Academic literature on the topic 'Vietnamese literature and criticism'

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Journal articles on the topic "Vietnamese literature and criticism"

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Dinh Minh, Hang. "Vietnamese modern poetry from the perspective of Virginia Woolf and the aspect of subject and female subject in writing." Journal of Science Social Science 66, no. 3 (2021): 31–39. http://dx.doi.org/10.18173/2354-1067.2021-0044.

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In the current era of globalization, the study of Vietnamese literature, especially the studies of Vietnamese modern poetry and specifically Vietnamese women' poetry, are not outside the trends and theories in Western literary and social theory. These studies aim to establish important theoretical foundations for literary criticism, and at the same time, suggest new thinking and approaches to literature from both reception and composition perspectives. Theories including the aspect of discourse's subject, and Virginia Woolf's feminist conception, which focus on woman as a matter of subject in
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Le, Quoc Hieu. "KIEU THANH QUE AND HIS MONOGRAPH “LITERARY CRITICISM”." UED Journal of Social Sciences, Humanities and Education 11, no. 1 (2021): 22–27. http://dx.doi.org/10.47393/jshe.v11i1.919.

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The literary legacy of the writer Kiều Thanh Quế can be considered a “fertile land” and an “opening structure” which suggest/require numerous interpretations and judgments. Understanding Kieu Thanh Que’s essential contributions to the formation of theoretical fundamentals of literary criticism helps re-evaluate his role and position in Vietnamese literature of the first half 20th century, especially in literary criticism - Kieu Thanh Que’s most dynamic and productive area of work. This article aims to: 1, introduce his monograph Literary Criticism; 2, point out several features of Kieu Thanh Q
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Khue, Nguyen Dinh Minh. "Lê Tuyên’s literary criticism and Camus’s existentialist philosophy." Science & Technology Development Journal - Social Sciences & Humanities 4, no. 2 (2020): 376–86. http://dx.doi.org/10.32508/stdjssh.v4i2.554.

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Lê Tuyên was among the most notable literary critics of South Vietnam during the period 1954 – 1975. He has been best known for being one of the first Vietnamese to adopt and apply phenomenological criticism, especially Bachelardian analysis of the imaginaire and poetic reveries. However, in our opinion, there are other philosophical views rather than Bachelardian thought embedded in Lê Tuyên’s literary criticism, one of which is existentialist ideas. In this paper, based on the fact that Lê Tuyên frequently cited Camus and published several articles introducing Camus’s ideas, we would like to
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Rato, Montira. "Class, Gender and the Representation of Peasant Women in Vietnamese Literature." MANUSYA 6, no. 3 (2003): 47–67. http://dx.doi.org/10.1163/26659077-00603003.

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The paper seeks to explore how peasant women are portrayed in Vietnamese literature and tries to highlight that, throughout the development of Modem Vietnamese literature, the way in which peasant women are portrayed is closely related to political agendas and ideological struggles. It also proposes that the construction of peasant women in Vietnamese literature is not only gender- based, but also class-bound. In the period between 1930 and 1945, the victimisation of peasant women was used as a tool to criticise the colonial administration. In the 1945-75 period, literature took part in mobili
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Le, Thuy Hien. "Umorismo come strumento di critica all’Occidentalizzazione nel romanzo vietnamita Số Đỏ (Vũ Trọng Phụng, Hanoi, 1936)". Annali Sezione Orientale 82, № 1-2 (2022): 141–71. http://dx.doi.org/10.1163/24685631-12340131.

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Abstract Based on the study of humour and its classical categories (superiority, relief, incongruity), as well as its denunciation function, this paper is going to explore different humour techniques in Số Đỏ (Vũ Trọng Phụng 1936), a masterpiece of contemporary Vietnamese literature. Written during the most intense period of socioeconomic and political changes in colonial Indochina, this novel immediately stood out for its bitter humour, which laid bare the effects of modernization in northern Vietnam during late French colonization. Focusing on ridiculous members of the emergent Francophile b
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Hoang, Mai. "Trần Dần: Selected Poetry Translations". Columbia Journal of Asia 1, № 1 (2022): 15–33. http://dx.doi.org/10.52214/cja.v1i1.9383.

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After Trần Dần criticized the poetry collection of Tỗ Hữu, a politician—calling his magnum opus a manual collection of propaganda and leadership—Tỗ Hữu assembled 150 poets and party intellectuals to criticize the poet, declaring Trần Dần and likeminded writers guilty of petty bourgeoisie. In February 1956, Trần Dần was purged from the party and sent to the infamous Hanoi Prison. Though he was released after an attempted suicide, Trần Dần was suspended from the Union of Arts and Literature for the next thirty years. In other words, for most of the poet's life, his works never saw the light of d
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Battal UĞURLU, Seyit. "Children’s Literature Criticism." Journal of Turkish Studies Volume 5 Issue 3, no. 5 (2010): 1921–45. http://dx.doi.org/10.7827/turkishstudies.1219.

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Magedanz, Stacy. "Gale Literature Criticism." Charleston Advisor 23, no. 2 (2021): 12–15. http://dx.doi.org/10.5260/chara.23.2.12.

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Gale Literature Criticism provides a (potentially) wide selection of literature criticism articles and original interpretive materials appropriate for undergraduates. Its interface is generally friendly and easy to use, but libraries heavily invested in existing Gale content may find the lack of cross-product search integration to be a problem.
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Mullins, G. A. "Atrocity, Literature, Criticism." American Literary History 23, no. 1 (2010): 217–27. http://dx.doi.org/10.1093/alh/ajq084.

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Olsen, Stein Haugom. "CRITICISM OF LITERATURE AND CRITICISM OF CULTURE." Ratio 22, no. 4 (2009): 439–63. http://dx.doi.org/10.1111/j.1467-9329.2009.00444.x.

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