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Relevant bibliographies by topics / Vessels Decoration

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Academic literature on the topic 'Vessels Decoration'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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Journal articles on the topic "Vessels Decoration"

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Swift, Ellen. "DECORATED VESSELS: THE FUNCTION OF DECORATION IN LATE ANTIQUITY." Late Antique Archaeology 5, no. 1 (2009): 385–409. http://dx.doi.org/10.1163/22134522-90000115.

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This paper re-integrates decoration with the function of the object and its social context in Late Antiquity. It examines the way that decoration prescribes the function of objects, for example, through the representation upon an object of the activity for which the object is intended to be used. It is suggested that in some instances decoration may also be matched to the interior decor of a room, i.e., to the context within which an object was used. These correlations of decoration with function and context correspond to Roman ideas of appropriateness in decor and, in turn, contribute to th

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Matheson, Carney D., Cory R. Vickruck, Chris J. McEvoy, Kim K. Vernon, and Robert Mason. "Composition of trace residues from the contents of 11th–12th century sphero-conical vessels from Jerusalem." PLOS ONE 17, no. 4 (2022): e0267350. http://dx.doi.org/10.1371/journal.pone.0267350.

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The residues from the internal surface of four archaeological ceramic sherds, excavated from the Armenian Gardens, Jerusalem were analysed to characterise the contents of the original vessel. The sherds derive from four small, thick-walled, sphero-conical vessels recovered from a destruction layer, dating between the 11th and 12th century, Jerusalem. The residue has been analysed using light microscopy, biochemical characterisation, gas chromatography mass spectroscopy, inductively coupled plasma atomic emission spectroscopy and cold vapour atomic fluorescence spectrometry. This analysis estab

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Matheson, Carney D., Cory R. Vickruck, Chris J. McEvoy, Kim K. Vernon, and Robert Mason. "Composition of trace residues from the contents of 11th–12th century sphero-conical vessels from Jerusalem." PLOS ONE 17, no. 4 (2022): e0267350. http://dx.doi.org/10.1371/journal.pone.0267350.

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The residues from the internal surface of four archaeological ceramic sherds, excavated from the Armenian Gardens, Jerusalem were analysed to characterise the contents of the original vessel. The sherds derive from four small, thick-walled, sphero-conical vessels recovered from a destruction layer, dating between the 11th and 12th century, Jerusalem. The residue has been analysed using light microscopy, biochemical characterisation, gas chromatography mass spectroscopy, inductively coupled plasma atomic emission spectroscopy and cold vapour atomic fluorescence spectrometry. This analysis estab

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Campos, Paulo, and Marcelo Fagundes. "A cerâmica afrodiaspórica." Vestígios - Revista Latino-Americana de Arqueologia Histórica 19, no. 1 (2025): 55–78. https://doi.org/10.31239/1rxaaw29.

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This paper presents part of the research conducted at the Olhos d’Água site, Alto Araçuaí, MG, focusing on the analysis and interpretation of material traces through Afro-centered categories. The site yielded fragments of ceramic vessels associated with the occupation of the region by Afro-Brazilian groups during the 18th and 19th centuries. At this stage, the Yoruba concepts of Ilutí and Ojú-inú were applied, linking artisans' artistic expertise to the preservation of axé and the transmission of religious and daily-life knowledge. Various patterns of decoration and container production were i

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Popescu, Mariana Cristina. "An oenochoe with Gnathia decoration in the National Museum of Transylvanian History." Acta Musei Napocensis 58 (December 12, 2021): 9–16. http://dx.doi.org/10.54145/actamn.i.58.01.

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An oenochoe with Gnathia decoration, part of the collection of the National Museum of Transylvanian History is here published. Judging by its style, the vase is part of the Alexandria group. The vessels specific to this group are mainly produced in the workshops of Taranto, during the first half of the 3rd century BC. The vessel from the Cluj museum has characteristic ribbing arranged in two vertical registers, on the whole surface of the body and the decoration with stylised geometric and plant motifs, depicted on the neck and in the middle and upper area of the body.

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Olcay, B. Yelda. "Ancient glass vessels in Eskişehir Museum." Anatolian Studies 51 (December 2001): 147–58. http://dx.doi.org/10.2307/3643031.

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The aim of this study is to introduce the glass vessels housed in Eskişehir Archaeological Museum. Thirty vessels are housed in the museum, out of which 19 are currently exhibited. Most of the vessels entered the collection by purchase. One vessel (no 5) was found during a rescue excavation of a Roman tomb in Bilecik in 1985, although unfortunately we do not have detailed information about the tomb. Another vessel found during a rescue excavation at the tumulus of Alpu Kocakizlar and a further one from the Pessinus excavations are not included in this article.The vessels in the museum are very

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Shchepachenko, Vladyslav. "The Glassware of Late Roman Time from Viitenky: the Technological Aspect." Arheologia, no. 1 (March 23, 2022): 121–53. http://dx.doi.org/10.15407/arheologia2022.01.121.

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This article is devoted to the study of the technological features of the manufacturing and decoration of glass vessels from archaeological complex of late Roman time – early Great Migrations period at Viitenky in the East of Ukraine. The observations of the evolution of shapes, decor and individual morphological features of Roman glassware has reached almost a century in their development now. During this time, researchers have repeatedly emphasized their information potential in chronological constructions and searches for production centres of certain types. The technical and technological

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Negru, Mircea. "A ROMAN FACE POT DISCOVERED IN REȘCA-ROMULA." Arhivele Olteniei 38 (December 20, 2025): 7–16. https://doi.org/10.59277/ao.38.01.

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Archaeological research has identified, starting in 1965, a large ceramic production district in the northern part of the Romanian city of Romula. Most clay material burning furnaces were used for firing vessels. Face can be discovered in 2018, in the pit of potter's kiln no. 25, is an almost whole vessel. The vessel indicates a male character, with a tap-shaped chin, with bushy eyebrows and an elongated nose. The decoration was made by adding material, by impresion and by incising. The vessel was intended for funerary practices, an argument in this sense being the fact that the character had

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Paraschiv-Talmațchi, Cristina. "Considerations on the production and distribution of pottery in Dobruja at the beginning of the Middle Ages." Communicationes Archaeologicae Hungariae 2024 (December 19, 2024): 237–53. https://doi.org/10.54640/cah.2024.237.

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The paper draws attention to data that confirm the establishment of craft areas and commercial activity providing evidence of the production and diffusion of pottery in the territory of Dobruja (southeastern Romania) in the 10–12th century. So far, local pottery production has been proven by four pottery workshops, two tools used to create decorations, fifteen single- or dual-chamber pottery kilns, a few semi-finished vessels, and production waste. Some clues on the distribution area of pottery made in Dobruja were obtained by analysing the decoration and fabric of vessels with potter’s marks.

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Andriiovych, Martha. "A sign of mobility and cultural exchange? The ceramics with scribble line ornamentation from Lysa Hora cemetery." VITA ANTIQUA 10 (December 20, 2018): 43–47. https://doi.org/10.37098/2519-4542-2018-1-10-43-47.

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From four types of the Neolithic ceramics that were determined for the Dnieper-Donetsk culture region, only the fourth type after D.Y. Telegin typology has been found in the Lysa Gora cemetery. This type is represented by biconical vessels with the flat bottom and straight «collar» rim. Inside of this type, we are able to identify subtypes by their size, type and ornament disposition on the body of a vessel. The vessels with the flat bottom, straight vertical walls and cut to the middle rim are most common. In the second period biconical vessels with the big fla

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Dissertations / Theses on the topic "Vessels Decoration"

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Meredith-Goymour, Hallie. "Texts as contexts for viewing : 'Ekphrasis', inscribed decoration and glass open-work vessels in Late Antiquity." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.433319.

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Tamm, John A. "Argentum potorium in Romano-Campanian wall-painting /." *McMaster only, 2001.

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Hudáková, Mária. "Římské stříbrné nádoby ve středoevropském barbarikui." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-354084.

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In this diploma thesis we shall analyze Roman silver vessels and their German imitations which were discovered on the territory of Central European barbaricum. In the first chapter, there is a brief introduction into the examined topic along with a definition of spatial and chronological frame within which we shall operate. The second chapter is devoted to the general information about mining and processing of silver, manufacturing and decorative techniques used in manufacturing of silver vessels, as well as to the basic information about Roman tableware. In the third chapter, we shall summari

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Hsu, Pao-Jen, and 許寶仁. "The Application of Decorative Patterns on Fishing Vessel － An Example in Penghu District." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/04702770948229645213.

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碩士<br>樹德科技大學<br>應用設計研究所<br>98<br>The abundant aquatic resources and diligent, persistent fishermen have shaped splendid marine culture and diverse fishery culture in the Penghu area. Fishery, a unique yet complicated industry, is the center of the lives of coastal residents, regardless of their age or gender. Developing unique fishery culture that is embodied in daily life to accommodate to the environment is even an example of historical evolution. As Penghu Islands are surrounded by the ocean, fishery has long become one of the major industries in this area. In addition to fishing devices an

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Books on the topic "Vessels Decoration"

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translator, Seleanu Magdaléna, ed. Late antique metal vessels in the Carpathian Basin: Luxury and power in the Early Middle Ages. Archaeolingua, 2016.

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Tonglet, Delphine. Le kyathos attique de madame Teithurnai: Échanges artisanaux et interactions culturelles entre Grecs et Etrusques en Méditerranée archaïque. CREA Patrimoine, 2018.

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Basel, Historisches Museum, ed. Der Narrenkopfbecher: Eine Basler Kuriosität aus Kokosnuss. Baumann, 2011.

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Cassells, Vic. The capital ships: Their battles and their badges. Kangaroo Press, 2000.

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Egorova, A. A. (Anna Alekseevna), author and Gosudarstvennyĭ Ėrmitazh (Russia), eds. "Sosud vechnoĭ radosti": I︠a︡ponskie miniati︠u︡rnye chaĭniki dli︠a︡ chai︠a︡ Sėnti︠a︡ v sobranii Ėrmitazha : katalog vystavki = "A vessel of eternal joy" : Japanese miniature teapots for Sencha tea from the Hermitage Collection : exhibition catalogue. Izdatelʹstvo Gosudarstvennogo Ėrmitazha, 2015.

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John, Houston. The abstract vessel: Forms of expression & decoration by nine artist-potters: Gordon Baldwin, Alison Britton, Ken Eastman, Philip Eglin, Elizabeth Fritsch, Carol McNicoll, Jacqui Poncelet, Angus Suttie, Betty Woodman : ceramics in studio. Bellew (with) Oriel/Welsh Arts Council, 1991.

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Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings. Yale University Press, 2018.

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Bronze vessels from the Acropolis: Style and decoration in Athenian production between the sixth and fifth centuries BC. Edizioni Quasar, 2016.

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Lions, dragons, & other beasts: Aquamanilia of the Middle Ages, vessels for church and table. Yale University Press, 2006.

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Pulvertaft, David. Figureheads of the Royal Navy. Pen & Sword Books Limited, 2011.

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Book chapters on the topic "Vessels Decoration"

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Zhang, Yalin, Miaomiao Wang, and Yong Yu. "Decorative Beauty of Bionic Ceramic Vessels with Floral Rims." In Lecture Notes in Electrical Engineering. Springer London, 2012. http://dx.doi.org/10.1007/978-1-4471-4802-9_30.

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Scaro, Agustina. "Esquina de Huajra Vessels. A Morphological and Decorative Study of Humahuaca-Inca Pottery." In The Latin American Studies Book Series. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50574-9_6.

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van Elteren, Johannes T., Serena Panighello, Vid S. Šelih, and Emilio F. Orsega. "Optimization of 2D LA-ICP-MS Mapping of Glass with Decorative Colored Features: Application to Analysis of a Polychrome Vessel Fragment from the Iron Age." In Natural Science in Archaeology. Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-662-49894-1_4.

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Elsner, Jaś. "A Roman Vessel for Cosmetics: Form, Decoration, and Subjectivity in the Muse Casket." In Vessels. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198832577.003.0008.

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In 1793, laborers digging a well at the foot of the Esquiline hill in Rome came upon the ruins of an ancient house and buried therein what proved to be the largest and most spectacular silver treasure from antiquity discovered up to that time. The known surviving items of the so-called Esquiline Treasure—probably made in the second half of the fourth century CE and concealed by its last owners sometime in late antiquity to protect it from marauders or invading barbarians, but surely intended to have been recovered and reused by them—include some very famous pieces: the Projecta Casket, the Tyc

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Kucharczyk, Renata. "Glass medallion in the shape of a lion’s head mask." In Classica Orientalia. Essays presented to Wiktor Andrzej Daszewski on his 75th Birthday. DiG Publisher, 2011. http://dx.doi.org/10.37343/pcma.uw.dig.9788371817212.pp.277-285.

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A glass appliqué in the shape a lion's head mask is an example of applied decoration found on late Roman glasses, which may have actually seen extended use as a keepsake or amulet, long after the vessel itself, presumably a globular or conical handled jug or bulbous flagon, had been broken. The medallion in high relief was found during Polish excavations on Kom el-Dikka in 2007, in a cut from the early Islamic period containing fill of mixed date, from late Roman to early Islamic. The paper considers parallels for the piece, both published and unpublished, from excavations in Egypt as well as

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Swift, Ellen. "Vessels: Articles for Dining and Toiletry." In Style and Function in Roman Decoration. Routledge, 2018. http://dx.doi.org/10.4324/9781315242156-3.

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"Decoration on the ceramic vessels at Kawa." In Gematon: Living and Dying in a Kushite Town on the Nile, Volume III. Archaeopress Publishing Ltd, 2023. http://dx.doi.org/10.2307/jj.15136015.10.

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Hung, Wu. "Practice and Discourse: Ritual Vessels in a Fourth-Century BCE Chinese Tomb." In Vessels. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198832577.003.0010.

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Supposedly articulated by Confucius himself (ca. 551&#x2013;ca. 479 BCE), this tightly knit political rhetoric provides a logical context for understanding the intrinsic relationship between qi (vessel, insignia, instrument) and li (ritual, rite, propriety), a central concern of Rujia 儒家—the School of Confucians—in the second half of the Eastern Zhou, from the fifth to third century BCE. The idea that vessels store essential ritual codes is stated more plainly in the Book of Rites: “The round and square food containers fu 簠 and gui 簋, the stand zu 俎, and the tall dish dou &#x8C46;, wit

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Wells, Peter S. "Of Monsters and Flowers." In How Ancient Europeans Saw the World. Princeton University Press, 2012. http://dx.doi.org/10.23943/princeton/9780691143385.003.0001.

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This chapter first discusses the new style of imagery and ornament that emerged during the fifth century BC. The new style has been the source of endless controversy since the latter half of the nineteenth century. Strange creatures, part human, part beast, were crafted onto gold and bronze jewelry and cast onto the handles and lids of bronze vessels. Metalsmiths created lush new forms of decoration—incised and relief ornament based on floral motifs such as leaves and petals, with spirals, S-curves, and whirligigs decorating objects ranging from pottery to sword scabbards. This style was a rad

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"Decorated Vessels: The Function Of Decoration In Late Antiquity." In Objects in Context, Objects in Use. BRILL, 2008. http://dx.doi.org/10.1163/ej.9789004165502.i-742.109.

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Conference papers on the topic "Vessels Decoration"

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Lyublinskii, E. Ya, V. D. Pirogov, and T. I. Balkova. "Experimental Methods of Service Life Determination for the Plated Coating in Marine Environment." In CORROSION 1995. NACE International, 1995. https://doi.org/10.5006/c1995-95294.

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Abstract Plated coatings are one of the most extensively applied, yet expensive and deficient methods of protection from corrosion, providing high decorative quality and special properties of parts and constructions used in vessels. The technology of galvanic coating presents a health risk and is an ecologically dangerous process. Thus, the optimization of the coating's thickness to exclude the losses under the use of excessive thickness, and to prevent the necessity to restore the coatings after the covering with understated thicknesses are the vital problems. It can be successful if accelera

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Zeng, Jing, and Paul Anderson. "Polymeric Interior and Exterior Marine Decking Systems." In SSPC 2013 Greencoat. SSPC, 2013. https://doi.org/10.5006/s2013-00076.

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Abstract Polymeric interior and exterior marine decking systems provide both decorative and functional protection for ships, aircraft carriers, and offshore drilling platforms. Interior decking systems includes coatings, color flake and quartz systems, terrazzo, and underlayments, which are applied in areas such as galleys, living quarters, and wet spaces. Tough and durable non-skid coatings are engineered for use on military vessels including aircraft carriers as well as in areas of offshore oil and gas industry for enhancing safety. Various systems are generally developed to meet the require

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Дубовцева, Е. Н. "SCIENTIFIC EXPERIMENT ROLE IN THE STUDY OF POTTERY DECORATION IN URALS AND WESTERN SIBERIA REGIONS (NEOLITHIC AND BRONZE AGES)." In Вестник "История керамики". Crossref, 2020. https://doi.org/10.25681/iaras.2019.978-5-94375-291-9.76-9377.

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Изучение техники итехнологии декорирования древней посуды подразумевает реконструкцию технических приемов, атакже инструментов для нанесения декора. Это требует специальных экспериментальных итрасологических исследований. Такие изыскания нацелены на фиксирование следов технологических операций иизучение на их основе навыков труда древних гончаров. Полученные данные лежат воснове реконструкции культурных традиций вобласти декорирования древней посуды. Экспериментальные исследования орнамента на керамике Урала иЗападной Сибири активно проводились, начиная со второй половины ХХв. Эксперименты вел

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Huajie, Yan, Jiefeng Lu, and Qin Kai. "A comparative study of seagoing vessels between China and Europe from early 15th century to early 17th century." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003438.

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It was a period of high speed development of seagoing vessel from early 15th century to early 17th century. As an important tool for human exploration of the sea, ship decoration not only carry the imagination and reverence of the sea, but also influenced by the times, religion, politics, culture and aesthetics. It aims to compare the ship decoration which base in design pattern, manufacturing techniques and colour between Chin, Spain, Portugal and Britain. This paper use a comparison methodology involving a widespread historical research conducted on historical documents and ancient painting.

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Домжальский, К., and Д. В. Журавлев. "Late Roman Pontic Burnished Ware with incised decoration from Bosporos and Chersonesos." In Древности Боспора. Crossref, 2023. http://dx.doi.org/10.25681/iaras.2022.978-5-94375-372-5.29-47.

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The paper describes Late Roman and Early Byzantine decorated fine ware vessels and fragments found on both sides of the Kerch Strait (city of Kytaia, Džurg-Oba necropolis and fortlet Il’ičevskoe), and in Chersonesos. The finds represent the recently identified group of fine ceramics called Late Roman Pontic Burnished Ware. They are characterized by very re fined, pale pinkish - light brownish clay containing some very fine flakes of mica and single lumps of lime of various sizes. The inside surface of the dishes is carefully burnished, producing a slight lustre, and contains elaborated decorat

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Трейстер, М. Ю. "A Diadem from the Khokhlach Burial-mound. Reflections on the center of manufacture." In Древности Боспора. Crossref, 2023. http://dx.doi.org/10.25681/iaras.2020.978-5-94375-339-8.381-410.

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In the focus of the article is a diadem from a Sarmatian burial in the Khokhlach Burialmound in Novocherkassk on the Lower Don, most likely dating from the late 1st – early 2nd century AD. The unique construction and decoration of the diadem is a combination of typical Hellenistic elements with elements characteristic of Sarmatian art.The author examines the constructive features of the diadem, gold cells with inlays, decorating it, the design of the edges of the plates with pearls strung on a wire, amphora-shaped pendants, suspended from the diadem. Particular attention is paid to the central

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Цетлин, Ю. Б. "PROCEDURE OF IDENTIFYING INDIVIDUAL, FAMILY AND KINSHIP CULTURAL TRADITIONS BY THE SHAPE OF CLAY VESSELS." In Вестник "История керамики". Crossref, 2023. http://dx.doi.org/10.25681/iaras.2021.978-5-94375-343-5.62-115.

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Одной из фундаментальных проблем при изучении древнего гончарства является разработка методов выделения посуды, сделанной одним мастером. Раньше эта проблема решалась с опорой на данные о гончарной технологии и декорировании сосудов. Только в последнее время под этим углом зрения стали исследоваться формы глиняных сосудов. Данная статья посвящена дальнейшей разработке этой темы. Она опирается на экспериментальные и этнографические данные о формах сосудов. Автором предложена методика выделения сосудов, изготовленных одним мастером или группой родственных в культурном отношении мастеров. Методик

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Costeira Da Silva, Ricardo, and António Pacheco. "A fancy way of drinking…water: high relief pottery from the 2nd half of the 16th century in Coimbra (Portugal)." In XIII Congreso Internacional sobre Cerámica Medieval y Moderna en el Mediterráneo (AIECM3). La Ergástula, 2024. https://doi.org/10.63114/e4a4c693.

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The use of earthenware vessels became widespread among all social strata in Portugal from the second half of the 16th century on. Besides the plain púcaros (drinking cups), there are other elaborate profile exquisite pieces, truly something of a novelty back then, in what refined earthenware is concerned. Among these, we highlight the drinking vessels with skillful decoration in high relief, for the sake of their strong aesthetic and artistic appeal. Here are presented some samples of artifacts exhumed in Coimbra and Aveiro, in well dated contexts from the 2nd half of the 16th century. The mos

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Голофаст, Л. А., and С. В. Ольховский. "Glass Assemblage from the Underwater Quay in the Harbour of Phanagoria." In Hypanis. Труды отдела классической археологии ИА РАН. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-307-7.43-72.

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В статье представлен комплекс стекла 56 вв.н.э., выявленный в ходе подводных раскопок фундамента причального сооружения в акватории Фанагории. Благодаря довольно длительному периоду формирования комплекса находок в нем отразились изменения в ассортименте бытовавшей стеклянной посуды: от весьма разнообразного в 5 в. до скудного набора 6 в., в котором безраздельно доминировали рюмки . Набор сосудов в полной мере отражает сложившуюся в рассматриваемое время ситуацию, характеризующуюся открытостью торговых маршрутов, которые связывали различные регионы Европы: одинаковые стеклянные изделия, произв

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Трейстер, М. Ю. "Kantharoi of Vysochino type – chronology, manufacture and distribution of a specific type of 1st century AD Bosporan Silverware." In Древности Боспора. Crossref, 2025. https://doi.org/10.25681/iaras.2023.978-5-94375-403-6.398-409.

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Abstract:

The kantharoi with biconical body, with the upper part decorated with friezes of cyma and cyma reversa and the lower part decorated with strigil-shaped pattern, with wish-bone handles ending with balls in their upper part and with leaves as lower attachments are attributed to the type Vysochino after the find of a set of 4 such vessels in the cache of the second half of the 1st century AD Sarmatian burial in a Barrow-mound 28 of the group Vysochino-VII in the Lower Don region. These kantharoi have a rather compact area of distribution, with the concentra tion in the Eastern Crimea, in the Sout

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