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Journal articles on the topic 'Vietnam, fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Hallinger, Philip, Allan Walker, and Gian Tu Trung. "Making sense of images of fact and fiction." Journal of Educational Administration 53, no. 4 (2015): 445–66. http://dx.doi.org/10.1108/jea-05-2014-0060.

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Purpose – The purpose of this paper is to review both international and domestic (i.e. Vietnamese language) journal articles and graduate theses and dissertations on educational leadership in Vietnam. The review addresses two specific goals: first, to describe and critically assess the nature of the formal knowledge base on principal leadership in Vietnam, second, to synthesize findings from the existing literature on principal leadership in Vietnam. Design/methodology/approach – The paper employed a method for conducting systematic reviews of research. The authors conducted a detailed, exhaus

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2

Banerian, James, and Linh Dinh. "Night, Again: Contemporary Fiction from Vietnam." World Literature Today 71, no. 1 (1997): 233. http://dx.doi.org/10.2307/40152798.

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Hieu, To Minh, Vi Thi Thu Hien, and Nguyen Thanh Hien. "DEVELOPING THE COMPETENCE OF READING COMPREHENSION OF SCIENCE FICTION STORY FOR 7TH GRADE STUDENTS IN VIETNAM." International Journal of Education Humanities and Social Science 07, no. 03 (2024): 338–43. http://dx.doi.org/10.54922/ijehss.2024.0719.

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The 2018 general education program in Vietnam has been implemented with the concretization of three sets of textbooks: The Kite, Connecting Knowledge to Life, and Creative Horizon. In the 7th grade Philology textbook, in addition to familiar literary genres, science fiction is a new genre included in the curriculum. This is a new genre that has created excitement for both teachers and students. However, this genre also causes many difficulties for teachers in developing lesson plans and organizing the teaching of science fiction stories. The 7th grade textbook has only been deployed for two ye

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4

Jason, Philip K. "Vietnam War Themes in Korean War Fiction." South Atlantic Review 61, no. 1 (1996): 109. http://dx.doi.org/10.2307/3200769.

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5

Gelfant, Blanche H. "Beauty and Nightmare in Vietnam War Fiction." Prospects 30 (October 2005): 751–78. http://dx.doi.org/10.1017/s0361233300002258.

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“Hue is the most beautiful city in the world,” a Vietnamese woman tells Marine Lieutenant Kramer, a central character in Robert Roth's Vietnam War novel,Sand in the Wind. Published in 1973, five years after the sweeping Tet Offensive had reduced Hue to rubble,Sand in the Windset the city within a complex meditation upon beauty and its relation to human desire, history, the vagaries of chance, ephemerality of happiness, and ineluctability of loss. Though ambitious in intent,Sand in the Windhas not been widely acclaimed. Except for John Hellmann's close reading, it has usually been referred to p

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Tu, Tran Cam. "The Image of “Opening and Changing” Vietnam in Thai Contemporary Fiction Books." Manusya: Journal of Humanities 23, no. 1 (2020): 127–46. http://dx.doi.org/10.1163/26659077-02301007.

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As Thailand and Vietnam have long had mutual relations, there are a number of Thai books written about Vietnam, including academic and historical documents, travelogues, novels, and short stories. This paper examines works of contemporary Thai fiction to present a new and outstanding image of Vietnam in a Thai perception – an “opening and changing” country – from factual data and from literary textual analysis. First, it provides readers with the socio-historical background of the Renovation Era of Vietnam after 1986 and the Thai-Vietnamese relationship. Next, the main part explains how the im

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Tam, Hao Jun. "Diasporic South Vietnam." Journal of Vietnamese Studies 15, no. 2 (2020): 40–86. http://dx.doi.org/10.1525/vs.2020.15.2.40.

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As Vietnam was caught in wartime narrative austerity from the 1950s to the 1970s, followed by the communist state’s intolerance of dissent, Vietnamese writers in the French and American diaspora have offered literary texts that challenge both Vietnamese discursive stricture and dominant perspectives in France and the United States. This essay studies two novel sequences from the diasporic Vietnamese literary archive: Vietnamese French author Ly Thu Ho’s trilogy and Vietnamese American writer Lan Cao’s pair of historical novels. Taking a historicist approach, the essay reveals complex nationali

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8

Beidler, Phil. "Bad Business: Vietnam and Recent Mass-Market Fiction." College English 54, no. 1 (1992): 64. http://dx.doi.org/10.2307/377564.

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Larin, Vadim. "Vietnamese Fiction Today and Russian Literature in Vietnam." Problemy dalnego vostoka, no. 6 (2020): 175. http://dx.doi.org/10.31857/s013128120012886-5.

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10

Beidler, Phil. "Bad Business: Vietnam and Recent Mass-Market Fiction." College English 54, no. 1 (1992): 64–75. http://dx.doi.org/10.58680/ce19929418.

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McNair, Jonda C., Deanna Day, Karla J. Möller, and Angie Zapata. "Children’s Literature Reviews: Memoirs, Magic, and Mutiny: Marvelous Titles to Share in K–8 Classrooms." Language Arts 92, no. 3 (2015): 214–22. http://dx.doi.org/10.58680/la201526348.

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This unthemed children's literature reviews column features a selection of some of our favorite recently published titles across several genres. It includes biographies, informational text, contemporary realistic fiction, historical fiction, fantasy, and concept books. Readers will find a range of titles about various topics such as Japanese internment camps, the Vietnam War, lucha libre, colors, and even a newborn elephant.

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12

Teimouri, Mahdi. "Nguyen’s The Sympathizer and Coetzee’s Early Fiction: Representation, Grievability, Framing." Southeast Asian Review of English 58, no. 2 (2021): 62–77. http://dx.doi.org/10.22452/sare.vol58no2.5.

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Viet ThanhNguyen’s The Sympathizer(2015) is an intriguing novel for anyone familiar with the early fiction of J.M. Coetzee. Nguyen’s debut novel has as its theme the war in Vietnam, which is not surprising given his background and his scholarly work preceding its publication. Interestingly, Coetzee’s first novel, Dusklands(1974) comprised two novellas, the first of which,called “The Vietnam Project”, is also related to the US invasion of Vietnam. Both works offer critical insights into US war-mongering in the post-World War II era. Additionally, Coetzee’s third novel, Waiting for the Barbarian

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13

Vinh, Nguyễn Quốc. "Cultural Ambiguity in Contemporary Vietnamese Representations of Homosexuality." Journal of Vietnamese Studies 10, no. 3 (2015): 48–86. http://dx.doi.org/10.1525/jvs.2015.10.3.48.

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Starting from an anecdote about wild dogs in a 1939 short story by Xuân Diệu, I want to pursue a New Historicist reading of Bùi Anh Tấn’s fiction to explore present-day representations of the homosexual outcast in a hetero-normative world of contemporary Vietnam. Despite the author’s humane and positive viewpoint, his fiction remains fraught with cultural ambiguity embedded in strategies of narrative discipline of its subject matter. I will also reflect upon my own autobiographical role as interpreter of these texts, as well as theoretical issues concerning the applicability of a New Historici

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Syunnerberg, Maxim A. ""Beautiful women suffer unhappy fates"? History of beauty pageants in Vietnam. Part I. Category of beauty and the fate of beauties in traditional Vietnam." South East Asia: Actual problems of Development, no. 3 (48) (2020): 242–55. http://dx.doi.org/10.31696/2072-8271-2020-3-3-48-242-255.

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Vietnam, a country of the Confucian cultural area, the sensual side of relations has traditionally not been exposed. Female beauty has not received much attention in fiction, let alone state historical publications. Often the use of this concept had a negative connotation, and the beauties themselves had a hard lot. Fundamental shifts in social thought and social life in Vietnam in the 20th century reflected in the perception of beauty and the ability of women to realize themselves through their appearance, a striking manifestation of which was the scale of various beauty contests held in the

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15

Armstrong, Bryant. "A Trauma Artist: Tim O'Brien and the Fiction of Vietnam (review)." MFS Modern Fiction Studies 48, no. 3 (2002): 761–63. http://dx.doi.org/10.1353/mfs.2002.0049.

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Carpenter, Lucas. ""It Don't Mean Nothin'": Vietnam War Fiction and Postmodernism." College Literature 30, no. 2 (2003): 30–50. http://dx.doi.org/10.1353/lit.2003.0026.

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Masny, Patryk. "Obraz wojny w Wietnamie w komiksie The Other Side." Prace Historyczne 149, no. 4 (2023): 741–65. http://dx.doi.org/10.4467/20844069ph.22.032.17859.

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The purpose of this article is to present the portrait of the Vietnam War (1965–1975) in the comic book The Other Side by Jason Aaron and Cameron Stewart, from the point of view of the historian researching this conflict. I analyze this comic in two dimensions: juxtaposing its narrative with historical reality and with other narratives about the Vietnam War present in American culture. I examine if The Other Side repeats some of the “Vietnam war myths” as well, especially because of the claims of its authors. I take a closer look to discern what interpretation of the history of the Vietnam War

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Chattarji, Subarno. "Poetry by american women veterans." Alea : Estudos Neolatinos 16, no. 2 (2014): 300–316. http://dx.doi.org/10.1590/s1517-106x2014000200004.

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While there is a significant body of literature - fiction, memoirs, poetry - by American male veterans that has been discussed and analyzed, writings by American women who served in Vietnam receive less attention. This essay looks at some poetry by women within contexts of collective political and cultural amnesia. It argues that in recovering women's voices there is often a reiteration of dominant masculine tropes which in turn does not interrogate fundamental structures and justifications of the Vietnam War. However, the poems are indicative of alternative visions, of "things worth living fo

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Như-Quỳnh, Cao Thị, and John C. Schafer. "From Verse Narrative to Novel: The Development of Prose Fiction in Vietnam." Journal of Asian Studies 47, no. 4 (1988): 756–77. http://dx.doi.org/10.2307/2057851.

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When Hoàng Ngọc Phàch, a young Vietnamese living in Hanoi, published Tô' Tâm (Pure heart) in 1925, his book immediately became a cause célèbre. The first three thousand copies sold out in two weeks. The publisher printed another two thousand copies, and they too quickly disappeared from the bookstores (Phan Cự Dệ 1974:21). Girls disappointed in love succumbed to the influence of the work and committed suicide by jumping into Lake Tây or Lake Trùe Bạch. The work provoked a debate concerning what was proper reading for young women that continued into the 1930s.

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Hours, Bernard, and Monique Sélim. "La protection sociale au Vietnam : de la fiction égalitaire à la marchandise." Tiers-Monde 44, no. 175 (2003): 621–36. http://dx.doi.org/10.3406/tiers.2003.5411.

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Hours, Bernard, and Monique Selim. "La protection sociale au Vietnam de la fiction égalitaire à la marchandise." Revue Tiers Monde 175, no. 3 (2003): 621. http://dx.doi.org/10.3917/rtm.175.0621.

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22

Mahini, Ramtin Noor-Tehrani (Noor), Erin Barth, and Jed Morrow. "Tim O’Brien’s “Bad” Vietnam War: The Things They Carried & Its Historical Perspective." Theory and Practice in Language Studies 8, no. 10 (2018): 1283. http://dx.doi.org/10.17507/tpls.0810.05.

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Tim O’Brien was sent to Vietnam as a foot soldier in 1969, during the later part of the Vietnam War that can be called the “bad” or unwinnable war. Based on his experience, O'Brien's writing about the Vietnam War in his award-winning fiction novels is always "bad," meaning that the war was terrible for American grunts like himself, his fellow soldiers, and Vietnamese civilians, with practically no good or inspiring stories. Nevertheless, O’Brien touches upon almost all problems of American soldiers in the Vietnam War, but not many peer-reviewed authors or online literary analysis websites coul

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23

Le, Thi Huong. "THE EXISTENTIAL EGOS IN DUONG NGHIEM MAU’S PROSE." UED Journal of Social Sciences, Humanities and Education 10, Special (2020): 77–85. http://dx.doi.org/10.47393/jshe.v10ispecial.892.

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Taking its shape in the 1920s of the twentieth century, existentialism has pervaded into a wide range of world literatures. In Southern Vietnam (1955 – 1975), the reception of existentialism theories underwent no crack and proved to be compatible with the social context full of volatility. Existentialism is a “humanitarian theory” (J.P.Sartre). Existentialism theories have permeated the writers’ consciousness and works in terms of their views of the human fate in the period when "God is dead”. Duong Nghiem Mau was a pioneer writer in receiving and expressing existential themes in his works, pa

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Poljak Rehlicki, Jasna. "Us vs. Them: Cultural Encounters in Warzones through Reading American War Literature." ELOPE: English Language Overseas Perspectives and Enquiries 12, no. 1 (2015): 91–103. http://dx.doi.org/10.4312/elope.12.1.91-103.

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In 1996, Samuel Huntington argued that the end of the Cold War Era marked the end of global instability based on ideological and economic differences and preferences. However, he did not predict any kind of a peaceful future for humankind but maintained that future conflicts will arise from cultural differences. The clashes are inevitable, he claims, as long as one side (usually the West) insists on imposing universalism to other civilizations whose cultural awareness is on the rise. Ever since the Vietnam War, American military tacticians have believed that the knowledge and understanding of

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Bani Hani, Laith, Ahmed Saadoon Azeez, and N. Solomon Benny. "A Thematic Interpretation of Selected Novels Of Tim O Brien." South Asian Journal of Social Sciences and Humanities 5, no. 2 (2024): 68–82. http://dx.doi.org/10.48165/sajssh.2024.5.2.06.

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Author from the United States who enlisted in the military during the Vietnam War. “The majority of his works are about Vietnam during the conflict, and his latter works often investigate the life of Vietnam soldiers after the war. O'Brien is perhaps most known for his book, which was published in 1990 and titled The Things They Carried. This book is a compilation of connected semi-autobiographical tales that were inspired by O'Brien's experiences during the war. The latter was referred to be " a masterpiece of modern war fiction" by The New York Times in the year 2010. Going For Cacciato, O'B

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Mahini, Ramtin Noor-Tehrani (Noor), Erin Barth, and Jed Morrow. "Tim O’Brien’s “Bad” Vietnam War: Going after Cacciato & Its Historical Perspective." Theory and Practice in Language Studies 8, no. 11 (2018): 1397. http://dx.doi.org/10.17507/tpls.0811.03.

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Being the only Vietnam War author on the English curriculum for American middle and high schools, Tim O’Brien skillfully mixes his real wartime experience with fiction in his various bestsellers and awarded novels. All O'Brien's Vietnam War stories are always "bad," meaning that the war contains mostly sad and horrific experience for American soldiers and Vietnamese civilians. A closer look at O’Brien’s war stories reveals that he indeed touches upon almost all issues the American GIs encountered during this war; nevertheless, not all online literary analysis websites and peer-reviewed authors

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27

Barnes, Leslie. "Cinema as Cultural Translation: The Production of Vietnam in Trẩn Anh Hùùng's Cyclo". Journal of Vietnamese Studies 5, № 3 (2010): 106–28. http://dx.doi.org/10.1525/vs.2010.5.3.106.

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This article examines Trẩn Anh Hùng's Cyclo (1995) as a work of cinematic autoethnography, that is, as a record of Vietnamese culture reflected not in the "objective" detailing of behavior but in a creative assemblage, or montage, of cultural codes. After addressing the question of fiction and ethnography, I examine the film's formal translation of the verbal and nonverbal signs that traditional ethnographic approaches would conserve in written form. By encouraging confusion and ongoing creative recombination, Trẩn Anh Hùùng's film questions not only the possibility of a faithful rendering of

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Almasoudi, Ruwaida. "Posttraumatic Memories and Feelings of Guilt in Tim O'Brien's The Things They Carried." Al-Adab Journal, no. 145 (June 14, 2023): 21–32. http://dx.doi.org/10.31973/aj.v1i145.3921.

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Writing has long been related to communicating emotional experiences. One of these experiences is war, and the Vietnam War was a long brutal struggle divided into two periods. The first is called the good Vietnam War, covering the years from 1964 to 1968. The second spanned from 1968 to 1972, known as the bad Vietnam War, through which fighting turned into guerilla war. Battles of the second phase were characterized by savage killings of soldiers and mass murder of unarmed civilian Vietnamese. This bad war inspired many literary narratives in drama, fiction, and poetry. Tim O’Brien’s The Thing

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Pham, Hoa. "We are Vietnamese. A Reflection on Being Vietnamese-Australian." PORTAL Journal of Multidisciplinary International Studies 15, no. 1-2 (2018): 87–91. http://dx.doi.org/10.5130/portal.v15i1-2.5733.

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We are Vietnamese - A reflection on being Vietnamese-Australian is a creative non fiction piece concerning being a Vietnamese-Australian author in the present day. It explores Hoa’s meeting with Pham Thi Hoai, a Vietnamese author in exile in Berlin, and her encounters with Thich Nhat Hanh the Vietnamese Zen Master. It also interrogates the cultural perceptions of Vietnam in Australia and Hoa’s own subject position as a published Asian Australian author.  We are Vietnamese - A reflection on being Vietnamese-Australian est un essais sur ce que signifie être un auteur australo-vietnam

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30

RUANE, KEVIN. "The Hidden History of Graham Greene's Vietnam War: Fact, Fiction and The Quiet American." History 97, no. 327 (2012): 431–52. http://dx.doi.org/10.1111/j.1468-229x.2012.00556.x.

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31

Thu-Hương, Nguyễn-Võõ. "History Interrupted: Life after Material Death in South Vietnamese and Diasporic Works of Fiction." Journal of Vietnamese Studies 3, no. 1 (2008): 1–35. http://dx.doi.org/10.1525/vs.2008.3.1.1.

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The article uses Derrida's spectrality to look at magical realism in South Vietnamese and diasporic literature in Vietnamese. Diasporic literature has been said to be either a simple extension of literature from the Republic of Vietnam or a drastic break, with its prevalent use of magic. The article argues instead that the very disruption of the history of the South is the creative force behind both. It is the death of the South foretold that animated Republican writing. And it is the death of the South that forces the symbolization of history in the new global economic context of diasporic fi

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32

Nguyen, Thi Mai Lien. "Transformation of French literature into Ho Bieu Chanh’s work from the perspective of the polysystem theory." Ministry of Science and Technology, Vietnam 66, no. 1 (2024): 96–108. http://dx.doi.org/10.31276/vmostjossh.66(1).96-108.

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Around the middle of the 17th century, the national language script was born and developed thanks to the merits of Western missionaries such as G.D. Amaral and A. Barbosa (Portugal); A.D. Rhodes (France). However, Catholic literature in Vietnam over the next 200 years was still mainly written in Nom, Chinese, or Latin. When the French tried to consolidate their rule in Vietnam, the Quoc Ngu script was made official throughout Vietnam in the early 20th century in order to eliminate the influence of anti-French Confucianism in Vietnam. Among the writers of this period, Ho Bieu Chanh was the most

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33

Guha Majumdar, Rupendra. "The Return of Silent Tongue: Sam Shepard’s Feminist, Gothic Western." Ostrava Journal of English Philology 13, no. 2 (2022): 17–41. http://dx.doi.org/10.15452/ojoep.2021.13.0008.

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In his screenplay/film Silent Tongue (1992), Sam Shepard appears to synthesize the elements of multiple genres from the modern literary repertoire of his American and European precursors (Poe, O’Neill, Williams, Beckett), including facets of expressionism, magic realism, surrealism, the gothic, science fiction, the absurd, etc. And yet, it also appears that his work does not exactly belong to “any literary or theatrical tradition at all” but emerges from the subversion of “all such traditions” in America (Gilman, Sam Shepard xiii), thus paradoxically endorsing an original form of drama that re

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Lim, Kyung-Mook, and Wonhyuk Lim. "Investment Bust in Post-Crisis Korea: Fact or Fiction?" Asian Economic Papers 5, no. 3 (2006): 1–18. http://dx.doi.org/10.1162/asep.2006.5.3.1.

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In post-crisis Korea, facility (equipment) investment shows the worrisome trends of a slowdown in investment growth and a decline in investment propensity. We marshal micro and macro data to examine four major explanations for these important developments. Our analysis: (a) finds that cyclical factors such as depressed private consumption in 2003 and 2004 did lead to lower investments in automobiles, hence dragging down total investment growth in these years; (b) rejects the claim that investment was lowered by an “anti-chaebol environment” created by the Roh Moo-hyun government (facility inve

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Doble, John. "The Mind Reader." After Dinner Conversation 3, no. 9 (2022): 85–109. http://dx.doi.org/10.5840/adc20223988.

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Are weak people more prone to follow an authoritarian? In this work of philosophical short fiction, the narrator tells the story of a man he knew in the 1970’s. In this remembered story, the narrator is a psychology student learning about the “F Test,” a test that supposedly allows you to gauge your fascist tendencies. He friend, a Vietnam Vet, disagrees with the simplicity of the test. To prove his point the friend talks to, and easily manipulates, a bohemian woman in the bar to change her life (for the better). The narrator watches and does nothing, but is horrified by how easily this happen

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FROMER, YOAV. "A New Deal, a New Updike: The Decline of New Deal Liberalism in John Updike'sThe Poorhouse Fair." Journal of American Studies 51, no. 2 (2016): 385–410. http://dx.doi.org/10.1017/s0021875816000992.

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This paper challenges the prevailing notions that John Updike's fiction was mostly apolitical by offering a fresh and unorthodox reading of his debut novelThe Poorhouse Fair(1958). It argues that Updike's application of political metaphor to an ostensibly placid plot that revolves around a New Jersey retirement home illuminates mounting disagreements within the New Deal order regarding power, liberty, democracy, and religion. Unlike conventional narratives that attribute the decline of liberalism in the 1960s to external factors such as Vietnam, racial strife, counterculture, and postindustria

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Lee, Geongeun. "Faction Representation Method of Sexual Assault by the U.S. Forces in the Vietnam War and Its Discourse Value." Democracy and Peace Institute, Chosun University 5, no. 1 (2022): 45–66. http://dx.doi.org/10.55082/jdp.2022.5.1.45.

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U.S. media and contents based on the Vietnam War have focused mainly on the political aspects of the Cold War era after the Second World War and the post-Cold War era in the 1990s, but little has been said about the frequent U.S. soldiers' sexual assault against Vietnamese women. This paper examines the way the faction literature and movies related to the Vietnam War reproduce sexual violence by the U.S. military and discusses whether it is worth discussing the phenomenon of wartime sexual violence on terms of social science. To this end, I examine the contents reproduced by the style of

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Edwards, Paul N. "Cyberpunks in Cyberspace: The Politics of Subjectivity in the Computer Age." Sociological Review 42, no. 1_suppl (1994): 69–84. http://dx.doi.org/10.1111/j.1467-954x.1994.tb03410.x.

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In the Cold War, Americans constructed the political world as a closed system of ideological conflict. Computers were developed to support a closed-world discourse with centralized, computerized military command and control, embodied in Vietnam-era systems and Reagan's Strategic Defense Initiative. Simultaneously, at the level of individual minds, a cyborg discourse about intelligent machines linked the microworlds constituted by computer programs to human thought processes. Popular science fiction of the 1980s, such as the Star Wars film trilogy, Neuromancer, and The Terminator merged closed-

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Rhee, Suk Koo. "Reconsidering the Critical Consciousness in The Songba River Far Away." Institute of History and Culture Hankuk University of Foreign Studies 88 (November 30, 2023): 295–318. http://dx.doi.org/10.18347/hufshis.2023.88.295.

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This paper is premised on the idea that a different meaning or a different set of hermeneutic codes are detectable in Park Yong-han’s The Songba River Far Away than those attributed from a realistic perspective to the novel. It starts with charting the similarities and differences between Park’s novel and the so-called “victim discourse” commonly found in the American Vietnam War fiction, which is reputedly employed in order to exempt American GIs from the responsibilities for the horrendous war crimes. This paper then proceeds to focus on what it deems to be two crucial episodes in the novel

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Tibbits, Patrick. "SMRTSS." After Dinner Conversation 5, no. 4 (2024): 16–30. http://dx.doi.org/10.5840/adc20245434.

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Are extra-judicial killings always murder? Can equality ever be progressed through violence? In this work of philosophical short story fiction, a military intelligence officer with a family history of military service goes to personally drop off the results of a Freedom of Information Request made by Fierce Lee Human (“F. Lee”), a café radical, and communist sympathizing college professor. However, things don’t go quite as planned as the government document being requested turns out to be proof that F. Lee worked with communist spies during the Vietnam War to assist in the shooting down of a h

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Cahill, Helen. "Re-thinking the fiction–reality boundary: investigating the use of drama in HIV prevention projects in Vietnam." Research in Drama Education: The Journal of Applied Theatre and Performance 15, no. 2 (2010): 155–74. http://dx.doi.org/10.1080/13569781003700052.

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42

Strout, Irina. "The “Drama of Gender Difference,” or the Question of Masculinity and Patriarchy in the Vietnam War Fiction." Litera: Journal of Language, Literature and Culture Studies / Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi 33, no. 1 (2023): 219–37. http://dx.doi.org/10.26650/litera2021-1012712.

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Z. Stojanović, Aleksandra. "VIETNAMIZING THE TRALFAMADORIANS IN KURT VONNEGUT’S SLAUGHTERHOUSE-FIVE." PHILOLOGIA MEDIANA 15, no. 1 (2023): 241–51. http://dx.doi.org/10.46630/phm.15.2023.17.

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The goal of the paper is to explore Kurt Vonnegut’s novel Slaughterhouse-Five as a means of social criticism of the Vietnam War. Prior to analyzing the novel, we must establish the relation between Jean-Paul Sartre’s notion of engaged literature and Darko Suvin’s view of science fiction as an ultimate literary alibi. Contrary to previous interpretations, the novel is viewed as a comment on the author’s contemporary society rather than the distant historical period of World War II or the spacially displaced world of the Tralfamadorians. Of primary interest will be the Tralfamadorian subplot of

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Uyên and Bình. "The Development of Boys Love in Vietnam: From Manga and Danmei Fiction to the Football Turf." Mechademia: Second Arc 13, no. 1 (2020): 148. http://dx.doi.org/10.5749/mech.13.1.0148.

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Hoang Thi, Nga, and Maria Zakharova. "FEATURE FILM AS A SECONDARY SOURCE IN HISTORICAL LEARNING." Journal of Science Social Science 63, no. 7 (2018): 82–88. http://dx.doi.org/10.18173/2354-1067.2018-0053.

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A true account of history depends on how reliable the source of the accounts is, and how correct facts about the event are. Primarily, historical accounts are built on what people narrate about particular incidents and events. However, people are motivated differently to give facts or fictitious accounts about a particular event. In the feature films, most story plots have been developed along the common narration in the mainstream media. Others have been altered to ensure that the films are entertaining and meet the expectations of the target audience. However, some of the incidents may or ma

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Fouzia Usmani and Shahin Fatma. "Adaptation Odyssey: Tracing the Evolution of Postcolonial Narrative from Fiction, Film to Digital Gaming." Shanlax International Journal of English 12, S1-Dec (2023): 433–39. http://dx.doi.org/10.34293/rtdh.v12is1-dec.137.

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The vibrant advancement of Joseph Conrad’s Heart of Darkness is observed in this essay through an ongoing process of modification and alteration. The novella, which first appeared in 1902 and was based on Conrad’s experiences in the Congo in the 1890s, has subsequently been the subject of numerous adaptations that have sparked debates and criticisms. As a Nigerian writer, Chinua Achebe engaged in a thoughtful analysis of the novella, scrutinizing it for potential instances of racism. Conversely, Francis Ford Coppola fearlessly reimagined the narrative within the context of the Vietnam War in h

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Peters, Julie Stone. "Law, Literature, and the Vanishing Real: On the Future of an Interdisciplinary Illusion." PMLA/Publications of the Modern Language Association of America 120, no. 2 (2005): 442–53. http://dx.doi.org/10.1632/003081205x52383.

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I begin with a story: Some never-to-be-untangled amalgamation of history, caricature, and the truer than true that is fiction. A little over a decade ago, at a great and august university, a group of professors met to talk about law and literature. Most of the literature professors had been Vietnam War protesters, staged sit-ins, marched on Washington. Some of the law professors had spent time in Paris listening to Derrida and smoking Gauloises by the Seine. They had all watched the birth and death of deconstruction, critical legal studies, new historicism, various feminisms (though they weren

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Hilding, Paul. "Taps." After Dinner Conversation 2, no. 7 (2021): 5–19. http://dx.doi.org/10.5840/adc20212760.

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Do you have the right, or even the obligation, to disobey laws that you find personally unjust? In this work of philosophical short story fiction, John is a trumpet player that is called by the VA to play taps at the funeral of a Vietnam veteran. He plays at many funerals for veterans as a penance for having fled to Canada to avoid the draft. John goes to the bridge where Daniel previously lived and finds his camp, complete with purple heart and copy of The Collected Dialogues of Plato. Daniel marked several pages in “Crito” outlining the death of Socrates. Like John, Daniel had disagreed with

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Klinkowitz, Jerome. "American Fiction in the Cold War, and: Re-Writing America: Vietnam Authors and Their Generation (review)." MFS Modern Fiction Studies 38, no. 2 (1992): 480–82. http://dx.doi.org/10.1353/mfs.0.1059.

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Anderson, Jean. "What’s in a Name? Thanh-Van Tran-Nhut’s Esprit de la renarde: Translating Characters’ Names in Historical Crime Fiction." PORTAL Journal of Multidisciplinary International Studies 15, no. 1-2 (2018): 43–52. http://dx.doi.org/10.5130/portal.v15i1-2.5761.

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This is a translation of an extract from Thanh-Van Tran-Nhut’s 2009 crime novel, L’Esprit de la renarde (Spirit of the Vixen, Paris: Picquier Poche), the fifth of eight in the Mandarin Tân series of investigations carried out in 17th-century Vietnam (then called Dai Viêt). An introductory note assists in setting the scene and briefly outlining some of the translation challenges for the text, notably the range of names used in the original. These vary from the relatively exotic (Madame Liu) to the partly French (Madame Prune) and the fully French (Contemplation Retenue).   A partir

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