Mattia Fiore. "Quale rapporto tra capitali e territori? Prospettive teoriche e di ricerca sulla finanziarizzazione dello sviluppo urbano." SOCIOLOGIA URBANA E RURALE, PRE (January 2025): 1–25. https://doi.org/10.3280/sur2025-17524.

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In this essay, we propose a sociological and territorial perspective on the relationship be-tween capital and space and, more specifically, on the financialisation of urban development. Having sketched an analytical and conceptual framework, we invite the reader to put the prop-erty market at the centre of their analysis of the transformation of urban space. Finally, we briefly discuss the state of the art in Italy, suggesting new avenues for future research.

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De Oliveira, Gabriela Antoniello. "Príncipe de Maquiavel: uma sátira em defesa da Liberdade." Revista Primordium 5, no. 9 (2021): 205–45. http://dx.doi.org/10.14393/reprim-v5n9a2020-56519.

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Resumo: O presente artigo apresenta uma análise sobre o principal objetivo de Maquiavel ao redigir sua mais polêmica e principal obra: O Príncipe. Para tal análise analisaremos o contexto histórico-cultural da Itália e mais especificamente o ambiente de Florença no século XVI, cidade e época do nosso filósofo. Pretendo apontar evidências que influenciaram o pensamento de Maquiavel, seu interesse pessoal e os objetivos da obra O Príncipe, tendo como principal alvo de discussão a possibilidade de que ao escrever conselhos para o governante da época, o Lourenço de Médici (posteriormente nomeado D

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Casali, Valeria. "The Modern Movement in Italy: Architecture and Design, 1953-1958." TERRITORIO, no. 100 (November 2022): 142–51. http://dx.doi.org/10.3280/tr2022-100017.

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L'articolo propone una lettura della mostra di architettura ‘The Modern Movement in Italy: Architecture and Design' come catalizzatore di una molteplicità di interessi nel quadro dei processi dello scambio transatlantico culturale e disciplinare tra Italia e Stati Uniti della seconda metà del Novecento. Il testo ricostruisce i contenuti, l'ideazione, e la fortuna critica dell'evento, un'esposizione itinerante curata nel 1953 da Ada Louise Huxtable per l'International Program del Museum of Modern Art di New York in seguito a un soggiorno in Italia in qualità di borsista Fulbright. L'esposizione

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COHEN, THOMAS V., and ELIZABETH S. COHEN. "Postscript: charismatic things and social transaction in Renaissance Italy." Urban History 37, no. 3 (2010): 474–82. http://dx.doi.org/10.1017/s0963926810000581.

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In 1860, Jacob Burckhardt published his view, still influential today, of an artful, urban Italian Renaissance that launched Europe on its passage to modernity. A lively revisionary scholarship has challenged Burckhardt on many points, but his famous formulae still resonate: the state as work of art; the development of the individual; the discovery of the world and of man. Although we now know that Italy did not alone invent the new age, it was for many years a trendsetter, especially in the domains of cultural production at the centre of this collection of essays. Republican and princely poli

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Cigarini, Tommaso. "Un nuevo centro de producción de cultura contemporánea: la Fondazione Prada en Milán, Italia." Illapa Mana Tukukuq, no. 14 (February 18, 2019): 142–51. http://dx.doi.org/10.31381/illapa.v0i14.1887.

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La Fondazione Prada de Milán, Italia, es un paradigma y un ejemplo del mecenazgo moderno. En este documento se analiza de qué forma un museo de arte contemporáneo puede generar cambios positivos en el barrio donde se localiza, más aún si ese vecindario se ubica en una zona periférica de la ciudad que ha pasado por un proceso de degradación urbana. Veremos el caso de un museo como elemento rehabilitador de infraestructura y un espacio de estímulo para la creación y producción de cultura. El museo le da una nueva vida a una edificación abandonada que anteriormente estaba destinada a la producció

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Shrimplin, Valerie. "Shadows in Renaissance Painting: 'Standing Between Darkness and Light'." Culture and Cosmos 26, no. 01 (2022): 79–93. http://dx.doi.org/10.46472/cc.0126.0207.

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Defined by Leonardo as 'standing between darkness and light', shadows are and always have been everywhere, but they are not always depicted in art. Rarely shown in Early Christian and medieval art, the portrayal of shadows really comes into its own in Renaissance Italy – linked with the immense advances in scientific study of the age. The Renaissance interest in shadows and optics, as with linear perspective, demonstrates a wish to explore, explain, and depict the natural world. The role of shadow in Renaissance painting can be either the use of shading to give bodily and other forms a three-d

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Katz, Dana. "Barbarism Begins at Home: Islamic Art on Display in Palermo's Museo Nazionale and Sicilian Ethnography at the 1891‐92 Esposizione Nazionale." International Journal of Islamic Architecture 9, no. 1 (2020): 91–117. http://dx.doi.org/10.1386/ijia_00005_1.

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Abstract In the last quarter of the nineteenth century, Palermo's Museo Nazionale (National Museum) displayed one of the earliest institutional collections of Islamic art in Western Europe. The museum's director, Antonino Salinas, exhibited objects demonstrating the island's material heritage, including its two-and-a-half centuries of rule by North African dynasties during the medieval period. The prevailing perception elsewhere in post-unification Italy ‐ that Sicily was ungovernable and barbaric in nature ‐ heightened the display's significance. Another exhibition that many Italians would ha

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La Porta*, Raffaele, Antonio Vitiello, Annalisa Belli, et al. "Evaluation of Screening Program for Hepatitis C Virus (HCV) At AST Pesaro-Urbino: First Year Results." Journal of Biomedical Research & Environmental Sciences 6, no. 1 (2025): 107–16. https://doi.org/10.37871/jbres2061.

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Background: Hepatitis C virus (HCV) infection is the leading cause of chronic liver disease worldwide. In 2016, the World Health Organization (WHO) launched a global-screening initiative aimed at eliminating HCV as a public health threat by 2030. In Italy, the national screening program targeted all people born between 1969 and 1989. This study reports on an HCV screening program conducted within the population served by AST Pesaro-Urbino of the Marche region, central Italy. Methods: This prospective study was conducted within the AST Pesaro-Urbino, following the launch of an HCV screening cam

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La France, Robert G. "Exorcising the Borgia from Urbino: Timoteo Viti’s Arrivabene Chapel." Renaissance Quarterly 68, no. 4 (2015): 1192–226. http://dx.doi.org/10.1086/685124.

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AbstractBishop of Urbino Giovanni Pietro Arrivabene selected the foreign saints Thomas Becket and Martin of Tours as patrons for his burial chapel. Montefeltro court artist Timoteo Viti decorated the chapel with the saints’ images, including a fresco of Saint Martin exorcising a demon from a cow. This article argues that the chapel’s unusual, allegorical iconographic program condemns Cesare Borgia’s campaigns to dominate Central Italy. It also proposes that the kneeling figure in the altarpiece’s lower right register portrays the bishop’s heir. Finally, the accomplishment of the Arrivabene cha

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Santi, Patrizia, Alberto Renzulli, Francesco Veneri, et al. "Geological Insights on the Calcareous Tufas (Pietra Spugna) Used as Building and Ornamental Stones in the UNESCO Historical Centre of Urbino (Marche Region, Italy)." Heritage 6, no. 5 (2023): 4227–42. http://dx.doi.org/10.3390/heritage6050223.

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This study is addressed at the cultural heritage of the UNESCO historical centre of Urbino (Italy) through the focus on a very peculiar building and ornamental carbonate porous (spongy) stone also found in the opus quadratum Roman dry walls. For these rocks, the mathematician and historian Bernardino Baldi (16th century AD) and the mineralogist Francesco Rodolico (middle of the 20th century AD) introduced, respectively, the popular terms of Tufo spugnoso or Pietra Spugna. Physical observations and stable isotope data (δ13C and δ18O) of these rocks allowed, for the first time, their classificat

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Paolillo, Pier Luigi. "Un'applicazione avanzata in Lombardia: il piano di governo del territorio di Giussano." TERRITORIO, no. 49 (July 2009): 34–46. http://dx.doi.org/10.3280/tr2009-049006.

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- It is now a few years since the enactment of the Lombard Regional Law n. 12/2005 «for urban and regional governance of the area» and many municipalities have commenced procedures (but not many have completed them, despite the threat of Art 25, letter C.1, according to which «municipal urban planning regulations in force remain valid [...] for not longer than four years following the entry into force of this law)» to replace the now old municipal general plans which nevertheless represented «the only true form of planning in Italy for almost 40 years» (Oliva, 2005). The time has now come to e

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Blizard, Mark. "An Archaeology of the Street: A Cinegraphic Analysis of Streets in Urbino, Italy." Enquiry A Journal for Architectural Research 10, no. 1 (2013): 14. http://dx.doi.org/10.17831/enq:arcc.v10i1.168.

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This article presents the issues, questions, and discoveries of an experimental design studio, conducted in Urbino, Italy during spring semester of 2013. Utilizing high definition video cameras and their digital ecosystem of hardware and software, the students focused on uncovering the identity, or genetic code, of the street by examining its spatial and temporal extension. An archaeological method composed of traditional spatial analysis, typological studies, and cataloging of elements provided the initial framework for a cinegraphic inquiry. What emerged was a sense that the street was an ur

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D’Alessandro, Francesco, Paola Di Mascio, Lorenzo Lombardi, and Benedetta Ridolfi. "Methodology for the identification of economic, environmental and health criteria for road noise mitigation." Noise Mapping 9, no. 1 (2021): 10–22. http://dx.doi.org/10.1515/noise-2022-0002.

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Abstract The aim of the paper is to define a method for evaluating infrastructural interventions for the mitigation of noise generated by roads based on multi-criteria analysis which considers a series of parameters (environmental, social, economic and health) that could give broader evaluations than just economic convenience. The research develops a guideline based on an already known methodology applied in other fields, which has been adapted to the above-mentioned topic: the multi-criteria analysis. The decision to use this method originates from an in-depth study of the state of the art re

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Amadori, Maria Letizia, Gianluca Poldi, Mara Camaiti, et al. "Giovanni Santi’s Late 15th-Century Paintings: Microscopic, Spectroscopic and Chromatographic Investigations on Pigments, Powdered Glass and Binding Media." Applied Sciences 13, no. 17 (2023): 9739. http://dx.doi.org/10.3390/app13179739.

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After a huge non-invasive diagnostic campaign performed on the corpus of Giovanni Santi’s artworks, three paintings were selected and investigated: the Martyrdom of Saint Sebastian panel, the Visitation altarpiece and the canvas with Tobias and the Archangel Raphael (c. 1487 and 1494). Micro-invasive investigations including optical microscopy, ESEM-EDX, micro-Raman spectroscopy, FTIR and FTIR-ATR spectroscopy and GC-MS were carried out on selected micro samples. The results of the integrated analyses confirmed the use of a Renaissance palette with oil and, only in a few cases, tempera techniq

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Aiuti, Alessandro, Raffaele D’Amelio, Isabella Quinti, and Paolo Rossi. "Editorial to the Special Issue “Clinical Immunology in Italy, with Special Emphasis to Primary and Acquired Immunodeficiencies: A Commemorative Issue in Honor of Prof. Fernando Aiuti”." Biomedicines 11, no. 12 (2023): 3191. http://dx.doi.org/10.3390/biomedicines11123191.

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Fernando Aiuti (Figure 1), born in Urbino on 8 June 1935, suddenly died on 9 January 2019, leaving a great void not only among his family members and those who knew him and appreciated his great humanity and acute intelligence, but in the entire immunological scientific community [...]

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Baffone, W., F. Bruscolinl, A. Pianetti, et al. "Diffusion of thermophilicCampylobacter in the Pesaro-Urbino area (Italy) from 1985 to 1992." European Journal of Epidemiology 11, no. 1 (1995): 83–86. http://dx.doi.org/10.1007/bf01719950.

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Oldfield, Paul. "Citizenship and community in southern Italy c. 1100–c. 1220." Papers of the British School at Rome 74 (November 2006): 323–38. http://dx.doi.org/10.1017/s0068246200003299.

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CITTADINANZA E COMUNITÀ IN ITALIA MERIDIONALE TRA IL 1100 E 1220 CIRCAQuesto articolo analizza l'uso della parola ‘cittadino’ (civis) nei documenti cartacei dell'Italia meridionale dal tardo XI agli inizi del XIII secolo. Lo studio si focalizza su un campione di otto città, che vengono usate come case-studies per mostrare cosa il concetto di cittadinanza puo aver implicato nel mezzogiorno di epoca medievale. I dati a disposizione suggeriscono che in questa fase si afferma un uso emergente della parola civis, e contestualmente una crescente consapevolezza della nozione di cittadinanza. Questi s

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Pianetti, A., W. Baffone, F. Bruscolini, et al. "Presence of several pathogenic bacteria in the Metauro and Foglia Rivers (Pesaro-Urbino, Italy)." Water Research 32, no. 5 (1998): 1515–21. http://dx.doi.org/10.1016/s0043-1354(97)00340-0.

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MACGALLOWAY, NIALL. "Building Italian Menton, 1940–1943: urban planning and Italianization." Urban History 45, no. 3 (2017): 489–503. http://dx.doi.org/10.1017/s0963926817000372.

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ABSTRACT:The Italo-French armistice of July 1940 brought an end to the brief period of conflict between Italy and France that had taken place after Mussolini's declaration of war in June of the same year. Disappointing Italian military performances left Italy with only a small strip of territory on the Italo-French border to occupy until the expansion of the occupation zone in November 1942. This article will explore urban planning projects in the largest of the Italian-occupied towns, Menton. It will argue that Italian urban planning projects formed a crucial layer of the long-term Italianiza

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Chemeri, Lorenzo, Marco Taussi, Jacopo Cabassi, et al. "Groundwater and Dissolved Gases Geochemistry in the Pesaro-Urbino Province (Northern Marche, Central Italy) as a Tool for Seismic Surveillance and Sustainability." Sustainability 16, no. 12 (2024): 5178. http://dx.doi.org/10.3390/su16125178.

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The Pesaro-Urbino province (PUP) (northern Marche, central Italy) is one of the most seismically active areas in Italy, with the most recent earthquakes (5.2 and 5.5 Mw) having occurred on 9 November 2022 with an epicenter located in the Adriatic Sea. A detailed geochemical and isotopic characterization of 87 groundwaters (and dissolved gases) circulating in the PUP was carried out to (i) unravel the geochemical processes controlling the water circulation, (ii) investigate the interplay between deep originated fluids and shallow aquifers, (iii) evaluate the reliability of specific geochemical

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Gasparetto, Francesca, Laura Baratin, and Giovanni Checcucci. "Digital Approaches for Public Art Collection Between Conservation and Public Outreach." Studies in Digital Heritage 6, no. 2 (2023): 51–70. http://dx.doi.org/10.14434/sdh.v6i2.33914.

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Digital tools for artworks can offer new opportunities and design new approaches for conservation and public outreach. This paper presents the experience carried out by the School of Conservation and Restoration of the University of Urbino to preserve a public collection of wooden artistic models assembled by Umberto Mastroianni and used as a project of original bronze and steel sculptures. The digital documentation supported the maintenance protocol and helped design the restoration work. Moreover, thanks to cutting-edge technologies, a virtual exhibition was created, testing an AR applicatio

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Blizard, Mark. "Discursive Design: The Discourse of the Built Work of Giancarlo De Carlo in Urbino, Italy." International Journal of the Constructed Environment 9, no. 1 (2018): 37–56. http://dx.doi.org/10.18848/2154-8587/cgp/v09i01/37-56.

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Sisti, Maurizio, Claudio Benedetti, Anna Lonzi, et al. "Isolation of Escherichia coli O157 from human and bovine faeces in the Urbino area, Italy." International Journal of Hygiene and Environmental Health 207, no. 6 (2004): 577–83. http://dx.doi.org/10.1078/1438-4639-00330.

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Cavallo, Joann. "Joking Matters: Politics and Dissimulation in Castiglione's Book of the Courtier*." Renaissance Quarterly 53, no. 2 (2000): 402–24. http://dx.doi.org/10.2307/2901873.

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A gentleman is never unintentionally insulting.—Oscar WildeThe Book of the Courtier outwardly portrays an aura of cordial solidarity as courtiers gathered in Urbino from various regions of Italy attempt to describe the ideal courtier; recently, however, critics have uncovered tensions on various fronts which threaten to expose deep rifts under the elegant courtly veneer. While these “counter” readings have focused primarily on the courtier's relation to the prince and to other courtiers, this essay aims to explore conflicts that arise from the different regional and political affiliations of t

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Joost-Gaugier, Christiane, John T. Paoletti, and Gary M. Radke. "Art in Renaissance Italy." Sixteenth Century Journal 34, no. 1 (2003): 163. http://dx.doi.org/10.2307/20061319.

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Giacchini, Paolo, Federico Fanesi, and Massimo Prosdocimi. "The pygmy cormorant <em>Microcarbo pygmaeus</em> in central Italy: the status in the Marche region and the first confirmed breeding record in the province of Pesaro e Urbino (PU)." Rivista Italiana di Ornitologia 92, no. 2 (2022): 59–60. http://dx.doi.org/10.4081/rio.2022.616.

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We report the first confirmed breeding record of the pygmy cormorant Microcarbo pygmaeus within the province of Pesaro e Urbino, in a recently discovered heronry located along the Metauro river, where at least 4 nests were found occupied in 2021. In the same year, a further breeding attempt occurred at Miralfiore urban park in the city of Pesaro, proving the species’ distribution expansion at regional level and affirming its breeding status.

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Canavari, Maurizio, Federico Gori, Selene Righi, and Elena Viganò. "Factors fostering and hindering farmers' intention to adopt organic agriculture in the Pesaro-Urbino province (Italy)." AIMS Agriculture and Food 7, no. 1 (2022): 108–29. http://dx.doi.org/10.3934/agrfood.2022008.

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<abstract> <p>Current global problems such as the loss of soil fertility and biodiversity and the growth of the world's population for which health and food sovereignty must be guaranteed, make it clear that it will be essential to spread innovations to increase not only productivity but also the quality of production in order to meet these challenges. However, this will not be enough if profound changes are not made in all systems and more sustainable food systems are not built. Organic agriculture is widely considered a more sustainable production system. However, despite the gro

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Pianetti, A., F. Bruscolini, W. Baffone, et al. "Yersinia enterocoliticaand related species isolated in the Pesaro and Urbino area (Italy) from 1981 to 1986." Journal of Applied Bacteriology 68, no. 2 (1990): 133–37. http://dx.doi.org/10.1111/j.1365-2672.1990.tb02557.x.

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Nuttall, Geoffrey. "The Studiolo of Paolo Guinigi : Valois Influence in Early Renaissance Italy." Studiolo 8, no. 1 (2010): 39–56. http://dx.doi.org/10.3406/studi.2010.1289.

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The princely studiolo is associated more than any other feature of the Italian renaissance palace with its owner's cultural identity and humanist credentials. Its Italian history begins in February 1414 when Paolo Guinigi, lord of Lucca from 1400 to 1430, paid Arduino da Baese 100 gold florins for a wooden study in his palace of the Augusta. The assumption is generally made that the importance of Guinigi's now lost studiolo rested on the novelty of Arduino's intarsia and its influence on the more famous studioli of Belriguardo and Belfiore in Ferrara, the Medici palace in Florence, and ultimat

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Amadori, Maria Letizia, Gianluca Poldi, Giulia Germinario, Jgor Arduini, and Valeria Mengacci. "Spectroscopic and Imaging Analyses on Easel Paintings by Giovanni Santi." Applied Sciences 13, no. 6 (2023): 3581. http://dx.doi.org/10.3390/app13063581.

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The most important painter from Urbino in the last decades of the 15th century (1439 ab.–1494) was Giovanni Santi, the father of Raphael. The lack of scientific literature about Santi’s practice and the possible peculiar role of Urbino in the development of painting techniques in northern Italy suggested in-depth investigations of the entire corpus of his paintings. A well-established sequence of multispectral imaging, spectroscopic and microscopic investigations was performed on 24 wood panel paintings and 2 canvases attributed by most scholars to Giovanni Santi (1439 ab.–1494) to collect a l

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Baratin, L., M. Giuliano, and G. Checcucci. "THE "ART OF WAR FRIEZE" IN URBINO: A BLEND OF VIRTUAL RECONSTRUCTION AND SCIENTIFIC ACCURACY." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5/W1 (February 13, 2013): 9–13. http://dx.doi.org/10.5194/isprsarchives-xl-5-w1-9-2013.

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Patterson, John R. "Crisis: What Crisis? Rural Change and Urban Development in Imperial Appennine Italy." Papers of the British School at Rome 55 (November 1987): 115–46. http://dx.doi.org/10.1017/s0068246200008977.

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CRISI: QUALE CRISI? CAMBIAMENTO RURALE E SVILUPPO URBANO NELL'ITALIA APPENNINICA DEL PERIODO IMPERIALEL'articolo esamina le testimonianze usate tradizionalmente a sostegno dell'idea di una ‘crisi del I secolo d.C.’ nell'agricoltura italiana — l'editto di Domiziano sulla vite, le lettere di Plinio, e gli alimenta italiani — e le mette in relazione ai risultati forniti da recenti ricognizioni archeologiche di superficie per proporre un nuovo modello del cambiamento economico negli Appennini centrali in questo periodo. L'autore sostiene che una crisi agricola che si ripercuote su tutta l'ltalia è

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Pencarelli, Tonino, Emanuela Conti, and Simone Splendiani. "The experiential offering system of museums: evidence from Italy." Journal of Cultural Heritage Management and Sustainable Development 7, no. 4 (2017): 430–48. http://dx.doi.org/10.1108/jchmsd-02-2017-0009.

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Purpose The purpose of this paper is to propose a new management approach to analyse the processes of museums in the experience logic and, on the basis of such a model, to study the management processes of the National Gallery of the Marches in Urbino, one of the most important museums in Italy. Design/methodology/approach This study adopted a qualitative methodology and a descriptive-exploratory approach. The proposed model, which aimed to create and manage experiences and transformations in museums, was tested in the National Gallery of the Marches by adopting the case study method. Findings

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Byrne, Joseph P. "Art and Politics in Renaissance Italy." History: Reviews of New Books 23, no. 3 (1995): 127. http://dx.doi.org/10.1080/03612759.1995.9951116.

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Todros, Rossella. "Training for art librarianship in Italy." Art Libraries Journal 19, no. 2 (1994): 17–18. http://dx.doi.org/10.1017/s0307472200008762.

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The overall problem of professional education for Italian librarians arises from the lack of specific schools of librarianship. Librarians must learn ‘on the job’. However, the inauguration of BiArte, the Italian Art Libraries Association, in 1988, has provided a forum through which art librarians can share their experience, knowledge and enthusiasm, and further their professional education … even if it cannot of itself win for librarians the professional image which only a sound, basic training in librarianship can provide.

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Hales, Shelley. "Art and Archaeology." Greece and Rome 70, no. 1 (2023): 146–53. http://dx.doi.org/10.1017/s0017383522000304.

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This review again reflects the exciting chronological and geographical range within which Classicists operate and the diverse approaches and disciplinary knowledge that illuminate the ancient world for us. Alexa Piqueux's monograph, The Comic Body in Ancient Greek Theatre and Art, 440–320BCE, explores how costume and gesture entwine with speech to bring alive the comedy body, drawing equally on images painted on vases and extant texts of Old and Middle Comedy. One of the greatest difficulties of working with these two data sets is that the texts originate in Athens while the majority of vases

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Rodríguez-Simón, Luis Rodrigo, Miguel Ángel León-Coloma, and Vicente del Sol López. "Aplicación De Los Métodos Científicos De Examen En La Investigación De Pinturas. La Pequeña Madonna De Foligno De Rafael." European Scientific Journal, ESJ 14, no. 3 (2018): 494. http://dx.doi.org/10.19044/esj.2018.v14n3p494.

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The aim of this article is to highlight the importance of Scientific Methods of Examination for the authentication of works of art and, where applicable, attribution to a specific period, school or artist. The results obtained from the technologies applied may provide particularly important data for cataloguing the works in question. Furthermore, they may be compared, in terms of technique and aesthetics, with other similar documents, acquired from paintings of the same author, period or style already identified through historical works. The use of these wide-ranging sets of instruments have b

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Ponzini, Davide, and Marco Vani. "Immobili militari e trasformazioni urbane." TERRITORIO, no. 62 (September 2012): 13–18. http://dx.doi.org/10.3280/tr2012-062002.

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Geopolitical changes over the last twenty years and new forms of war and military technology have had unnoticed effects on contemporary towns and cities. Areas and properties used by the military in very different ways and locations have become available for new civilian functions. Similar questions have been addressed by various disciplines, which have shown traits common to other types of abandoned areas and at times the problems have been simplified. The purpose of this paper is to analyse the complex process of abandonment and use in Italy over the last twenty years and the most significan

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Caffio, Giovanni. "Surveying New Muralism in Italy:." Street Art & Urban Creativity 1, no. 2 (2015): 71–82. https://doi.org/10.25765/sauc.v1i2.33.

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The phenomenon of urban art is one of the forces shaping contemporary urban spaces. Historically fought as vandalism in its “writing” component (the “black sheep” of the urban actors performing in the contemporary city), urban art has recently become more appreciated as an artistic expression, especially when regarded as a stage in the historical evolution of muralism. As several examples worldwide have shown, in the context of urban renewal, urban art can set off positive dynamics. Focusing on the Italian scene, I recognize the importance of past Italian interventions realized both in big cit

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Skeates, Robin. "Visual Culture in Prehistoric South-east Italy." Proceedings of the Prehistoric Society 68 (2002): 165–83. http://dx.doi.org/10.1017/s0079497x00001493.

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Using the approach of visual culture, which highlights the embeddedness of art in dynamic human processes, this paper examines the prehistoric archaeology of the Lecce province in south-east Italy, in order to provide a history of successive visual cultures in that area, between the Middle Palaeolithic and the Bronze Age. It is argued that art may have helped human groups to deal with problems in subsistence and society, including environmental changes affecting the cultural landscape and its resources, the breaking up of old social relations and the establishment and maintenance of new ones.

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Rodari, Paola. "Birth of a science centre. Italian phenomenology." Journal of Science Communication 05, no. 02 (2006): F. http://dx.doi.org/10.22323/2.05020901.

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In May 2004 the Balì Museum, Planetarium and interactive science museum, was opened to the public in Italy: 35 hands-on exhibits designed according to the interactive tradition of the Exploratorium in San Francisco, an astronomic observatory for educational activities, a Planetarium with 70 places. With a total investment of about three million euros, about two thirds of which were spent on restructuring the splendid eighteenth-century villa in which it is housed, the undertaking may be considered a small one in comparison with other European science centres. Three million euros: perhaps enoug

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Kriscak, Roberto G. "LIM Computer and Art Festival, Lugano, Italy." Computer Music Journal 15, no. 3 (1991): 107. http://dx.doi.org/10.2307/3680771.

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Hostetter, Rachel, Luke Syson, and Dora Thornton. "Objects of Virtue: Art in Renaissance Italy." Sixteenth Century Journal 34, no. 3 (2003): 861. http://dx.doi.org/10.2307/20061584.

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Emmer, Michele. "Art and Science in Italy: Recent Events." Leonardo 21, no. 2 (1988): 202. http://dx.doi.org/10.2307/1578561.

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Cole, Michael. "Toward an Art History of Spanish Italy." I Tatti Studies in the Italian Renaissance 16, no. 1/2 (2013): 37–46. http://dx.doi.org/10.1086/674114.

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Bianchi, Carla. "Art book publishing in italy: The 1990s." Art Libraries Journal 17, no. 3 (1992): 41–44. http://dx.doi.org/10.1017/s0307472200007963.

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Changes taking place in Italian publishing include the decline of old family firms and the amalgamating of publishing in a relatively few, large companies with interests in other fields of activity. Art publishing is largely monopolised by a small number of big publishing groups based in Milan, although some smaller firms produce art publications, generally of local interest, elsewhere, and a number of medium-sized family or specialised businesses remain active in this field. Another, perhaps unique, feature of Italian art publishing is the production of art books financed by banks and used by

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Glanville, G. "Objects of Virtue: Art in Renaissance Italy." Journal of the History of Collections 15, no. 1 (2003): 150–51. http://dx.doi.org/10.1093/jhc/15.1.150.

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Giovanardi, Carlo Maria, Umberto Mazzanti, and Alessandra Poini. "Acupuncture in Italy: state of the art." Integrative Medicine Research 9, no. 1 (2020): 1–4. http://dx.doi.org/10.1016/j.imr.2019.12.001.

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