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Journal articles on the topic 'Vampires'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Laycock, Joseph. "Real Vampires as an Identity Group: Analyzing Causes and Effects of an Introspective Survey by the Vampire Community." Nova Religio 14, no. 1 (2010): 4–23. http://dx.doi.org/10.1525/nr.2010.14.1.4.

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"Real vampires" believe that they must either consume blood or feed on "subtle" energy in order to maintain their physical, mental, and spiritual health. Recent scholarship has analyzed vampirism as a religious movement or as a cluster of "vampire religions." This article argues that vampirism should be viewed foremost as an identity around which social and religious institutions have formed. This model accounts for the mosaic of religious and cultural orientations held by vampires and acknowledges the vampire community's claims that vampirism is not a choice. It also facilitates a functionali

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Ruiz Reyes, Dionis, Adriel Herrero Díaz, and Ileana Beatriz Quiroga López. "¿Vampirism or porphyria? Clarifying the enigma." AG Salud 1 (December 30, 2023): 61. https://doi.org/10.62486/agsalud202361.

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Introduction: Vampirism is the behavior of a person who acts like a vampire. Vampires are not real beings, but for two centuries there have been countless medical studies carried out to provide a causal and pathogenic response to the phenomenon. The exact disease that causes most of these vampiric alterations is porphyria.Objective: To describe the relationship between the classic signs and symptoms of the porphyric patient and the appearance and lifestyle of the mythical vampire.Method: A literature review was carried out during the period from August 1 to 20, 2023. Articles published in the

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Armanda Šundov, Lucijana. "Vampires and Infection in Croatian Literature." Slavica Wratislaviensia 177 (December 30, 2022): 269–84. http://dx.doi.org/10.19195/0137-1150.177.23.

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Vampire characters in Croatian literature are a rare and marginal occurrence within fantastic Gothic literature, and their main task is to undermine the existing social order. Since the late 17th century, vampires were part of folklore writings and archive documents in which they were an explanation for the spread of infectious diseases and unexplainable epidemics, while from Romanticism onwards, they moved to literature in which they became metaphors for familial violence, mental and physical illnesses of individuals and of society as a whole. The author analyses vampire characters and vampir

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Escandell Montiel, Daniel, and Miriam Borham Puyal. "Villains and Vixens: The Representation of Female Vampires in Videogames." Oceánide 12 (February 9, 2020): 85–93. http://dx.doi.org/10.37668/oceanide.v12i.29.

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Vampires populate our culture and have become a recurrent presence in fiction and the media. In all cases the inclusion of the vampire has given voice to “socio-culture issues faced in particular times and places; issues that may otherwise remain repressed” (Dillon and Lundberg 2017, 47). This socio-cultural subtext is complicated when the vampire is female, for she is now doubly othered by her gender. Her monstrosity is seen as twofold: as a vampire and as a transgressive woman. While many studies address female vampires in popular culture, their portrayal in videogames has been recurrently o

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Pérez-Fernández, Francisco, and Francisco López-Muñoz. "El vampirismo desde la vertiente psicomédica Apuntes histórico-literarios para la reconsideración de una condición psiquiátrica." Mente y Cultura 3, no. 2 (2022): 75–85. http://dx.doi.org/10.17711/myc.2683-3018.2022.009.

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In 1886, the neurologist Richard Von Krafft-Ebing published his bookPsychopathia Sexualis and offered the first explanations about paraphilias such as vampirism. This phenomenon has usually maintained in the margins of clinical research because of its rarity, receiving a literary treatment. Whenever science stopped estimating it as another medical event, it has been observed among psychologists and psychiatrists as a psychosexual bias problem that has never been well understood in mental health terms. Thus, since the end of the 19th century, a review of scientific literature has not found more

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Lenhardt, Corinna. "Wendigos, Eye Killers, Skinwalkers: The Myth of the American Indian Vampire and American Indian “Vampire” Myths." Text Matters, no. 6 (November 23, 2016): 195–212. http://dx.doi.org/10.1515/texmat-2016-0012.

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We all know vampires. Count Dracula and Nosferatu, maybe Blade and Angel, or Stephenie Meyer’s sparkling beau, Edward Cullen. In fact, the Euro-American vampire myth has long become one of the most reliable and bestselling fun-rides the entertainment industries around the world have to offer. Quite recently, however, a new type of fanged villain has entered the mainstream stage: the American Indian vampire. Fully equipped with war bonnets, buckskin clothes, and sharp teeth, the vampires of recent U.S. film productions, such as Blade, the Series or the Twilight Saga, employ both the Euro-Americ

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7

Gallagher, Lindsay`. "Self-Control, Suppression, Abstinence." Veritas: Villanova Research Journal 4, no. 1 (2022): 27–32. https://doi.org/10.61372/vvrj.v4i1.2732.

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The Vampire Diaries, a TV show that aired new episodes from 2009-2017, is one of the most popular 21st-century teen vampire narratives. Over the course of eight seasons, various supernatural creatures and events challenge the characters’ resilience and imagination while they simultaneously navigate contemporary adolescent sexuality and social relations. A recurring theme for the vampires in the series is how and in which cases they suppress either their vampirism or their humanity – and the impact that this suppression can have on their family, friends, and romantic and sexual interests. The V

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Morrissette, Jason J. "Marxferatu: The Vampire Metaphor as a Tool for Teaching Marx's Critique of Capitalism." PS: Political Science & Politics 46, no. 03 (2013): 637–42. http://dx.doi.org/10.1017/s1049096513000607.

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AbstractAlthough today's undergraduates may not have considered the implications of class struggle, they are generally well-versed in the intricacies of vampire lore. This article outlines how the vampire metaphor can serve as a valuable pedagogical tool for introducing students to fundamental concepts in Marxist thought. As opposed to the supernatural vampires featured in Stoker'sDraculaor Meyer'sTwilightsaga, this approach treats capitalism as a form of economic vampirism—with the capitalist taking on the role of the vampire and the worker relegated to its prey. The article further extends t

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Tikhonova, Sophia V. "The Corporeality of the Domestic Vampire in the Context of Soviet Nostalgia." Corpus Mundi 4, no. 1 (2023): 29–49. http://dx.doi.org/10.46539/cmj.v4i1.75.

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The article deals with the analysis of the corporeality of Russian vampires, naturalized in the domestic serial cinema at the beginning of the third decade of the 21st century. The vampire was a marginal character in the Russian cultural tradition of the 19th century, combining folkloric traits with stable motifs of the Western Gothic novel. In Soviet culture, he was a total stranger, since he belonged to the subcensorship theme of mysticism and anti-Soviet propaganda. The vampire expansion of the 1990s strengthened the vampire myth as a Westernized project that assimilated poorly and slowly i

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N.M., Mironov. "Specifics of Vampire Image Reception in Mythology and Folklore of the World's Nations." Art Logos – The Art of Word 1, no. 30 (2025): 10–23. https://doi.org/10.35231/25419803_2025_1_10.

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The article deals with the specificity of representation of the vampire image in different mythological systems: Akkadian, Egyptian, Indian, ancient and others. The aim is to identify the main features inherent in the figure of the mythological vampire. The comparative-historical method and the method of holistic analysis were applied in the study. As a result, it was established that, firstly, the image of the vampire functions in key mythological systems. Secondly, the most important and most frequent features of this image, in addition to bloodlust, are the following: ancient vampires are m

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Lindén, Claudia. "Virtue as Adventure and Excess: Intertextuality, Masculinity, and Desire in the Twilight Series." Culture Unbound 5, no. 2 (2013): 213–37. http://dx.doi.org/10.3384/cu.2000.1525.135213.

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The vampire is still primarily a literary figure. The vampires we have seen on TV and cinema in recent years are all based on literary models. The vampire is at the same time a popular cultural icon and a figure that, especially women writers, use to problematize gender, sexuality and power. As a vampire story the Twilight series both produces and problematizes norms in regard to gender, class and ethnici-ty. As the main romantic character in Twilight, Edward Cullen becomes interesting both as a vampire of our time and as a man. In a similar way as in the 19th century novel the terms of relati

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Malini K and Srinivasan R. "The House of Night: A Critical Analysis of Contemporary Vampire Fiction." International Research Journal of Multidisciplinary Scope 06, no. 02 (2025): 629–38. https://doi.org/10.47857/irjms.2025.v06i02.03252.

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The concept of vampires in contemporary fiction has evolved significantly from its traditional gothic roots to include a broader range of characteristics and themes. This article centers on the House of Night series, which describes how vampires are portrayed in contemporary literature. In this series, vampires are not portrayed as horrific but rather as more ethical, faint figures that address modern social challenges as opposed to the repulsive and wicked stereotypes of the past. This study analyses how the House of Night series incorporates power, ethical quality, and identity issues while

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Kuznetsova, Ekaterina V. "Vampire Motif in O. Mirtov’s Novel Dead Swell: Gender Aspect." Studia Litterarum 9, no. 1 (2024): 186–205. http://dx.doi.org/10.22455/2500-4247-2024-9-1-186-205.

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The article discusses the reinterpretation in O. Mirtov’s (Olga Negreskul) novel Dead Swell (1909) of the images and plot moves of the novel by English writer Bram Stoker Dracula (1897) and, in general, the vampiric myth peculiar to romantic and neo-Gothic literature. Recognizable clichés associated with the appearance and abilities of vampires manifest themselves at different levels of the novel: at the level of subtext in ambiguous conversations about blood, in the description of the appearance of the characters (red lips, a string of red coral beads around the neck, pallor, haggardness), in

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Voigt, Christian C., Silke L. Voigt‐Heucke, and Karin Schneeberger. "Isotopic Data Do Not Support Food Sharing Within Large Networks of Female Vampire Bats (Desmodus rotundus)." Ethology 118, no. 3 (2012): 260–68. https://doi.org/10.5281/zenodo.13469927.

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(Uploaded by Plazi for the Bat Literature Project) Reciprocal altruism is considered to be particularly stable when occurring in small networks. Using a stable isotope approach, we tested in colonies of vampire bats (Desmodus rotundus) whether food sharing occurs among few or many females; vampires are known to regurgitate recently ingested blood for starving conspecifics. Accordingly, the isotopic signatures of vampires depend not only on individual prey choice but also on the extent of food sharing among isotopically contrasting conspecifics. By measuring the stable carbon isotope ratio in t

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Voigt, Christian C., Silke L. Voigt‐Heucke, and Karin Schneeberger. "Isotopic Data Do Not Support Food Sharing Within Large Networks of Female Vampire Bats (Desmodus rotundus)." Ethology 118, no. 3 (2012): 260–68. https://doi.org/10.5281/zenodo.13469927.

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(Uploaded by Plazi for the Bat Literature Project) Reciprocal altruism is considered to be particularly stable when occurring in small networks. Using a stable isotope approach, we tested in colonies of vampire bats (Desmodus rotundus) whether food sharing occurs among few or many females; vampires are known to regurgitate recently ingested blood for starving conspecifics. Accordingly, the isotopic signatures of vampires depend not only on individual prey choice but also on the extent of food sharing among isotopically contrasting conspecifics. By measuring the stable carbon isotope ratio in t

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Voigt, Christian C., Silke L. Voigt‐Heucke, and Karin Schneeberger. "Isotopic Data Do Not Support Food Sharing Within Large Networks of Female Vampire Bats (Desmodus rotundus)." Ethology 118, no. 3 (2012): 260–68. https://doi.org/10.5281/zenodo.13469927.

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(Uploaded by Plazi for the Bat Literature Project) Reciprocal altruism is considered to be particularly stable when occurring in small networks. Using a stable isotope approach, we tested in colonies of vampire bats (Desmodus rotundus) whether food sharing occurs among few or many females; vampires are known to regurgitate recently ingested blood for starving conspecifics. Accordingly, the isotopic signatures of vampires depend not only on individual prey choice but also on the extent of food sharing among isotopically contrasting conspecifics. By measuring the stable carbon isotope ratio in t

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17

Voigt, Christian C., Silke L. Voigt‐Heucke, and Karin Schneeberger. "Isotopic Data Do Not Support Food Sharing Within Large Networks of Female Vampire Bats (Desmodus rotundus)." Ethology 118, no. 3 (2012): 260–68. https://doi.org/10.5281/zenodo.13469927.

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(Uploaded by Plazi for the Bat Literature Project) Reciprocal altruism is considered to be particularly stable when occurring in small networks. Using a stable isotope approach, we tested in colonies of vampire bats (Desmodus rotundus) whether food sharing occurs among few or many females; vampires are known to regurgitate recently ingested blood for starving conspecifics. Accordingly, the isotopic signatures of vampires depend not only on individual prey choice but also on the extent of food sharing among isotopically contrasting conspecifics. By measuring the stable carbon isotope ratio in t

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18

Voigt, Christian C., Silke L. Voigt‐Heucke, and Karin Schneeberger. "Isotopic Data Do Not Support Food Sharing Within Large Networks of Female Vampire Bats (Desmodus rotundus)." Ethology 118, no. 3 (2012): 260–68. https://doi.org/10.5281/zenodo.13469927.

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(Uploaded by Plazi for the Bat Literature Project) Reciprocal altruism is considered to be particularly stable when occurring in small networks. Using a stable isotope approach, we tested in colonies of vampire bats (Desmodus rotundus) whether food sharing occurs among few or many females; vampires are known to regurgitate recently ingested blood for starving conspecifics. Accordingly, the isotopic signatures of vampires depend not only on individual prey choice but also on the extent of food sharing among isotopically contrasting conspecifics. By measuring the stable carbon isotope ratio in t

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19

Arciszewska, Katarzyna. "Wampiryczna alternatywa starości w powieści Julii Nabokowej „VIP znaczy wampir”." Slavica Wratislaviensia 163 (March 17, 2017): 301–11. http://dx.doi.org/10.19195/0137-1150.163.26.

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Vampiric alternative of the senescencein the novel of Julia Nabokova VIP znachit vampirThe article Vampiric alternative of the aenescence in the novel of Julia Nabokova “VIP znachit vampir” shows, taking as example the novel VIP Znachit Vampir of the Russian writer Julia Nabokova, the motive of senescence and its rejection realized in vampire context. Nabokova presents the vampirism as opposition to old age. Thevampires are long-living, ever beautiful and healthy creatures, they don’t know illness, weakness, pain and other symptoms of old age. The situation of the vampires and people is in man

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20

Gonçalves, Marcio A. S., Raymundo J. Sá-Neto, and Tania K. Brazil. "Outbreak of aggressions and transmission of rabies in human beings by vampire bats in northeastern Brazil." Revista da Sociedade Brasileira de Medicina Tropical 35, no. 5 (2002): 461–64. http://dx.doi.org/10.1590/s0037-86822002000500006.

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Outbreaks of attacks upon human beings by vampire bats seems to be a common phenomenon in several regions of Latin America, but the occurrence of rabies infection among humans bled by vampires, is relatively low. In the present study, two outbreaks of human rabies transmitted by common vampire bats (Desmodus rotundus) are described from Bahia State, Northeasthern Brazil, in 1991 and 1992. The first was recorded in Aporá where 308 people were bled by vampire bats and three of these die from this zoonosis. The 2nd outbreak occurred in Conde where only five people were bled by vampires, and two d

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White, David Gordon. "Dracula's Family Tree: Demonology, Taxonomy, and Orientalist Influences in Bram Stoker's Iconic Novel." Gothic Studies 23, no. 3 (2021): 297–315. http://dx.doi.org/10.3366/gothic.2021.0106.

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Prior to Bram Stoker's Dracula, vampires were never represented in literature as reanimated or ‘undead’ humans capable of transforming into bats. The source of Stoker's innovation may be traced to his personal acquaintance Sir Richard Francis Burton, who in his adaptation of a South Asian anthology of ‘Gothic’ tales of horror and adventure had identified its hero's antagonist, called a vetāla in Sanskrit, as both a male vampire and a giant bat. This article surveys a number of ancient, medieval, and early modern Asian and European precursors of Stoker's vampire lore, noting that unlike Stoker'

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Salazar, Anthony. "Curing the Vampire Disease with Transfusion: The Narrative Structure of Bram Stoker’s Dracula." English Language and Literature Studies 7, no. 3 (2017): 1. http://dx.doi.org/10.5539/ells.v7n3p1.

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Blood transfusion in Bram Stoker’s Dracula serves as a vital component to life for characters who have been bitten by vampires. But blood transfusion can mean much more when comparing it to the narrative’s structure. While characters contribute to the narrative, parallels between blood transfusion and narrative assembly emerge, which thus grants characters within the novel immortality as their writing lives on while they slowly die from the vampire disease. Although transitioning into a vampire can also grant these characters immortality, vampires and other supernatural creatures during the Vi

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Trbojevic, Danilo. "Slaying the “political vampire”: Aberration as a socio-political construct." Bulletin de l'Institut etnographique 70, no. 2 (2022): 217–44. http://dx.doi.org/10.2298/gei2202217t.

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The concept of vampirism in the tradition of peasant culture is an inversion of social norms by individuals or groups, which the community recognizes as responsible for social problems and crises. ?Vampire? as a social institution has a role in resolving the crisis, but also manifests power of the collective and the desirable model of worldview. However, the experience of field research imposes a perspective that does not perceive the ?vampire? as a rigid institution, but also an adaptable tool of social or political communication. By analyzing two cases (performances) of ?murder of a politica

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Owen, A. Susan. "Vampires, Postmodernity, and Postfeminism:Buffy the Vampire Slayer." Journal of Popular Film and Television 27, no. 2 (1999): 24–31. http://dx.doi.org/10.1080/01956059909602801.

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Delpietro, Horacio A., Roberto G. Russo, Charles E. Rupprecht, and Gabriela L. Delpietro. "Towards Development of an Anti-Vampire Bat Vaccine for Rabies Management: Inoculation of Vampire Bat Saliva Induces Immune-Mediated Resistance." Viruses 13, no. 3 (2021): 515. http://dx.doi.org/10.3390/v13030515.

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The common vampire bat (Desmodus rotundus) is a hematophagous species responsible for paralytic rabies and bite damage that affects livestock, humans and wildlife from Mexico to Argentina. Current measures to control vampires, based upon coumarin-derived poisons, are not used extensively due in part to the high cost of application, risks for bats that share roosts with vampires and residual environmental contamination. Observations that vampire bat bites may induce resistance in livestock against vampire bat salivary anticoagulants encourage research into novel vaccine-based alternatives parti

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Mansbridge, Joanna. "Endangered Vampires of the Anthropocene: Jim Jarmusch’s Only Lovers Left Alive and the Ecology of Romance." Genre 52, no. 3 (2019): 207–28. http://dx.doi.org/10.1215/00166928-7965805.

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Among the recent spate of independent vampire films, Jim Jarmusch’s Only Lovers Left Alive uniquely depicts vampires whose immortality is under threat in a world tainted by environmental toxins. Facing their mortality as we humans face our own extinction, Adam and Eve are vampires of the Anthropocene. Only Lovers was often dismissed by critics as easy on substantial ideas and heavy on seductive sheen, and yet the film deftly deploys the vampire trope to explore enduring attachments, as well as endangered and endangering ways of life. Set in Detroit and Tangier, Jarmusch’s film tracks the roami

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Cooper, Chris. "Is artificial blood safe for vampires to eat?" Biochemist 37, no. 6 (2015): 10–13. http://dx.doi.org/10.1042/bio03706010.

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What are the daily recommended nutritional requirements for a vampire? What does artificial blood taste like? Would you rather be a vampire or a zombie? These are not questions I ever thought I would be asked as a young scientist, but both have featured when I have been communicating my science to the general public. When I was growing up, vampires were evil and to be feared. Yet in recent years it appears that they were, in fact, much maligned and misunderstood; they really just want to live their lives in peace with their mortal compatriots. It is not reported what the late – and recently mu

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Cardow, Andrew, and Robert Smith. "Using Innovative Pedagogies in the Classroom." Industry and Higher Education 29, no. 5 (2015): 361–74. http://dx.doi.org/10.5367/ihe.2015.0268.

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It can be difficult to interest students in academic topics if they have no prior exposure to or experience of the subject. The authors introduce and discuss a pedagogic innovation designed to trigger interest in entrepreneurship and ‘enterprise culture’. They use fiction in the form of Gothic context and the vampire motif to move the student through Bloom's cognitive levels of learning. The vampire is a mythic creature spawned from the deepest recesses of folkloric imagination. The entrepreneur might be seen in a similar light. The authors therefore explore these ‘Byronic heroes’ and vampiris

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Nastasić, Lenka S. "MOTIV VAMPIRA U SRPSKOM PESNIŠTVU ZA DECU." Lipar xxv, no. 85 (2024): 73–89. https://doi.org/10.46793/lipar85.073n.

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The paper deals with the representation of the vampire in Serbian po- etry for children, using the examples of poems by Jovan Jovanović Zmaj, Ljubivoje Ršumović, Dobrica Erić, Mladen Milosavljević, and Andrija Milošević. Bearing in mind that children’s literature does not necessarily shy away from elements of hor- ror and fantasy, we will be considering how many frightening ideas about vampires children’s poetry actually has, while simultaneously trying to consider the ways of metamorphosis of the observed motif. Through the analysis of individual poems by Serbian poets that contain the motif

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Carvalho, Fernanda Sousa. "BREAKING CODES OF SEXUALITY: ANGELA CARTER’S VAMPIRE WOMEN." Em Tese 16, no. 3 (2010): 184. http://dx.doi.org/10.17851/1982-0739.16.3.184-191.

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This essay analyzes the depiction of vampire women in Angela Carter’s “The loves of Lady Purple” and “The lady of the house of love.” Exploring the vampires’ potential of abjection, this depiction subverts patriarchal ideologies about women’s sexuality.

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Kellermeyer, Michael Grant. "“The Subtle Craft of the Devil”: Misogynistic Conspiracy Theories and the Secret Society of Pregnancy Cravings in E. T. A. Hoffmann’s Vampirism." Humanities 12, no. 6 (2023): 143. http://dx.doi.org/10.3390/h12060143.

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This paper analyzes themes of male insecurities and distrust of the exclusive culture of female sexuality and reproduction in E. T. A. Hoffmann’s Vampirism, one of the earliest psychologically sophisticated female vampires in Western literature. The doomed heroine, Aurelia, escapes a life of maternal abuse and sexual trauma by marrying the wealthy Count Hippolytus, but his attraction warps into suspicion when she becomes pregnant and loses her appetite for his food. Worried that losing her virginity has activated promiscuity inherited from her late mother, he begins following her and thinks he

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Hollinger, Veronica. "The Vampire and the Alien: Variations on the Outsider." Science Fiction Studies 16, Part 2 (1989): 145–60. https://doi.org/10.1525/sfs.16.2.145.

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While SF often evokes in its readers a proverbial “sense of wonder,” it also works to “domesticate” narrative elements which, in different generic contexts, would be considered fantastic. In this essay, I examine the domestication of the figure of the vampire through its introduction into SF narratives. I analyze two texts in particular: Colin Wilson’s The Space Vampires (1976) and Jody Scott’s I, Vampire (1984). Each, in its own way, is a rewriting, and thus, to some extent, a parody, of Bram Stoker’s Dracula. However, it is interesting to note the degree to which the compliance of The Space

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Westengard, Laura E. "Vampire Fantasy: Twilight’s Post-9/11 Neoqueer Vampires." Assuming Gender 5, no. 1 (2015): 9. http://dx.doi.org/10.18573/ipics.72.

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Sangsue, Daniel. "Nodier et le commerce des vampires." Revue d'histoire littéraire de la France o 98, no. 2 (1998): 231–46. http://dx.doi.org/10.3917/rhlf.g1998.98n2.0231.

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Résumé Charles Nodier, qui a joué un rôle décisif dans la diffusion des vampires dans la France romantique, n'a pas entretenu de commerce particulier avec ces créatures lors de son séjour en Illyrie. Mais ce séjour lui a conféré une autorité dont il a profité, dès l'apparition du Vampire de Byron-Polidori, pour s'assurer une sorte de monopole du thème et l'exploiter habilement, jusqu'en 1832, à travers des articles, un roman dont il n'est pas l'auteur, un mélodrame et la compilation des Infernaliana . Le cas de Nodier et des vampires permet de montrer dans quelles conditions et au terme de que

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Erickson, Gregory. "Arius and the Vampire." Religion and the Arts 20, no. 4 (2016): 442–58. http://dx.doi.org/10.1163/15685292-02004002.

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This essay focuses on two figures in James Joyce’s Ulysses, the heretic Arius and the vampire, who when examined together address issues of anxiety over the body and artistic creation. Stephen’s early musings on Arius lead directly into his primary act of artistic creation, a poem he writes that begins, “He comes, pale vampire.” Like the heretic, the vampire will recede into the background, but will continue to haunt the novel, offering troubling and disruptive commentary on the narrative. Joyce’s less literal vampires have the ability to change forms—a rat in the cemetery, a bat flying over a

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Lewanzik, Daniel, Detlev H. Kelm, Sabine Greiner, Martin Dehnhard, and Christian C. Voigt. "Ecological correlates of cortisol levels in two bat species with contrasting feeding habits." General and Comparative Endocrinology 177, no. 1 (2012): 104–12. https://doi.org/10.5281/zenodo.13536138.

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(Uploaded by Plazi for the Bat Literature Project) The immediate release of adrenal glucocorticoids can be crucial for an animal's survival when facing a stressor, but constantly elevated or exceptionally high glucocorticoid levels are usually detrimental for health. Although baseline and maximal secretion of glucocorticoids are regulated within narrow ranges within species, plasma glucocorticoid levels vary largely across vertebrates. We asked what ecological factors affect baseline plasma cortisol levels (CortI) and maximum levels (CortMax) following a physiological challenge through adminis

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Lewanzik, Daniel, Detlev H. Kelm, Sabine Greiner, Martin Dehnhard, and Christian C. Voigt. "Ecological correlates of cortisol levels in two bat species with contrasting feeding habits." General and Comparative Endocrinology 177, no. 1 (2012): 104–12. https://doi.org/10.5281/zenodo.13536138.

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(Uploaded by Plazi for the Bat Literature Project) The immediate release of adrenal glucocorticoids can be crucial for an animal's survival when facing a stressor, but constantly elevated or exceptionally high glucocorticoid levels are usually detrimental for health. Although baseline and maximal secretion of glucocorticoids are regulated within narrow ranges within species, plasma glucocorticoid levels vary largely across vertebrates. We asked what ecological factors affect baseline plasma cortisol levels (CortI) and maximum levels (CortMax) following a physiological challenge through adminis

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Dunea, G. "Vampires." BMJ 318, no. 7176 (1999): 135. http://dx.doi.org/10.1136/bmj.318.7176.135a.

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ARMANDA-ŠUNDOV, Lucijana. "DOCUMENTS ON VAMPIRES FROM 1833 IN THE ARCHBISHOP’S ARCHIVES IN SPLIT." Lingua Montenegrina 26, no. 2 (2020): 381–408. https://doi.org/10.46584/lm.v26i2.816.

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There are three documents about vampires from 1833 in the Archbishop’s Archives in Split; in the first one the government refers to Bishop’s ordinariate in Split demanding them to remove the ramains of the old vampire superstition and it is followed by the bishop Pavao Klement Miošić’s demand from his parishes to do the same, the second one is an answer from the vickar of Trogir, and the third one is the answer from presbyther of Makarska. This article contains two annexes; the first one with the scanned original documents and the second with their translation to Croatian language. The article

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Sasongko, Sudi Mariyanto Al, A. B. Muljono, I. M. Ari Nrartha, I. M. Ginarsa, and S. Sultan. "Sosialisasi Radiasi Telepon Seluler dan Fenomena Vampir Energi di Desa Perampuan, Labuapi, Lombok Barat." JURNAL KARYA PENGABDIAN 2, no. 1 (2020): 45–52. http://dx.doi.org/10.29303/jkp.v2i1.53.

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Handphone produce electromagnetic fields of varying magnitude. SAR (Specific Absortion Radiation) and power density affect radiation exposure. WHO set the SAR radiation limit to be 1.6 W/Kg and the power density limit was 4.5 watts/m2 for the 900 MHz, and 9 watts/m2 for the frequency 1800 MHz. SAR values that exceed the threshold can cause physiological and psychological effects on humans. Electronic equipment connected to electrical installations still absorbs energy even though it inactive and termed vampire energy. The PKM team's measurements of the energy vampire of household electrical ap

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Prins, Herschel. "Vampirism—A Clinical Condition." British Journal of Psychiatry 146, no. 6 (1985): 666–68. http://dx.doi.org/10.1192/bjp.146.6.666.

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The phenomenon of the vampire is ancient, ubiquitous, and fascinating; moreover, it can only be understood adequately within the context of more general blood reliefs and rituals. (See Prins, 1984 for a review). References to vampires and associated phenomena may be found in the world's great literature long before Bram Stoker created his notorious and evil Count (Summers, 1960, 1980). Belief in the vampire's actual physical existence was probably encouraged by the prevalent practice of premature burial during times of plague, by the large numbers of itinerants and beggars that abound at such

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Bodevan, Erica Sudário. "Vampires that grew sick of Dracula." Recital - Revista de Educação, Ciência e Tecnologia de Almenara/MG 2, no. 1 (2020): 116–24. http://dx.doi.org/10.46636/recital.v2i1.84.

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Bram Stocker’s Dracula (1897) is considered a cornerstone when the subject is vampires. Although there were important works written before Stocker’s, such as “The Vampyre” (1819) by John Polidori and Carmilla (1872) by Sheridan Le Fanu, it was Dracula that established a vampiric genre and influenced countless works that came afterwards. Vampires in the contemporary, however, present some primordial differences when compared to the 19th century Count. Their relation with humans, who once were seen just as prey, evolves in the 20th and 21st century. It can be argued that these differences are du

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Setiawan, Rizal Justian, Ageng Widi Atmoko, and Imam Fauzi. "IoT-Based Electric Vampire Remover to Overcome Electric Vampire On Electronic Equipment." JTECS : Jurnal Sistem Telekomunikasi Elektronika Sistem Kontrol Power Sistem dan Komputer 1, no. 2 (2021): 115. http://dx.doi.org/10.32503/jtecs.v1i2.1690.

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Based on data from PLN, in 2020 the number of PLN customers has reached 77,19 million or increase of 3.59 million customers compared to 2019 which amounted to 73,6 million customers. Along with modernization in Indonesia, without realizing it there is still a lot of wasted electrical energy from electronic devices that are left on standby and not used or electric vampires. The purpose of this research created a tool to overcome the problem of electric vampires in electronic equipment in order to reduce the number of losses below the national electric losses of 8%. The implementation method use

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Jarosz, Lucy A. "Agents of Power, Landscapes of Fear: The Vampires and Heart Thieves of Madagascar." Environment and Planning D: Society and Space 12, no. 4 (1994): 421–36. http://dx.doi.org/10.1068/d120421.

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Vampires and heart thieves have, it is said, inhabited the island of Madagascar for the last century. These mythic figures signify relations of identity tied to the global processes of colonial capitalism, modernism, and imperialism as they relate to a colonized Africa, and more specifically, to the island of Madagascar. The vampire and heart thief express the array of extractive processes rooted in the social relations between colonizer and colonized, political subjects, empire, church, and state. These mythic figures are manipulated by various groups to fulfil specific local political agenda

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Ogden, Daniel. "Did the Classical World Know of Vampires?" Preternature: Critical and Historical Studies on the Preternatural 11, no. 2 (2022): 199–224. http://dx.doi.org/10.5325/preternature.11.2.0199.

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ABSTRACT Did the classical world know of vampires? No. This piece asks instead what phenomenon of the classical world most closely anticipates the modern conceptualization of the vampire—a conceptualization extracted from the two classics of Victorian vampire fiction, Sheridan le Fanu’s Carmilla and Bram Stoker’s Dracula. Consideration is given first to a series of ancient entities in later Greek literature that approach a simplistic definition of “returning from the dead and eating people”: Phlegon’s Philinnion and Polycritus, Pausanias’s Hero of Temesa, and Philostratus’s Lamia and Achilles.

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Wilson, Amy Williams. "Bonnie Bennett and the beyond: An exploration of one representation of the afterlife in The Vampire Diaries." Australasian Journal of Popular Culture 13, no. 1 (2024): 41–55. http://dx.doi.org/10.1386/ajpc_00086_1.

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The contemporary vampire story is an apt place to explore immortality, the afterlife and other dimensions in general. Additionally, there are numerous parallels between the vampire story and the Christian story. The vampire’s ‘maker’, for example, can be compared to God, also known as ‘maker’, and a vampire’s immortality offers a relevant parallel to the Christian idea of immortality in the afterlife. The CW network series The Vampire Diaries (2009–17) houses various narratives offering such comparisons, especially with regards to alternative dimensions (‘worlds’) that can potentially be const

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Saint-André, S., Y. Richard, and A. Lazartigues. "Actualité psychiatrique sur les vampires. Vampire : un mythe contemporain ?" Annales Médico-psychologiques, revue psychiatrique 167, no. 6 (2009): 416–21. http://dx.doi.org/10.1016/j.amp.2009.04.014.

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Rawski, Jakub. "Kierunki interpretacji motywu wampira w wybranych tekstach kultury od XIX do XXI wieku (rekonesans)." Studia Litteraria 16, no. 1 (2021): 29–48. http://dx.doi.org/10.4467/20843933st.21.003.13383.

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Artykuł ma na celu przedstawienie przeglądu kierunków interpretacji motywu wampira w kulturze popularnej od XIX do XXI wieku. Skupia się na najważniejszych, najbardziej reprezentatywnych tekstach, które wywarły największy wpływ na ewolucję postaci wampira od romantyzmu do czasów współczesnych, takich jak: Dracula, Miasteczko Salem, Wywiad z wampirem, Zmierzch. Zamierzeniem było ukazanie różnych sposobów odczytywania i analizowania wampiryzmu w zależności od przyjętej metodologii. Niewątpliwie – tytułowe kierunki interpretacji utworów wampirycznych były warunkowane możliwościami egzegetycznymi,

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Tembo, Kwasu David. "White Fang Ally: The Arctic As Eden of Death in 30 Days of Night." Interações: Sociedade e as novas modernidades, no. 41 (December 31, 2021): 11–32. http://dx.doi.org/10.31211/interacoes.n41.2021.a1.

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A recurrent congenital weakness of 20th and 21st century television, literature, and cinema vampires is their porphyric susceptibility to ultraviolet radiation. Central to vampires’ continued undead life is the problem of sunlight. In this way, sunless environs like the Arctic and Antarctic represent what I describe as purely Gothic environments in whose desolation, cold, and darkness, undead life is able to proliferate, unmarred and unimpeded by the typical diurnal/nocturnal cycles of luminosity that trouble the undead lives of vampires. In order to theorize the value of the Arctic as an embo

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Kadhim, Karrar Hayder, and Azhar Noori Fejer. "Social Mobility and Dialogism in Anne Rice’s Interview with the Vampire." Dirasat: Human and Social Sciences 52, no. 6 (2025): 7701. https://doi.org/10.35516/hum.v52i6.7701.

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Objectives: This study aims to uncover the profound transformation of the postmodern vampire archetype. Anne Rice, in "Interview with The Vampire," presents a shift from a terrifying monster to a more relatable and compassionate figure. This transformation reflects the existential philosophy of a time marked by absurdity, sexual issues, religious crises, and the degradation of women. Methods: The study analyzes Rice’s novel through the lens of cultural materialism, focusing on the distinctive cultural influences of 1976 that shaped the transformation of the vampire archetype. This significant

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